TASCAM HS-P8 Portable Professional Recorder

4,938.82 incl. GR VAT

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Specifications General Recording media   CompactFlash (CF) card File system   FAT32 Recording format   BWF (Monophonic, Polyphonic) Number of channels   8 channels (44.1/48/88.2/96 kHz) 8 channels + stereo mix (44.1/48 kHz) 4 channels (176.4/192 kHz) Quantization bit rate   16/24 bit Sampling frequency   44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up) Reference […]

 

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Specifications

General
Recording media   CompactFlash (CF) card
File system   FAT32
Recording format   BWF (Monophonic, Polyphonic)
Number of channels   8 channels (44.1/48/88.2/96 kHz)
8 channels + stereo mix (44.1/48 kHz)
4 channels (176.4/192 kHz)
Quantization bit rate   16/24 bit
Sampling frequency   44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up)
Reference clock   Internal, Word In, Video In, Digital In (AES 1-8 IN, AES A-BIN, ADAT 1-8 IN)
Type of timecode frame   23.976, 24, 25, 29.97DF, 29.97NDF, 30DF, 30NDF
Limiter   Attack time: 3 ms
Release time: 300 ms
Threshold: –5 dBFS
Ratio: 32:1
Analogue audio inputs and outputs
The error for nominal and maximum levels is ±1dB for all input and output jacks except the PHONES jack.
ANALOG INPUT (1-8)   D-sub 25-pin
Input impedance   10 kOhm
Nominal input level   When reference level is –9 dB:
+6 dBu (1.55 Vrms)
When reference level is not –9 dB:
+4 dBu (1.23 Vrms)
Maximum input level (selectable)   +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms)
ANALOG INPUT (L/A, R/B)   XLR-3-31 (1: GND, 2: HOT, 3: COLD)
Input impedance   10 kOhm
Nominal input level   When reference level is –9 dB:
+6 dBu (1.55 Vrms)
When reference level is not –9 dB:
+4 dBu (1.23 Vrms)
Maximum input level (selectable)   +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms)
ANALOG OUTPUT (1-8)   D-sub, 25-pin
Output impedance   100 Ohm
Nominal output level   When reference level is –9 dB:
+6 dBu (1.55 Vrms)
When reference level is not –9 dB:
+4 dBu (1.23 Vrms)
Maximum output level (selectable)   +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms)
ANALOG OUTPUT (A/B)   XLR-3-32 (1: GND, 2: HOT, 3: COLD)
Output impedance   100 Ohm
Nominal output level   When reference level is –9 dB:
+6 dBu (1.55 Vrms)
When reference level is not –9 dB:
+4 dBu (1.23 Vrms)
Maximum output level (selectable)   +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms)
PHONES connector   6.3-mm standard stereo jack
Maximum output power   45 mW + 45 mW or more (THD+N 0.1 % or less, into 32 Ohm)
Digital audio inputs and outputs
DIGITAL IN/OUT (AES/EBU)   D-sub, 25-pin
Minimum input voltage   2 Vpp
Maximum input voltage   7 Vpp
Output voltage   2–5 Vpp
Format   AES3-2003/IEC 60958-4 (AES/EBU)
DIGITAL I/O (ADAT)   ADAT optical
Format   ADAT
DIGITAL INPUT A-B   XLR-3-31
Input voltage   2–7 Vpp at 110 Ohm
Format   AES3-2003 (AES/EBU)
DIGITAL OUTPUT L-R   XLR-3-32
Output voltage   2–5 Vpp at 110 Ohm
Format   AES3-2003 (AES/EBU)
Other inputs and outputs
RS-422   D-sub, 9-pin
RS-232C   D-sub, 9-pin
PARALLEL   D-sub, 25-pin
CASCADE IN   BNC
Input voltage   TTL equivalent (5 V)
Input impedance   75 Ohm ±10 %
Allowable frequency deviation of external synchronization: ± 100 ppm
CASCADE OUT   BNC
Output voltage   TTL equivalent (5 V)
Output impedance   75 Ohm ±10 %
Sampling frequency   44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up)
TIME CODE IN   BNC
Input voltage   0.5–5 Vpp
Input impedance   20 kOhm
TIME CODE OUT   BNC
Output voltage   2–5 Vpp
Output impedance   600 Ohm ±10
WORD/VIDEO IN   BNC
Input voltage   TTL equivalent (5 V)
Input impedance   75 Ohm ±10 %
Allowable frequency deviation of external synchronization: ± 100 ppm
WORD/VIDEO THRU/OUT   BNC
OUT/THRU switch included (OUT is for WORD OUT only)
Output voltage   TTL equivalent (5 V)
Output impedance   75 Ohm ±10 %
Sampling frequency (when using WORD)   44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up)
ETHERNET   RJ45
Keyboard   Mini-DIN (PS/2)
USB   USB A-type, 4-pin
Protocol   USB2.0 HIGH SPEED (480 Mbit/s)
Audio performance (analogue input to analogue outp
Frequency response  
20 Hz – 20 kHz   ±0,5 dB (all sampling rates)
at 40 kHz   +0,5 dB/–2 dB (Fs = 88.2/96 kHz)
at 80 kHz   +0,5 dB/–5 dB (Fs = 176.4/192 kHz)
Distortion   ≤0.005% (Reference level: –20 dB, input level: +23 dBu, 1 kHz, AES-17LPF)
S/N ratio   ≥100 dB(A) (22 kHz LPF)
Power requirements and other specifications
Power requirements   100–240 V AC, 50–60 Hz
Power consumption   26 W
Dimensions (W x H x D)   483 mm x 88 mm x 288 mm
Weight   4.8 kg
Operating temperature range   5–35 °C
Weight 4.80 kg

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NameTASCAM HS-P8 Portable Professional Recorder removeKurzweil KORE64 Expansion Card for PC3/PC3K removeTASCAM RC-HS2OPD Remote Control for HS-8 removeKORG TMR-50 PW Digital metronome, tuner and recorder removeFOCUSRITE LIQUID MIX HD Plugin for Pro Tools HD removeAPOGEE X-HD EXPANSION CARD FOR CONNECTING Apogee Converters WITH DigiDesign HD remove
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Description
Content Specifications
General
Recording media   CompactFlash (CF) card
File system   FAT32
Recording format   BWF (Monophonic, Polyphonic)
Number of channels   8 channels (44.1/48/88.2/96 kHz)
8 channels + stereo mix (44.1/48 kHz)
4 channels (176.4/192 kHz)
Quantization bit rate   16/24 bit
Sampling frequency   44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up)
Reference clock   Internal, Word In, Video In, Digital In (AES 1-8 IN, AES A-BIN, ADAT 1-8 IN)
Type of timecode frame   23.976, 24, 25, 29.97DF, 29.97NDF, 30DF, 30NDF
Limiter   Attack time: 3 ms
Release time: 300 ms
Threshold: –5 dBFS
Ratio: 32:1
Analogue audio inputs and outputs
The error for nominal and maximum levels is ±1dB for all input and output jacks except the PHONES jack.
ANALOG INPUT (1-8)   D-sub 25-pin
Input impedance   10 kOhm
Nominal input level   When reference level is –9 dB:
+6 dBu (1.55 Vrms)
When reference level is not –9 dB:
+4 dBu (1.23 Vrms)
Maximum input level (selectable)   +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms)
ANALOG INPUT (L/A, R/B)   XLR-3-31 (1: GND, 2: HOT, 3: COLD)
Input impedance   10 kOhm
Nominal input level   When reference level is –9 dB:
+6 dBu (1.55 Vrms)
When reference level is not –9 dB:
+4 dBu (1.23 Vrms)
Maximum input level (selectable)   +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms)
ANALOG OUTPUT (1-8)   D-sub, 25-pin
Output impedance   100 Ohm
Nominal output level   When reference level is –9 dB:
+6 dBu (1.55 Vrms)
When reference level is not –9 dB:
+4 dBu (1.23 Vrms)
Maximum output level (selectable)   +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms)
ANALOG OUTPUT (A/B)   XLR-3-32 (1: GND, 2: HOT, 3: COLD)
Output impedance   100 Ohm
Nominal output level   When reference level is –9 dB:
+6 dBu (1.55 Vrms)
When reference level is not –9 dB:
+4 dBu (1.23 Vrms)
Maximum output level (selectable)   +15 dBu (4.36 Vrms), +18 dBu (6.16 Vrms), +20 dBu (7.75 Vrms), + 22 dBu (9.76 Vrms), +24 dBu (12.28 Vrms)
PHONES connector   6.3-mm standard stereo jack
Maximum output power   45 mW + 45 mW or more (THD+N 0.1 % or less, into 32 Ohm)
Digital audio inputs and outputs
DIGITAL IN/OUT (AES/EBU)   D-sub, 25-pin
Minimum input voltage   2 Vpp
Maximum input voltage   7 Vpp
Output voltage   2–5 Vpp
Format   AES3-2003/IEC 60958-4 (AES/EBU)
DIGITAL I/O (ADAT)   ADAT optical
Format   ADAT
DIGITAL INPUT A-B   XLR-3-31
Input voltage   2–7 Vpp at 110 Ohm
Format   AES3-2003 (AES/EBU)
DIGITAL OUTPUT L-R   XLR-3-32
Output voltage   2–5 Vpp at 110 Ohm
Format   AES3-2003 (AES/EBU)
Other inputs and outputs
RS-422   D-sub, 9-pin
RS-232C   D-sub, 9-pin
PARALLEL   D-sub, 25-pin
CASCADE IN   BNC
Input voltage   TTL equivalent (5 V)
Input impedance   75 Ohm ±10 %
Allowable frequency deviation of external synchronization: ± 100 ppm
CASCADE OUT   BNC
Output voltage   TTL equivalent (5 V)
Output impedance   75 Ohm ±10 %
Sampling frequency   44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up)
TIME CODE IN   BNC
Input voltage   0.5–5 Vpp
Input impedance   20 kOhm
TIME CODE OUT   BNC
Output voltage   2–5 Vpp
Output impedance   600 Ohm ±10
WORD/VIDEO IN   BNC
Input voltage   TTL equivalent (5 V)
Input impedance   75 Ohm ±10 %
Allowable frequency deviation of external synchronization: ± 100 ppm
WORD/VIDEO THRU/OUT   BNC
OUT/THRU switch included (OUT is for WORD OUT only)
Output voltage   TTL equivalent (5 V)
Output impedance   75 Ohm ±10 %
Sampling frequency (when using WORD)   44.1/47.952/48/48.048/88.2/96/176.4/192 kHz (47.952/48.048: 48 kHz ± 0.1% pull-down/pull-up)
ETHERNET   RJ45
Keyboard   Mini-DIN (PS/2)
USB   USB A-type, 4-pin
Protocol   USB2.0 HIGH SPEED (480 Mbit/s)
Audio performance (analogue input to analogue outp
Frequency response  
20 Hz - 20 kHz   ±0,5 dB (all sampling rates)
at 40 kHz   +0,5 dB/–2 dB (Fs = 88.2/96 kHz)
at 80 kHz   +0,5 dB/–5 dB (Fs = 176.4/192 kHz)
Distortion   ≤0.005% (Reference level: –20 dB, input level: +23 dBu, 1 kHz, AES-17LPF)
S/N ratio   ≥100 dB(A) (22 kHz LPF)
Power requirements and other specifications
Power requirements   100–240 V AC, 50–60 Hz
Power consumption   26 W
Dimensions (W x H x D)   483 mm x 88 mm x 288 mm
Weight   4.8 kg
Operating temperature range   5–35 °C


The KORE 64™ ROM option represents a complete expansion and reimagining of the PC3 and PC3K's sonic potential (not for the PC3LE). Pushing the limits of V.A.S.T. synthesis for both realistic and experimental electronic sounds, KORE 64™ adds over 300 new programs, including stunning new Synths, Electric Guitars, Horns, Drums and Percussion. With KORE 64™ installed, the PC3/K built-in program library now totals over 1400 presets!


    New Setups:

        50 new setups featuring the KORE 64™ sounds.
        Over 200 new drum grooves in multiple styles.
        New Dance and Hip Hop setups for triggering and controlling beats in real time.

    New Synths:

        New samples modeled after the Oberheim SEM, ARP Chroma, TX802, CZ1, and dozens of legacy waveforms from the K series.
        Over 100 new synth programs.
        Sounds for popular electronic music styles like House, Trance, Dubstep, Drum&Bass, Glitch, Electro Hip Hop, and more.
        More real time controls, beat-synced modulations and envelope control transform sounds without hitting the edit button.
        Atmospheric and cycling pads voiced for performing, producing, and scoring.

    New Guitars:

        New samples modeled after the Gibson Les Paul and Fender Stratocaster.
        Palm muted and sustained articulations playable in a picked or legato style.
        Instant-shredder arpeggiator patterns, whammy bar effects, and realistic feedback emulations.
        Preset sounds from Rock, Country, Rock-a-Billy, Metal, Funk, and more.

    New Brass/Woodwinds:

        New alto sax, tenor sax, baritone sax, trumpet, and trombone samples.
        New programs include solo instruments and custom sections with many combinations of the different instruments.
        Articulate with pressure on several new programs.
        Sections cover styles from Big Band, Soul, Funk, Latin, R&B, Hip Hop, Rock and more.

    New Drums

        Drums from Yamaha, Ludwig, Pearl, DW, Rogers, and Gretsch recorded as full kits.
        Full cymbal arrays recorded with Zildjian, Paiste, and Sabian cymbals.
        72 new Drum Kits and 62 percussion instruments and templates.
        10 times the samples and 30 times the data of the existing PC3/PC3K Drums.
        All drum kits have mixer functioning on the sliders to change the level the kick, snare, toms, hats, and percussion independently.
        Unsurpassed realism and playability for sampled drums.
        Full complement of Electronic and Processed Drum samples.
        Scratches, hits and Industrial Sounds.
        Wide variety of traditional and processed Percussion sounds.

Download the full preset Objects List under the Downloads section

User Installable.

Requires:  PC3K OS v2.20 or better
                  PC3 OS v2.20 or better

All specifications subject to change without notice.

Main Features

    * Colour TFT touch screen interface
    * 20 illuminated flash start keys

    * Up to 100 tracks available for flash start through touch screen
    * Transport and Online buttons recessed to prevent accidental operation
    * 100-mm fader with fader start capability and 0-dB lock
    * Monitor speaker and headphones output for monitoring
    * CAT6 connection to HS-2 and HS-8


Tuner + Metronome + Recorder - All in One Unit! The TMR-50 - Your Ideal Practice Partner Highlights:
  • Tuner, metronome, and recorder can be used simultaneously or independently.
  • Internal mic and speaker make it easy to record and play back your performance
  • Loop Play function lets you repeat a desired region of a recorded track
  • High-quality linear PCM recording/playback
  • Record up to 100 tracks (approximately total 20 minutes)
  • USB port lets you transfer recorded data and song files between the TMR-50 and your computer
  • Newly designed highly responsive LCD needle-type meter
  • Wide detection range from C1 to C8
  • The Sound Out function produces a reference tone in a three-octave range from the built-in speaker
  • The Sound Back function generates the reference tone that's closest to the input sound, while the meter indicates the pitch discrepancy between the reference and the input sound - a great function for ear training!
  • Calibration supports a range of concert pitches
  • Marks indicate pure major and minor third intervals
  • Wide tempo range of 30--252 beats per minute
  • 15 rhythm variations let you practice with a broad range of musical styles
  • Easy tempo settings with two types of tempo step patterns plus a tap tempo function
  • Large LCD with backlight brightness that's adjustable over two levels for enhanced visibility
  • Your choice of body color: black or pearl white
  • Convenient key layout, and newly designed stand and battery cover
  • Memory Backup and Auto Power Off
Korg's popular TM series of tuner/metronome units is loved by players who practice to perfect their musical skills. Now joining the lineup is the TMR-50, which adds recorder functionality to the already impressive list of features. An extremely valuable way to improve your playing ability is to identify the problem areas that need work, and then practice to improve those areas. With its built-in mic and speaker, the TMR-50 makes it easy to practice this way. It provides high-quality linear PCM recording and a USB port for convenient usage with your computer. The TMR-50 features equally robust capabilities for its tuner and metronome functionality that will help you improve your sense of pitch and rhythm. Two choices of color are available: black and pearl white. Whether you're in a brass band or an orchestra, the TMR-50 is the ideal partner for anyone who wants to improve their playing. Specifications Recording format: PCM audio format, WAV format (extension: .wav) 44.1 kHz@16-bit Available recording time: Maximum approx. 20 minutes (Internal Memory size is 120 MB) Total number of tracks: Up to 100 tracks Tuning: 12 note equal temperament Detection range: C1 (32.70 Hz) ~ C8 (4186 Hz), Using Sine Wave. Reference tone: C3 (130.81 Hz) ~ C6 (1046.50Hz), 3 Octave. Tuning Mode: Meter Mode (AUTO), Sound Out Mode (MANUAL), Sound Back Mode (AUTO) Calibration range: A4 = 410 ~ 480 Hz (1 Hz steps) Detection accuracy: +/- 1 cent Sound precision: +/-1 cent Tempo range: Quarter Note = 30 to 252 BPM Tempo setting: 3 Types:       Pendulum Step Full Step Tap Tempo Beat range: Total 10 beats: "0 to 9" as "Quarter-note" Rhythm Rhythm pattern: Duplets, triplets, triplets without the center beat, quadruplets, and quadruplets without the center beats Tempo accuracy: ±0.3% Terminals: Input (f6.3mm, Mono-Standard Jack type) Headphones (f3.5mm, Stereo-mini Jack type) USB (mini-Type B) Internal Speaker: Dynamic Speaker (f28 mm) Power (Battery): AAA battery (3.0 V) x 2 Manganese batteries or alkaline batteries, Ni-MH: Nickel metal hydride Battery Life: Recorder ... Approximately 16/13/11 hours (Backlight: off/soft/auto, using alkaline batteries. Maximum of 20 minutes per recording.) Tuner ... Approximately 24/22/20 hours (Backlight: off/soft/auto, A4 continuous input, using alkaline batteries) Metronome ... Approximately 18/16/14 hours (Backlight: off/soft/auto, tempo 120, 4 beats, maximum volume, using alkaline batteries) Dimensions (W x D x H): 111 x 82 x 18 mm / 4/37 x 3.23 x 0.71 inches Weight: 119 g / 4.19 oz (Including battery) Included items: AAA battery (3.0 V) x 2 for verifying proper operation USB Cable Options: Contact Mic = CM-100L Computer Requirements Windows: A computer that satisfies the operating requirements of Microsoft Windows XP/Windows Vista/Windows 7 and is equipped with a USB port Macintosh: Mac OS X 10.5 or later

Liquid Mix HDLiquid Mix HD | TDM Plugin for Pro Tools HD

Key Features
Variety of Classic Emulations
40 compressors and 20 EQs, sampled from vintage originals with a free expanding library online.
Dynamic Convolution Technology
The unique patented Dynamic Convolution process delivers unparalleled EQ and Compression emulations.
Ultra-Low Latency for Recording
With the ultra-low latency of Liquid Mix HD (just 12 samples), it can now be used for recording and live sound applications
Optimised for Pro Tools HD
Over one hundred simultaneous mono instances can be run at 44.1/48kHz on an HD3 system.
Full Control Surface Mapping
Pro Tools TDM format ensures full control mapping on all major Pro Tools control surfaces, including ICON and VENUE.
Unique Hybrid Super EQ
Create your own totally unique 7-band super EQ, built out of separate classic EQ bands.
Compressor 'Free' Mode
Vintage compressors with limited controls can now be set to provide fully variable Attack, Release and Ratio.
Automation and Full Recall
Perfect integration with Pro Tools HD allows for automation of parameters and full recall within your session.


Apogee makes the direct connection to Pro Tools | HD systems a reality. The Apogee X-HD option card allows for direct connectivity between Pro Tools HD™ systems and Apogee's X-Series or Rosetta 200 converters. The result is an incredibly powerful combination of Digidesign's™Ê¼ Pro Tools software and Apogee's superior conversion and clocking hardware.

Features:
  • Primary HD port for connecting directly to HD Core or Accel cards.
  • Expansion port for daisy-chaining multiple Apogee devices (AD-16X, DA-16X, Rosetta 800 & Rosetta 200)
  • Compatible with the latest versions of ProTools
  • May be used along side similar interfaces (such as Digidesign 96 I/O, 192 I/O, Prism Dream ADA-8)
  • Please note: Not compatible with Pro Tools|HD Native
Weight4.80 kg0.30 kg1.00 kg0.30 kg1.00 kg0.30 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 4.80 kg
Weight 0.30 kg
Weight 1.00 kg
Weight 0.30 kg
Weight 1.00 kg
Weight 0.30 kg