| Content | Stereo Handheld Audio Recorder and USB Audio Interface
The DR-05X offers portable, high-quality stereo recording in MP3 or WAV format – including 96-kHz/24-bit high-resolution audio – using microSD, microSDHC or microSDXC media. A pair of omni-directional mics handles up to 125 dB SPL with the sensitivity to capture every detail. Users can also use their own microphone or line-level source through the mini-jack stereo input which includes plug-in power for microphones that need it.
The DR-05X is quick and easy to use with one thumb. Operations like recording, adjusting levels, deleting bad takes and adding marks are only a button press away. Other features like low-cut filtering, Variable Speed Audition, chromatic tuner and others more can be chosen from the multilingual menu (English, Spanish, Portuguese, French, Italian, German, Russian, Chinese, Korean, Japanese). Three different auto level modes (Limiter, Peak Reduction, Auto Level) can help to prevent accidental distortion while recording. There is also a Level Align function that allows to smooth out any sudden volume jumps during playback, and a built-in speaker is provided for quick check-back. Users may apply one out of six reverb effects to the input or output signal, and an Overdub feature allows to record other parts such as a guitar solo over a recording previously made such as at a rehearsal studio. Overdubbing creates a new file, leaving the original file unaffected, making it easy to re-record.
The new Dictation Mode enables the user to jump back and forth in preselected increments while playing back a file. It can be combined with speed control and a special dictation EQ making it useful for transcribing minutes recordings, for example. The new tape-style Overwrite mode with one level of undo allows users to select a drop-in time and replace part of an existing recording.
Apart from handheld recording, the DR-05X can also be used as a USB audio interface with two inputs and outputs, making it a tool for voiceover work, live streaming, podcasting and songwriting with studio-quality audio.
Two AA batteries can power the recorder for more than 17 hours, even while recording at CD quality. Operation by USB bus power or an optional AC adapter (PS-P520E) is also possible.
Features at a glance
- High-quality handheld stereo recording
- Small size and easy operation
- Micro SD/SDHC/SDXC cards can be used as recording media (up to 128 GB)
- Supported audio formats:
- Linear PCM (WAV format) at 44.1 kHz / 16 bit (CD quality) or 44.1 kHz / 24 bit
- Linear PCM (WAV format), 48 kHz / 24 bit
- Linear PCM (WAV format), 96 kHz / 24 bit
- Compressed (MP3 format): 32–320 kbit/s at 44.1/48 kHz (VBR files can be played but not recorded)
- NEW: Can be used as a USB audio interface with Mac and Windows computers (two inputs, two outputs)
Recording
- Built-in omni-directional stereo condenser microphone for lively, high-quality sound and high-resolution recording
- Easy setup
- Proven high sound pressure design for capturing sounds of up to 125 dB SPL, making it ideal for loud band recordings
- Natural sound independent of the sound source’s position
- Ideal for live music recording or news gathering with atmo
- Switchable filter to minimize unwanted low-frequency noise (40 Hz, 80 Hz, 120 Hz)
- Manual recording level setting for music and field recording
- Three options of automatic level control during recording: Peak Reduction, Auto Level, Limiter
- Auto-recording function to automatically start recording based on input level
- Marks can be added automatically when using the automatic recording function
- NEW: Overwrite function for punch-in recording with one level of Undo
- NEW: Dictation mode designed for human voice recording and transcription
- Pre-recording buffer (2 seconds) allows a recording to start before the record key is pressed
- Self-timer allows a recording to start 5 or 10 seconds after pressing the RECORD button
- A new file can be created manually during recording or automatically when a certain file size is reached
- Set marks to quickly locate certain audio positions (up to 99 per file)
- Automatic tone generator convenient when editing with video on other equipment
- Stereo mic/line input with plug-in power to connect an external source or microphone
- File name format can be set to use a predefined word or the date
Playback
- Automatic level align prevents uneven playback levels
- Variable speed audition to change the playback tempo without affecting the key (50–200 %)
- Repeat/loop function (repeat one track, all tracks or a marked section, convenient for practicing music and studying languages
- Playlist feature to play files in a certain order
- Resume function retains the last stop position and starts playback from that position when power is turned back on
- Jump back function to instantly review playback (1–10, 20, 30 seconds)
- Equalizer for tone control during playback
- MP3 ID3 tag display (up to version 2.4)
- Built-in loudspeaker
- Headphones/Line output
Other features
- QUICK menu button for easy access to various functions
- Chromatic tuner function to tune your instrument
- File divide function to cut unwanted noise or to extract parts from long recordings
- Folder management to organize your files
- Hold function to avoid inadvertent operation
- Menu language can be selected between English, German, French, Italian, Spanish, Portuguese, Russian, Korean, Japanese, Chinese
- Clear, backlit LC display
- USB 2.0 port for file transfer to/from computer
- Power supply by 2 AA size Alkaline or NiMH batteries, USB bus power or optional AC adapter (Tascam PS-P520E)
- Stand adapter (¼ inch) on bottom side to attach the unit to a tripod or microphone stand
| Power supply and other specifications |
| Power requirements |
|
2 AA batteries (alkaline or NiMH)
USB bus power from a computer
AC adapter (Tascam PS-P520E, sold separately) |
| Power consumption |
|
1.7 W (maximum) |
| Dimensions (W × H × D) |
|
61 mm × 141 mm × 26 mm |
| Weight |
|
119 g (without batteries)
165 g (with batteries) |
| Permissible operating temperature range |
|
0–40 °C |
|
The D-2012C is a 6U rack mountable Remote Console Unit designed for exclusive use with the D-2008SP Digital Mixing Processor Unit. Assigned to any desired channels inside the D-2008SP by the dedicated software, the D-2012C's 12 motorized faders and 8 rotary encoders can remotely adjust their volumes. Desired preset memories can be recalled using 8 function keys. It is equipped with 1 channel line input (stereo), which allows the audio signal to be transmitted to the D-2008SP via monitor bus. Audio signals inside the D-2008SP can be monitored via monitor bus through headphones connected to a stereo headphone output. The D-2012C can be installed on a desk with the additional use of an optional D-2012AS Console Case.
* 0 dB = 0.775 V | Power Source | 220 - 240 V AC | | Power Consumption | 18 W | | Volume Adjustment | 100 mm motorized fader x 12
Rotary encoder x 8 | | Line Input | 1 channel (stereo) | | Headphone Output | Stereo 100 mW + 100 mW (32 Ω load) | | Monitor Bus | 1 stereo input
Connector: RJ45 connector
Connection cable: Shielded twisted pair (STP) Cat 5 or higher LAN cable (2 pairs of data lines)
Maximum cable distance: 100 m (109.36 yd) (between D-2012C and D-2008SP) | | LAN | Network I/F: 10BASE-T/100BASE-TX (Automatic-Negotiation)
RJ45 connector
Network protocol: TCP/IP
Connection cable: Shielded twisted pair (STP) Cat 5 or higher LAN cable
Maximum cable distance: 100 m (109.36 yd) (between D-2008SP and switching hub) | | Control | RS-232C: D-sub connector (9 pins) for maintenance use | | Finish | Panel: Surface-treated steel plate
Rack mounting bracket: Surface-treated steel plate | | Dimensions | 482 (W) × 266 (H) × 138 (D) mm (18.98 × 10.47" × 5.43) | | Weight | 6.6 kg (14.55 lb) | | Accessory | Power cord (2 m (6.5 ft)) ……1
Fader knob (yellow) ……3 | | Option | Console case: D-2012AS |
| Add 8 more ADAT optical inputs and outputs to your DM-3200 or DM-4800. Also works with older TASCAM gear such as the DM-24, DS-M71 and SX-1.The DP-32 is a home recording Portastudio with 32 tracks based on solid-state technology. The unit is equipped with colour LCD and channel strip controls to make recording simple so the user can stay creative. Up to eight tracks can be recorded at a time on a standard SD/SDHC memory card through its XLR and 6.3-mm combo jacks. Input processing like compression and limiting, an internal send effect with reverb, delay and chorus, guitar amp simulation and multi-effects for use with the instrument-level input as well as an external effects send are available during recording.
For mixdown, the DP-32 offers 20 channel faders and 12 rotary controls for EQ, Pan and effects including reverb and chorus. During the mastering process, the material can be further optimized with EQ, compression and normalization. Once finished, songs can be written to CD with the built-in CD-RW drive or transferred to computer over USB to publish the songs on the Internet, for example.
Main Features
32-track digital Portastudio
8 mono tracks, 12 stereo tracks (can also be used as mono tracks)
Record up to 8 tracks at once with 44.1/48 kHz and 16/24-bit audio resolution
Simultaneous playback of all 32 tracks
Virtual tracks for alternate takes and undo
Dedicated stereo master track
Colour LC display and 12-encoder channel strip for simple operation
Built-in 40-channel mixer
Mix down your 32 playback tracks with eight input signals to the dedicated stereo master track
Use the Bounce function to set tracks free by mixing multiple tracks to a single mono or stereo track
Dedicated controls for EQ, pan and effect sends
Solid-state recording to SD Card media for better shock resistance and reliability compared to hard drive recording
8 balanced microphone inputs on balanced combo XLR/jack connectors
Switchable phantom power for 4 channels each
One input switchable to instrument level for direct recording of a guitar or bass
Unbalanced stereo output (RCA jacks)
Balanced stereo monitor output (6.3-mm TRS jacks)
Two unbalanced effect sends (6.3-mm TS jacks)
Stereo headphones output (6.3-mm TRS jack)
MIDI input and output for MMC, Control Change and MTC output
Footswitch input (2.5-mm mini jack) for Tascam RC-3F (optional accessory)
Input effects (Limiter, Compressor, Noise suppressor, Exciter)
Guitar effects (Amp simulator, Reverb, Compressor, Chorus, Flanger, Phase shifter)
Mixdown effects (Reverb, Delay, Stereo chorus)
Mastering effect (Single/Multi-band stereo compressor, EQ, Noise shaping)
Mark function (up to 99 location marks)
Built-in chromatic tuner and metronome
CD-RW drive for audio CD creation as well as file import and export
USB 2.0 port for data backup/restore and file transfer with a computer
Specifications
Recording media and file systems
Recording media SD card (512 MB to 2 GB)
SDHC card (4–32 GB)
File system SD card (512 MB to 2 GB): FAT16
SDHC card (4–32 GB): FAT32
Analogue audio inputs and outputs
MIC/LINE INPUTS A–H, XLR (balanced)
Connector XLR-3-31 (1: GND, 2: HOT, 3: COLD)
Input impedance 2.4 kOhm
Nominal input level –14 dBu
Maximum input level +2 dBu
MIC/LINE INPUTS A–H, phone jack (balanced)
Connector 6.3-mm TRS phone jack
Input impedance >22 kOhm or 1 MOhm (INPUT H, when LINE-GUITAR switch is set to GUITAR)
Nominal input level +4 dBu
Maximum input level +20 dBu
STEREO OUT L/R connectors RCA pin jack
Nominal output level –10 dBV
Maximum output level +6 dBV
Output impedance 200 Ohm
EFFECT SENDS 1/2 connectors 6.3-mm TS phone jack
Nominal output level –10 dBV
Maximum output level +6 dBV
Output impedance 200 Ohm
MONITOR OUT L/R connectors 6.3-mm TRS phone jack
Nominal output level –2 dBu
Maximum output level +14 dBu
Output impedance 200 Ohm
PHONES connector 6.3-mm TRS phone jack
Maximum output power 70 mW + 70 mW or more (THD + N 0.1% or less, 32 Ohm load)
Other inputs and outputs
MIDI input (MIDI IN) DIN 5 pin
Format Standard MIDI format
MIDI output (MIDI OUT) DIN 5 pin
Format Standard MIDI format
USB connector USB 4-pin mini-B type
Format Mass Storage Class USB 2.0 High Speed
REMOTE connector 2.5-mm TRS jack
Audio performance
Frequency response 20 Hz to 20 kHz, +1/–1 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
Distortion ≤0.01 % (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
S/N ratio ≥90 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
Audio performance
Frequency response 20 Hz to 20 kHz, +1/–1 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
Distortion ≤0.01 % (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
S/N ratio ≥90 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT)
Operating system requirements
Windows Pentium 300 MHz or faster
128 MB or more memory
Macintosh Power PC, iMac, G3, G4 266 MHz or faster
64 MB or more memory
Recommended USB port USB 2.0
Recommended USB host controller Intel chipset
Supported operating systems Windows XP, Windows Vista, Windows 7
Mac OS X 10.2 or later
Power requirements and other specifications
Power supply AC adaptor (TASCAM PS-1225L)
Power consumption 12 W (Phantom power on)
Dimensions (Width x Height x Depth, excluding projections) 514 mm x 104 mm x 340 mm
Weight 6.2 kg
Operating temperature 5–35 °C
Design and specifications subject to change without notice. | Specifications:
- Recording media: SD card(64MB to 2GB), SDHC card(4GB to 32GB), SDXC card(48GB to 128GB)
- Recording format
• WAV: 44.1k / 48k / 96k Hz, 16bit / 24bit
• BWF: 44.1k / 48k / 96k Hz, 16bit / 24bit
- Number of channels: 4-channel (stereo × 2, mono × 4)
- Analog audio input
• Connector: XLR-3-31 (1:GND, 2:HOT, 3:COLD) / 6.3mm(1/4“)TRS standard jack
Set to "MIC / MIC+PHANTOM“
• Input impedance: 2k ohms
• Phantom power: 48V +/-4V(10mA/CH), 24V +/-4V(10mA/CH)
• Maximum input level: 0dBu
• Minimum input level: -72dBu
• MIC input gain: TRIM MAX
• LOW: +11dB
• HIGH: +51dB
• HI + PLUS: +63dB
• Input impedance: 10k ohms or more
• Standard input level: +4dBu
• Maximum input level: +20dBu
• Connector: 3.5mm(1/8“)stereo mini jack (this connector can be supplied plug-in power)
• Input impedance: 10k ohms
• Maximum input level: +10dBV
• Minimum input level: -50dBV
• MIC input gain: TRIM MAX
• LOW: +3dB
• HIGH: +26dB
• HI + PLUS: +38dB
• Connector: 3.5mm(1/8“)stereo mini jack
• Input impedance: 10k ohms
• Standard input level: -10dBV
• Maximum input level: +6dBV
Analog audio output
• Connector: 3.5mm(1/8“)stereo mini jack
• Output impedance: 200 ohms
• Standard output level: -10dBV
• Maximum output level: +6dBV
• Connector: 3.5mm(1/8“)stereo mini jack
• Output impedance: 200 ohms
• Standard output level: -40dBV
• Maximum output level: -24dBV
• Connector: 3.5mm(1/8“)stereo mini jack
• Maximum output level: 20mW + 20mW
USB
• Connector: Micro-B type
• Format: USB2.0 HIGH SPEED mass storage class
- REMOTE Connector: 2.5mm TRS jack
- Power: 4 AA batteries(Alkaline or NI-MH), USB bus power, Dedicated AC adapter(TASCAM PS-P515U, sold separately), Dedicated external battery pack(TASCAM BP-6AA, sold separately)
- Power consumption: 5.0W
- Continuous operation time: 2ch WAV, 44.1kHz, 16bit rec, Phantom power not used
- Dimensions: 169(W)×55.2(H)×106.5(D)mm (with the top adapter attached)
- Weight: 625g ( including batteries) / 530g (without batteries )
|
Korg D-4 Digital Recording Studio
High-performance recording studio in a
friendly, compact package
Welcome a new member to Korg?s lineup of D-series recorders - acclaimed for their superb audio quality and intuitive ease-of-use. About the same size as a VHS video tape, the D4 Digital Recorder contains built-in effects, rhythms, and a tuner, everything needed to plug in a guitar or mic and start recording right away. Five real-time knobs provide immediate control over numerous functions, including a full array of Korg?s proprietary ?REMS? modeling effects. These same knobs perform double duty as Pan knobs and Record Select buttons; an informative backlit LCD screen keeps it all together. Inside, you?ll find powerful recording and sophisticated editing functions that rival high level models. There?s even a USB connector that makes it easy to transfer song data to a computer. With enormous potential packed into its small size, the D4 is the ideal partner for your creative music life.
Main features
? 4-Track digital recorder features 8 virtual tracks per track, for a total of 32 tracks.
? Two tracks of simultaneous recording.
? High audio quality with extended recording times using MPEG1 Layer 2 compressed recording format.
? XLR and 1/4 inch inputs accommodate both a microphone and/or guitar.
? Intuitive user interface provides plenty of knobs for easy operation.
? Instantly recall frequently-used effect settings, including custom-tailored settings, using the Favorites knob.
? Five knobs (with push-button function) allow for easy effect editing and pan control.
? Full suite of non-destructive editing tools includes punch-in/out, bounce, copy/paste, delete ? even pro-level functions such as time compression/expansion are provided.
? Korg?s proprietary ?REMS? modeling technology delivers 93 effect types that can be used for guitar, insert, master, or final effect processing. There are 100 preset effect programs ready for immediate use, and 100 user program locations.
? High-capacity CompactFlash data storage.
? Transfer data to a computer quickly and easily via the USB connector.
? Built-in mic allows immediate recording on the go.
? 87 Rhythm / metronome patterns and a chromatic tuner are built-in.
? The custom LCD display is backlit for easy visibility - even in dark locations.
? AC adaptor and 64 MB CompactFlash media are included.
A studio that?s just the right size
The D4 is a complete four-track recording studio, providing multi-effects based on Korg?s proprietary ?REMS? modeling technology, and an array of rhythm and metronome patterns to compliment any musical style. Just plug a guitar or microphone into the D-4 and you can begin creating your own song a track at a time. Eight virtual tracks are provided for each track, so you can choose the best take as you build your song. The D4 records directly to CompactFlash using one of three modes ?High Quality, Standard or Economy ? providing extended recording time with great audio quality. CompactFlash cards of up to 2 GB* may be used and each one can store up to 99 songs, recorded and saved in MP2 (MPEG-1 Layer-2) format. A built-in mic lets you make quick musical memos as inspiration comes to you. There?s also a built-in tuner, ensuring that you?ll be in tune whenever you record.
*maximum recording time = 72 hours, single track using Economy mode with a 2 GB CompactFlash.
Simple, easy-to-use controls, including
new ?turn and push? knobs
Despite its compact size, the D4 offers quick and convenient control of its many professional features and rich functionality. A single knob takes you from mode to mode. Five dedicated knobs provide real-time editing of the onboard REMS effects. By pushing down on these same knobs you can select recording status of each track and turn effects on and off. There?s also a ?favorites knob? that lets you instantly recall eleven of your favorite effects. The Value Dial provides a quick way to change settings and select various options. With trim knobs on both inputs (XLR and 1/4" are provided for Input 2, 1/4" only on Input 1), you?ll be able to get the optimum level in any recording situation.
A full suite of editing tools
bring a final polish to your song
The D4 provides the functionality and flexibility you?ve come to expect from Korg digital recorders, including copy, delete, punch-in recording and more. Bounce recording combines multiple tracks into one ? with no loss of fidelity ? and frees up tracks for additional recording. You can also use professional time compression/expansion editing functions to alter previously-recorded phrases so they match the tempo of your song.
“REMS" modeling effect technology
KORG?s proprietary "REMS" (Resonant structure and Electronic circuit Modeling System) modeling technology simulates the audio characteristics of many classic guitar amps, legendary recording microphones and numerous effects with startling realism, adding depth and character to your original recordings. The AMP effect faithfully recreates a range of amps; from classics such as the VOX AC30TB through today?s latest guitar amps. The CABINET effect accurately simulates a wide variety of speaker cabinets that match the various AMP types. The 4-BAND EQ allows you to make detailed adjustments to the tonal character and you can also apply chorus, phaser, and flanger type MODULATION effects. For recording bass parts, the BASS DRIVE and BASS CABINET effects provide a broad spectrum of bass sounds that perfectly simulate the character of various bass rigs. When it comes time to add vocals ? or another acoustic instrument ? the mic simulator recreates the ideal tonality for various recording applications.
What is REMS?
REMS (Resonant structure and Electronic circuit Modeling System) is Korg?s proprietary modeling technology that digitally simulates a wide range of factors that affect sound, including the sound-producing mechanism of acoustic and electric/electronic instruments, the body and cabinet resonances that affect the tone, the spatial character of the sound field in which the sound is heard, the electrical and acoustical response of the mics and speakers that are in the sound-transmission path, and the way in which electrical circuits such as vacuum tubes and transistors affect the tone.
Create multi-effect ?chains? using up to five simultaneous effects
The D4 digital recorder provides four types of effect chains, in which up to five effects can be connected in a specified order. This makes it easy to create multi-effects that are suitable for the material you?re recording. These effect chains are stored as programs, with 100 user and 100 preset locations for easy access. The presets contain programs created by professional musicians and studio engineers and are ready to use. You can edit the effects in a program and store it in the user program area. Four chain types are provided. [GUITAR/MIC] is used when applying effects to a mono input, such as guitar or vocal; [INSERT/GTR+VO] is for use with a stereo input, or when applying separate effects to a vocal track and a guitar track that are being recorded simultaneously; [MASTER] makes the overall sound more consistent; and [FINAL], which applies overall adjustments to the final output stage. A dedicated switch is provided to select each chain type. No complicated operations are required, letting you concentrate on your recording.
High-quality PCM rhythms
Inside the D4 is a PCM sound generator that can produce 87 different rhythm patterns (32 metronome patterns and 55 rhythm patterns). The rich array of patterns include 8 beat, 16 beat, Rock, Funk, Big Beat, House, Reggae, Hip-Hop, R&B, Disco, Dance, Jazz, 3/4, 6/8, 5/4, and 7/4, covering a broad range from simple beats to highly distinctive styles. These rhythm patterns may be used as recording guides, or as an easy way to create tracks.
Reliable, convenient CompactFlash storage
CompactFlash capacities of 16 MB ? 2 GB are supported for data storage.*1*2 The data is written automatically when you?ve finished recording or editing. The D4 also provides a USB connector, so it?s easy to transfer song data and user effect data to your computer for backup.*3 Completed songs created within the D4 as stereo MPEG format*4 song files, can be played back as stereo MPEG files on your computer.*5 This also makes it easy to distribute or exchange data on the Internet.
*1 One (1) 64 MB CompactFlash card containing demo song data is included.
*2 CF TYPE I cards only. CF TYPE II cards are not supported.
*3 USB connection requires Windows 2000/Me or later, or Mac OS 9.0.4 or later. If your computer does not have a USB connector, you can still use a card reader/writer to backup data that?s stored on the card.
*4 MPEG1 Layer2 format.
*5 Windows Me, Windows 2000, Mac OS 9.0.4, or later systems are supported - when using a PC with an audio card that supports 32 kHz.
| Recorder Section: |
| |
Number of Tracks: |
| |
4 tracks x 8 virtual tracks; 4 tracks simultaneous playback /2 tracks simultaneous recording
|
| |
Recording Format: |
| |
16 bit MPEG 1 Layer 2 compression, 32 kHz
|
| |
Recording Time: |
| |
Hi Quality = approx. 44 minutes /1 track
Standard = approx. 64 minutes /1 tracks
Economy = approx. 132 minutes /1 track
(when using 64 MB CompactFlash), maximum of approx. 4200 minutes /1 track (Economy, when using 2 GB CompactFlash)
* Recording time may vary slightly depending on conditions of use.
|
| |
Number of Songs: |
| |
99 songs per card
|
| |
Tempo: |
| |
40 ~ 240
|
| |
Metronome Patterns: |
| |
32
|
| |
Rhythm Patterns: |
| |
55
|
| |
Track Editing: |
| |
Copy, Insert, Erase, Delete, Time Expansion/Compression
|
| |
Song Editing: |
| |
Rename, Copy, Delete
|
| |
Counter: |
| |
Min/Sec/Msec, Meas/Beat/Tick
|
Mixer Section: |
| |
Structure: |
| |
4 ch + 2 ch (when using sub-input function)
|
Effect Section: |
| |
Structure: |
| |
Guitar/Mic, Insert/Guitar+Vocal, Master, Final;
One of the above effects can be selected for use.
|
| |
Effects: |
| |
100 presets / 100 users
|
Tuner: |
| |
Detection Range: |
| |
27.5 Hz ~ 2093 Hz
|
| |
Calibration: |
| |
fixed at A=440 Hz
|
Card: |
| |
Usable Type: |
| |
16 MB ~ 2 GB CompactFlash
|
General: |
| |
Power Supply: |
| |
Included AC adapter
|
| |
Dimensions: |
| |
7.52? (W) x 5.71? (D) x 1.61? (H)
191 (W) x 145 (D) x 41 (H) mm
|
| |
Weight: |
| |
0.91 lbs./415 g
|
Analog/Digital Input/Output Specifications: |
| |
A/D, D/A Conversion: |
| |
20 bit
|
| |
Sampling Frequency: |
| |
32 kHz
|
INPUT 1, 2: |
| |
Connector: |
| |
ψ6.3 mm phone jacks (unbalanced), XLR-3-31 type (balanced); when selecting INPUT 2 MIC
|
LINE: |
| |
Input Impedance: |
| |
22 kOhm
|
| |
Rated Level: |
| |
-32 dBu (INPUT LEVEL = Max),
+4 dBu (INPUT LEVEL = min)
|
| |
Maximum Level: |
| |
-18 dBu (INPUT LEVEL = Max),
+16 dBu (INPUT LEVEL = min)
|
| |
Source Impedance: |
| |
600 Ohm
|
MIC: |
| |
Input Impedance: |
| |
10 kOhm: ψ6.3 mm phone jack (unbalanced),
10 kOhm: XLR-3-31 type (balanced)
|
| |
When using phone jack (unbalanced): |
| |
Rated Level: -52 dBu (INPUT LEVEL = max)
-16 dBu (INPUT LEVEL = min)
Maximum Level: -40 dBu (INPUT LEVEL = max)
-4 dBu (INPUT LEVEL = min)
|
| |
When using INPUT 2 XLR (balanced): |
| |
Rated Level: -60 dBu (INPUT LEVEL = max)
-28 dBu (INPUT LEVEL = min)
Maximum Level: -48 dBu (INPUT LEVEL = max)
-16 dBu (INPUT LEVEL = min)
Source Impedance: 600 Ohm
|
GTR: |
| |
Input Impedance: |
| |
890 kOhm
|
| |
Rated Level: |
| |
-30 dBu (INPUT LEVEL = max)
+4 dBu (INPUT LEVEL = min)
|
| |
Maximum Level: |
| |
-18 dBu (INPUT LEVEL = max)
+16 dBu (INPUT LEVEL = min)
|
| |
Source Impedance: |
| |
600 Ohm
|
OUTPUT: |
| |
Connector: |
| |
RCA phono jacks
|
| |
Output Impedance: |
| |
1 kOhm
|
| |
Maximum Level: |
| |
+2 dBu
|
| |
Rated Level: |
| |
-10 dBu
|
| |
Load Impedance: |
| |
Greater than 10 kOhm
|
Phones Output: |
| |
Connector: |
| |
Mini-stereo phone jack
|
| |
Output Impedance: |
| |
10 Ohm
|
| |
Maximum Level: |
| |
15 mW @ 33 Ohm
|
Foot Switch: |
| |
Connector: |
| |
ψ6.3 mm phone jack (use separately sold
PS-1 foot switch)
|
USB: |
| |
Connector: |
| |
Type B
|
| |
Supported OS: |
| |
Windows Me/2000 or later, Mac OS 9.0.4 or later
|
Included Items: |
| |
CompactFlash, AC adapter
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D4 Options: |
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| TASCAM's award winning DR-60D is the new audio recording solution for on-set filmmakers and videographers using DSLR's. For years, filmmakersProSound Network Best of Show have been trying different methods for recording audio, using bulky recorders designed for music and trying to transform the inferior audio technology built-into DSLR's. Now TASCAM has designed an answer that pros and amateurs alike have been waiting for.
The DR-60D is a brand new 4-track solid-state recorder utilizing TASCAM's decades of experience. The recorder utilizes high-grade HDDA pre-amps, legendary AD converters, and a durable but lightweight structure and shape. This device will fit snuggly under any camera or into any rig, and record up to 96kHz/24-bit high quality audio straight to SD/SDHC media. Filmmakers have at their disposal two 1/4“-XLR Locking Combo MIC/LINE Inputs, 3.5mm Stereo MIC Input, Camera In, Camera Out, Line Out and Headphone Out. Both 1/4“-XLR Combo Inputs supply +48V Phantom Power and the 3.5mm Input supplies Plug-In Power for microphones requiring a bias voltage.
The DR-60D is incredibly easy to use, employing TASCAM's very popular user interface and external controls for every major operation. The body structure, soft-touch keys and dials are designed specifically to help eliminate handling noise. The multiple record modes include, 4-Channel Record, Auto Record and TASCAM's Dual Record "Safety Track" Mode make the DR-60D one of the most versatile recorders on the market.
- Record to SD/SDHC card (Up to 32GB)
- Simultaneously record up to 4 tracks
- Record Mode：MONO, STEREO, DUAL MONO, DUAL STEREO, 4-CHANNEL
- Recording format：44.1/48/96kHz 16/24bit (WAV/BWF)
- TASCAM original HDDA microphone preamps
- Recording levels can be adjusted independently for the 1/L, 2/R and 3-4 inputs
- Two XLR/TRS inputs support +4dBu line level input and phantom power (24 or 48VDC on XLRF)
- Plug-in power and high-output mic input supported on inputs 3-4
- CAMERA OUT connector for output from the DR-60D's mixer (adjustable gain)
- CAMERA IN connector for sound monitoring from the camera
- Independent adjustable LINE OUT and HEADPHONE jacks for high-quality sound output
- 50mW/ch headphone output
- Tripod mounting socket (bottom) and DSLR mounting screw attachment (top)
- Handles protect the screen and can be used to attach a shoulder strap
- Soft-Touch Rubber Keys for silent operation
- HOLD switch to prevent accidental operation
- QUICK button feature for easy access to various functions
- 128x64 pixel LCD with backlight
- USB 2.0 connection for high-speed transferring of files
- Mini USB cable included
- Operates on 4-AA batteries, an AC adapter (sold separately) or USB bus power
- Can extend battery life with BP-6AA battery pack (sold separately)
- Dedicated remote control jack for the wired RC-10 remote control or RC-3F footswitch (both sold separately)
- Internal mixer: PAN and LEVEL controls
- Low cut filter(40/80/120Hz)
- Limiter (1/L and 2/R can be selected for link-operation)
- Delay function for microphone distance adjustment (up to 150ms)
- M-S decode function
- Slate tone generator (AUTO/MANUAL)
- Selectable duration of slate tone from four positions (0.5/1/2/3 sec, when auto-generated)
- Selectable slate tone generation. 3 positions: OFF/HEAD/HEAD+TAIL, when auto-generated
- File name format can be set to use a user-defined word or date
- Dual-recording function allows two files to be recorded simultaneously at different levels
- Auto-record function can automatically start and stop recording at set level
- Pre-recording function allows the unit to record a 2 second sound buffer before recording is activated
- Self-timer function for solo recording
- New file starts recording automatically without interruption when maximum file size is reached
- Track incrementing function allows a recording to be split by creating a new file when desired
- Jump back and play function
- Equalizer function for playback, and level alignment function to enhance the perceived overall sound pressure
- Resume function to memorize the playback position before the unit is turned off
- MARK function up to 99 points per audio track
- DIVIDE function
SPECIFICATIONS
| Recording media |
SD card(64MB to 2GB), SDHC card(4GB to 32GB) |
| Recording format |
|
| WAV |
44.1/48/96kHz, 16/24bit |
| BWF |
44.1/48/96kHz, 16/24bit |
| Number of channels |
4channel (stereo x2) |
| Analog audio input |
|
| 1/L, 2/R connectors |
|
| Connector |
XLR-3-31 (1:GND, 2:HOT, 3:COLD)/6.3mm(1/4“)TRS standard jack |
| Set to "MIC / MIC+PHANTOM“ |
|
| Input impedance |
2k ohms |
| Phantom power |
48V +/-4V(10mA/CH) / 24V +/-4V(10mA/CH) |
| Maximum input level |
0dBu |
| Minimum input level |
-72dBu |
| MIC input gain |
TRIM MAX |
| LOW |
+11dB |
| MID |
+36dB |
| HIGH |
+52dB |
| Set to "LINE“ |
|
| Input impedance |
10k ohms or more |
| Standard input level |
+4dBu |
| Maximum input level |
+24dBu |
| 3-4 connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack (this connector can be supplied plug-in power) |
| Input impedance |
10k ohms |
| Maximum input level |
+10dBV |
| Minimum input level |
-50dBV |
| MIC input gain |
TRIM MAX |
| LOW |
+3dB |
| HIGH |
+26dB |
| CAMERA IN connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack |
| Input impedance |
10k ohms |
| Standard input level |
-10dBV |
| Maximum input level |
+6dBV |
| Analog audio output |
|
| CAMERA OUT connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack |
| Output impedance |
200 ohms |
| Standard output level |
-50dBV |
| Maximum output level |
-30dBV |
| LINE OUT connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack |
| Output impedance |
200 ohms |
| Standard output level |
-10dBV |
| Maximum output level |
+10dBV |
| PHONES connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack |
| Maximum output level |
50mW + 50mW |
| USB |
|
| Connector |
Mini-B type |
| Format |
USB2.0 HIGH SPEED mass storage class |
| REMOTE |
|
| Connector |
2.5mm TRS jack |
| Power |
Four AA batteries(Alkaline or NI-MH),
USB bus power,
Dedicated AC adapter(TASCAM PS-P515U, sold separately),
Dedicated external battery pack(TASCAM BP-6AA, sold separately) |
| Power consumption |
5.4W |
| Continuous operation time |
2ch WAV, 44.1kHz, 16bit rec |
| DR-60D |
|
| Alkaline batteries (EVOLTA) |
About 2:30 min (Phantom on)
About 4:30 min (Phantom off) |
| NI-MH batteries (eneloop) |
About 3:15 min (Phantom on)
About 5:00 min (Phantom off) |
| NI-MH batteries (eneloop pro) |
About 3:45 min (Phantom on)
About 6:00 min (Phantom off) |
| DR-60D+BP-6AA |
|
| Alkaline batteries (EVOLTA) |
About 5:30 min (Phantom on)
About 10:30 min (Phantom off) |
| NI-MH batteries (eneloop) |
About 7:30 min (Phantom on)
About 12:00 min (Phantom off) |
| NI-MH batteries (eneloop pro) |
About 9:30 min (Phantom on)
About 14:30 min (Phantom off) |
| Dimensions |
133(W)×93.2(H)×78(D)mm (with the top adapter attached) |
| Weight |
510g (not including batteries) |
| Operating temperature |
0˚C to 40˚C |
| Standard accessories |
USB cable, warranty card, Owner's manual |
| Computer compatibility |
| Windows |
| OS |
Windows XP, Windows Vista, Windows 7, Windows 8 |
| CPU |
Pentium 300MHz or more |
| RAM |
128MB or more |
| USB |
recommended: USB2.0 |
| Macintosh |
| OS |
Mac OS X Jaguar (V10.2), Mac OS X Panther (V10.3), Mac OS X Tiger (V10.4),
Mac OS X Leopard (V10.5), Mac OS X Snow Leopard(V10.6.8), OS X Lion(V10.7),
OS X Mountain Lion(V10.8) |
| CPU |
Power PC, iMac, G3, G4 266MHz or more |
|
64MB or more |
| USB |
recommended: USB2.0 |
| Audio performance |
| Frequency response |
20-20kHz +0.5/-2dB(LINE IN or MIC IN to LINE OUT, Fs44.1k/48kHz, JEITA)
20-40kHz +0.5/-3dB(LINE IN or MIC IN to LINE OUT, Fs96kHz, JEITA) |
| Distortion |
0.02% or less(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA) |
| S/N ratio |
92dB or more(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA) |
| Equivalent input noise |
-120dBu or more |
Recording duration
The table below shows the maximum recording time on SD/SDHC cards of different capacities for different file formats for recording.
| File format(recording setting) |
SD/SDHC card capacity(hours:mintes) |
| 1GB |
2GB |
4GB |
8GB |
| WAV/BWF 16bit(STEREO) |
44.1kHz |
1:41 |
3:22 |
6:44 |
13:28 |
| 48kHz |
1:33 |
3:06 |
6:12 |
12:24 |
| 96kHz |
0:46 |
1:33 |
3:06 |
6:12 |
| WAV/BWF 24bit(STEREO) |
44.1kHz |
1:07 |
2:15 |
4:30 |
9:00 |
| 48kHz |
1:02 |
2:04 |
4:08 |
8:16 |
| 96kHz |
0:31 |
1:02 |
2:04 |
4:08 |
- The recording times shown above are estimates. They might differ depending on the SD/SDHC card in use.
- The recording times shown above are not continuous recording times, but rather they are the total possible recording times for the SD/SDHC card.
- If recorded in mono in WAV files, the maximum recording time will be double the figures above.
- For dual and 4-channel recording in WAV/BWF format, the recording times are about half those shown above.
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