SOUNDCRAFT SI PERFORMER 2

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Si Performer 2 Highlights • Massive mix capacity – 80 inputs to mix in a small format live sound digital mixer • 2 ViSi Connect™ option card slots with 128×96 input/output paths for expanded digital I/O including the MultiDigital Card (Firewire/USB/ADAT), BSS Digital Audio Bus (BLU Link), Dante™, CAT5 or optical MADI, AVIOM™, CobraNet™ and […]

 

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Si Performer 2 Highlights

Massive mix capacity – 80 inputs to mix in a small format live sound digital mixer

2 ViSi Connect™ option card slots with 128×96 input/output paths for expanded digital I/O including the MultiDigital Card (Firewire/USB/ADAT), BSS Digital Audio Bus (BLU Link), Dante™, CAT5 or optical MADI, AVIOM™, CobraNet™ and others.

Assignable Fader Layers – Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!

1 Control = 1 Function – With each control dedicated to a given function there is never any ‘layering’ of controls or navigating through screens; this allows the Si Performer controls to be labeled on the surface just as they would have been on an analogue mixer.

TOTEM™ – The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.

Soundcraft FaderGlow™ – Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you’ll never be lost again!

DMX interface – control sound and light from the same device.

BSS® GEQ – With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never ‘run out’ of processing.

Security Lockout – Lock the whole console or just selected elements, manage the security with the users and profile settings.

Personal Monitoring Interface – When used with the Si BLU link option card, the Si Performer is a perfect partner to the dbx PMC16 Personal Monitoring System , using simple Cat5 cabling for easy setup.

D.O.G.S. (Direct Out Gain Stabiliser) – Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.

Global Mode Controls – A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.

Copy & Paste – Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.

Instant Access Keys – Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-8, TAP TEMPO and more negate the need to dive into screen & context menus.

Function Focus – Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc.

Key Features

  •  24 mono mic inputs
  •  8 line inputs
  •  80 channels to mix
  •  2 ViSi Connect™ option card slots for 128 x 96 input/output paths
  •  Pre/Post selection per input per bus
  •  Freely assignable faders and patching
  •  Soundcraft FaderGlow™
  •  Colour backlit LCD screens per fader
  •  GEQ on every bus
  •  20 sub-group / aux busses
  •  4 FX busses
  •  8 Matrix busses
  •  LRC Mix busses
  •  LCR panning
  •  4 Stereo Lexicon Effects engines
  •  Delay on inputs and outputs
  •  8 Mute Groups
  •  8 VCA Groups
  •  AES in and out
  •  DMX interface and control – control sound and light simultaneously
  •  Freely assignable insert loops
  •  Harman HiQnet integration
  •  Colour touch screen interface

Weight 10.00 kg

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Description
Content

Si Performer 2 Highlights

Massive mix capacity – 80 inputs to mix in a small format live sound digital mixer

2 ViSi Connect™ option card slots with 128x96 input/output paths for expanded digital I/O including the MultiDigital Card (Firewire/USB/ADAT), BSS Digital Audio Bus (BLU Link), Dante™, CAT5 or optical MADI, AVIOM™, CobraNet™ and others.

Assignable Fader Layers - Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!

1 Control = 1 Function - With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Performer controls to be labeled on the surface just as they would have been on an analogue mixer.

TOTEM™ - The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.

Soundcraft FaderGlow™ - Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again!

DMX interface - control sound and light from the same device.

BSS® GEQ - With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing.

Security Lockout - Lock the whole console or just selected elements, manage the security with the users and profile settings.

Personal Monitoring Interface - When used with the Si BLU link option card, the Si Performer is a perfect partner to the dbx PMC16 Personal Monitoring System , using simple Cat5 cabling for easy setup.

D.O.G.S. (Direct Out Gain Stabiliser) - Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.

Global Mode Controls - A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.

Copy & Paste - Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.

Instant Access Keys - Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-8, TAP TEMPO and more negate the need to dive into screen & context menus.

Function Focus - Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc.






Key Features

  •  24 mono mic inputs
  •  8 line inputs
  •  80 channels to mix
  •  2 ViSi Connect™ option card slots for 128 x 96 input/output paths
  •  Pre/Post selection per input per bus
  •  Freely assignable faders and patching
  •  Soundcraft FaderGlow™
  •  Colour backlit LCD screens per fader
  •  GEQ on every bus
  •  20 sub-group / aux busses
  •  4 FX busses
  •  8 Matrix busses
  •  LRC Mix busses
  •  LCR panning
  •  4 Stereo Lexicon Effects engines
  •  Delay on inputs and outputs
  •  8 Mute Groups
  •  8 VCA Groups
  •  AES in and out
  •  DMX interface and control - control sound and light simultaneously
  •  Freely assignable insert loops
  •  Harman HiQnet integration
  •  Colour touch screen interface

Drawing on more than a decade of experience in the field of digital audio mixing, the Soundcraft® Si Expression exploits some of the newest DSP, component technology and manufacturing techniques to deliver our most powerful cost effective digital console ever! Each console in the range is identical in its feature set so your only choice is how many faders and local mic amps you want. With a range covering the super portable 19" rack mount Expression 1 to the mighty Si Expression 3 with its 30+2 faders and 32 mic/line inputs there is a model to meet all needs.

Taking the Si Expression 2 as a typical example, it features 24 recallable mic pre amps (32 on Si Expression 3 and 16 on Si Expression 1) plus 4 line inputs, 4 internal stereo FX returns, AES in, and a 64x64 expansion slot offering more than enough scope to use every one of the 66 input processing channels. Every input processing channel has dedicated processing for high pass filter, input delay, gate, compressor and four band EQ whilst keeping it under control is a comprehensive automation system augmented with four mute groups and FaderGlow™ to light the way so you are never lost.

All Si Expression consoles have busses, output processing and connectivity to match the versatility of the inputs; the 14 aux/group mixes can be configured as 14 mono mixes, 8 mono plus 6 stereo mixes or almost anything in between, whilst the 4 matrix mixes can be mono or stereo as needed. The bus and matrix mixes are complemented with four more mix busses dedicated to the internal Lexicon FX processors all in addition to the left, right and centre busses. Each bus mix features a compressor, 4 band EQ, BSS graphic EQ and delay always available all of the time. Output connectivity is comprehensive with all models featuring 16 balanced line outputs, headphone monitor out, AES out and of course the 64x64 option slot.

To complement the channel and bus processing all Si Expression consoles integrate four stereo Lexicon FX processors based on the MX400 providing a wealth of sounds, user adjustable parameters and dedicated tap-tempo keys. As the FX are hardware based, use of all the effects, even on the most demanding programmes does not affect other processing in any way and all dynamics, EQs, filters, delays, and GEQs remain available regardless what you are doing.

Flexible onboard and expansion I/O options ensure your Si Expression integrates effortlessly with other system components utilising any of the Si series option cards including AES, Firewire/USB/ADAT*1, AVIOM™, CobraNet™, BSS Digital Audio Bus (BLU Link)*1, Dante™*1 CAT5 or optical MADI. The MADI card, as well as being an interface to multi-track recording systems or plug-in systems like Waves, enables linking the Si Expression to any of the Soundcraft or Studer stageboxes to extend the I/O power and flexibility. Adding a stagebox to an Si Expression actually increases the number of channels you can mix at once not just how many inputs you have available to choose from! It is said ʽPower is nothing without controlʼ and here the Si Expression excels with a comprehensive but 'simple to use' control surface incorporating a dedicated control for every parameter, a row of global mode encoders and colour touch screen ensuring operation is quick and easy.

As you would expect from any Soundcraft digital mixer the facilities are extensive and include legendary audio quality courtesy of the latest generation EMMA™ DSP processor, the same DSP platform that has helped propel previous Soundcraft Si series consoles to fame. All this power united with reliability, flexibility and usability puts the Si Expression in a class of its own.

*1 Expected spring/summer 2013

Si Expression Highlights
•     D.O.G.S. (Direct Out Gain Stabiliser) – Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.
•     Security Lockout – Lock the whole console or just selected elements, manage the security with the users and profile settings.
•     Assignable Fader Layers – Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!
•     Copy & Paste – Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.
•     TOTEM™ – The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.
•     BSS® GEQ – With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing.
•     1 Control = 1 Function – With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Expression controls to be labelled on the surface just as they would have been on an analogue mixer.
•     Global Mode Controls – A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.
•     Soundcraft FaderGlow® – Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again!
•     Instant Access Keys – Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-4, TAP TEMPO and more negate the need to dive into screen & context menus.
•     Function Focus – Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc...
•     Everything Everywhere – All channels and busses have a full complement of processing, nothing to assign or configure.

Key Features
      24 (32 - Si Expression 3, 16 – Si Expression 1) mono mic inputs
      4 line inputs
      Colour touch screen interface
      66 channels to mix possible
      Pre/Post selection per input per bus
      AES in and out
      Global mode encoders
      Soundcraft FaderGlow™
      GEQ on every bus
      20 sub-group / aux busses
      4 FX busses
      8 Matrix busses
      LR and C Mix busses
      4 Stereo Lexicon Effects engines
      Delay on inputs and outputs
      4 Mute Groups
      Freely assignable insert loops
      Harman HiQnet integration
      64x64 channel option card slot

19-inch Digital Production Console for Professionals in the Studio or On the Road

Mixing performance and features directly inherited from the DM2000 and 02R96 in a rack-mount size console. Version 2 offers ESAM II support, Add-on Effects compatibility, and numerous other upgrades.


When the acclaimed Yamaha DM2000 console appeared on the production scene, it proved that true 24-bit/96 kHz performance, DAW integration, and surround production facilities were what the industry had been waiting for. With the introduction of the 02R96 the same benefits became available to a broader range of engineers and facilities, including project studios for music production. Now the Yamaha DM1000, like the DM2000, is designed especially for commercial post-production, audio for video, and broadcast applications. But extraordinary versatility and configurability mean that the DM1000 is also ideal for a wide range of sound reinforcement applications.
The DM1000 Digital Production Console distills the essence of the DM2000 into a remarkably compact console that delivers the same level of performance and key features. And with the supplied Studio Manager Application software, all mix data is interchangeable between the DM2000, DM1000 and 02R96. These consoles can be linked and cascaded interactively within a multi-room studio, or a tour engineer can do a basic console setup on his laptop computer anywhere, and then simply load the settings into the console at the venue.
Like its predecessor, the DM1000 delivers mixing power and performance that's way ahead of anything else on the market, and it even incorporates newly introduced software features such as 6.1 Surround, User Assignable Layer, and Global Recall Safe. Never has so much mixing power and versatility been available in a compact, rack-mountable console.
With the introduction of Version 2, the DM1000 evolves to an even higher level of refinement.


Outline
Mixing capability Mixing channels 48
GROUP 8
AUX 8
MAIN Stereo
Input channel functions Gate, Attenuator, 4-band PEQ, 2x Compressor, Delay, Pan
Output channel functions Attenuator, 4-band PEQ, Compressor, Delay
On-board processors 4x SPX multi effectors
I/O Mic inputs 16
Phantom power +48V DC; ON/OFF per channel
Line inputs 4x Omni in
AD converter 24-bit; 128-time over sampling
Line outputs 12x Omni output
DA converter 24-bit; 128-time over sampling
Digital I/O 2x 2tr in/out
Expansion slots 2x Mini-YGDAI (16-in/16-out)
Control and others To Host(USB), Control(GPI), Remote, MIDI, Time code in (SMPTE), Word clock I/O
General specifications
Internal processing 32bit, Accumulator: 58bit
Sampling frequency rate Internal 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
External 44.1kHz/88.2kHz (-10%) - 48kHz/96kHz (+6%)
Signal delay Less than 1.6ms (@48kHz), Less than 0.8ms (@96kHz)
Total harmonic distortion Less than 0.05% (20Hz-40kHz)
Frequency response 0, +0.5, -1.5dB 20Hz-40kHz
Dynamic range DA: 110dB; AD+DA: 106dB
Hum & noise level Equivalent input noise -128dBu
Residual output noise -86dBu
Crosstalk -80dB
Power requirements AC100V, 120V, 220-240V 50/60 Hz
Power consumption 135W
Dimensions W 436mm; 17-3/16in
H 200mm; 7-7/8in
D 585mm; 23-1/16in
Net weight 20kg; 44.1lbs
Accessories Owner's Manual, Studio Manager Installation Guide, AC power cord

With a powerful user interface, unrivaled sound quality, amazing DSP performance, direct Wi-Fi and LAN communication, fast and intuitive workflow, onboard FireWire s800 interface, and tightly integrated software suite for Mac®, Windows®, and iOS®, StudioLiveTM AI-series digital mixers create a streamlined working environment for both live and studio use.

Redesigned from the ground up, these state-of-the-art mixers provide analog workflow with extensive dual signal processing on every channel and bus and actively integrated software that solves real-world problems and lets you record and distribute what you mix. Configurable networking and communications option cards ensure your investment won't be outdated as new technologies emerge.

In short, StudioLive AI-series mixers deliver the very best in digital mixing and recording technology and make it all incredibly intuitive and easy to learn and use.

32/24/16 input channels, each with:
  • XLR mic and ¼" line inputs
  • High-headroom Class A XMAXTM mic preamplifiers
  • Analog ¼" inserts (rear panel)
  • Trim control with -20 to +20 dBV line / -15 to +65 dBu mic gain range (80 dB!)
  • +48V phantom power switch for condenser microphones
  • Digital Audio Input Select
  • 100 mm precision faders
  • Phase reverse, highpass filter, noise gate/expander, compressor, 4-band EQ, limiter-all with A/B and Quick Null
48 in x 34 out / 40 in x 26 out / 32 in x 18 out FireWire s800 direct digital recording interface (24-bit/44.1 kHz and 48 kHz)
  • Compatible with ASIO and Core Audio; works with Logic®, Pro Tools, Cubase, SonarTM, Digital PerformerTM, Live, and more
24/20/16 dedicated mix buses for easy configuration
  • 14/10/6 aux buses with analog outputs
  • 4 internal FX buses
  • 4 subgroups with analog outputs
  • Stereo main bus with analog outputs
  • Access to Fat Channel functions
4 subgroup buses, each with:
  • Balanced TRS output
  • Solo
  • Mute
  • Noise gate/expander, compressor, 4-band EQ, limiter - all with A/B and Quick Null
  • 300 ms output delay
  • Available sources: 32/24/16 input channels; Aux In A and B; FXA, FXB, FXC, FXD returns
14/10/6 aux buses, each with
  • Balanced TRS output
  • Solo
  • Mute
  • Pre1/Pre2/post-fader send
  • Output-level control
  • Highpass filter, noise gate/expander, compressor, 4-band EQ, limiter - all with A/B and Quick Null
  • 31-band graphic EQ with A/B and Quick Null
  • Available sources: 32/24/16 input channels, Aux In A and B, Tape Input, Main digital-audio return, FXA, FXB, FXC, FXD, Talkback
4 internal effects sends (two reverbs, two delay effects), each with:
  • Mute
  • Pre1/Pre2/post-fader send
  • Output-level control
  • Highpass filter, noise gate/expander, compressor, 4-band EQ, limiter - all with A/B and Quick Null
Stereo Main bus with:
  • Balanced XLR outputs
  • Balanced TRS outputs
  • Mono sum XLR output
  • Noise gate/expander, compressor, 4-band EQ, limiter - all with A/B and Quick Null
  • 31-band graphic EQ with A/B and Quick Null
Master Section
  • Aux Input A and B
    • Level Control and stereo pan
    • StudioLive 24.4.2AI and 16.4.2AI exclusive: noise gate/expander, compressor, 4-band EQ, limiter - all with A/B and Quick Null
  • Talkback System
    • Mic Level control
    • Output Select (Auxes, Main)
    • Talk button
    • Rear-panel XLR mic input with trim control and continuous 48V phantom power
  • 2 Track In
    • Level control
    • Tape Input to Mains button
    • Main Digital Audio Return on/off
  • Solo Bus
    • Cue Mix volume control
    • PFL/AFL and Solo In Place (SIP) buttons
    • Latch, Radio, and CR Modes
    • Solo Clear
  • Monitor Bus
    • Headphone-output level control
    • Control-room monitor-level control
    • Solo Bus to Monitor button
    • Tape Input to Monitor button
    • Main Digital Audio Return to Monitor button
    • Main Mix to Monitor button 
Fat Channel with rotary encoders:
  • Pan with dedicated 15-LED display
  • Stereo link for input channels, aux buses, and subgroups
  • Phase reverse (input channels only)
  • High-pass filter: -6 dB/oct., sweepable from Off to 1 kHz (main channels and aux's only)
  • Gate: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec; Bandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function
  • Compressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release
  • 4-band fully parametric equalizer (32.4.2AI / 24.4.2AI / 16.4.2AI with VSL-AI or SL Remote-AI)
    • Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking
    • Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0
    • High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0
    • High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking
    • Master EQ On/Off button
  • 4-band semi-parametric equalizer (16.4.2AI mixing surface)
    • Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking
    • Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB; Low Q = .0.55, Hi Q = 2.0
    • High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB; Low Q = .0.55, Hi Q = 2.0
    • High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking
    • Master EQ On/Off button
  • Limiter: variable Threshold -28 dBfs to 0, ∞:1 Ratio
  • Alt EQ & Dyn button for quick A/B comparisons of two complete sets of Fat Channel settings for each channel and bus
  • Output Assign: 4 subgroups and main
  • All settings can be copied among channels and buses and can be saved as user presets.
  • 50 channel-strip presets for drums, bass, guitars, keyboards, and vocals
  • Quick Parameter Null easily zeroes out any Fat Channel parameter
4 internal digital effects-processors (2 reverbs, 2 delays), each with 50 customizable presets
  • 16/12/8 31-band graphic equalizers
Assignable to each aux bus and the Main bus Scene Store and Recall
  • Global Scene Storage: all current StudioLive settings
    • Up to 80 at a time
  • 6 Quick Scene buttons for instant Scene save/recall-like "speed dial" for Scenes (available on the 32.4.2AI mixing surface and on 24.4.2AI and 16.4.2AI via VSL-AI and SL Remote-AI)
  • Automatic Global AutoStore
  • Customizable naming (for example, "Saturday Gig" or "Main Worship Service“)
Individual channel-strip setting storage
  • Up to 48 at a time, plus...
  • 50 factory presets for instruments and vocal
  • Copy and Paste between channels
  • Can be browsed by category (DRM, VOX, HRN, GTR, BAS, MISC, SYS)
Lockout mode to keep inspired amateurs from changing your settings Metering/Displays
  • 24 x 16- LED Fat Channel matrix:
    • Pre-dynamics/pre-fader input
    • Post-dynamics/post-fader output
    • Gain reduction
    • Aux 1-14 and EFX A-D output
    • Fader-position recall
  • 8 x 15-LED main meter bank
    • Selected channel level
    • Selected channel gain reduction
    • Sub buses 1 to 4
    • Main stereo outputs
  • 15-LED horizontal Pan/Balance display
  • 64 x 194 LCD matrix
  • Effects parameters
    • Scene creation, storage, and recall
    • System menus
    • Channel Info page with custom naming
    • GEQ Select
  • 2-digit Channel Selected display
Input/Output
  • 32/24/16 main inputs, each with XLR mic, ¼" line, and ¼" inserts
  • 2 ¼" balanced stereo (L/R) aux inputs
  • 1 XLR talkback-mic input with XMAXTM preamp, phantom power (always on), and level control
  • Unbalanced RCA stereo (L/R) tape inputs and outputs
  • XLR stereo (L/R) main outputs with level control
  • ¼" balanced stereo (L/R) main outputs
  • XLR mono output with level control
  • ¼" balanced stereo (L/R) control-room outputs
  • ¼" headphone output
  • 4 ¼" balanced subgroup outputs
  • 14/10/6 ¼" balanced aux outputs
  • 32/24/16 pre-insert, balanced direct outputs, Ch. 1-8, 9-16 (17-24, 25-32) on DB25 sockets
  • Dedicated USB 2.0 port and included Wi-Fi LAN adapter for wireless communications
  • Installed Option Card with:
    • S/PDIF digital out
    • 2 FireWire S800 ports
  • Optional I/O cards
    • Thunderbolt
    • Dante
    • AVB
Integrated software
  • Virtual StudioLive-AI bidirectional control/editor/librarian with Smaart Measurement TechnologyTM
  • Studio One® Artist Digital Audio Workstation software for Mac® and Windows®
  • CaptureTM multitrack recording software for Mac and Windows
  • StudioLive Remote-AI mixer-control software for iPad® available free from Apple App Store
  • QMixTM-AI aux-control software for iPhone® and iPod touch® available free from Apple App Store
Digitalia
  • High-definition Burr-Brown analog-to-digital converters (118 dB dynamic range)
  • Unlimited-headroom, 32-bit floating point, digital mixing and effects processing
  • Internal sample frequency 44.1 kHz and 48 kHz
Physical
  • Rugged, non-flex steel chassis
  • 100 mm long-throw faders
  • Military-grade, quick-touch buttons
  • BNC 12V lamp socket
  • Optional dust covers available

 

20 total inputs: 16 mic, (four with XLR/TRS combo connector) and two stereo line (TRS)
Dedicated talkback mic input
Stereo Main L/R outputs (XLR)
Ample monitor outputs (eight total) with 6 mono auxiliary mixes (XLR) and 2 stereo auxiliary mixes.
The 2 stereo aux outputs can drive wired in-ear monitors (IEM) directly.
Mono auxiliaries may be linked for stereo use.
Superb sound quality
Class-A microphone pre-amps
32-bit floating point processing
24-bit AD & DA convertors
Input channels are fully-featured:
Four-band full parametric EQ
Variable high-cut and low-cut filters
Gate
Compressor (with de-esser)
Main and auxiliary outputs feature:
1/3-octave graphic EQ (four-band parametric EQ on stereo auxiliaries)
Limiter
Delay
Notch filters
Four professional quality stereo DSP effects. Choose from:
Two types of reverb
Mono delay
Stereo delay
Chorus
Pitch-change
A pitch correct processor is assignable to any input channel.
Eight DCA and eight mute groups.
Color, capacitive touch screen graphical user interface combined with hardware controls for fast and intuitive operation.
Great results and easy to use
Input channel preset library features over 100 presets developed by experienced concert engineers specifically for live sound applications.
Wizards assist with input gain adjustment and effects selection and routing.
On board Info system gives you instant access to the user manual.
Save your own channel presets and complete mixer scenes to internal memory or USB device.
Capturing live performance to multi-track has never been easier. Record 22 tracks (all inputs plus a stereo mix) directly to USB hard-drive. Mix down on TouchMix or import into your favorite DAW.
Complete mixer remote control via free iPad® App.
Monitor control via iPhone/iPod Touch App.
Multiple Wi-Fi Connectivity options
Security Lockout Modes
USB Wi-Fi interface and carrying case are included.

Proven at millions of gigs worldwide, the Mackie DL Series combines the power of a full-featured digital mixer with the unmatched ease-of-use of an iPad. Ideal for bands, rental house and production/installations, the DL Series provides the mobile freedom to wirelessly control the mix and powerful plug-in processing from anywhere in the venue.

  • Ultra-low noise design with highest possible headroom
  •  8 Onyx microphone preamps
  •  4 auxiliary sends
  •  Stereo main output
  •  24-bit Cirrus Logic converters
  •  4-band EQ, gate and compressor on channel inputs
  •  Global reverb and delay processors
  •  31-band graphic EQ with compressor limiter on main outputs
  •  Use up to 10 iPads simultaneously
  •  Ground-breaking Master Fader App
  •  Wired or wireless mixing from anywhere
  •  Full recall except mic pre gains
  •  Dedicated iPad channel
  •  PadLock feature for fixed install
  •  Διαστάσεις: 394x 292 x 99 mm
  •  Βάρος: 3.2kg
  •  iPad not included

 

Weight10.0025.0020.0022.683.003.00
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 10.00 kg
Weight 25.00 kg
Weight 20.00 kg
Weight 22.68 kg
Weight 3.00 kg
Weight 3.00 kg