Content | Combined High-Quality Master Recorder and High-Quality ADDA Converter.
A Essential Tool for Recording Engineers.
Features
High-Performance PCM/DSD Master Recorder
High-Quality Audio Circuits Enable Use of the DA-3000 as an ADDA Converter
DA-3000 SPECIFICATIONS
Supported media |
|
SD |
Supports 4GB to 32GB SDHC cards
(Media ejection method: push-push) |
CF |
Supports 1GB to 64GB Type I CF cards |
USB (Playback and copying only) |
Supports 2GB to 64GB USB flash drives |
Recording and playback formats |
|
PCM |
BWF(rec/play) / WAV(playback only),
44.1/48/88.2/96/176.4/192kHz,
16/24bit |
DSD |
DSDIFF / DSF,
2.8224/5.6448MHz |
Number of channels |
2 mono(or 1 stereo) |
ANALOG INPUTS |
|
UNBALANCED |
|
Connecter |
RCA pin jacks |
Standard input level |
-10dBV |
Maximum input level |
+6dBV |
Minimum input level |
-22dBV |
Input impedance |
22k ohms or greater |
BALANCED |
|
Connecter |
XLR-3-31(1:GND,2:HOT,3:COLD) |
Standard input level |
+4dBu
+6dBu(only when maximum input level is +15dBu) |
Maximum input level |
+15dBu,+18dBu,+20dBu,+22dBu,+24dBu(switchable in menu) |
Minimum input level |
-8dBu
-6dBu(only when maximum input level is +15dBu) |
Input impedance |
10k ohms or greater |
ANALOG OUTPUTS |
|
UNBALANCED |
|
Connecter |
RCA pin jacks |
Standard output level |
-10dBV |
Maximum output level |
+6dBV |
Output impedance |
200 ohms or less |
BALANCED |
|
Connecter |
XLR-3-31(1:GND,2:HOT,3:COLD) |
Standard output level |
+4dBu
+6dBu(only when maximum input level is +15dBu) |
Maximum output level |
+15dBu,+18dBu,+20dBu,+22dBu,+24dBu(switchable in menu) |
Output impedance |
100 ohms or less |
DIGITAL INPUT |
|
S/PDIF,CASCADE |
UNBALANCED |
Connecter |
RCA pin jacks |
Format |
IEC60958-3(S/PDIF) |
Input impedance |
75 ohms |
Input frequency |
|
when SRC OFF |
44.1/48/88.2/96/176.4/192kHz |
when SRC ON |
32 - 216kHz |
Allowable frequency deviation |
+/-100ppm(when SRC OFF) |
AES/EBU |
BALANCED |
Connecter |
XLR-3-31(1:GND,2:HOT,3:COLD) |
Format |
AES3-2003/IEC60958-4(AES/EBU) |
Input impedance |
110 ohms |
Input frequency |
|
when SRC OFF |
44.1/48/88.2/96/176.4/192kHz |
when SRC ON |
32 - 216kHz |
Allowable frequency deviation |
+/-100ppm(when SRC OFF) |
SDIF-3 |
UNBALANCED |
Connecter |
BNC Connecter x 2(L/R) |
Format |
SONY SDIF-3/DSD-raw |
Input impedance |
75 ohms +/-20% |
Clock synchronization frequency |
44.1kHz |
DIGITAL OUT |
|
S/PDIF,CASCADE |
UNBALANCED |
Connecter |
RCA pin jacks |
Format |
IEC60958-3(S/PDIF) |
Output impedance |
75 ohms |
AES/EBU |
BALANCED |
Connecter |
XLR-3-31(1:GND,2:HOT,3:COLD) |
Format |
AES3-2003/IEC60958-4(AES/EBU) |
Output impedance |
110 ohms |
SDIF-3 |
UNBALANCED |
Connecter |
BNC Connecter x 2(L/R) |
Format |
SONY SDIF-3/DSD-raw |
Output impedance |
10 ohms +/-20% |
Clock synchronization frequency |
44.1kHz |
WORD SYNC IN |
|
Connecter |
BNC Connecter |
Input level |
5V TTL equivalent |
Input impedance |
75 ohms +/-10% |
Input frequency |
44.1k/48k/88.2k/96k/176.4k/192k Hz |
Allowable frequency deviation |
+/-100ppm |
WORD SYNC THRU/OUT |
|
Connecter |
BNC Connecter |
Output level |
5V TTL equivalent |
Output impedance |
75 ohms +/-10% |
Output frequency |
44.1k/48k/88.2k/96k/176.4k/192k Hz |
Frequency stability |
+/-1ppm or less(Ta=25˚C) |
USB |
|
DEVICE |
|
Connecter |
4-pin USB A-type |
Protocol |
USB 2.0 HIGH SPEED(480Mbps) |
Power rating |
DC 5.0V 0.5A |
KEYBORD |
|
Connecter |
4-pin USB A-type |
Protocol |
USB 1.1 FULL SPEED(12Mbps) |
Power rating |
DC 5.0V 0.2A |
Control input and output |
|
Infrared receiver |
TASCAM RC-10 wireless remote controller |
PHONES |
|
Connecter |
Standard 6.3mm (1/4') stereo jack |
Maximum output |
45mW + 45mW (into 32 ohms load, 0.1% distortion) |
Power |
AC120V, 60Hz(US/Canada Version)
AC220-240V, 50-60Hz(UK/EUR/Australia Version) |
Power consumption |
24W |
Dimensions |
483(W)×45(H)×305(D)mm |
weight |
4.2kg |
Operating temperature range |
0 - +40˚C |
Standard accessories |
3P power cord, Wireless remote controller (TASCAM RC-10), coin battery for testing remote control (preinstalled), screw kit for rack-mounting, warranty card, Owner's manual |
Audio performance |
Recording |
Frequency response |
|
PCM |
20 - 20kHz +0.1dB/-0.5dB (Fs=44.1k/48kHz,JEITA)
20 - 40kHz +0.1dB/-1dB (Fs=88.2k/96kHz,JEITA)
20 - 80kHz +0.1dB/-6dB (Fs=176.4k/192kHz,JEITA) |
DSD |
20 - 50kHz +0.1dB/-3dB (DSD,JEITA)
20 - 100kHz +0.1dB/-12dB (DSD,JEITA) |
Distortion
(THD+N, 1kHz) |
0.003% or less (Ref:-16dB/BALANCED,JEITA)
0.005% or less (UNBALANCED,JEITA) |
S/N ratio |
|
PCM(24bit mode) |
113dB or higher (Ref:-20dB/BALANCED,JEITA)
111dB or higher (UNBALANCED,JEITA) |
DSD |
106dB or higher (Ref:-20dB/BALANCED,AES-17 20k LPF)
104dB or higher (UNBALANCED,AES-17 20k LPF) |
Crosstalk(1kHz) |
108dB or higher (JEITA) |
Playback |
Frequency response |
|
PCM |
20 - 20kHz +/-0.1dB (Fs=44.1k/48kHz,JEITA)
20 - 40kHz +0.1dB/-0.3dB (Fs=88.2k/96kHz,JEITA)
20 - 80kHz +0.1dB/-3dB (Fs=176.4k/192kHz,JEITA) |
DSD |
20 - 50kHz +0.1dB/-3dB (DSD,JEITA)
20 - 100kHz +0.1dB/-12dB (DSD,JEITA) |
Distortion
(THD+N, 1kHz) |
0.003% or less (Ref:-16dB/BALANCED,JEITA)
0.001% or less (UNBALANCED,JEITA) |
S/N ratio |
|
PCM |
118dB or higher (Ref:-20dB/BALANCED,JEITA)
116dB or higher (UNBALANCED,JEITA) |
DSD |
116dB or higher (Ref:-20dB/BALANCED,AES-17 20k LPF)
114dB or higher (UNBALANCED,AES-17 20k LPF) |
|
Korg D-4 Digital Recording Studio
High-performance recording studio in a friendly, compact package
Welcome a new member to Korg?s lineup of D-series recorders - acclaimed for their superb audio quality and intuitive ease-of-use. About the same size as a VHS video tape, the D4 Digital Recorder contains built-in effects, rhythms, and a tuner, everything needed to plug in a guitar or mic and start recording right away. Five real-time knobs provide immediate control over numerous functions, including a full array of Korg?s proprietary ?REMS? modeling effects. These same knobs perform double duty as Pan knobs and Record Select buttons; an informative backlit LCD screen keeps it all together. Inside, you?ll find powerful recording and sophisticated editing functions that rival high level models. There?s even a USB connector that makes it easy to transfer song data to a computer. With enormous potential packed into its small size, the D4 is the ideal partner for your creative music life.
Main features ? 4-Track digital recorder features 8 virtual tracks per track, for a total of 32 tracks. ? Two tracks of simultaneous recording. ? High audio quality with extended recording times using MPEG1 Layer 2 compressed recording format. ? XLR and 1/4 inch inputs accommodate both a microphone and/or guitar. ? Intuitive user interface provides plenty of knobs for easy operation. ? Instantly recall frequently-used effect settings, including custom-tailored settings, using the Favorites knob. ? Five knobs (with push-button function) allow for easy effect editing and pan control. ? Full suite of non-destructive editing tools includes punch-in/out, bounce, copy/paste, delete ? even pro-level functions such as time compression/expansion are provided. ? Korg?s proprietary ?REMS? modeling technology delivers 93 effect types that can be used for guitar, insert, master, or final effect processing. There are 100 preset effect programs ready for immediate use, and 100 user program locations. ? High-capacity CompactFlash data storage. ? Transfer data to a computer quickly and easily via the USB connector. ? Built-in mic allows immediate recording on the go. ? 87 Rhythm / metronome patterns and a chromatic tuner are built-in. ? The custom LCD display is backlit for easy visibility - even in dark locations. ? AC adaptor and 64 MB CompactFlash media are included.
A studio that?s just the right size The D4 is a complete four-track recording studio, providing multi-effects based on Korg?s proprietary ?REMS? modeling technology, and an array of rhythm and metronome patterns to compliment any musical style. Just plug a guitar or microphone into the D-4 and you can begin creating your own song a track at a time. Eight virtual tracks are provided for each track, so you can choose the best take as you build your song. The D4 records directly to CompactFlash using one of three modes ?High Quality, Standard or Economy ? providing extended recording time with great audio quality. CompactFlash cards of up to 2 GB* may be used and each one can store up to 99 songs, recorded and saved in MP2 (MPEG-1 Layer-2) format. A built-in mic lets you make quick musical memos as inspiration comes to you. There?s also a built-in tuner, ensuring that you?ll be in tune whenever you record.
*maximum recording time = 72 hours, single track using Economy mode with a 2 GB CompactFlash.
Simple, easy-to-use controls, including new ?turn and push? knobs Despite its compact size, the D4 offers quick and convenient control of its many professional features and rich functionality. A single knob takes you from mode to mode. Five dedicated knobs provide real-time editing of the onboard REMS effects. By pushing down on these same knobs you can select recording status of each track and turn effects on and off. There?s also a ?favorites knob? that lets you instantly recall eleven of your favorite effects. The Value Dial provides a quick way to change settings and select various options. With trim knobs on both inputs (XLR and 1/4" are provided for Input 2, 1/4" only on Input 1), you?ll be able to get the optimum level in any recording situation.
A full suite of editing tools bring a final polish to your song The D4 provides the functionality and flexibility you?ve come to expect from Korg digital recorders, including copy, delete, punch-in recording and more. Bounce recording combines multiple tracks into one ? with no loss of fidelity ? and frees up tracks for additional recording. You can also use professional time compression/expansion editing functions to alter previously-recorded phrases so they match the tempo of your song.
“REMS" modeling effect technology KORG?s proprietary "REMS" (Resonant structure and Electronic circuit Modeling System) modeling technology simulates the audio characteristics of many classic guitar amps, legendary recording microphones and numerous effects with startling realism, adding depth and character to your original recordings. The AMP effect faithfully recreates a range of amps; from classics such as the VOX AC30TB through today?s latest guitar amps. The CABINET effect accurately simulates a wide variety of speaker cabinets that match the various AMP types. The 4-BAND EQ allows you to make detailed adjustments to the tonal character and you can also apply chorus, phaser, and flanger type MODULATION effects. For recording bass parts, the BASS DRIVE and BASS CABINET effects provide a broad spectrum of bass sounds that perfectly simulate the character of various bass rigs. When it comes time to add vocals ? or another acoustic instrument ? the mic simulator recreates the ideal tonality for various recording applications.
What is REMS? REMS (Resonant structure and Electronic circuit Modeling System) is Korg?s proprietary modeling technology that digitally simulates a wide range of factors that affect sound, including the sound-producing mechanism of acoustic and electric/electronic instruments, the body and cabinet resonances that affect the tone, the spatial character of the sound field in which the sound is heard, the electrical and acoustical response of the mics and speakers that are in the sound-transmission path, and the way in which electrical circuits such as vacuum tubes and transistors affect the tone.
Create multi-effect ?chains? using up to five simultaneous effects The D4 digital recorder provides four types of effect chains, in which up to five effects can be connected in a specified order. This makes it easy to create multi-effects that are suitable for the material you?re recording. These effect chains are stored as programs, with 100 user and 100 preset locations for easy access. The presets contain programs created by professional musicians and studio engineers and are ready to use. You can edit the effects in a program and store it in the user program area. Four chain types are provided. [GUITAR/MIC] is used when applying effects to a mono input, such as guitar or vocal; [INSERT/GTR+VO] is for use with a stereo input, or when applying separate effects to a vocal track and a guitar track that are being recorded simultaneously; [MASTER] makes the overall sound more consistent; and [FINAL], which applies overall adjustments to the final output stage. A dedicated switch is provided to select each chain type. No complicated operations are required, letting you concentrate on your recording.
High-quality PCM rhythms Inside the D4 is a PCM sound generator that can produce 87 different rhythm patterns (32 metronome patterns and 55 rhythm patterns). The rich array of patterns include 8 beat, 16 beat, Rock, Funk, Big Beat, House, Reggae, Hip-Hop, R&B, Disco, Dance, Jazz, 3/4, 6/8, 5/4, and 7/4, covering a broad range from simple beats to highly distinctive styles. These rhythm patterns may be used as recording guides, or as an easy way to create tracks.
Reliable, convenient CompactFlash storage CompactFlash capacities of 16 MB ? 2 GB are supported for data storage.*1*2 The data is written automatically when you?ve finished recording or editing. The D4 also provides a USB connector, so it?s easy to transfer song data and user effect data to your computer for backup.*3 Completed songs created within the D4 as stereo MPEG format*4 song files, can be played back as stereo MPEG files on your computer.*5 This also makes it easy to distribute or exchange data on the Internet.
*1 One (1) 64 MB CompactFlash card containing demo song data is included. *2 CF TYPE I cards only. CF TYPE II cards are not supported. *3 USB connection requires Windows 2000/Me or later, or Mac OS 9.0.4 or later. If your computer does not have a USB connector, you can still use a card reader/writer to backup data that?s stored on the card. *4 MPEG1 Layer2 format. *5 Windows Me, Windows 2000, Mac OS 9.0.4, or later systems are supported - when using a PC with an audio card that supports 32 kHz.
Recorder Section: |
|
Number of Tracks: |
|
4 tracks x 8 virtual tracks; 4 tracks simultaneous playback /2 tracks simultaneous recording |
|
Recording Format: |
|
16 bit MPEG 1 Layer 2 compression, 32 kHz |
|
Recording Time: |
|
Hi Quality = approx. 44 minutes /1 track Standard = approx. 64 minutes /1 tracks Economy = approx. 132 minutes /1 track (when using 64 MB CompactFlash), maximum of approx. 4200 minutes /1 track (Economy, when using 2 GB CompactFlash)
* Recording time may vary slightly depending on conditions of use. |
|
Number of Songs: |
|
99 songs per card |
|
Tempo: |
|
40 ~ 240 |
|
Metronome Patterns: |
|
32 |
|
Rhythm Patterns: |
|
55 |
|
Track Editing: |
|
Copy, Insert, Erase, Delete, Time Expansion/Compression |
|
Song Editing: |
|
Rename, Copy, Delete |
|
Counter: |
|
Min/Sec/Msec, Meas/Beat/Tick |
Mixer Section: |
|
Structure: |
|
4 ch + 2 ch (when using sub-input function) |
Effect Section: |
|
Structure: |
|
Guitar/Mic, Insert/Guitar+Vocal, Master, Final; One of the above effects can be selected for use. |
|
Effects: |
|
100 presets / 100 users |
Tuner: |
|
Detection Range: |
|
27.5 Hz ~ 2093 Hz |
|
Calibration: |
|
fixed at A=440 Hz |
Card: |
|
Usable Type: |
|
16 MB ~ 2 GB CompactFlash |
General: |
|
Power Supply: |
|
Included AC adapter |
|
Dimensions: |
|
7.52? (W) x 5.71? (D) x 1.61? (H) 191 (W) x 145 (D) x 41 (H) mm |
|
Weight: |
|
0.91 lbs./415 g |
Analog/Digital Input/Output Specifications: |
|
A/D, D/A Conversion: |
|
20 bit |
|
Sampling Frequency: |
|
32 kHz |
INPUT 1, 2: |
|
Connector: |
|
ψ6.3 mm phone jacks (unbalanced), XLR-3-31 type (balanced); when selecting INPUT 2 MIC |
LINE: |
|
Input Impedance: |
|
22 kOhm |
|
Rated Level: |
|
-32 dBu (INPUT LEVEL = Max), +4 dBu (INPUT LEVEL = min) |
|
Maximum Level: |
|
-18 dBu (INPUT LEVEL = Max), +16 dBu (INPUT LEVEL = min) |
|
Source Impedance: |
|
600 Ohm |
MIC: |
|
Input Impedance: |
|
10 kOhm: ψ6.3 mm phone jack (unbalanced), 10 kOhm: XLR-3-31 type (balanced)
|
|
When using phone jack (unbalanced): |
|
Rated Level: -52 dBu (INPUT LEVEL = max) -16 dBu (INPUT LEVEL = min) Maximum Level: -40 dBu (INPUT LEVEL = max) -4 dBu (INPUT LEVEL = min)
|
|
When using INPUT 2 XLR (balanced): |
|
Rated Level: -60 dBu (INPUT LEVEL = max) -28 dBu (INPUT LEVEL = min) Maximum Level: -48 dBu (INPUT LEVEL = max) -16 dBu (INPUT LEVEL = min) Source Impedance: 600 Ohm
|
GTR: |
|
Input Impedance: |
|
890 kOhm
|
|
Rated Level: |
|
-30 dBu (INPUT LEVEL = max) +4 dBu (INPUT LEVEL = min) |
|
Maximum Level: |
|
-18 dBu (INPUT LEVEL = max) +16 dBu (INPUT LEVEL = min) |
|
Source Impedance: |
|
600 Ohm |
OUTPUT: |
|
Connector: |
|
RCA phono jacks
|
|
Output Impedance: |
|
1 kOhm |
|
Maximum Level: |
|
+2 dBu |
|
Rated Level: |
|
-10 dBu |
|
Load Impedance: |
|
Greater than 10 kOhm |
Phones Output: |
|
Connector: |
|
Mini-stereo phone jack
|
|
Output Impedance: |
|
10 Ohm |
|
Maximum Level: |
|
15 mW @ 33 Ohm |
Foot Switch: |
|
Connector: |
|
ψ6.3 mm phone jack (use separately sold PS-1 foot switch)
|
USB: |
|
Connector: |
|
Type B
|
|
Supported OS: |
|
Windows Me/2000 or later, Mac OS 9.0.4 or later |
Included Items: |
|
CompactFlash, AC adapter |
D4 Options: |
|
PS-1 Foot Switch |
|
UR-80: 24 Bit/96 kHz USB Recording System
Features
- Over forty assignable controls
- Up to 24-bit/96KHz recording
- 2x XLR/TRS combo jack with qualified microphone preamp & phantom power
- Included HQ-GM2, HyperCanvas software synthesizer
- ASIO2.0/WDM, MacOS X compatible drivers, low-latency support.
- UR-80 Editor Software Included
- V-Link support
Knob8Fader9Rotary Encoder1Button25LED10Number of Memory SetsPreset1User7Number of Audio Record/Playback Channels (Full duplex (except for 96 kHz setting))Record2 channels (stereo)Playback2 channels (stereo)Signal ProcessingAD/DA Conversion24 bits (linear)PC interface24 bitsSampling Frequency24 bitsDigital output44.1/48/96 kHzDigital input32/44.1/48/96 kHz* Built-in realtime sample rate converterAD/DA Conversion44.1/48/96 kHzFrequency Response96.0 kHz20 Hz to 40 kHz (+0 dB/-2 dB)48.0 kHz20 Hz to 22 kHz (+0 dB/-2 dB)44.1 kHz20 Hz to 20 kHz (+0 dB/-2 dB)Nominal Input Level (variable)Input Jack 1, 2 (XLR type)-50 to -10 dBuInput Jack 1, 2 (1/4 inch TRS phone type)-35 to +4 dBuInput ImpedanceInput Jack 1, 2 (XLR type)5 k ohmsInput Jack 1, 2 (1/4 inch TRS phone type, Lo-Z)32 k ohmsInput Jack 2 (Hi-Z)1 M ohmsNominal Output LevelOutput Jack0 dBuOutput ImpedanceOutput Jack1 k ohmsHeadphones160 ohmsResidual Noise LevelOutput Jack-90 dBu or less
(input terminated with 1 k ohms, OUTPUT VOLUME: max., INPUT SENS = min., INPUT MONITOR = min., IHF-A, typ.)InterfaceUSB
Digital input/output Coaxial type
Optical type(conforms to S/P DIF)ConnectorsInput Jack 1, 2 (XLR type (phantom power)
1/4 inch TRS phone type)
Digital In Connectors (Coaxial type, Optical type)
Digital Out Connectors (Coaxial type, Optical type)
Headphones Jack (Stereo 1/4 inch phone type)
Output Jack L/R (RCA phone type)OthersPower SupplyAC adaptorCurrent Draw1000 mAAccessoriesInstallation Guide
Owner's Manual
USB cable
AC adaptor
CD-ROM
Overlay Sheets with Application LabelsSize and WeightWidth379 mm14-15/16 inchesDepth239 mm9-7/16 inchesHeight84 mm3-5/16 inchesWeight1.7 kg3 lbs. 11 oz.
|
Apogee makes the direct connection to Pro Tools | HD systems a reality. The Apogee X-HD option card allows for direct connectivity between Pro Tools HD™ systems and Apogee's X-Series or Rosetta 200 converters. The result is an incredibly powerful combination of Digidesign's™Ê¼ Pro Tools software and Apogee's superior conversion and clocking hardware. Features: - Primary HD port for connecting directly to HD Core or Accel cards.
- Expansion port for daisy-chaining multiple Apogee devices (AD-16X, DA-16X, Rosetta 800 & Rosetta 200)
- Compatible with the latest versions of ProTools
- May be used along side similar interfaces (such as Digidesign 96 I/O, 192 I/O, Prism Dream ADA-8)
- Please note: Not compatible with Pro Tools|HD Native
|
Work faster in your Pro Tools® environment with direct access to primary transport and editing functions. This affordable Digidesign® Pro Tools Custom Keyboard uses the same symbols and color coding system built into the ICON D-Control™ worksurface and other Digidesign control surfaces while retaining all the conventional alphanumeric labels that appear on standard computer keyboards.
With functionality specific to Mac systems, the keyboard features plug-and-play USB connectivity.
Features
- Text and icons for main Pro Tools custom key commands, in addition to standard keyboard alphanumeric lettering
- Based on Apple Mac G5 Pro Keyboard
- Two USB ports and USB connection cord
System Requirements
- Digidesign-qualified Mac-based Pro Tools|HD®, Pro Tools LE™, or Pro Tools M-Powered™ system. (Note that some key commands are available only with Pro Tools HD software or with the DV Toolkit™ 2 option for Pro Tools LE.)
| TASCAM's award winning DR-60D is the new audio recording solution for on-set filmmakers and videographers using DSLR's. For years, filmmakersProSound Network Best of Show have been trying different methods for recording audio, using bulky recorders designed for music and trying to transform the inferior audio technology built-into DSLR's. Now TASCAM has designed an answer that pros and amateurs alike have been waiting for.
The DR-60D is a brand new 4-track solid-state recorder utilizing TASCAM's decades of experience. The recorder utilizes high-grade HDDA pre-amps, legendary AD converters, and a durable but lightweight structure and shape. This device will fit snuggly under any camera or into any rig, and record up to 96kHz/24-bit high quality audio straight to SD/SDHC media. Filmmakers have at their disposal two 1/4“-XLR Locking Combo MIC/LINE Inputs, 3.5mm Stereo MIC Input, Camera In, Camera Out, Line Out and Headphone Out. Both 1/4“-XLR Combo Inputs supply +48V Phantom Power and the 3.5mm Input supplies Plug-In Power for microphones requiring a bias voltage.
The DR-60D is incredibly easy to use, employing TASCAM's very popular user interface and external controls for every major operation. The body structure, soft-touch keys and dials are designed specifically to help eliminate handling noise. The multiple record modes include, 4-Channel Record, Auto Record and TASCAM's Dual Record "Safety Track" Mode make the DR-60D one of the most versatile recorders on the market.
- Record to SD/SDHC card (Up to 32GB)
- Simultaneously record up to 4 tracks
- Record Mode:MONO, STEREO, DUAL MONO, DUAL STEREO, 4-CHANNEL
- Recording format:44.1/48/96kHz 16/24bit (WAV/BWF)
- TASCAM original HDDA microphone preamps
- Recording levels can be adjusted independently for the 1/L, 2/R and 3-4 inputs
- Two XLR/TRS inputs support +4dBu line level input and phantom power (24 or 48VDC on XLRF)
- Plug-in power and high-output mic input supported on inputs 3-4
- CAMERA OUT connector for output from the DR-60D's mixer (adjustable gain)
- CAMERA IN connector for sound monitoring from the camera
- Independent adjustable LINE OUT and HEADPHONE jacks for high-quality sound output
- 50mW/ch headphone output
- Tripod mounting socket (bottom) and DSLR mounting screw attachment (top)
- Handles protect the screen and can be used to attach a shoulder strap
- Soft-Touch Rubber Keys for silent operation
- HOLD switch to prevent accidental operation
- QUICK button feature for easy access to various functions
- 128x64 pixel LCD with backlight
- USB 2.0 connection for high-speed transferring of files
- Mini USB cable included
- Operates on 4-AA batteries, an AC adapter (sold separately) or USB bus power
- Can extend battery life with BP-6AA battery pack (sold separately)
- Dedicated remote control jack for the wired RC-10 remote control or RC-3F footswitch (both sold separately)
- Internal mixer: PAN and LEVEL controls
- Low cut filter(40/80/120Hz)
- Limiter (1/L and 2/R can be selected for link-operation)
- Delay function for microphone distance adjustment (up to 150ms)
- M-S decode function
- Slate tone generator (AUTO/MANUAL)
- Selectable duration of slate tone from four positions (0.5/1/2/3 sec, when auto-generated)
- Selectable slate tone generation. 3 positions: OFF/HEAD/HEAD+TAIL, when auto-generated
- File name format can be set to use a user-defined word or date
- Dual-recording function allows two files to be recorded simultaneously at different levels
- Auto-record function can automatically start and stop recording at set level
- Pre-recording function allows the unit to record a 2 second sound buffer before recording is activated
- Self-timer function for solo recording
- New file starts recording automatically without interruption when maximum file size is reached
- Track incrementing function allows a recording to be split by creating a new file when desired
- Jump back and play function
- Equalizer function for playback, and level alignment function to enhance the perceived overall sound pressure
- Resume function to memorize the playback position before the unit is turned off
- MARK function up to 99 points per audio track
- DIVIDE function
SPECIFICATIONS
Recording media |
SD card(64MB to 2GB), SDHC card(4GB to 32GB) |
Recording format |
|
WAV |
44.1/48/96kHz, 16/24bit |
BWF |
44.1/48/96kHz, 16/24bit |
Number of channels |
4channel (stereo x2) |
Analog audio input |
|
1/L, 2/R connectors |
|
Connector |
XLR-3-31 (1:GND, 2:HOT, 3:COLD)/6.3mm(1/4“)TRS standard jack |
Set to "MIC / MIC+PHANTOM“ |
|
Input impedance |
2k ohms |
Phantom power |
48V +/-4V(10mA/CH) / 24V +/-4V(10mA/CH) |
Maximum input level |
0dBu |
Minimum input level |
-72dBu |
MIC input gain |
TRIM MAX |
LOW |
+11dB |
MID |
+36dB |
HIGH |
+52dB |
Set to "LINE“ |
|
Input impedance |
10k ohms or more |
Standard input level |
+4dBu |
Maximum input level |
+24dBu |
3-4 connector |
|
Connector |
3.5mm (1/8“) stereo mini jack (this connector can be supplied plug-in power) |
Input impedance |
10k ohms |
Maximum input level |
+10dBV |
Minimum input level |
-50dBV |
MIC input gain |
TRIM MAX |
LOW |
+3dB |
HIGH |
+26dB |
CAMERA IN connector |
|
Connector |
3.5mm (1/8“) stereo mini jack |
Input impedance |
10k ohms |
Standard input level |
-10dBV |
Maximum input level |
+6dBV |
Analog audio output |
|
CAMERA OUT connector |
|
Connector |
3.5mm (1/8“) stereo mini jack |
Output impedance |
200 ohms |
Standard output level |
-50dBV |
Maximum output level |
-30dBV |
LINE OUT connector |
|
Connector |
3.5mm (1/8“) stereo mini jack |
Output impedance |
200 ohms |
Standard output level |
-10dBV |
Maximum output level |
+10dBV |
PHONES connector |
|
Connector |
3.5mm (1/8“) stereo mini jack |
Maximum output level |
50mW + 50mW |
USB |
|
Connector |
Mini-B type |
Format |
USB2.0 HIGH SPEED mass storage class |
REMOTE |
|
Connector |
2.5mm TRS jack |
Power |
Four AA batteries(Alkaline or NI-MH),
USB bus power,
Dedicated AC adapter(TASCAM PS-P515U, sold separately),
Dedicated external battery pack(TASCAM BP-6AA, sold separately) |
Power consumption |
5.4W |
Continuous operation time |
2ch WAV, 44.1kHz, 16bit rec |
DR-60D |
|
Alkaline batteries (EVOLTA) |
About 2:30 min (Phantom on)
About 4:30 min (Phantom off) |
NI-MH batteries (eneloop) |
About 3:15 min (Phantom on)
About 5:00 min (Phantom off) |
NI-MH batteries (eneloop pro) |
About 3:45 min (Phantom on)
About 6:00 min (Phantom off) |
DR-60D+BP-6AA |
|
Alkaline batteries (EVOLTA) |
About 5:30 min (Phantom on)
About 10:30 min (Phantom off) |
NI-MH batteries (eneloop) |
About 7:30 min (Phantom on)
About 12:00 min (Phantom off) |
NI-MH batteries (eneloop pro) |
About 9:30 min (Phantom on)
About 14:30 min (Phantom off) |
Dimensions |
133(W)×93.2(H)×78(D)mm (with the top adapter attached) |
Weight |
510g (not including batteries) |
Operating temperature |
0˚C to 40˚C |
Standard accessories |
USB cable, warranty card, Owner's manual |
Computer compatibility |
Windows |
OS |
Windows XP, Windows Vista, Windows 7, Windows 8 |
CPU |
Pentium 300MHz or more |
RAM |
128MB or more |
USB |
recommended: USB2.0 |
Macintosh |
OS |
Mac OS X Jaguar (V10.2), Mac OS X Panther (V10.3), Mac OS X Tiger (V10.4),
Mac OS X Leopard (V10.5), Mac OS X Snow Leopard(V10.6.8), OS X Lion(V10.7),
OS X Mountain Lion(V10.8) |
CPU |
Power PC, iMac, G3, G4 266MHz or more |
|
64MB or more |
USB |
recommended: USB2.0 |
Audio performance |
Frequency response |
20-20kHz +0.5/-2dB(LINE IN or MIC IN to LINE OUT, Fs44.1k/48kHz, JEITA)
20-40kHz +0.5/-3dB(LINE IN or MIC IN to LINE OUT, Fs96kHz, JEITA) |
Distortion |
0.02% or less(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA) |
S/N ratio |
92dB or more(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA) |
Equivalent input noise |
-120dBu or more |
Recording duration
The table below shows the maximum recording time on SD/SDHC cards of different capacities for different file formats for recording.
File format(recording setting) |
SD/SDHC card capacity(hours:mintes) |
1GB |
2GB |
4GB |
8GB |
WAV/BWF 16bit(STEREO) |
44.1kHz |
1:41 |
3:22 |
6:44 |
13:28 |
48kHz |
1:33 |
3:06 |
6:12 |
12:24 |
96kHz |
0:46 |
1:33 |
3:06 |
6:12 |
WAV/BWF 24bit(STEREO) |
44.1kHz |
1:07 |
2:15 |
4:30 |
9:00 |
48kHz |
1:02 |
2:04 |
4:08 |
8:16 |
96kHz |
0:31 |
1:02 |
2:04 |
4:08 |
- The recording times shown above are estimates. They might differ depending on the SD/SDHC card in use.
- The recording times shown above are not continuous recording times, but rather they are the total possible recording times for the SD/SDHC card.
- If recorded in mono in WAV files, the maximum recording time will be double the figures above.
- For dual and 4-channel recording in WAV/BWF format, the recording times are about half those shown above.
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