STEINBERG UR-RT-4 USB

499.00 incl. GR VAT

Available on backorder

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The Steinberg UR-RT4 combines the company\’s acclaimed D-PRE Class A preamps with switchable Rupert Neve Designs input transformers to deliver a rich musical sound with enhanced harmonics. Specifications: 24-bit/192kHz USB 2.0 audio interface 4 D-PRE Class A preamps deliver transparent and beautifully detailed sound Switchable Rupert Neve Designs input transformers Zero-latency monitoring with effects using […]

 

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The Steinberg UR-RT4 combines the company\’s acclaimed D-PRE Class A preamps with switchable Rupert Neve Designs input transformers to deliver a rich musical sound with enhanced harmonics.

Specifications:

  • 24-bit/192kHz USB 2.0 audio interface
  • 4 D-PRE Class A preamps deliver transparent and beautifully detailed sound
  • Switchable Rupert Neve Designs input transformers
  • Zero-latency monitoring with effects using dspMixFx software and integrated SSP2 DSP
  • VST 3 Basic FX Suite includes Sweet Spot Morphing Channel Strip, REV-X reverb, and Guitar Amp Classics plug-ins
  • Loopback function for easily streaming live performances
  • 48V phantom power switchable globally
  • 2 front-panel Mic/Line/hi-Z instrument combo jacks
  • 2 additional rear-panel Line inputs
  • MIDI input and output
  • Rugged all-metal casing
  • Compatible with all major recording software via ASIO, Core Audio, and WDM drivers
  • Cross-platform compatibility for Windows, macOS, and iOS (with Apple Camera Connection Kit, Lightning to USB Camera Adapter, or Lightning to USB 3 Camera Adapter)
  • Cubase AI multi-track software for Mac/PC included
  • Cubasis LE multi-track software for iPad included
  • iOS-ready CC Mode for use with iPad and iPhone
Weight 2.40 kg

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Quick Comparison

STEINBERG UR-RT-4 USB removeBEHRINGER UCG-102 Guitar INTERFACE SOUND CARD removeMOTU 828mk3 - FireWire audio interface with on-board effects and mixing removeMOTU 896mk3 - 8 mic/guitar inputs with on-board effects and mixing removeMOTU Ultralite-mk3 Hybrid FIREWIRE USB2 AUDIO INTERFACE removeAPOGEE Ensemble Multi-Channel, 24bit/192kHz Audio Interface remove
NameSTEINBERG UR-RT-4 USB removeBEHRINGER UCG-102 Guitar INTERFACE SOUND CARD removeMOTU 828mk3 - FireWire audio interface with on-board effects and mixing removeMOTU 896mk3 - 8 mic/guitar inputs with on-board effects and mixing removeMOTU Ultralite-mk3 Hybrid FIREWIRE USB2 AUDIO INTERFACE removeAPOGEE Ensemble Multi-Channel, 24bit/192kHz Audio Interface remove
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SKUJ08ST00024E005638828mk3896mk3Ultralite-mk3ENSEMBLE
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Price 499.00 incl. GR VAT 42.00 incl. GR VAT884.12 incl. GR VAT1,188.58 incl. GR VAT599.84 incl. GR VAT 1,249.99 incl. GR VAT
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Description
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The Steinberg UR-RT4 combines the company\'s acclaimed D-PRE Class A preamps with switchable Rupert Neve Designs input transformers to deliver a rich musical sound with enhanced harmonics.


Specifications:

  • 24-bit/192kHz USB 2.0 audio interface
  • 4 D-PRE Class A preamps deliver transparent and beautifully detailed sound
  • Switchable Rupert Neve Designs input transformers
  • Zero-latency monitoring with effects using dspMixFx software and integrated SSP2 DSP
  • VST 3 Basic FX Suite includes Sweet Spot Morphing Channel Strip, REV-X reverb, and Guitar Amp Classics plug-ins
  • Loopback function for easily streaming live performances
  • 48V phantom power switchable globally
  • 2 front-panel Mic/Line/hi-Z instrument combo jacks
  • 2 additional rear-panel Line inputs
  • MIDI input and output
  • Rugged all-metal casing
  • Compatible with all major recording software via ASIO, Core Audio, and WDM drivers
  • Cross-platform compatibility for Windows, macOS, and iOS (with Apple Camera Connection Kit, Lightning to USB Camera Adapter, or Lightning to USB 3 Camera Adapter)
  • Cubase AI multi-track software for Mac/PC included
  • Cubasis LE multi-track software for iPad included
  • iOS-ready CC Mode for use with iPad and iPhone
GUITAR LINK UCG102 The Ultimate Guitar-to-USB Interface to Jam and Record with Killer Modeling Amps and Effects
  • Plug in your favorite guitar and turn your PC or Mac computer into a guitar amp and recording system without the need for any other hardware
  • Enjoy immediate access to Guitar Combos from Native Instruments—the leading authentic guitar amp and stomp box modeling software—now including VST, AU and RTAS plugin versions
  • Create Music Now! Incredibly powerful energyXT2 Compact music production software and Audacity editing software—both with full portability on all PC, Mac or Linux computers
  • Directly works with your PC or Mac computer—ultra-low latency ASIO driver for PC audio optimization included
  • Stereo Headphone output lets you jam with your computer and can also be used for monitoring with active monitor speakers
  • Guitar Combos with variable-speed file playback function for MP3, WAV, AIFF audio files—perfect for easy learning and practicing—tuner and metronome function
  • Powered via USB—no additional power supply required
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany
  The UCG102 is a USB interface that, like a guitar amp, receives signal from your guitar via a 1/4" input jack. A built-in USB cable then sends signal directly to your computer, where the amazing included software package simulates guitar amps and stomp boxes, in addition to tracking your latest masterpiece. It has a 1/4" headphone jack and PHONES volume dial so you can monitor your performance as you record, a CLIP LED to tell you when your signal is too hot, and a HI/LO level selector. Super Software The UCG102 comes packaged with Native Instruments' "Guitar Combos" software that models guitar amps and stomp boxes. Take your pick of the "PLEXI COMBO“, "TWANG COMBO” or "AC BOX COMBO” for stunningly real amplifier tones. Sample them all, then activate the full version of the classic rockin' "AC BOX COMBO" rig. Native Instruments extends special offers to all registered Guitar Combos users, making it more affordable than ever to take advantage of their award-winning GUITAR RIG software packages. Visit http://co.native-instruments.com/index.php?id=4101&prid=247&redirected=1 for the latest special pricing on this incredible software. You also get energyXT2.5 BEHRINGER Edition, a multi-track recording program. This amazing DAW (digital audio workstation) makes it easy to manipulate your audio and MIDI files, turning song ideas into stunning CD or web-ready recordings. energyXT includes its own multi-FX processor, built-in synthesizers and a drum machine, both of which can be accessed directly via an external controller (such as our UMA25S or UMX25) or programmed in step-write mode. To learn more about energyXT Compact BEHRINGER Edition, visit http://www.behringer.com/EN/Support/energyXT.aspx.

The 828mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.

The 828mk3 provides ten channels of pristine 192 kHz analog recording and playback, combined with sixteen channels of ADAT digital I/O and stereo S/PDIF. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.

The 828mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 828mk3 provides 28 separate inputs and 30 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.

Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven compression, EQ and reverb to every input and output, independent of your host computer. When recording from the mic/guitar inputs, the 828mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no digital clipping or harsh artifacts.

MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.

After programming the on-board mixing in the studio, unplug the 828mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.

The 828mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.

The all new 896mk3 FireWire audio interface delivers high-end performance, superb sound, innovative new features and enhanced standard features that remain unique.

The 896mk3 provides eight channels of pristine 24-bit 192 kHz analog recording and playback, combined with sixteen channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.

The 896mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.

Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control.

MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.

When recording from the mic/guitar inputs, the 896mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.

After programming the on-board mixing in the studio, unplug the 896mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.

The 896mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.

  • Hybrid FireWire/USB2 connectivity — connect to your computer via either bus-powered FireWire or hi-speed USB2.
  • CueMix FX™ — flexible 10 input/14 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output.
  • 10 inputs / 14 outputs — there's no channel sharing in the UltraLite-mk3 Hybrid; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels.
  • Classic Reverb™ — provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60 seconds.
  • Two forms of compression — a standard compressor with conventional threshold/ratio/attack/release/gain controls and the Leveler™, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control.
  • Modeled EQ — provides 7-band parametric EQ modeled after British analog console EQs, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB.
  • CueMix FX cross-platform mixing software — attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Also provides full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis.
  • Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
  • “Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
  • Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
  • Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
  • Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
  • Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
  • Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
  • Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
  • Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
  • Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
  • Expandable — add additional interfaces for more I/O as your needs grow.
  • Separate TRS main outs with front panel volume control.
  • Stereo 24-bit 96kHz S/PDIF in/out.
  • Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
  • 100% compatible with all host-based effects processing in today's popular audio programs.
  • Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
  • Plug-and-play operation with your Mac or PC via FireWire or USB2.
  • Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
  • Front panel headphone jack with volume control.
  • Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
  • Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 x 7 x 1.75 inches (24.13 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.
8 channels of premium 24-bit 192K AD/DA conversion
4 digitally controlled 75db microphone preamps
2 fully balanced inserts on mic pre channels
4 Hi-Z instrument inputs capable of handling high level instruments
2 individual, controllable and assignable high level headphone outputs
2, 6 or 8 channel monitor outputs
8 channels of ADAT I/O
FireWire 400 I/O, compatible with OS X Core Audio (no driver required)
2 channels of SPDIF I/O
“Soft Limit” for maximum digital input level without overs
“UV22HR” for superior dither of 24 bit resolution down to 16-bit
Advanced, dual-stage "Intelliclock”
Complete integration and control with Appleʼs Logic Pro Software
Compatibility with any CoreAudio software applications
Apogeeʼs Maestro Software for advanced control and routing outside of Logic Pro
Weight2.40 kg0.50 kg4.00 kg4.00 kg2.00 kg3.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.40 kg
Weight 0.50 kg
Weight 4.00 kg
Weight 4.00 kg
Weight 2.00 kg
Weight 3.00 kg