TASCAM DR-70D Digital portable recorder

• Recording media: SD card(64MB to 2GB), SDHC card(4GB to 32GB), SDXC card(48GB to 128GB)
• Recording format

• Number of channels: 4-channel (stereo × 2, mono × 4)
• Analog audio input

• Set to "LINE“

• 1/2 connector

• CAMERA IN connector

• LINE OUT connector

• CAMERA OUT connector

• PHONES connector

• REMOTE Connector: 2.5mm TRS jack
• Power: 4 AA batteries(Alkaline or NI-MH), USB bus power, Dedicated AC adapter(TASCAM PS-P515U, sold separately), Dedicated external battery pack(TASCAM BP-6AA, sold separately)
• Power consumption: 5.0W
• Continuous operation time: 2ch WAV, 44.1kHz, 16bit rec, Phantom power not used
• Dimensions: 169(W)×55.2(H)×106.5(D)mm (with the top adapter attached)
• Weight: 625g ( including batteries) / 530g (without batteries )

Tuner + Metronome + Recorder - All in One Unit!
The TMR-50 - Your Ideal Practice Partner

Highlights:

• Tuner, metronome, and recorder can be used simultaneously or independently.
  
• Internal mic and speaker make it easy to record and play back your performance
  
• Loop Play function lets you repeat a desired region of a recorded track
  
• High-quality linear PCM recording/playback
  
• Record up to 100 tracks (approximately total 20 minutes)
  
• USB port lets you transfer recorded data and song files between the TMR-50 and your computer
  
• Newly designed highly responsive LCD needle-type meter
  
• Wide detection range from C1 to C8
  
• The Sound Out function produces a reference tone in a three-octave range from the built-in speaker
  
• The Sound Back function generates the reference tone that's closest to the input sound, while the meter indicates the pitch discrepancy between the reference and the input sound - a great function for ear training!
  
• Calibration supports a range of concert pitches
  
• Marks indicate pure major and minor third intervals
  
• Wide tempo range of 30--252 beats per minute
  
• 15 rhythm variations let you practice with a broad range of musical styles
  
• Easy tempo settings with two types of tempo step patterns plus a tap tempo function
  
• Large LCD with backlight brightness that's adjustable over two levels for enhanced visibility
  
• Your choice of body color: black or pearl white
  
• Convenient key layout, and newly designed stand and battery cover
  
• Memory Backup and Auto Power Off
  

Korg's popular TM series of tuner/metronome units is loved by players who practice to perfect their musical skills. Now joining the lineup is the TMR-50, which adds recorder functionality to the already impressive list of features. An extremely valuable way to improve your playing ability is to identify the problem areas that need work, and then practice to improve those areas. With its built-in mic and speaker, the TMR-50 makes it easy to practice this way. It provides high-quality linear PCM recording and a USB port for convenient usage with your computer. The TMR-50 features equally robust capabilities for its tuner and metronome functionality that will help you improve your sense of pitch and rhythm. Two choices of color are available: black and pearl white. Whether you're in a brass band or an orchestra, the TMR-50 is the ideal partner for anyone who wants to improve their playing.

Recording format:

PCM audio format, WAV format (extension: .wav) 44.1 kHz@16-bit

Available recording time:

Maximum approx. 20 minutes (Internal Memory size is 120 MB)

Total number of tracks:

Up to 100 tracks

Tuning:

12 note equal temperament

Detection range:

C1 (32.70 Hz) ~ C8 (4186 Hz), Using Sine Wave.

Reference tone:

            C3 (130.81 Hz) ~ C6 (1046.50Hz), 3 Octave.

Tuning Mode:

            Meter Mode (AUTO), Sound Out Mode (MANUAL), Sound Back Mode (AUTO)

Calibration range:

A4 = 410 ~ 480 Hz (1 Hz steps)

Detection accuracy:

+/- 1 cent

Sound precision:

+/-1 cent

Tempo range:

Quarter Note = 30 to 252 BPM

Tempo setting:

3 Types:       Pendulum Step

Full Step

Tap Tempo

Beat range:

            Total 10 beats: "0 to 9" as "Quarter-note" Rhythm

Rhythm pattern:

Duplets, triplets, triplets without the center beat, quadruplets, and quadruplets without the center beats

Tempo accuracy:

±0.3%

Terminals:

            Input (f6.3mm, Mono-Standard Jack type)

            Headphones (f3.5mm, Stereo-mini Jack type)           

            USB (mini-Type B)      

Internal Speaker:

            Dynamic Speaker (f28 mm)                                                             

Power (Battery):

AAA battery (3.0 V) x 2

Manganese batteries or alkaline batteries, Ni-MH: Nickel metal hydride

Battery Life:

Recorder ... Approximately 16/13/11 hours

(Backlight: off/soft/auto, using alkaline batteries. Maximum of 20 minutes per

recording.)

Tuner ... Approximately 24/22/20 hours

(Backlight: off/soft/auto, A4 continuous input, using alkaline batteries)

Metronome ... Approximately 18/16/14 hours

(Backlight: off/soft/auto, tempo 120, 4 beats, maximum volume, using alkaline batteries)

Dimensions (W x D x H):

111 x 82 x 18 mm / 4/37 x 3.23 x 0.71 inches

Weight:

119 g / 4.19 oz (Including battery)

Included items:

AAA battery (3.0 V) x 2 for verifying proper operation

USB Cable

Options:

            Contact Mic = CM-100L

Computer Requirements

Windows:

A computer that satisfies the operating requirements of Microsoft Windows XP/Windows Vista/Windows 7 and is equipped with a USB port

Macintosh:

• Record to SD/SDHC card (Up to 32GB)
• Simultaneously record up to 4 tracks
• Record Mode：MONO, STEREO, DUAL MONO, DUAL STEREO, 4-CHANNEL
• Recording format：44.1/48/96kHz 16/24bit (WAV/BWF)
• TASCAM original HDDA microphone preamps
• Recording levels can be adjusted independently for the 1/L, 2/R and 3-4 inputs
• Two XLR/TRS inputs support +4dBu line level input and phantom power (24 or 48VDC on XLRF)
• Plug-in power and high-output mic input supported on inputs 3-4
• CAMERA OUT connector for output from the DR-60D's mixer (adjustable gain)
• CAMERA IN connector for sound monitoring from the camera
• Independent adjustable LINE OUT and HEADPHONE jacks for high-quality sound output
• 50mW/ch headphone output
• Tripod mounting socket (bottom) and DSLR mounting screw attachment (top)
• Handles protect the screen and can be used to attach a shoulder strap
• Soft-Touch Rubber Keys for silent operation
• HOLD switch to prevent accidental operation
• QUICK button feature for easy access to various functions
• 128x64 pixel LCD with backlight
• USB 2.0 connection for high-speed transferring of files
• Mini USB cable included
• Operates on 4-AA batteries, an AC adapter (sold separately) or USB bus power
• Can extend battery life with BP-6AA battery pack (sold separately)
• Dedicated remote control jack for the wired RC-10 remote control or RC-3F footswitch (both sold separately)
• Internal mixer: PAN and LEVEL controls
• Low cut filter(40/80/120Hz)
• Limiter (1/L and 2/R can be selected for link-operation)
• Delay function for microphone distance adjustment (up to 150ms)
• M-S decode function
• Slate tone generator (AUTO/MANUAL)
• Selectable duration of slate tone from four positions (0.5/1/2/3 sec, when auto-generated)
• Selectable slate tone generation. 3 positions: OFF/HEAD/HEAD+TAIL, when auto-generated
• File name format can be set to use a user-defined word or date
• Dual-recording function allows two files to be recorded simultaneously at different levels
• Auto-record function can automatically start and stop recording at set level
• Pre-recording function allows the unit to record a 2 second sound buffer before recording is activated
• Self-timer function for solo recording
• New file starts recording automatically without interruption when maximum file size is reached
• Track incrementing function allows a recording to be split by creating a new file when desired
• Jump back and play function
• Equalizer function for playback, and level alignment function to enhance the perceived overall sound pressure
• Resume function to memorize the playback position before the unit is turned off
• MARK function up to 99 points per audio track
• DIVIDE function

• The recording times shown above are estimates. They might differ depending on the SD/SDHC card in use.
• The recording times shown above are not continuous recording times, but rather they are the total possible recording times for the SD/SDHC card.
• If recorded in mono in WAV files, the maximum recording time will be double the figures above.
• For dual and 4-channel recording in WAV/BWF format, the recording times are about half those shown above.

The D-2012C is a 6U rack mountable Remote Console Unit designed for exclusive use with the D-2008SP Digital Mixing Processor Unit. Assigned to any desired channels inside the D-2008SP by the dedicated software, the D-2012C's 12 motorized faders and 8 rotary encoders can remotely adjust their volumes. Desired preset memories can be recalled using 8 function keys. It is equipped with 1 channel line input (stereo), which allows the audio signal to be transmitted to the D-2008SP via monitor bus. Audio signals inside the D-2008SP can be monitored via monitor bus through headphones connected to a stereo headphone output. The D-2012C can be installed on a desk with the additional use of an optional D-2012AS Console Case.

The DP-24SD Digital Portastudio is a 24-track workstation, allowing eight tracks of simltaneous recording. The built-in mixer includes everything you need for a professional-sounding mix, from EQ and reverb to amp simulation and multi-band mastering effects. The Digital Portastudio series creates finished productions without the need for a computer, instead using a simple-to-use control surface to keep you creative. 

For clear display of your mix, the DP-24SD has a large color LCD displaying tracks, meters, and effects parameters. A set of 12 encoders control EQ, effects sends, and panning. Built-in effects include compression, guitar amp modeling, delay, reverb, with a total of 10 effects processirs available during mixing. 

Eight XLR mic/line inputs each provide phantom power for condenser microphones, switchable in banks of four. One input includes an instrument-level impedence switch for direct input recording of guitar or bass. Balanced monitor outputs and effects sends are also provided on the rear panel. A USB output allows tracks and mixes recorded to your SD card to be transferred to a computer for CD burning or sharing online. 

For a complete music production on a desktop, there's no simpler choice than the DP-24SD.

Specifications
General
Recording media         CompactFlash card
  Tested media         SanDisk Extreme IV 4 GB, 8 GB, 16 GB
SanDisk Extreme 4 GB, 8 GB, 16 GB
File system         FAT32
File format         BWF (single-channel, multi-channel)
Number of audio channels         8 channels at 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
8 channels + stereo mix at 44.1 kHZ, 48 kHz
4 channels at 176.4 kHz, 192 kHz
Quantization bit rates         16 bit/24 bit
Sampling frequencies         44.1/47.952/48/48.048/88.2/96/176.4/192 kHz
(47.952/48.048: 48 kHz ± 0.1% pull-up/pull-down)
Reference clock         Internal, Word in, Video in,
Digital in (CH 1-2, CH 3-4, CH 5-6, CH 7-8)
Timecode frame rates         23.976, 24, 25, 29.97 DF, 29.97 NDF, 30 DF, 30 NDF
Built-in mic         Omni directional, monaural
Low cut filter         Cut-off frequency: 40/80/120 Hz
Slope: –12/–18 dB/oct
Analogue audio inputs and outputs
MIC IN/LINE IN connectors (1–8)         XLR-3-31 (1: GND, 2: HOT, 3: COLD)
  Input impedance (LINE)         10 kOhm
  Nominal input level (LINE)         + 6 dBu (Ref. level: –9 dB)
+ 4 dBu (Ref. level: Other than –9 dB)
  Maximum input level (LINE)         Selectable: +15 dBu, +18 dBu, +20 dBu, + 22 dBu, +24 dBu
  Input impedance (MIC –25)         2.4 kOhm
  Minimum input level (MIC –25)         –45 dBu
  Maximum iput level (MIC –25)         +11 dBu
  Input impedance (MIC 0)         2.4 kOhm
  Minimum input level (MIC 0)         –70 dBu
  Maximum input level (MIC 0)         –14 dBu
LINE OUT connectors (L/R)         XLR-3-32 (1: GND, 2: HOT, 3: COLD)
  Output impedance         100 Ohm or less
  Nominal output level         +6 dBu (Ref. level: –9 dB)
  Nominal output level         +4 dBu (Ref. level: Other than –9 dB)
  Maximum output level         Selectable: +15 dBu, +18 dBu, +20 dBu, +22 dBu, +24 dBu
PHONES connector         6.3-mm stereo phone jack
  Maximum output power         100 mW + 100 mW or more (THD+N: 1 % or less, at 32 Ohm)
Digital audio inputs and outputs
DIGITAL I/O connector         D-Sub, 25-pin connector
  Format         AES3-2003/IEC60958-4 (AES/EBU)
  Minimum input voltage         200 mVpp
  Maximum input voltage         7 Vpp
  Output voltage         3.5 Vpp
DIGITAL OUT connectors         BNC
  Format         AES3-2003/AES-3id-2001 (AES/EBU)
  Output voltage         1 Vpp at 75 Ohm
Control inputs and outputs
EXT DC IN connector         XLR-4-32 (1: –, 2: NC, 3: NC, 4: +)
  Input voltage         11–16 V (2 A)
CASCADE/WORD/VIDEO IN connector         BNC
  Input voltage         5 V TTL equivalent
  Input impedance         75 Ohm ±10 %
  Allowable frequency deviation of external sync         ±100 ppm
CASCADE/WORD OUT connector         BNC
  Output voltage         5 V TTL equivalent
  Output impedance         75 Ohm ±10 %
  Sampling frequencies         44.1/47.952/48/48.048/88.2/96/176.4/192 kHz
(47.952/48.048: 48 kHz ± 0.1 % pull-up/pull-down)
TIME CODE IN connector         BNC
  Input voltage         0.5–5 Vpp
  Input impedance         10 kOhm
TIME CODE OUT connector         BNC
  Output voltage         2.0 Vpp
  Output impedance         600 Ohm
USB port         USB B-type, 4-pin
  Format         USB2.0 HIGH SPEED (480 MBit/s)
KEYBOARD connector         Mini-DIN connector (PS/2)
Audio performance
Frequency response (MIC/LINE IN to LINE OUT)          
  All sample rates         20 Hz – 20 kHz, 0 dB (±0.5 dB)
  88.2/96 kHz sample rates         at 40 kHz –1 dB (±1.0 dB)
  176.4/192 kHz sample rates         at 80 kHz –3 dB (+1/–2 dB)
Distortion          
  LINE IN to LINE OUT         0.003 % or less (–20 dB reference level, +23 dBu input, 1 kHz, AES-17 LPF)
  MIC IN (MIC –25) to LINE OUT         0.02 % or less (–20 dB reference level, –10 dBu input, Trim at +20 dB, 1 kHz, AES-17 LPF)
  MIC IN (MIC 0) to LINE OUT         0.02 % or less (–20 dB reference level, –35 dBu input, Trim at +20 dB, 1 kHz, AES-17 LPF)
S/N ratio          
  LINE IN to LINE OUT         110 dB(A) or more (22 kHz LPF)
  MIC IN (MIC –25 or MIC 0) to LINE OUT         100 dB(A) or more (22 kHz LPF)
Computer compatibility
Windows         Windows XP, Windows Vista, Windows 7
  CPU         Pentium 300 MHz or faster
  Memory         128 MB or more
  USB         USB 2.0 port
Macintosh         Macintosh Mac OS X 10.2 or later
  CPU         Power PC G3, G4, Intel Mac 266 MHz or faster
  Memory         64 MB or more
  USB         USB 2.0 port
Recommended USB host controller         Intel chipset
Power supply and other specifications
Power requirements         100–240 V AC, 50–60 Hz (AC adaptor PS-1225L)
10 AA batteries (Alkaline or NiMH)
External DC battery (DC 11–16 V, 2 A or more)
Battery operation time (continuous operation)         Measured according to JEITA standard at 48 kHz, 24-bit, 8 ch playback or recording, phantom power off. Varies with operating conditions.
  NP type battery (Li-Ion: 14.8 V/4.6 Ah)         About 5 hours
  AA type batteries (NiMH)         About 2 hours
Power consumption         18 W
Dimensions (W x H x D)         270 mm x 100 mm x 260 mm (excluding protrusions)
Weight         3.65 kg (excluding batteries)
Operating temperature range         0–40 ºC