The latest progression in TC?s Multi-Award winning mastering technology ? the Finalizer 96K ? delivers unprecedented levels of clarity, warmth and punch to your mix. The Finalizer 96K’s all new set of advanced features and enhancements, including 96kHz internal and external processing truly puts the world of professional mastering within reach of every studio ? […]
The latest progression in TC?s Multi-Award winning mastering technology ? the Finalizer 96K ?
delivers unprecedented levels of clarity, warmth and punch to your mix.
The Finalizer 96K’s all new set of advanced features and enhancements, including 96kHz internal
and external processing truly puts the world of professional mastering within reach of every studio ?
large or small.
Inserted between the stereo output of your mixer or workstation and your master recording media,
the Finalizer 96K dramatically enhances your material, creating that “radio ready” sound ? previously
unattainable outside a professional mastering house.
Main Features
Convert
24bit/96kHz resolution A/D and D/A converters, Format conversion (AES/EBU, S/PDIF
and Tos-link) ADAT interface (track bounce)
Sample Rate Conversion
Enter and exit at any Sample Rate e.g. 32, 44.1, 48, 88.2 and 96kHz and make even
asynchronous conversion possible
Shape
Five band 24bit Stereo Digital Equalizer
Enhance
Choose between Dynamic EQ, Stereo Adjust, Digital Radiance Generator? and
Spectral Stereo Image
Normalize
Real-time Gain Maximizer
Expand
Variable Slope multiband Expander
Squeeze
Multiband Compressor
Trim
Variable Ceiling multiband Limiter
Fade
Manual or Auto Fade Tool
Dither
Maintain the highest resolution at the digital AES/EBU and S/PDIF outputs,
Tos-link and ADAT
Balance
L/R balance in 0.1dB steps
In short, all the tools you need are provided in the Finalizer 96K and makes it essential in your studio.
When you use the Finalizer 96K you can easily enhance the Dynamics of your mix while you mix.
Inserted between the Stereo output of your mixer or DAW and your DAT or CDR, it enhances the
dynamics and ensures optimal Analog to Digital conversion.
Weight
2.35 kg
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The latest progression in TC?s Multi-Award winning mastering technology ? the Finalizer 96K ?
delivers unprecedented levels of clarity, warmth and punch to your mix.
The Finalizer 96K's all new set of advanced features and enhancements, including 96kHz internal
and external processing truly puts the world of professional mastering within reach of every studio ?
large or small.
Inserted between the stereo output of your mixer or workstation and your master recording media,
the Finalizer 96K dramatically enhances your material, creating that "radio ready" sound ? previously
unattainable outside a professional mastering house.
Main Features
Convert
24bit/96kHz resolution A/D and D/A converters, Format conversion (AES/EBU, S/PDIF
and Tos-link) ADAT interface (track bounce)
Sample Rate Conversion
Enter and exit at any Sample Rate e.g. 32, 44.1, 48, 88.2 and 96kHz and make even
asynchronous conversion possible
Shape
Five band 24bit Stereo Digital Equalizer
Enhance
Choose between Dynamic EQ, Stereo Adjust, Digital Radiance Generator? and
Spectral Stereo Image
Normalize
Real-time Gain Maximizer
Expand
Variable Slope multiband Expander
Squeeze
Multiband Compressor
Trim
Variable Ceiling multiband Limiter
Fade
Manual or Auto Fade Tool
Dither
Maintain the highest resolution at the digital AES/EBU and S/PDIF outputs,
Tos-link and ADAT
Balance
L/R balance in 0.1dB steps
In short, all the tools you need are provided in the Finalizer 96K and makes it essential in your studio.
When you use the Finalizer 96K you can easily enhance the Dynamics of your mix while you mix.
Inserted between the Stereo output of your mixer or DAW and your DAT or CDR, it enhances the
dynamics and ensures optimal Analog to Digital conversion.
GENERAL DATA
Power Supply 220 / 110V 25 VA
Dimension 434x351x44mm (1 rack unit)
Weight » 4 Kg
MEETING INTERFACE IN / OUT
Connector DB 9 female
Nominal in / out audio level 0 dBm
Input impedance 600 W / 10 KW (selectable)
Output impedance 100 W
* nominal line level: - 6 dBm
** it can vary depending on characteristics of telephone line
All measurements are intended at 1 kHz.
AUDIO PROGRAM IN / OUT
Connectors XLR, electr. balanced
Input impedance 600 W / 10K W (selectable)
Output level * - ¥ ¸ + 16 dBm
Output impedance 100 W
Noise on Receive output
2-Wire separation £ 25 dB**
4-Wire separation £ 70 dB
2-WIRE SECTION
Connector RJ11
Nominal input level - 6 dBm
Nominal output level - 6 dBm
Compensation mode Electronic, transf. decoupled
Impedance 600 W
4-WIRE SECTION
Connector Terminal block
Impedance 600 W
Nominal TX level 0 dBm
Nominal RX level 0 dBm
Product Features:
Ultra-high resolution 24-bit/96 kHz mastering processor featuring 32/40-bit floating-point DSP technology Audiophile 24-bit/96 kHz A/D- and D/A converters offering 113 dB dynamic range 4 concurrently selectable EQ modules (31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer plus 3 Dynamic EQs per stereo channel) Ultra-high resolution 61-band real-time FFT analyzer with additional auto EQ function for room and loudspeaker equalization Unique VPQ (Virtual Paragraphic EQ) option allows parametric control of graphic EQs State-of-the-art compressor/expander with peak limiter per stereo channel, additional stereo imager and stereo delay for delay line applications Multi-functional level meters (peak/RMS, VU and SPL meter with dBA/dBC weighting via RTA/Mic input) 64 user memories for complete setups and/or individual module configurations Separate mic/line input with phantom power for RTA and Auto-EQ applications Balanced inputs and servo-balanced outputs with gold-plated XLR connectors, stereo aux output, AES/EBU and S/PDIF inputs and outputs (XLR and optical) Professional Wordclock input and MIDI connections for full remote control, preset dumps and system updates Open architecture allowing future software updates via MIDI "Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany
AVALON VT-737SP FEATURES Vacuum tube triode signal path, transformer balanced microphone input, high-voltage circuits for maximum headroom to +30dB, low noise -92dB, internal discrete power supply with toroidal transformer, soft-start tube life extender, stereo link for compressors, all discrete Class A equalizer with musical passive filter design, sealed silver relays for signal routing, large control knobs with professional conductive plastic potentiometers, VU meter for output level monitoring and compressor gain reduction.
VT-737SP SPECIFICATIONS Circuit topology Four dual triode vacuum tubes (Sovtek 6922), high-voltage discrete Class A Gain Range Microphone: Transformer balanced 850/2500 ohm, 0dB to +58dB Instrument: Unbalanced 1 meg ohm, 0dB to+30dB Line: Balanced Class A 20k ohms, -27dB to 28dB Maximum input level and connector types Microphone26dB@25Hz, +30dB@1kHz balanced XLR Instrument+30dB unbalanced front panel jack socket Line +36dB balanced XLR Maximum output level +30dB balanced 600 ohms, DC coupled, discrete Class A Output type and gain XLR connector, output trim gain -45dB to20dB Noise 20kHz unweighted -92dB Noise microphone EIN -116dB, 22Hz to 22kHz unweighted Distortion THD, IMD 0.5% Frequency response -/2.5dB 10Hz to 120kHz input filter included Frequency response -3dB 1Hz to 200kHz line in-out VU meter and gain reduction High quality illuminated OVU =+4dB and gain reduction to -20dB High cut filter Variable 6dB per octave 30Hz to 140Hz Compressor type Optical passive attenuator incorporating twin vacuum tubes and stereo link Threshold - Ratio Threshold variable -30dB to +20dB, ratio-compression variable 1:1 to 20:1 Attack - Release Attack variable 2mS to 200mS, release variable 100mS to 5 seconds Equalizer type Discrete Class A, variable active and switched passive design Frequency bands (4) Treble - switched 10kHz, 15kHz, 20kHz, 32kHz, +/- 20dB range, shelf High mid - variable 200Hz to 2k8Hz and 2kHz to 28kHz, +/- 16dB range, hi-lo Q Low mid - variable 30Hz to 450Hz and 300Hz to 4k5Hz, +/- 16dB range, hi-lo Q Bass - switched 15Hz, 30Hz, 60Hz, 150Hz, +/- 24dB range, shelf AC power Internal toroidal 100v to 240v, 50-60Hz selectable, 75 watts maximum Dimensions 19 x 12 x 3.5 in (482 x 305 x 89mm) Weight 22lbs (10kg) Dimensions-shipping carton 21 x 18 x 8 in (533 x 457 x 203mm) Weight-packed 26lbs (11.8kg)
Features Enhance switch to restore spectral balance of compressed signal Switchable Mode - Dual Channel or Stereo linked Above or Below Threshold LEDs Balanced XLR and Jack Inputs and Outputs Intuitive, user friendly layout Flawless performance
Innovation The ARX COMPO? is a unique compressor/limiter designed for use in any professional audio dynamics control application, packaged in a compact 1 RU chassis.The COMPO operates as two independent compressor/limiters, with 'industry standard' variable Threshold, Ratio and Output gain controls. A Stereo Link switch on the front panel lets both channels track as a stereo pair in a Master/Slave configuration. Enhance Switch The COMPO features an 'Enhance' switch, which provides frequency restoration to preserve the spectral balance of the audio signal, compensating for the sagging Low and High frequency response of compressed program material. The best way to think of it is as a 'smart' loudness control. Wide Scale metering There is comprehensive LED indication of all operating functions and status. Above or Below Threshold LEDs on each channel give you instant visual confirmation of compressor activity, as well as easy to read LED Gain Reduction meters. Balanced Inputs and Outputs On the rear panel, each channel has true differential Balanced inputs and outputs, on both XLR and TRS jack connectors. Other features include an Active/Bypass switch for each channel, and passive RFI filters on the inputs. Universal AC Power AC power range is a universal 100 to 120V or 220 to 240V AC, and is connected to the unit via a removable power lead and standard 3 pin IEC connector, with built-in fuse and voltage change switch. ARX Quality With its smooth compression, intuitive user friendly layout, high density precision circuitry, and extensive user-variable operating parameters, the ARX COMPO is the ideal installation 'set and forget' compressor, and is also equally at home in Studio, Broadcast and Sound Reinforcement environments.
Every day, ARX Audio interface products solve audio problems for thousands of people around the world.
T E C H N I C A L S P E C I F I C A T I O N S Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms Input Headroom + 22 dB CMRR >60 dB, 20 Hz-20 KHz Output Impedance Balanced 300 ohms, Unbalanced 150 ohms Output Level (Max) + 22 dB Frequency Response 20Hz to 20KHz ±0.4dB Signal to Noise ratio -85 dB Unweighted, -99 dB 'A' weighted Distortion .02% THD @ 0dB,1KHz Dynamic Range 107 dB Enhance Section Low Enhance 50 Hz, High Enhance 10 KHz Power Requirements 100/120 V AC, 220/240 V AC Weight 5 lbs/2.2 Kg Dimensions 19“W x 1?“H x 6“D, 482 x 44 x 155mm Input/OutputConnector type XLR, Balanced Jack
Front Panel Controls Channel A Active/Bypassed IN/OUT switch Threshold, Ratio and Output Gain controls Numbered marker panel for labelling compressor assigns 5 segment LED Gain Reduction display Above/Below Threshold status LEDs Enhance switch and status LED Stereo link switch and status LED Channel B controls identical to Channel A Rear Panel Connectors Balanced XLR Input and Output connectors. Balanced TRS jack Input and Output connectors. AC input connector, with voltage switch and fuse.
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