STUDIO PROJECTS C4 CONDESER STEREO PAIR MICROPHONES

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369.01 incl. GR VAT

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The C4 is small diaphragm condenser microphone featuring interchangeable capsules, switchable -10dB pad/high pass filter and a linear low-noise, solid state amplifier body. The microphone?s modularity makes it a useful multi-purpose tool intended for all-around use on stage, on location and in studios of all caliber.As a cardioid (pressure gradient) microphone, the C4 provides excellent […]

 

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The C4 is small diaphragm condenser microphone featuring interchangeable capsules,
switchable -10dB pad/high pass filter and a linear low-noise, solid state amplifier body.
The microphone?s modularity makes it a useful multi-purpose tool intended for all-around
use on stage, on location and in studios of all caliber.
As a cardioid (pressure gradient) microphone, the C4 provides excellent pickup of on-axis
sources while attenuating extraneous sound occurring from around and behind the mic.
This makes it ideal for close miking of individual instruments where bleed from other nearby
instruments or sound is undesirable. The C4 cardioids also make excellent stereo pairs for
coincident and near-coincident miking techniques such as X-Y and ORTF. Additionally the
C4?s are quite useful on a drum kit as overheads and on toms.
Used as an omni-directional (pressure) microphone, the C4 offers a warm tonal response
and is recommended especially for close miking in favorable acoustical environments. There
is very little off axis coloration owing to the inherent physical properties of pressure capsules,
and it is this – combined with the low self-noise of the microphone amplifier that makes the
C4 omni an excellent ambience mic ?especially in pairs. In a good room, a pair of omni?s
can provide a vibrant and live feel to recordings, which is not achievable through the use of
directional microphones.
Recommended uses are, spaced pair omni, Jecklin disc (OSS), piano, guitar, drum overheads
and room miking. The C4 is available in pairs with shockmounts, windscreens and case.

Features:
Studio Quality Stereo Pair Microphone System
Modular Design
Interchangeable Capsules (Omni, Cardioid)
Switchable -10dB pad/ High Pass Filter
Transformerless Output
Rugged Construction

Applications:
Coincident, Near Coincident Pair
Spaced Pair Omnis
Location Use
Spot Miking For Instruments
Ambient Recording
Drum Overheads

Included Accessories:
Shock Mount Adapter
Foam Windscreen
Pair of Cardioid Heads
Pair of Omni Heads
Case

Technical Description
Type: Single diaphragm modular FET condenser microphone
Polar Pattern: Cardioid (CC1) Omni-directional (OC1)
Frequency Response: 40Hz.~20kHz
Sensitivity: 12m V/Pa. where 1 pa = 94dB SPL
Output Impedance: 1200 Ohm
Max SPL: 150 dB SPL with -10dB pad
Equivalent Noise: 16 DB SPL, (A-weighted per IEC268-15)
S/N Ratio: 78 dB
Power Requirement: P48 +/-4V
Current Consumption:

Weight 3.17 kg

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Quick Comparison

STUDIO PROJECTS C4 CONDESER STEREO PAIR MICROPHONES removeBEHRINGER B-5 Sputtered Diaphragm Studio Condenser Microphone removeAKG PERCEPTION 120 Condenser microphone removeAKG C 3000B Condenser cardioid microphone removeAvantone AV-CK6 Condenser FET mic, inc shock mount, wooden mic box and metal case removeRODE K2 VARIABLE PATTERN CONDENSER VALVE MICROPHONE remove
NameSTUDIO PROJECTS C4 CONDESER STEREO PAIR MICROPHONES removeBEHRINGER B-5 Sputtered Diaphragm Studio Condenser Microphone removeAKG PERCEPTION 120 Condenser microphone removeAKG C 3000B Condenser cardioid microphone removeAvantone AV-CK6 Condenser FET mic, inc shock mount, wooden mic box and metal case removeRODE K2 VARIABLE PATTERN CONDENSER VALVE MICROPHONE remove
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SKUC4PAIRE005243PERCEPTION 120C 3000BAV-CK6H11RD00006
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Description
Content

The C4 is small diaphragm condenser microphone featuring interchangeable capsules,
switchable -10dB pad/high pass filter and a linear low-noise, solid state amplifier body.
The microphone?s modularity makes it a useful multi-purpose tool intended for all-around
use on stage, on location and in studios of all caliber.
As a cardioid (pressure gradient) microphone, the C4 provides excellent pickup of on-axis
sources while attenuating extraneous sound occurring from around and behind the mic.
This makes it ideal for close miking of individual instruments where bleed from other nearby
instruments or sound is undesirable. The C4 cardioids also make excellent stereo pairs for
coincident and near-coincident miking techniques such as X-Y and ORTF. Additionally the
C4?s are quite useful on a drum kit as overheads and on toms.
Used as an omni-directional (pressure) microphone, the C4 offers a warm tonal response
and is recommended especially for close miking in favorable acoustical environments. There
is very little off axis coloration owing to the inherent physical properties of pressure capsules,
and it is this - combined with the low self-noise of the microphone amplifier that makes the
C4 omni an excellent ambience mic ?especially in pairs. In a good room, a pair of omni?s
can provide a vibrant and live feel to recordings, which is not achievable through the use of
directional microphones.
Recommended uses are, spaced pair omni, Jecklin disc (OSS), piano, guitar, drum overheads
and room miking. The C4 is available in pairs with shockmounts, windscreens and case.

Features:
Studio Quality Stereo Pair Microphone System
Modular Design
Interchangeable Capsules (Omni, Cardioid)
Switchable -10dB pad/ High Pass Filter
Transformerless Output
Rugged Construction

Applications:
Coincident, Near Coincident Pair
Spaced Pair Omnis
Location Use
Spot Miking For Instruments
Ambient Recording
Drum Overheads

Included Accessories:
Shock Mount Adapter
Foam Windscreen
Pair of Cardioid Heads
Pair of Omni Heads
Case

Technical Description
Type: Single diaphragm modular FET condenser microphone
Polar Pattern: Cardioid (CC1) Omni-directional (OC1)
Frequency Response: 40Hz.~20kHz
Sensitivity: 12m V/Pa. where 1 pa = 94dB SPL
Output Impedance: 1200 Ohm
Max SPL: 150 dB SPL with -10dB pad
Equivalent Noise: 16 DB SPL, (A-weighted per IEC268-15)
S/N Ratio: 78 dB
Power Requirement: P48 +/-4V
Current Consumption:

Behringer B-5 Sputtered Diaphragm Studio Condenser Microphone



The B-5 is a professional gold-sputtered diaphragm condenser microphone featuring two interchangeable capsules for different pickup patterns (cardioid and omnidirectional). It is perfect for acoustic instruments, vocals and overhead miking. Its ultra low-noise transformerless FET input eliminates low frequency distortion. The -10 dB attenuator can be used with high volume signal sources, while the low-cut filter eliminates floor rumble. The microphone is delivered in a rugged hard case with stand adapter and windscreen.

 

Professional true condenser microphone for studio and live applications
2 interchangeable capsules with cardioid and omnidirectional pickup patterns
Low-mass gold sputtered diaphragm for ultimate sound reproduction
Perfect for acoustic instruments, voice and overhead etc.
Ultra low-noise transformerless FET input eliminates low-frequency distortion
Smooth, super-wide frequency response and incredible musicality
Switchable low-frequency roll-off and -10 dB input attenuation
Gold-plated 3-pin XLR output connector
Rugged construction with satin nickel-plated brass body
Custom microphone stand adapter, windscreen and transport case included

 

 

 

Manual Download

Live sound
Podcasting Home recording Vocals Musical instruments Perception 120
  • General-purpose cardioid recording microphone
  • Extended frequency response
  • Roadworthy construction
  • Switchable 20 dB preattenuation pad
  • Switchable bass cut filter
  • Designed and engineered by AKG in Vienna, Austria
The Perception 120 is a 2/3-inch diaphragm true condenser microphone that offers solid build quality, outstanding performance, and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail. A switchable 20 dB preattenuation pad and bass cut filter make the Perception 120 an excellent choice for a wide range of recording and live sound applications. Backed by AKG\'s six decades of experience in making microphones and input from sound engineers around the world, the Perception 120 now brings AKG studio quality to musicians and project studio applications.
Type 2/3\" Diaphragm True Condenser
Polar pattern cardioid
Frequency range 20 to 20,000 Hz
Sensitivity 22 mV/Pa (-33 dBV)
Max. SPL 130/150 dB (0/-20 dB) for 0.5% THD
Equivalent noise level 22 dB-A (IEC 60268-4)
Signal/noise ratio (A-weighted) 72 dB
Preattenuation pad 0 dB, -20 dB
Bass filter 12 dB/octave at 300 Hz
Impedance
Recommended load impedance >= 1,000 ohms
Powering
Power requirement 48 V phantom power to DIN/IEC
Connector 3-pin XLR
Finish metallic blue
Dimensions 53 dia. x 165 mm (2.1 dia. x 6.5 in.)
Net weight 525 g (18.5 oz.)
Shipping weight 955 g (33.7 oz.)
 
  • Polar pattern: Cardioid
  • Switchable -10dB PAD
  • Frequency response: 20 - 20,000 Hz
  • Max. SPL: 140/150 dB (THD = 0.5%)
  • Electrical impedance: 200 Ohm
  • Requires phantom power
  • Diameter: 53 mm
  • Length: 162 mm
  • Net weight: 320 g
  • Colour: Black
  • Incl. shock mount
  • Highly affordable AKG large-diaphragm microphone technology
  • Cardioid polar pattern for multiplicity of vocal and instrument applications
The earlier model C 3000 has had a large fan club in the project studio and home recording worlds for years. For the new C 3000 B, AKG designed a special 1-inch large-diaphragm transducer that closely approximates the vibration performance of top-class studio microphones, but can be made at much lower cost. Due to its surface area and special capsule tuning, the C 3000 B large-diaphragm transducer produces an exceptionally pleasing, smooth sound. Unlike in the C 3000, the switchable 10-dB preattenuation pad immediately follows the transducer in the signal path, thus increasing the C 3000 B\'s SPL capability by a true 10 dB. Loud sound sources are therefore no problem. An acoustically optimized cardioid polar pattern makes the C 3000 B an excellent choice for both recording and live sound applications where high gain before feedback is paramount.
Polar pattern cardioid
Frequency range 20 to 20,000 Hz
Sensitivity 25 mV/Pa (-32 dBV)
Max. SPL 140/150 dB (k=0,5%)
Equivalent noise level (CCIR 468-3) 25 dB
Equivalent noise level 14 dB-A
Signal/noise ratio (A-weighted) 80 dB
Preattenuation pad 10 dB, switchable
Bass filter 6 dB/octave below 500 Hz
Impedance 200 ohms
Recommended load impedance >1000 ohms
Supply voltage 9 to 52 V phantom power to DIN 45596
Current consumption
Connector 3-pin XLR
Finish silver gray
Net weight 320 g / 11.3 oz.
Shipping weight 950 g / 2.1 lbs.
Patent(s) Electrostatic transducer (Patent no. AT 395.225, DE 4.103.784, JP 2.815.488)

The AVANTONE CK-6 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET mics…but at a fraction of their cost!

The rugged CK-6 microphone body and capsule assembly are precision machined of Brass. Aesthetically the compact body features an elegant Metallic Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.

This Transformerless CLASS A FET Microphone w/ 32mm gold sputtered thin Mylar capsule is designed with circuitry that will yield pleasing professional results comparable to much more expensive designs. It also features -10 dB pad  &  80 Hz LF roll off switches for varied recording situations.
 
The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.
 
Applications

Studio vocals, acoustic guitar, mandolin, drum overheads, piano, etc…

Specifications

Type: True Transformerless Condenser
Polar Pattern: Cardioid
Frequency Response: 35-20,000 Hz +/- 3.5dB
Output Impedance:

K2 - ?It cant be done?? Precision Variable Pattern Dual 1? Condenser Valve Microphone.
 
The R?DE K2 is the result of designing and building 1000?s of valve microphones. The
K2?s HF-1 capsule is the pinnacle of transducer technology. The sound quality combines
modern high-end specifications with the character and subtleties of the legendary 50?s mics.
Infinitely variable control of the K2?s polar patterns provides the freedom and flexibility to
excel in any recording situation. The K2 is another example of R?DE?s commitment to
building quality studio microphones to meet the exacting standards demanded by today?s
professionals.At the 2004 Frankfurt Music Messa, 56 of the most prestgious music industry
magazines voted the K2 the ?Best Studio Microphone of 2004?.

SPECIFICATIONS:
Features:
? New large capsule with gold sputtered diaphragm. ? Ultra low noise.
? Wide dynamic range. ? Class ?A? valve circuitry. ? Hand-selected and
graded 6922 twin-triode valve. ? Dedicated Power Supply. ? High strength
welded and heat-treated steel mesh head. ? Durable satin nickel finish.
? Internal capsule shock mounting. ? High level of RF rejection. ? Supplied
complete with SM2 Shock Mount and RC2 Custom Carry Case.
? Continuously variable polar patterns. From omni, through cardiod to
figure 8, controlled at the power supply.
Operation power:
The K2 is designed to operate from a dedicated power supply (110 - 120 V/220 - 240 V, 50/60 Hz)
Acoustic principle: Externally polarized 25 mm(1?) condenser.
Directional pattern:
Continuously variable multi pattern -Omni, through Cardioid to figure 8.
Frequency range:  20 Hz - 20 kHz
Output impedance:
Valve impedence converter with bipolar output buffer.
Signal noise ratio din iec 651:
 > 81 dB (1kHz relative to 1 Pa; per IEC651,IEC268-15).
Equvalent noise:  10 dBA SPL (per IEC651, IEC268-15).
Maximum spl: 162 dB (@ 1% THD into 1k).
Sensitivity:
 -36 dB re 1 Volt/Pascal (16 mV @ 94 dB SPL) +/- 2 dB.
Power supply voltage:
Dedicated Power Supply(110 - 120 V/220 - 240 V, 50/60 Hz).
Weight:  815 gms
Dimensions width:  208.5 mm
Dimensions depth:  55 mm
Dimensions height:  55 mm
Maximum output voltage:  > +30 dBu (@ 1% THD into 1 k).

Weight3.17 kg0.40 kg0.50 kg1.00 kg0.60 kg2.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 3.17 kg
Weight 0.40 kg
Weight 0.50 kg
Weight 1.00 kg
Weight 0.60 kg
Weight 2.00 kg