TASCAM TA-1VP AUTO-TUNE PITCH CORRECTING

433.00 incl. GR VAT

Available on backorder

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Antares Auto-Tune Evo real-time pitch correction with enhanced tracking and correction capabilities Antares Microphone Modeling simulates a variety of high-end studio microphones with variable proximity effect Analog tube modeling effect Variable-knee compression Downward-expanding gate processor Variable frequency de-esser Flexible 2-band parametric EQ Automatic mono or stereo doubletracking User-programmable settings Dynamic MIDI control XLR microphone input […]

 

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  • Antares Auto-Tune Evo real-time pitch correction with enhanced tracking and correction capabilities
  • Antares Microphone Modeling simulates a variety of high-end studio microphones with variable proximity effect
  • Analog tube modeling effect
  • Variable-knee compression
  • Downward-expanding gate processor
  • Variable frequency de-esser
  • Flexible 2-band parametric EQ
  • Automatic mono or stereo doubletracking
  • User-programmable settings
  • Dynamic MIDI control
  • XLR microphone input with phantom power
  • 1/4” balanced line input and output
  • S/PDIF digital output
  • 1/4″ footswitch input
Weight 2.00 kg

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Quick Comparison

TASCAM TA-1VP AUTO-TUNE PITCH CORRECTING removeDBX 234XS Stereo 2-Way Mono 3-Way Crossover removeTC HELICON VOICE TONE T1 VOICE PROCESSOR removeDBX 223XS STEREO-2WAY-MONO-3WAY CROSSOVER-XLR only- removeDBX 1215 2X12 BAND GRAPHIC EQUALIZER removeBSS DPR-504 QUAD NOISE GATE remove
NameTASCAM TA-1VP AUTO-TUNE PITCH CORRECTING removeDBX 234XS Stereo 2-Way Mono 3-Way Crossover removeTC HELICON VOICE TONE T1 VOICE PROCESSOR removeDBX 223XS STEREO-2WAY-MONO-3WAY CROSSOVER-XLR only- removeDBX 1215 2X12 BAND GRAPHIC EQUALIZER removeBSS DPR-504 QUAD NOISE GATE remove
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SKUTAEM000540DBX 234XSE008617DBX 223XSDBX 1215DPR-504
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Price 433.00 incl. GR VAT 306.06 incl. GR VAT 110.00 incl. GR VAT 200.00 incl. GR VAT 364.00 incl. GR VAT 843.00 incl. GR VAT
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Description
Content
  • Antares Auto-Tune Evo real-time pitch correction with enhanced tracking and correction capabilities
  • Antares Microphone Modeling simulates a variety of high-end studio microphones with variable proximity effect
  • Analog tube modeling effect
  • Variable-knee compression
  • Downward-expanding gate processor
  • Variable frequency de-esser
  • Flexible 2-band parametric EQ
  • Automatic mono or stereo doubletracking
  • User-programmable settings
  • Dynamic MIDI control
  • XLR microphone input with phantom power
  • 1/4” balanced line input and output
  • S/PDIF digital output
  • 1/4" footswitch input
More sound to your amps and speakers The secret to making speakers sound great lies with the crossover you use. With the dbx® 234xs Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The 234xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 234xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound. The dbx 234xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs. XLR balanced ins and outs Mode switches for mono 4-way or stereo 2-way/3-way operation Low frequency summed (subwoofer) output x10 range switch on both channels 40Hz high pass (low cut) filter both channels Phase reverse switch on all outputs Individual level controls on all outputs 24dB per octave Linkwitz-Riley filters (the professional standard) Stereo/Mono status LEDs indicate the selected mode dbx® 2 year parts and labor as standard CSA NRTL/C approved CE compliant
Input Connectors XLR
Input Type Electronically balanced/unbalanced, RF filtered
Input Impedance Balanced >50k ohm, unbalanced >25k ohm
Max Input >+22dBu balanced or unbalanced
CMRR >40dB, typically >55dB at 1kHz
Output Connectors XLR
Output Type Impedance-balanaced/unbalanced, RF filtered
Output Impedance Balanced 200 ohm, unbalanced 100 ohm
Max Output >+21dBu balanced/unbalanced into 2k ohms or greater
Bandwidth 20Hz to 20kHz, +/-0.5dB
Frequency Response 90 kHz, +0/-3 dB
Signal to Noise Ratio Ref: +4 dBu, 22 kHz measurement bandwidth
Signal-to-Noise (Stereo Mode) >94dB (Low Output), >93dB (Mid Output), >90dB (High Output)
Signal-to-Noise (Mono Mode) >94dB (Low Output, Low/Mid Output); >92dB (High/Mid Output); >88dB (High Output)
Dynamic Range > 106 dB, unweighted, any output
THD+Noise
Interchannel Crosstalk
Crossover Frequencies (Stereo Mode) Low/Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Low/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Mid/High 450Hz to 9.6kHz (x10 setting)
Crossover Frequencies (Mono Mode) Low/Low-Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Low-Mid/High-Mid: 450 Hz to 9.6 kHz; High-Mid/High: 450 Hz to 9.6 kHz
Crossover Filter Type Linkwitz-Riley, 24 dB/octave, state-variable
Low cut Switch Activates 40 Hz Butterworth, 12 dB/octave high-pass filter, one switch per channel.
Phase Invert Switch Inverts the phase at the output, one switch per output.
x1 / x10 Switch Multiplies the low-high(mono: low/mid and high/mid) crossover frequency range of the front-panel markings by a factor of 1 or 10, one switch per channel.
Mode Switch Selects stereo/mono and 2/3/4-way operation
LF Sum Switch Selects normal (stereo) or mono-summed low frequency operation and disables Ch 2ʼs low output phase invert LED to indicate that this output is not operational in the LF sum mode.
Indicators Stereo Operation (Green); Mono Operation (Yellow); Low Cut (Red-per channel); x10 (Green-per channel); Phase Invert (Red-per output)
Operating Voltage 100-120 VAC 50/60Hz; 120 VAC 60Hz 230 VAC 50/60Hz
Operating Temperature 32°F to 113°F (0°C to 45°C)
Power Consumption 15W
Power Connector IEC receptacle
Dimensions 1.75" H X 19" W X 6.9" D (4.4cm x 48.3cm x 17.5cm)
Unit Weight 4.0 lbs. (1.8 kg)
Shipping Weight 5.8 lbs. (2.6 kg)
 

Voice Τone Τ1

    Εξαιρετική ποιότητα ήχου χωρίς παραμορφώσεις
    Υψηλής ποιότητας multi-band EQ
    Compressor & de-esser
    Δυνατότητα σύνδεσης με άλλα μοντέλα Voice Tone

Xαρακτηριστικά:

Αναλογικές εισόδους:

    Connectors, balanced: Mic.: XLR
    Mic Input Level @ 0 dBFS: -42dBu to +1dBu
    EIN @ Max Mic Gain Rg = 150 Ohm: -126 dBu
    Mic input SNR: >104 dB
    Αντίσταση εισόδου κιθάρας : 1 MOhm
    Επίπεδο εισόδου κιθάρας @ 0 dBFS: -7 dBU to 17 dBu
    Είσοδος κιθάρας SNR: >115dB

Αναλογικές εξόδους:

    Αντίσταση εξόδου Bal./Unbal.: 200/100 Ohm
    Output Full Scale: +1 dBu
    Δυναμικό εύρος : >104 dB, 20 Hz to 20 kHz
    Απόκριση συχνότητας: +0/-0.3 dB, 20 Hz to 20 kHz

Control

    USB for firmware and control
    Mic Control using TC-Helicon

Μέγεθος

    Ύψος: 5.4 inches (140 mm)
    Πλάτος : 3.5 inches (90 mm)
    Βάθος: 2.3 inches (60 mm)

Βάρος

    Βαρος : 0.92 lb. (0.42 kg)


Overview More sound to your amps and speakers The secret to making speakers sound great lies with the crossover you use. With the dbx® 223xs Crossover you\'ll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world\'s finest processors. The 223xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 223xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound. The dbx 223xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs Features
  • XLR balanced ins and outs
  • Mode switch for stereo 2-way or mono 3-way operation
  • Low frequency summed (subwoofer) output
  • x10 range switch on both channels
  • 40Hz high pass (low cut) filter both channels
  • Phase reverse switch on all outputs
  • Individual level controls on all outputs
  • 24dB per octave Linkwitz-Riley filters (the professional standard)
  • Stereo/Mono status LEDs indicate the selected mode
  • dbx® 2 year parts and labor as standard
  • CSA NRTL/C approved
  • CE compliant
Specifications
Input Connectors XLR (pin 2 hot)
Input Type Electronically balanced/unbalanced, RF filtered
Input Impedance Balanced >50k ohm, unbalanced >25k ohm
Max Input >+22dBu balanced or unbalanced
CMRR >40dB, typically >55dB at 1kHz
Output Connectors XLR
Output Type Impedance-balanaced/unbalanced, RF filtered
Output Impedance Balanced 200 ohm, unbalanced 100 ohm
Max Output >+21dBu balanced/unbalanced into 2k ohms or greater
Bandwidth 20Hz to 20kHz, +/-0.5dB
Frequency Response 90 kHz, +0/-3 dB
Signal to Noise Ratio Ref: +4 dBu, 22 kHz measurement bandwidth
Signal-to-Noise (Stereo Mode) >94dB (Low Output), >91dB (High Output)
Signal-to-Noise (Mono Mode) >94dB (Low Output), >93dB (Mid Output), >91dB (High Output)
Dynamic Range > 106 dB, unweighted, any output
THD+Noise < 0.004% at +4 dBu, 1 kHz; < 0.04% at +20 dBu, 1 kHz
Interchannel Crosstalk < -80 dB, 20 Hz to 20 kHz
Crossover Frequencies (Stereo Mode) Low/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting)
Crossover Frequencies (Mono Mode) Low/Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Mid/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting)
Crossover Filter Type Linkwitz-Riley, 24 dB/octave, state-variable
Low cut Switch Activates 40 Hz Butterworth, 12 dB/octave high-pass filter, one switch per channel.
Phase Invert Switch Inverts the phase at the output, one switch per output.
x1 / x10 Switch Multiplies the low-high(mono: low/mid and high/mid) crossover frequency range of the front-panel markings by a factor of 1 or 10, one switch per channel.
Mode Switch Selects stereo/mono and 2/3-way operation
LF Sum Switch Selects normal (stereo) or mono-summed low frequency operation and disables Ch 2ʼs low output phase invert LED to indicate that this output is not operational in the LF sum mode.
Indicators Stereo Operation (Green); Mono Operation (Yellow); Low Cut (Red-per channel); x10 (Green-per channel); Phase Invert (Red-per output)
Operating Voltage 100 VAC 50/60 Hz; 120 VAC 60 Hz 230 VAC50 HZ
Operating Temperature 32°F to 113°F (0°C to 45°C)
Power Consumption 15W
Power Connector IEC receptacle
Dimensions 1.75" H X 19" W X 6.9" D (4.4cm x 48.3cm x 17.5cm)
Unit Weight 3.7 lbs. (1.7 kg)
Shipping Weight 5.4 lbs. (2.5 kg)

1215 Dual 15-Band Graphic Equalizer

The dbx 12 Series were designed to meet the needs of the most
demanding sound reinforcement environments, while offering the
simplicity of straightforward controls. The 1215 provides standard
features like dual channels, 15 2/3 octave bands, ISO frequency
centers, +/-12 dB input gain range, and switchable 40Hz/18 dB per
octave low-cut filters, but also includes other thoughtful features.
These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut
range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS
connectors for installation ease; balanced inputs and outputs for quiet
operation; and chassis/signal ground lift capabilities for quick hum isolation.
The visionary design of the dbx 12 Series makes your job easier.

The dbx 12 Series Equalizers were precision engineered to provide years
of maintenance-free operation in any application. The magnetically isolated
transformer, electronically balanced/unbalanced inputs and servo balanced/
unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire
relay bypass with 2 second power up delay were steps our engineers took
to ensure compatibility for all installations. Only the best components were
utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR
(ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel
crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail
is contained in a 2U steel/aluminum chassis.

 

  •   Switchable boost/cut ranges of ±6 or ±15 dB
  •   Electronically balanced/unbalanced inputs
  •   Servo balanced/unbalanced inputs
  •   RF filtered inputs and outputs
  •  XLR, Barrier Strip, and 1/4" TRS connectors
  •  -12dB/+12dB input gain range
  •  18dB/octave 40Hz Bessel low-cut filter
  •  Chassis/signal ground lift capability
  •  Internal power supply transformer
  •  Power-off hardwire relay bypass with 2-second power-up delay

The DPR-504 is a 4-channel noise gate.

Each channel features:
A parametric key filter with key filter listening.
Simultaneous key level and threshold metering with average and
peak metering.
A gate status LED.
A RELEASE/HOLD control (hold tracks proportionally with release
times).
Attack switchable auto/fast (auto tracks signal dynamics for optimum
setting).
Link (links two channels together).
Key source allows external triggers.

The Range switch selects between 7OdB and 2OdB gating depth to
provide alternative release profiles.
The unit features electronically balanced inputs and outputs. 

Weight2.00 kg2.60 kg0.50 kg2.50 kg2.00 kg5.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.00 kg
Weight 2.60 kg
Weight 0.50 kg
Weight 2.50 kg
Weight 2.00 kg
Weight 5.00 kg