The C4 is small diaphragm condenser microphone featuring interchangeable capsules, switchable -10dB pad/high pass filter and a linear low-noise, solid state amplifier body. The microphone?s modularity makes it a useful multi-purpose tool intended for all-around use on stage, on location and in studios of all caliber.As a cardioid (pressure gradient) microphone, the C4 provides excellent […]
The C4 is small diaphragm condenser microphone featuring interchangeable capsules, switchable -10dB pad/high pass filter and a linear low-noise, solid state amplifier body. The microphone?s modularity makes it a useful multi-purpose tool intended for all-around use on stage, on location and in studios of all caliber. As a cardioid (pressure gradient) microphone, the C4 provides excellent pickup of on-axis sources while attenuating extraneous sound occurring from around and behind the mic. This makes it ideal for close miking of individual instruments where bleed from other nearby instruments or sound is undesirable. The C4 cardioids also make excellent stereo pairs for coincident and near-coincident miking techniques such as X-Y and ORTF. Additionally the C4?s are quite useful on a drum kit as overheads and on toms. Used as an omni-directional (pressure) microphone, the C4 offers a warm tonal response and is recommended especially for close miking in favorable acoustical environments. There is very little off axis coloration owing to the inherent physical properties of pressure capsules, and it is this – combined with the low self-noise of the microphone amplifier that makes the C4 omni an excellent ambience mic ?especially in pairs. In a good room, a pair of omni?s can provide a vibrant and live feel to recordings, which is not achievable through the use of directional microphones. Recommended uses are, spaced pair omni, Jecklin disc (OSS), piano, guitar, drum overheads and room miking. The C4 is available in pairs with shockmounts, windscreens and case.
Features: Studio Quality Stereo Pair Microphone System Modular Design Interchangeable Capsules (Omni, Cardioid) Switchable -10dB pad/ High Pass Filter Transformerless Output Rugged Construction
Applications: Coincident, Near Coincident Pair Spaced Pair Omnis Location Use Spot Miking For Instruments Ambient Recording Drum Overheads
Included Accessories: Shock Mount Adapter Foam Windscreen Pair of Cardioid Heads Pair of Omni Heads Case
Technical Description Type: Single diaphragm modular FET condenser microphone Polar Pattern: Cardioid (CC1) Omni-directional (OC1) Frequency Response: 40Hz.~20kHz Sensitivity: 12m V/Pa. where 1 pa = 94dB SPL Output Impedance: 1200 Ohm Max SPL: 150 dB SPL with -10dB pad Equivalent Noise: 16 DB SPL, (A-weighted per IEC268-15) S/N Ratio: 78 dB Power Requirement: P48 +/-4V Current Consumption:
Weight
3.17 kg
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The C4 is small diaphragm condenser microphone featuring interchangeable capsules, switchable -10dB pad/high pass filter and a linear low-noise, solid state amplifier body. The microphone?s modularity makes it a useful multi-purpose tool intended for all-around use on stage, on location and in studios of all caliber. As a cardioid (pressure gradient) microphone, the C4 provides excellent pickup of on-axis sources while attenuating extraneous sound occurring from around and behind the mic. This makes it ideal for close miking of individual instruments where bleed from other nearby instruments or sound is undesirable. The C4 cardioids also make excellent stereo pairs for coincident and near-coincident miking techniques such as X-Y and ORTF. Additionally the C4?s are quite useful on a drum kit as overheads and on toms. Used as an omni-directional (pressure) microphone, the C4 offers a warm tonal response and is recommended especially for close miking in favorable acoustical environments. There is very little off axis coloration owing to the inherent physical properties of pressure capsules, and it is this - combined with the low self-noise of the microphone amplifier that makes the C4 omni an excellent ambience mic ?especially in pairs. In a good room, a pair of omni?s can provide a vibrant and live feel to recordings, which is not achievable through the use of directional microphones. Recommended uses are, spaced pair omni, Jecklin disc (OSS), piano, guitar, drum overheads and room miking. The C4 is available in pairs with shockmounts, windscreens and case.
Features: Studio Quality Stereo Pair Microphone System Modular Design Interchangeable Capsules (Omni, Cardioid) Switchable -10dB pad/ High Pass Filter Transformerless Output Rugged Construction
Applications: Coincident, Near Coincident Pair Spaced Pair Omnis Location Use Spot Miking For Instruments Ambient Recording Drum Overheads
Included Accessories: Shock Mount Adapter Foam Windscreen Pair of Cardioid Heads Pair of Omni Heads Case
Technical Description Type: Single diaphragm modular FET condenser microphone Polar Pattern: Cardioid (CC1) Omni-directional (OC1) Frequency Response: 40Hz.~20kHz Sensitivity: 12m V/Pa. where 1 pa = 94dB SPL Output Impedance: 1200 Ohm Max SPL: 150 dB SPL with -10dB pad Equivalent Noise: 16 DB SPL, (A-weighted per IEC268-15) S/N Ratio: 78 dB Power Requirement: P48 +/-4V Current Consumption:
The RODE NT1-A has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability usually only featured by some of the most expensive microphones.
Now available as the \'Complete Vocal Recording Solution\' this NT1-A package now includes everything you need to get truly professional vocal recordings - the world\'s quietest studio microphone, a studio grade pop shield and shock mount, a premium 20\' cable, dust cover, an instructional DVD with recording tips, and of course R DE\'s industry leading ten year warranty.
Large 1" (25mm) capsule with gold plated diaphragm
Cardioid polar pattern
Self noise of only 5dB (A)
Ultra low noise, transformerless surface mount circuitry
A/B, X/Y, and M/S stereo recording
Ambience recording
Grand piano, woodwind and brass instruments
Percussions
Drums
Classical music recording
Studio applications
AKG C214 – large 1” diaphragm microphone with cardioid polar pattern, frequency response: 20Hz-20kHz, 20dB pad, requires phantom power (12-52V), XLR connector. Includes clip, case and windshield. Dimensions: 160 x 55mm. Weight: 280g, optional microphone holder SA61
The C214 professional large-diaphragm condenser microphone has been designed as a cost-effective alternative to the high-end C414 family. Like the C414, the C214 offers a supreme one-inch capsule on an integrated suspension to reduce mechanical noise. A switchable 20dB attenuation pad allows recording of loud sources of up to 156dB SPL. A switchable bass-cut filter allows close-up recording with almost no proximity effect.
The C214 captures sound by combining one capsule of the legendary C414 dual-capsule system and the patented AKG Back-Plate Technology, resulting in an outstanding performance close to the famous C414 XLII.
Sonic character of the C414 XLII
for beautifully detailed recording of lead vocals and solo instruments
Outstanding dynamic range and ultralow noise
for close-up recording of high-output sources of up to 156dB SPL
Switchable 20dB attenuator and bass-cut filter
for close-up recording and reduction of proximity effect
Integrated suspension
to reduce mechanical noise and vibration from stage
Roadworthy design
all-metal die-cast body with shock- and scratch-resistant finish
Live sound
Podcasting
Home recording
Vocals
Musical instruments
Perception 120
General-purpose cardioid recording microphone
Extended frequency response
Roadworthy construction
Switchable 20 dB preattenuation pad
Switchable bass cut filter
Designed and engineered by AKG in Vienna, Austria
The Perception 120 is a 2/3-inch diaphragm true condenser microphone that offers solid build quality, outstanding performance, and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail. A switchable 20 dB preattenuation pad and bass cut filter make the Perception 120 an excellent choice for a wide range of recording and live sound applications.
Backed by AKG\'s six decades of experience in making microphones and input from sound engineers around the world, the Perception 120 now brings AKG studio quality to musicians and project studio applications.
Type
2/3\" Diaphragm True Condenser
Polar pattern
cardioid
Frequency range
20 to 20,000 Hz
Sensitivity
22 mV/Pa (-33 dBV)
Max. SPL
130/150 dB (0/-20 dB) for 0.5% THD
Equivalent noise level
22 dB-A (IEC 60268-4)
Signal/noise ratio (A-weighted)
72 dB
Preattenuation pad
0 dB, -20 dB
Bass filter
12 dB/octave at 300 Hz
Impedance
Recommended load impedance
>= 1,000 ohms
Powering
Power requirement
48 V phantom power to DIN/IEC
Connector
3-pin XLR
Finish
metallic blue
Dimensions
53 dia. x 165 mm (2.1 dia. x 6.5 in.)
Net weight
525 g (18.5 oz.)
Shipping weight
955 g (33.7 oz.)
KSM44A Multi-Pattern Dual Diaphragm Microphone
Premium microphone with three polar pattern options (cardioid, omnidirectional, bidirectional).
Features
Prethos® Advanced Preamplifier Technology: Class A, discrete, transformerless preamplifier provides transparency, extremely fast transient response and no crossover distortion. Minimizes harmonic and intermodulation distortions.
Groundbreaking specifications: 4dB of self-noise and max SPL of 131 dB for a total dynamic range of 127 dB – an increase of 7 dB that defines the new standard for cleanly nuanced audio capture
Multiple polar patterns–cardioid, omnidirectional and bidirectional–for maximum flexibility in a wide variety of recording applications
Dual 1 inch, externally biased, ultra-thin, 2.5 μm, 24 Karat gold-layered, low mass diaphragms provide superior frequency response
Premium electronic components and gold-plated internal and external connectors
Subsonic filter eliminates rumble from mechanical vibration below 17 Hz.
Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
3-position switchable low-frequency filter helps reduce unwanted stand vibration noise or counteract proximity effect
Integrated three-stage "pop” protection grille reduces plosives and other breath noise
Type
Condenser (externally biased)
Frequency Response
20 to 20,000 Hz
Polar Pattern
Cardioid, Omnidirectional, Bidirectional
lmpedance
50 ohms
Phantom power required?
11–52 V DC phantom power (IEC-61938) 5.8 mA, maximum
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