TANNOY REVEAL-6D ACTIVE STUDIO MONITOR

Reveal 6D
A set of DIP switches on the rear control panel of the new Reveal D Active monitors
allow the selection of an optimum speaker response for real life and often difficult
monitoring situations so that the frequency response at the listener?s ears is always
as linear and flat as possible. Reveal monitors can therefore be optimised for varying
listening distances in difficult acoustic spaces; varying meter bridge positions, against
and adjacent to walls or reflecting surfaces, in corners, in corners on shelves or brackets,
table top / space restricted PC/Mac based sound editing environments and stand mounted
or soffit mounted configurations.

MAIN FEATURES
From the front:
40mm MDF sculpted baffle ? stiff, heavy and rigid and minimises diffraction.
Recessed drive units flush with the baffle surface ? minimises diffraction.
New tweeter has wide band design extending the amplitude response
beyond 20kHz audibility to 50kHz to correct the phase response from
8kHz to 20kHz within the audible band. This preserves the harmonic
structure of sounds and the stability of the stereo image.
Smooth tweeter faceplate contours prevent diffraction and cavity effects.
10 point fixing maximises contact between drive unit and baffle.
New design bass units have aluminium flux control rings around the
voice coils and copper caps on the pole pieces ? linearises the voice
coil motional impedance to reduce non linear (3rd order) distortion
products caused by varying voice coil inductance.
Bass unit development using Klippell? analysis equipment to
minimise offsets and linearise the suspension components.
On/Mute (energy saving mode) via the Tannoy logo push switch.
LED indicator shows Active/Energy Saving modes.

From the side:
18mm MDF cabinet construction provides stiffness and minimises colouration.
Internal construction braces the sides and rear of the cabinet against the rear
of the bass driver to provide a rigid reactive mass for the moving cone assembly.
Ensures fast tight bass response and clear midrange.
Front baffle and rear panel tongued and grooved into the cabinet as a mechanical
interlock for safety if wall mounted.
From the rear:
Double insulated to prevent ground loops ? no safety earth required.
CSA/CE/CCC/CB full safety approvals including China.
Spare fuse in IEC mains connector.
On/Off mains isolator switch.
Substantial heat sinking for long term cool running and 24/7 reliability.
XLR and 1/4? jack Combi connector for balanced input.
Switch adjacent to XLR selects digital or analogue input.
RCA input for SPDIF with 75 Ohm terminating impedance.
2nd RCA for SPDIF output for slaving a stereo pair.
Yellow LED indicator lights up when digital lock is achieved.
3-way switch selects which channel of the SPDIF stream is decoded,
marked Left/Right/Mono. Switching is post 2 channel DAC.
Trim/Gain control over +6dB/-12dB range reference 0dBV (0.775V)
input for full rated output.
Trim/Gain control works on SPDIF input post DAC.
Switch selection of 12dB/8ve 80Hz hi-pass filter for use with AV subwoofers.
First bank of 10 DIP switches controls LF alignment, mid/near/close field and
half/quarter/eighth space compensation.
Second bank of DIP switches controls mid band and HF shelving trim.
Note that the DIP switch flat setting is shown on the back panel artwork.
Small hole to the right of the right hand switch bank allows the factory set HF
trim on test to be fine trimmed by a service agent if a tweeter needs to be replaced.

TECHNICAL SPECIFICATIONS
PERFORMANCE 
Frequency response (1) 60Hz-51kHZ
Max SPL (2) 115dB
Distortion

The Solo6 Be monitor will surprise you in the very first minutes you spend with it, partly due to its size/extended bass response (40Hz at -3dB). The 6.5" "W” composite sandwich mid-woofer combines neutrality in the midrange, fullness in the midbass register and bass control. Its compactness and the choice of a large front laminar port guarantee easy integration in studios that need a near field monitor without any acoustic compromise. The user settings on the back of the Solo6 Be, combined with its compactness, make it easy to carry and to adjust according to the acoustics of each studio.

PRICE PER UNIT

A revolutionary formula: 2 x 7 = 77

In some set-ups it can be advisable to use a horizontally designed speaker rather than a vertical one. Until now, such monitors were only available within the SX top line.

The brand new A77X, due to its outstanding features, might become a true game changer: Equipped with the same advanced technologies as the A7X, it therefore is very similar to the two-way speaker. The A77X, however, distinguishes itself by much higher, compression-free maximum sound pressure levels and dynamics. Due to its power and radiation characteristics, it also is perfectly suited for both near- and midfield monitoring.

Driver technology

Like all models of the AX series, the A77X features the ADAM proprietary X-ART tweeter. The ʽXʼ stands for ʽeXtended frequency responseʼ and thus for one of the features of the Accelerating Ribbon Technology that has been drastically improved: the frequency response. It now extends all the way up to 50kHz. In addition, the X-ART tweeter has higher efficiency and higher maximum sound pressure levels.

The two 7” woofers are identical with that of the A7X. With their large voice coils (1.5”) and powerful amplifiers, they are capable of both very high maximum sound pressure levels as well as very deep registers. The woofers do not cover the same frequency bands: while both of them are responsible for the (sub-) bass frequencies up to about 400Hz, only one of them reproduces the midrange. This prevents interferences between the two drivers. For stereo setups the A77X is available in A and B versions in order to guarantee a precise stereo image.

Amplifiers / controls

Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the bass-/midwoofers are driven by a 100W PWM amp each. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch.

The rear panel features several additional controls: a gain for the high frequencies (± 4dB) and two shelf filters for high and low frequencies.
To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors.

Review samples:

“… a refreshing change“
"… if you liked the A7X youʼll like the A77X even more, and if the companyʼs smaller near-fields werenʼt your cup of tea, the A77X are definitely worth another listen. They are not much bigger than a two-driver cabinet design, so should slip into any installation where a near-field speaker will fit, but the extra low/ mid frequency drivers mean that the bass is more naturally extended and the mid-range clearer and more detailed. I like the A77X a lot and they make a refreshing change from the usual mid-priced near-field speakers." AUDIO MEDIA magazine / February 2012

“… wide and spacious soundstage with solid left/right imaging“
"… they are fun and easy to work with, covering all the essential functions required of high-end monitors with aplomb." MusicTech magazine / April 2012

PRICE PER UNIT

The smallest big sound ever...

With the A3X, ADAM Audio present their smallest monitor to date, making it perfectly suited for all environments where space is limited but sound shouldnʼt be constricted. The A3X combines a tiny footprint with the much acclaimed ADAM sound quality by using the X-ART tweeter for the higher frequencies, a guarantee for crystal clear music reproduction.

A 4.5” (basket) driver handles the lower registers. The diaphragm is made from carbon fiber, a material that is very light but very stiff and therefore capable of delivering colouring-free sound. Two built-in 25 Watt amplifiers powers each of the drivers directly.

Stereolink

A very handy and exclusive technology found in the two smaller AX monitors is the Stereolink. This is accomplished by a pair of additional RCA connections that allow for a bypass of the second stereo channel to the other speaker.

This new technology connects two A3X speakers in such a manner as to allow the user the option to control the overall stereo volume of the system from either speakerʼs gain control. This makes the A3X a natural for "mixer-less” desktop applications where overall system volume needs to be adjusted easily.

Controls and Connectors

The front of the A3X sports dual ports for surprisingly low frequency response down to 60Hz. The front panel also has power and gain controls. The rear panel includes a tweeter gain control as well as balanced (XLR) jacks and unbalanced (RCA) jacks, allowing for greater connection flexibility. There are also two M6 (6 mm) metric screw threads for stand/wall mounting.

Review: "Highly recommended“

"Iʼve used various monitors for my computer work before, but never of the caliber of the A3X series. Before these, I would have to redo my mixes significantly when transitioning from the small cheapies to the big 'real ones'. The ADAM Audio A3Xʼs save me a step by providing both great sound in a compact format and by changing mundane audio task-work into a quality listening experience. If you use good monitors from the outset, youʼll learn your music that much faster so that when it comes time for mixdown and mastering on your big boxes, youʼll already be acclimated to your songʼs subtler sonic aspects—aspects revealed only by the A3Xʼs with their sweet, smooth top end, and impressive handling of bass frequencies. Highly recommended.“
(Jon Chappell, Harmony Central, 03/10)

Review: "...one of the best compact monitors“

"ADAM´s A3X as the smallest monitor with a X-ART tweeter to date has convinced us in every respect. It´s one of the best compact monitors we have ever reviewed and with its almost shameless low price it´s worth every penny. (Professional Audio, 05/10)

High-Resolution, Active 2-Way Reference Studio Monitor with 5.25" Kevlar Woofer

• Ultra-linear studio monitor with true active design
• Precision Class A/B amplifiers with active protection circuits: 50 W for LF / 25 W for HF
• Ultra-high resolution, ferrofluid-cooled 1" dome tweeter for ultimate sound reproduction
• Long-throw 5.25" woofer with deformation-resistant Kevlar cone for ultimate bass response
• Ultimate dispersion characteristics and extremely large "sweet spot" owing to advanced wave guide technology
• High-precision crossover network with 4th order Linkwitz-Riley filters
• Adjustable to a wide range of acoustic conditions
• Separately controlled limiter for low and high frequency overload protection
• Magnetic shielding allows placement near computer monitors
• “Planet Earth" power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
• Servo-balanced inputs with XLR, 1/4" and unbalanced RCA connectors
• High-quality components and exceptionally rugged construction ensure long life
• Conceived and designed by BEHRINGER Germany

“The ADAM Audio S2X can convince in all areas, concerning the sound as well as the workmanship, and are worth every Euro. […] a no-compromise tool for all who mean serious business, whether in music or postproductions.” (www.96kHz.de, 03/2010)

“We started off with a classical string quartet recording and let´s just say right away that the S2Xs floored us. Several adjectives spring to mind [...] - wide open, transparent, effortless, breathtaking realistic, loud, dynamic, involving... [...] If you close your eyes and continue listening, the S2Xs seem to ‚disappearʽ almost entirely. [...] you gradually become less aware that you´re listening to speakers because they´re like an open window on the music itself. [...] Result: These monitors are up there with the best we´ve tried so far.” (MusicTech, 01/2010)