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Si Performer 3 Highlights
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Massive mix capacity – 80 inputs to mix in a small format live sound digital mixer
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2 ViSi Connect™ option card slots with 128x96 input/output paths for expanded digital I/O including the MultiDigital Card (Firewire/USB/ADAT), BSS Digital Audio Bus (BLU Link), Dante™, CAT5 or optical MADI, AVIOM™, CobraNet™ and others.
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Assignable Fader Layers - Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!
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1 Control = 1 Function - With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Performer controls to be labeled on the surface just as they would have been on an analogue mixer.
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TOTEM™ - The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.
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Soundcraft FaderGlow™ - Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again!
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DMX interface - control sound and light from the same device.
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BSS® GEQ - With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing.
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Security Lockout - Lock the whole console or just selected elements, manage the security with the users and profile settings.
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Personal Monitoring Interface - When used with the Si BLU link option card, the Si Performer is a perfect partner to the dbx PMC16 Personal Monitoring System , using simple Cat5 cabling for easy setup.
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D.O.G.S. (Direct Out Gain Stabiliser) - Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.
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Global Mode Controls - A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.
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Copy & Paste - Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.
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Instant Access Keys - Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-8, TAP TEMPO and more negate the need to dive into screen & context menus.
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Function Focus - Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc.
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Key Features
• 32 mono mic inputs
• 8 line inputs
• 80 channels to mix
• 2 ViSi Connect™ option card slots for 128 x 96 input/output paths
• Pre/Post selection per input per bus
• Freely assignable faders and patching
• Soundcraft FaderGlow™
• Colour backlit LCD screens per fader
• GEQ on every bus
• 20 sub-group / aux busses
• 4 FX busses
• 8 Matrix busses
• LRC Mix busses
• LCR panning
• 4 Stereo Lexicon Effects engines
• Delay on inputs and outputs
• 8 Mute Groups
• 8 VCA Groups
• AES in and out
• DMX interface and control - control sound and light simultaneously
• Freely assignable insert loops
• Harman HiQnet integration
• Colour touch screen interface
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The X32 Compact 40-Channel, 25-Bus Digital Mixing Console from Behringer provides a wealth of features in a compact design, ideal for professional live and recording applications. The mixer features 16 fully programmable MIDAS-designed mic preamps. The Main LCR (left, center, right) channels, 16 mix busses, and 6 independent matrix mix busses all have 6-band parametric EQs and integrated dynamics processing for excellent sonic tailoring capabilities.
The mixer has 16 analog XLR outputs, as well as 6 balanced line-level 1/4" Aux inputs and outputs, and two 1/4" headphone jacks. The talkback section allows you to communicate with the integrated mic or an external mic. The mixer also has a pair of AES50 ports that feature Klark Teknik SuperMAC networking capability for use with 48-channel digital snakes for ultra-low jitter and latency. The system also has an integrated expansion port that ships with a 32 x 32 XUF FireWire/USB audio card installed.
The built-in Virtual FX offers 8 true-stereo FX slots that deliver high-end simulations of popular processors, such as Lexicon 480L and PCM70, EMT250 and Quantec QRS, etc. The integrated high-power 40-bit floating-point DSP system delivers "unlimited" dynamic range, no internal overload, and near-zero latency between inputs and outputs for top-quality performance. The mixer also has 6 mute groups and 8 DCA groups.
The intuitive interface offers ease-of-use with a dedicated channel strip section that has direct-access controls. There is also a high-resolution 7" color TFT display with associated controls and individual RGB backlit graphic LCDs on every channel. The unit has 17 motorized 100mm faders for extensive user-definable control.
The system has a USB flash connector to provide file storage for uncompressed recordings, show presets, and system updates. There are also connections that support the P-16 personal monitoring system, AES/EBU stereo digital outputs, and MIDI. Adjustable line delays are available on all of the physical inputs and outputs.
Other features of the X32 Compact include networked remote control or show setups with the included remote editor software via USB and Ethernet ports. You can even conveniently handle the scene management duties of complex productions. All of these features are packed into a compact and durable enclosure to ensure a long life of professional use.
Free Control Software Applications
Behringer iPad and iPhone apps for professional remote operation are free downloads on the Apple App Store. All of the X32's features can be managed concurrently from various locations and instances of the XiQ, XiControl, and XControl apps.
Versatile and Expandable
The X32 Compact can act as the nucleus of a flexible and expandable audio system. The built-in 32 x 32 USB recording interface, 8 stereo effects engines, zero-latency monitoring and 100% total recall deliver the tools to handle a wide variety of projects.
| Number of Analog Input Channels |
40 |
| Number of Mic Preamps |
16 |
| Max I/O Capacity |
150 x Input / 160 x Output (with Optional Hardware) |
| Mix Routing |
1 x Main LRC
16 x Bus
6 x Matrix
8 x Aux Send
8 x FX Return |
| Presets |
100 x Scene |
| Display |
Main Display:
7" / 177.8 mm LCD Touchscreen
Channel Display:
LCD (Backlit) |
| Display Resolution/Color |
Main Display:
800 x 480 / 6-Bit Color
Channel Display:
128 x 64 / RGB Color |
| Meters |
3 x 24-Segment LED |
Signal Processing
| Internal Effects |
8 x Stereo
16 x Mono |
Digital Audio
| Sample Rates |
44.1 / 48 kHz |
| Bit Depth |
AD/DA Conversion:
24-Bit |
| DSP |
40-Bit Floating Point |
| Converter Dynamic Range |
A/D:
109 dB
D/A:
108 dB |
| Latency |
0.8 ms (Console Input to Main Output)
1.1 ms (Stagebox Input to Stagebox Output) |
Performance
| Frequency Response |
10 Hz to 22 kHz |
| Max Input Level |
1/4" TRS Input:
+16 dBu
Mic Input:
+23 dBu |
| Output Level |
1/4" TRS Output:
+4 dBu (Nominal)
+16 dBu (Max)
Headphone Output:
+25 dBm (Stereo)
XLR Output:
+4 dBu (Nominal)
+21 dBu (Max) |
| Analog Dynamic Range |
Input to Output:
106 dB |
| I/O Impedance |
1/4" Input:
40 Kilohms (Balanced)
20 Kilohms (Unbalanced)
Headphone Output:
40 Ohms
Mic Input:
5 Kilohms (Unbalanced)
10 Kilohms (Balanced)
XLR Output:
75 Ohms (Balanced/Unbalanced)
1/4" TRS Output:
300 Ohms (Balanced)
150 Ohms (Unbalanced) |
| Crosstalk |
Adjacent Channels:
100 dB at 1 kHz |
| CMRR |
> 70 dB at +20 dB Gain
> 80 dB at +40 dB Gain |
| EIN |
-128 dBu (Input Shorted) |
| Noise Floor |
-87 dBu A-Weighted |
| THD+N |
< 0.006% at +20 dB Gain (A-Weighted) |
Connectivity
| Analog Inputs |
1 x XLR Talkback Input
16 x XLR Balanced Mic/Line Input
6 x 1/4" TRS Aux Input
1 x 2RCA Line/Aux Input |
| Analog Outputs |
2 x 1/4" TRS Balanced Monitor Output
2 x 1/4" TRS Headphone Output
6 x 1/4" TRS Aux Output
1 x 2RCA Aux/Line Output
8 x XLR Balanced Line Output |
| Phantom Power |
+48 V (Selectable on Individual Inputs) |
| Digital I/O |
1 x RJ45 (Control)
1 x RJ45 Ultranet (Control)
1 x XLR AES3 Output
2 x etherCON AES50/SuperMAC |
| MIDI I/O |
1 x MIDI 5-Pin In
1 x MIDI 5-Pin Out |
| USB |
1 x USB Type-A (USB 2.0, Audio Playback, External Memory) |
| Expansion Ports |
1 x 32 x 32 I/O Card |
Power
| AC Input Power |
100 to 240 VAC, 50 / 60 Hz |
| Power Consumption |
120 W |
Physical
| Dimensions |
8.5 x 24.6 x 20" / 215 x 625 x 510 mm |
| Weight |
33.9 lb / 15.4 kg |
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Qu-16 takes compact digital mixing to a new level with innovative design and exceptional functionality combining to create a superb professional mixing experience.
Bristling with all the features you'd expect from a top of the range digital console and incorporating technologies pioneered on our GLD and iLive digital mixing systems, Qu-16 has the power and pedigree to deliver class-leading audio performance.
Whether you're switching from analogue or updating your digital desk, it's time to experience the new digital with Qu-16.
- 16 Mono Inputs (TRS + XLR)
- 3 Stereo Inputs (TRS)
- 4 Stereo FX Returns
- 16 Busses
- 12 Mix Outputs (LR, Mono Mix 1-4, Stereo Mix 1-3)
- 4 FX Engines
- AES Digital Out
- 19" Rack Mountable
- Moving Faders
- Recallable AnaLOGIQ Preamps
- Qu-Drive direct Multitrack Recording / Playback on USB drives
- 800×480 Touchscreen
- iLive FX Library
- dSNAKE Remote Audio Port
- Compatible with ME Personal Mixing System
- Qu-Pad iPad App
- USB Audio Streaming
- DAW MIDI Control
- 4 Mute Groups
- Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor and delay on all Inputs
- Insert, 4-band PEQ, 1/3 octave GEQ, compressor and delay on all Mix outputs
- Built-in Signal Generator
- RTA with Peak Band indication
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GLD-112 is a larger version of the popular GLD-80 mixer, with an extra bank of 8 control strips, increasing the channel count to 28 fader strips in 4 layers.
GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard 32 input GLD system offers 28 XLR mic inputs with plug nʼ play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs).
GLD-112 provides 48 input processing channels, 8 stereo FX returns fed by iLiveʼs acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise.
GLD-112 has an analogue-style channel processing control section complemented by a graphical 8.4 inch touch screen. A fully-customisable drag ʽn drop layout allows quick and easy assignment of inputs and mixes to fader strips. There are 28 fader strips in 4 layers, each with motorised fader, a channel LCD display which can be named and colour-coded, plus a rotary control for direct access to gain, pan and aux/FX sends. The mixerʽs local I/O comprises 4 XLR mic/line inputs, 4 XLR line outs, 4 RCA inputs, 2 RCA outputs, and digital outputs in SPDIF and AES3 formats.
GLD-112 connects to a range of plug ʽn play I/O racks to ʽbuildʼ 28, 36 or 44 mic input systems. A primary AR2412 rack (24 XLR inputs, 12 XLR outs) and up to two AR84 expander racks (8 XLR inputs, 4 XLR outs each) can be connected over 120m CAT5 runs using A&Hʼs dSNAKE protocol. dSNAKE provides control to the remote preamp, and all mic preamps are scene recallable. AR2412 also includes a connection for personal monitoring systems.
GLD has the ability to record and playback a stereo signal on a USB memory stick. Standard iLive audio I/O option cards for Dante, MADI, EtherSound and Allen & Heathʼs ACE protocols can be fitted, allowing multi-channel record/playback, FOH/monitor splits, and connection to A&H iLive systems, which can easily be configured using GLDʼs extensive soft-patching.
The GLD Remote app provides wireless control for GLD-112, giving the engineer the freedom to walk the room or stage and control the sound right where it is needed. GLD-112 and GLD Remote can work together to provide simultaneous control of independent functions, for example one engineer using the console to mix FoH sound and another using the iPad to mix monitors on stage.
- Compact digital mixer with scalable, remote I/O
- Systems from 4 to 44 mics
- Easy to use, quick to access, analogue style interface
- dSNAKE Cat5 digital snake—up to 120m cable length
- 8.4 inch colour touchscreen for graphical view and setup
- 28 faders, 4 layers, 112 channel strips in a freely customizable layout
- 48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs
- 8 stereo RackFX engines* with dedicated ʽshortʼ returns with 4-band PEQ
- Full processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delay
- Full processing on all outputs including insert, PEQ, GEQ, compressor and delay
- LR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes
- 16 DCAs / mute groups
- Built-in Talkback, RTA and Signal Generator
- I/O module options for FOH/Monitor split, multitrack recording, link to iLive and more
- MIDI In/Out and Ethernet Network port
- AviomTM Pro16 compatible Monitor port on main AudioRack
- High end 1dB step recallable mic/line preamps
- User definable channel names and colours
- Engineerʼs mono Wedge and stereo IEM strips
- Input, output and insert soft patchbays
- Quick copy, paste and reset of mixes and parameters
- Libraries, Scenes and Show memories with USB transfer
- Get started quickly with Template Shows
- 14 assignable SoftKeys for scene recall, DCA mutes and more
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19-inch Digital Production Console for Professionals in the Studio or On the Road
Mixing performance and features directly inherited from the DM2000 and 02R96 in a rack-mount size console. Version 2 offers ESAM II support, Add-on Effects compatibility, and numerous other upgrades.
When the acclaimed Yamaha DM2000 console appeared on the production scene, it proved that true 24-bit/96 kHz performance, DAW integration, and surround production facilities were what the industry had been waiting for. With the introduction of the 02R96 the same benefits became available to a broader range of engineers and facilities, including project studios for music production. Now the Yamaha DM1000, like the DM2000, is designed especially for commercial post-production, audio for video, and broadcast applications. But extraordinary versatility and configurability mean that the DM1000 is also ideal for a wide range of sound reinforcement applications.
The DM1000 Digital Production Console distills the essence of the DM2000 into a remarkably compact console that delivers the same level of performance and key features. And with the supplied Studio Manager Application software, all mix data is interchangeable between the DM2000, DM1000 and 02R96. These consoles can be linked and cascaded interactively within a multi-room studio, or a tour engineer can do a basic console setup on his laptop computer anywhere, and then simply load the settings into the console at the venue.
Like its predecessor, the DM1000 delivers mixing power and performance that's way ahead of anything else on the market, and it even incorporates newly introduced software features such as 6.1 Surround, User Assignable Layer, and Global Recall Safe. Never has so much mixing power and versatility been available in a compact, rack-mountable console.
With the introduction of Version 2, the DM1000 evolves to an even higher level of refinement.
Outline | Mixing capability | Mixing channels | 48 | | GROUP | 8 | | AUX | 8 | | MAIN | Stereo | | Input channel functions | Gate, Attenuator, 4-band PEQ, 2x Compressor, Delay, Pan | | Output channel functions | Attenuator, 4-band PEQ, Compressor, Delay | | On-board processors | 4x SPX multi effectors | | I/O | Mic inputs | 16 | | Phantom power | +48V DC; ON/OFF per channel | | Line inputs | 4x Omni in | | AD converter | 24-bit; 128-time over sampling | | Line outputs | 12x Omni output | | DA converter | 24-bit; 128-time over sampling | | Digital I/O | 2x 2tr in/out | | Expansion slots | 2x Mini-YGDAI (16-in/16-out) | | Control and others | To Host(USB), Control(GPI), Remote, MIDI, Time code in (SMPTE), Word clock I/O | General specifications | Internal processing | 32bit, Accumulator: 58bit | | Sampling frequency rate | Internal | 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz | | External | 44.1kHz/88.2kHz (-10%) - 48kHz/96kHz (+6%) | | Signal delay | Less than 1.6ms (@48kHz), Less than 0.8ms (@96kHz) | | Total harmonic distortion | Less than 0.05% (20Hz-40kHz) | | Frequency response | 0, +0.5, -1.5dB 20Hz-40kHz | | Dynamic range | DA: 110dB; AD+DA: 106dB | | Hum & noise level | Equivalent input noise | -128dBu | | Residual output noise | -86dBu | | Crosstalk | -80dB | | Power requirements | AC100V, 120V, 220-240V 50/60 Hz | | Power consumption | 135W | | Dimensions | W | 436mm; 17-3/16in | | H | 200mm; 7-7/8in | | D | 585mm; 23-1/16in | | Net weight | 20kg; 44.1lbs | | Accessories | Owner's Manual, Studio Manager Installation Guide, AC power cord | | Ever since the "dawn of digital" audio engineers the world over have had a love-hate relationship with their consoles. The new BEHRINGER X32 digital mixing console lets you focus on your event, instead of navigating a vast sea of knobs, buttons and menus like most other live digital mixers. X32 is intuitive and powerful with 40 processing channels and 25 mix buses, all equipped with serious signal processing (dynamics, EQ and inserts), which can be configured quickly to meet the demands of virtually any gig, large or small.
Ready for your input
Use any combination of the local 32 console mic inputs or the networked digital snake inputs on stage-their audiophile quality programmable preamps always ensure full control, purity and impeccable dynamics. The dedicated channel strip section puts 17 backlit buttons and 13 rotary controls with LED-collars right at your fingertips for nuanced adjustment of each channel's compressor, 4-band parametric EQ and much more. Each input and output channel strip features its own color backlit 128x64 graphic LCD, which provides vital channel information at-a-glance.
Virtual FX Rack
The onboard virtual FX Rack provides access to eight true-stereo, multi-effects processors (16 mono) including delay, chorus, dynamics-and it can run 4 production quality true-stereo reverbs concurrently with 8 channels of 31-band graphic equalization, all without the need for expensive, space-consuming external hardware.
High-count I/O options
X32's extensive connectivity includes 32 high-end programmable mic preamps, 6 balanced Line Ins and Outs on 1/4" TRS, 16 balanced XLR Outs, plus dual Phones and balanced Control Room outputs on both XLR and 1/4" TRS connectors. Additionally, a single AES50 CAT5 cable from FOH to the stage can transfer up to 48 channels of bi-directional audio, collecting all input signals and delivering all bus outputs, along with 16 individual monitor feeds for BEHRINGER's brand new P16 personal monitoring system-all on just one line! The two AES50 ports provide connectivity for up to 6 BEHRINGER S16 stage boxes, or for sharing signals between multiple consoles-all with its ultra-low latency and high reliability the SuperMAC technology is known for.
Vital information is just a click away
Thanks to the netbook-resolution, 800x480 high-contrast color TFT display, you are never more than one or two button presses away from any of X32's eight highly intuitive control screens. Once you select the desired function, dedicated rotary/push encoders allow you to set parameters and source I/O assignment, without the need to "drill down" through multiple layers of menus or page through a complex owner's manual.
Versatile signal and scene management
Signals can be assigned to eight DCA groups (Digitally Controlled Amplifier), which provides simultaneous group level control via dedicated 100 mm motorized faders. The audio engineer can communicate with the talent by means of the Talkback section's onboard mic or an external mic of their choosing. X32's scene management allows snapshots of high-level production mixes to be captured and recalled for future use (you can even save them to a USB stick). X32 even has a dedicated custom control section with user-definable knobs and buttons where you can create your own set of controls, making it easy to access frequently used functions "on-the-fly."
Powered by MIDAS & KLARK TEKNIK
When we began development on the X32, we called on our sister companies, MIDAS and KLARK TEKNIK, recognized the world over for their digital consoles and EQ/FX processing, for implementation support. The programmable, high-grade mic preamps found in the X32 are based on a genuine MIDAS design, all the way down to their A/D converters. The resulting design ensures superior common mode rejection (CMRR) and extremely low harmonic distortion (THD). The X32 is an amazingly clean amalgam of high technology merged with superb user-friendly features.
We received brilliant support from MIDAS and KLARK TEKNIK in designing X32's GUI (graphical user interface), a major advancement in digital mixing made easy, productive, and well... fun! They also drew on their extensive experience in FPGA (Field Programmable Gate Array) coding for rock-solid, ultra-low latency digital channel patching-giving the X32 the capacity to handle up to 168 sources on 168 destinations, including the two AES50 ports. You can expect to see more collaboration between BEHRINGER and MIDAS in the very near future.
Bus and Rear Panel Flexibility
X32 provides 25 fully featured mix buses that can be configured for many different applications; Main LCR (Left, Center, Right) buses; 16 mix buses (individually configurable as pre/post EQ, pre/post Fader or Subgroup) with Inserts, 6-band parametric EQ and dynamics processing; plus six independent Matrix Mixes with Inserts, also with 6-band parametric EQ and dynamics processing.
The X32 abounds with a total of 168 accessible sources and destinations-and managing this much I/O has never been easier! Next to all the analog ins and outs, the rear panel also sports two AES50* ports, each with KLARK TEKNIK's rock-solid SuperMAC networking capability (addressing a total of 96 concurrent inputs and outputs) for dependable communication between the X32 and digital snakes, remote stage boxes or even other consoles. Stereo AES/EBU output, ULTRANET P16 and MIDI are also supported, plus a convenient top panel USB port is provided for recording an uncompressed two-channel "board mix" straight to any standard USB thumb drive or for playing background music. The Ethernet socket allows complete remote control via LAN or WiFi, and the expansion slot suggests there is even more to come...
The Future is Here-Now!
X32 ships with the insanely powerful XUF FireWire/USB audio interface card pre-installed in the expansion slot right out-of-the-box! XUF provides lowlatency 24-bit audio interfacing with Mac or PC host computers in the form of 32 In x 32 Out channels and MIDI. It even transmits HUI and Mackie Control data along with the audio I/O, which provides convenient remote control of your DAW via the X32 group fader section controls. XUF is compatible with CoreAudio on Mac OS 10.5 and above, and high-performance ASIO drivers for Windows PC are downloadable from behringer.com.
Digital Mixing-Analog Price
The BEHRINGER X32 digital mixing console sets a new benchmark for live sound mixing along with unprecedented value. Behringer is proud to offer the full-featured X32 digital mixing console with it's large input and output channel count, comprehensive processing, flexible expansion options and intuitive user interface-all at a price point that anyone can afford!
Compose. Record. Mix. Share.
TRACKTION 4 puts the fun back into the creative process, so we're including it free of charge with select BEHRINGER products. This powerful, yet easy-to-use music production software is unlike anything you've seen before, putting everything you'll need on your desktop, on a single-screen - without the sea of drop down and hidden menus common to most other DAWs. And TRACKTION doesn't limit the number of tracks you can record, or the number of effects you can use. In fact, the only limitation is your Mac or PC computer's processing power. Recording and editing couldn't be easier; simply drag, drop, cut, copy or paste. Once your magnum opus is finished, share it with other "Tracktioneers" so they can listen, collaborate and edit.
Here are just a few of TRACKTION 4's outstanding features:
- Native FX plug-ins ranging from dynamics to modulation, reverb and more
- Support for available third party AU, VST and VSTi plug-ins
- Mix Automation
- Safe Record
- Loop Recording
- 64-bit, 192 kHz Mix Engine
- Audio Clip manipulation
- MIDI Editor
- Filters - Volume / Pan, Level Meter, 4-Band EQ, Aux Send & Return and FX
- Export to a variety of formats such as .wav, .aif, and .mp3
Product Features:
- 40-input channel, 25-bus digital mixing console for Studio and Live application
- 32 MIDAS-designed, fully programmable mic preamps for audiophile sound quality
- 25 Fully automated motorized 100 mm faders allow for instant overview, powerful scene management and DAW control
- 16 XLR outputs plus 6 additional line in/outputs, 2 phones connectors and a talkback section with integrated or external mic
- Individual and dynamic LCD Scribble Strips on all channels and buses creating easy assignment and intuitive channel distinction
- 32 x 32 channel USB 2.0 audio interface, with DAW remote control emulating HUI* and Mackie Control*
- iPad* and iPhone* apps for professional remote operation available free of charge-no host PC required
- High-resolution 7" day-viewable Color TFT for easy viewing of workflow components and parameters
- Main LCR, 6 matrix buses and 16 mix buses each featuring inserts, 6-band parametric EQ's and full dynamics processing, plus 8 DCA and 6 mute groups
- Virtual FX rack featuring 8 true-stereo FX slots include high-end simulations such as Lexicon 480L* and PCM70*, EMT250* and Quantec QRS* etc.
- 40-Bit floating-point DSP features "unlimited" dynamic range with no internal overload and near-zero overall latency (0.8 msec)
- Powerful scene management for convenient handling of complex productions
- 48-channel Digital Snake ready** via AES50 ports, featuring KLARK TEKNIK's SuperMAC networking capability for ultra-low jitter and latency
- USB type-A connector providing file storage and uncompressed stereo recordings plus show presets and system updates
- Dedicated and easy-to-use channel strip section with direct access controls and graphic user interface for intuitive workflow
- Additional user-definable control section allows for on-the-fly adjustments of your favorite parameters
- ULTRANET connectivity for BEHRINGER's P-16 Personal Monitoring System** plus AES/EBU stereo digital output and MIDI
- Networked remote control for show setups with on-screen software editor via Ethernet
- Built-in expansion port for audio interface cards or digital networking bridges
- Future firmware updates, incl. new FX "Plug Ins“, downloadable from behringer.com free of charge
- Conceived and designed by BEHRINGER Germany
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