TANNOY REVEAL-6D ACTIVE STUDIO MONITOR

Reveal 6D
A set of DIP switches on the rear control panel of the new Reveal D Active monitors
allow the selection of an optimum speaker response for real life and often difficult
monitoring situations so that the frequency response at the listener?s ears is always
as linear and flat as possible. Reveal monitors can therefore be optimised for varying
listening distances in difficult acoustic spaces; varying meter bridge positions, against
and adjacent to walls or reflecting surfaces, in corners, in corners on shelves or brackets,
table top / space restricted PC/Mac based sound editing environments and stand mounted
or soffit mounted configurations.

MAIN FEATURES
From the front:
40mm MDF sculpted baffle ? stiff, heavy and rigid and minimises diffraction.
Recessed drive units flush with the baffle surface ? minimises diffraction.
New tweeter has wide band design extending the amplitude response
beyond 20kHz audibility to 50kHz to correct the phase response from
8kHz to 20kHz within the audible band. This preserves the harmonic
structure of sounds and the stability of the stereo image.
Smooth tweeter faceplate contours prevent diffraction and cavity effects.
10 point fixing maximises contact between drive unit and baffle.
New design bass units have aluminium flux control rings around the
voice coils and copper caps on the pole pieces ? linearises the voice
coil motional impedance to reduce non linear (3rd order) distortion
products caused by varying voice coil inductance.
Bass unit development using Klippell? analysis equipment to
minimise offsets and linearise the suspension components.
On/Mute (energy saving mode) via the Tannoy logo push switch.
LED indicator shows Active/Energy Saving modes.

From the side:
18mm MDF cabinet construction provides stiffness and minimises colouration.
Internal construction braces the sides and rear of the cabinet against the rear
of the bass driver to provide a rigid reactive mass for the moving cone assembly.
Ensures fast tight bass response and clear midrange.
Front baffle and rear panel tongued and grooved into the cabinet as a mechanical
interlock for safety if wall mounted.
From the rear:
Double insulated to prevent ground loops ? no safety earth required.
CSA/CE/CCC/CB full safety approvals including China.
Spare fuse in IEC mains connector.
On/Off mains isolator switch.
Substantial heat sinking for long term cool running and 24/7 reliability.
XLR and 1/4? jack Combi connector for balanced input.
Switch adjacent to XLR selects digital or analogue input.
RCA input for SPDIF with 75 Ohm terminating impedance.
2nd RCA for SPDIF output for slaving a stereo pair.
Yellow LED indicator lights up when digital lock is achieved.
3-way switch selects which channel of the SPDIF stream is decoded,
marked Left/Right/Mono. Switching is post 2 channel DAC.
Trim/Gain control over +6dB/-12dB range reference 0dBV (0.775V)
input for full rated output.
Trim/Gain control works on SPDIF input post DAC.
Switch selection of 12dB/8ve 80Hz hi-pass filter for use with AV subwoofers.
First bank of 10 DIP switches controls LF alignment, mid/near/close field and
half/quarter/eighth space compensation.
Second bank of DIP switches controls mid band and HF shelving trim.
Note that the DIP switch flat setting is shown on the back panel artwork.
Small hole to the right of the right hand switch bank allows the factory set HF
trim on test to be fine trimmed by a service agent if a tweeter needs to be replaced.

TECHNICAL SPECIFICATIONS
PERFORMANCE 
Frequency response (1) 60Hz-51kHZ
Max SPL (2) 115dB
Distortion

Full Description

Compact and Ideal For Home Studio

Input Connections

Features

• Compact stereo speaker system ideally suited for home studios, multimedia applications, keyboard and vocal monitoring, etc.
• Powerful 4'' woofers and high-resolution tweeters powered by two 8 watt amplifiers
• Dedicated Volume, Bass and Treble controls for more flexibility
• Stereo RCA inputs for sound cards, keyboards, etc. that can be used simultaneously with a second stereo source (e. g. CD/MD player) through 1/8'' TRS stereo input
• Separately adjustable 1/4'' TRS microphone input mixable with stereo inputs for playback and vocal monitoring applications
• 1/8'' TRS headphone connector with auto-mute loudspeaker function
• Magnetically shielded for placement near computer monitors
• Designed and engineered in Germany

Specifications

• Woofer: 4''
• Tweeter: 1.5''
• Output Power: 2 x 8 Watts
• Frequency Response: 80Hz - 20kHz
• Speaker Impedance: 4?
• Input 1:
  • Connector: 1/8'' TRS Stereo
  • Input Level: -10dBm, 10k?
• Input 2:
  • Connector: RCA Stereo
  • Input Level: -10dBm, 10k?
• Mic Input:
  • Connector: 1/4'' TRS
  • Input Level: -50dBm, 50?
• Dimensions: 9.5'' x 5.5'' x 6'' / 241mm x 140mm x 150mm (H x W x D)
• Weight: 4kg

The Genelec 8130A Digital Monitoring System has a 192 kHz/24 bit digital audio interface.
Due to its compact size, integrated construction, excellent dispersion and precise stereo
imaging, the 8130A is ideal for near field monitoring, mobile vans, digital audio workstations,
broadcast and TV control rooms, surround sound systems, home studios, multimedia
applications and also for use with computer soundcards. The Directivity Control Waveguide?
(DCW?) technology provides excellent frequency balance even in difficult acoustic
environments.
The integrated design allows the amplifiers and the drivers to be calibrated as a single unit,
eliminating the effects of component tolerances and ensuring consistent quality.
The all-aluminium Minimum Diffraction Enclosure? (MDE?) and advanced Directivity Control
Waveguide? (DCW?) technologies are carefully matched with advanced amplifier and electronics
circuitry. The low frequency response extends down to 55 Hz (-3 dB) while distortion is extremely
low due to a uniquely new rear reflex port design.
The 8130A has been specially designed to have a sufficient LF extension for most situations.
However if greater SPL's and a lower cutoff frequency are required, it can be complemented
with Genelec 7050B subwoofer.
The 8130A is very easy to set up and use, the only connections required are the mains supply
and the input signal. The female XLR input connector can be fed with either AES/EBU formatted
digital signal or analog line level audio signal. The Genelec 8130A automatically detects analog or
digital signals and directs them to the correct signal paths.

Technical Specifications
Input word length 16 - 24 bits
Input format AES/EBU
Digital input XLR female
Connector type 
Input Sampling rate
No de-emphasis  29 - 200 kHz
Input Sampling rate
Using de-emphasis 
Peak per pair with music material 108 dB SPL @ 1m
Drivers
Bass 5" magnetically shielded
Midrange -
Treble 3/4" metal dome, magnetically shielded
Crossover frequencies 3 kHz
Free field frequency
response 58 Hz - 20 kHz (± 2 dB)
Amplifier power /ch
Bass 40 W
Midrange -
Treble 40 W
Speaker dimensions (H x W x D)
mm 285 x 189 x 178 mm (Height with Iso-Pod? 299 mm)
inches 11 1/4 x 7 7/16 x 7 1/16" (Height with Iso-Pod? 11 13/16“)
Amplifier dimensions* (H x W x D)
mm Integrated in the speaker cabinet
inches 
Speaker weight 5.6 kg (12.3 lb)

PRICE PER UNIT

The most powerful AX monitor

With its power and radiation characteristics, the brand new A8X is suitable for both nearfield and midfield monitoring. With a price/performance ratio that could hardly be better, this monitor is a perfect entry into these monitoring fields.

The A8X is equipped with the X-ART tweeter and a large (8.5”) midwoofer, a combination that adds both a very deep and yet very tight bass response to the unsurpassed reproduction qualities of the ADAM proprietary tweeter: a licence to thrill.

Cabinet- and bass reflex-construction

Like the other AX-Series models, the upper corners of the A8X are slanted to minimize reflections. The very large, double bass reflex tubes on the front have been specifically designed to perfectly match the midwoofer with its large voice coil.

Amplification and controls

With a 50W A/B amplifier for the tweeter and a 150W PWM amplifier for the midwoofer, the A8X has power in abundance and is the brawny monitor of the AX-Series.

On the rear panel are several controls: a gain for the high frequencies (± 4dB) and two shelf filters for the high and low frequencies.
There are both XLR (balanced) and RCA (unbalanced) connectors on the rear panel of the speaker, which allow the A8X to be used in almost any application.

Review: A8X: a "powerful link" between near- and midfield monitors!

"The A8X is a powerful link between ADAM´s AX Series and the formidable and more expensive SX Series. Its all-in-all homogenous tuning, the deep and precise bass as well as the brilliant mid- and high-frequency reproduction make this speaker a huge recommendation for ambitious people without deep pockets." (Professional Audio 10/2010)

The Solo6 Be monitor will surprise you in the very first minutes you spend with it, partly due to its size/extended bass response (40Hz at -3dB). The 6.5" "W” composite sandwich mid-woofer combines neutrality in the midrange, fullness in the midbass register and bass control. Its compactness and the choice of a large front laminar port guarantee easy integration in studios that need a near field monitor without any acoustic compromise. The user settings on the back of the Solo6 Be, combined with its compactness, make it easy to carry and to adjust according to the acoustics of each studio.

The Twin6 Be is the best seller of the Focal Professional range and the most versatile work tool of the SM6 line. It represents the only necessary solution for recording, mixing and mastering. The image precision, treble definition as well as midrange neutrality are at the heart of its reputation.
The excellent articulation of the bass and midbass registers, even at very high sound levels, makes it an unavoidable reference for engineers who require absolute transparency. Furthermore, the design of the Twin6 Be permits a high SPL while at the same time offering a stable tonal balance. One of the two 6.5" woofers works in large band (midrange – bass) whereas the other reproduces from 40 to 150Hz. This creates a bass that preserves all the signal dynamics, without any masking effect in the midrange, thereby keeping all its neutrality and transparency. Additional control of the bass register is accomplished by fine-tuning on the control plate on the back of the Twin6 Be in order to obtain a perfect mirror configuration with its mate. The Twin6 Be can be installed vertically or horizontally to respond to the space requirements of each studio.