| Content | VoiceTone E1 offers singers the signature echo and slapback effects that evoke classic songs while putting effects control at their feet. Now, high quality, immersive echo effects for the stage are no longer just for guitarists.
Adds a wide range of echo effects for more depth in your vocals
Footswitch tapping can set echo times to song tempo
High quality signal path and tough enclosure
Can be chained to additional VoiceTone Singles
Mic-Control offers remote on/off via TC-Helicon MP-75 microphone
12 Flavors of Echo & Delay types:
Slap echo 1 & 2
Tap – 1/4, 1/8, Triplet 1/8th, Dotted 1/8th, Triplet 1/4, Dotted 1/4 notes
Echo FX 1 & 2
Filter control (smart EQ band limiting)
Powerfully easy
From Rockabilly-style "tape slap” echo to trance-inducing long echo trails timed to your songʼs tempo, VoiceTone E1 can excite your vocals and your audience more than ever before. And itʼs so easy to use; leave it on one setting throughout your performance or change it up for different songs. When itʼs time to talk to your audience, clear, dry banter is just a footswitch tap away.
As simple as plugging in your mic
Gaining access to the studio quality sounds and intelligent processing of VoiceTone singles is as simple as plugging in your mic and turning the effect on. Of course, you can always change the style or the amount of effect, but you shouldnʼt need to unfold the manual unless youʼre making a fire.
Strong family genes
Each VoiceTone single shares the same genes: a clean, quiet mic preamp that rivals high-end touring mixers, a die-cast metal case, rubberized no-slip base, studio quality analog to digital conversion, and the same quality processing youʼd expect from our flagship vocal processors like VoiceLive 2.
- See more at: http://www.nakas.gr/ecomnakas/nakas2006/default.asp?static=421&product=133028#sthash.cRLFG5bn.dpuf |
iEQ-15 Dual 15-Band Graphic EQ with Type V? NR and AFS?
With an EQ heritage that has produced countless industry standard
patents and dates back more than 30 years, the dbx iEQ-31 easily
lives up to the dbx legacy of uncompromised sonic integrity. In
addition to unsurpassed equalization specs, the iEQ-15 also offers
the built-in necessities which include AFS? feedback Suppression,
Type V? noise reduction and PeakStopPlus? limiting. Besides
including two 15-band channels of 2/3-octave equalization, the iEQ-15
also offers +12 dB input gain range; switchable +6 or +15 dB boost/cut
range, 40mm faders, XLR, 1/4'' and Euroblock inputs and outputs,
nonconductive nylon sliders; and an intuitive user interface with comprehensive
output and gain reduction metering. As always, the inevitable result of our
meticulous attention to detail and top-quality componentry is exceptional
sound, performance, and reliability.
The iEQ series represents a major step forward in the performance of EQs.
The iEQ series is now able to offer state-of-the-art digital EQ performance
and specs with an analog look and feel. From its amazing 10Hz to 22kHz
frequency response, to its 113dB dynamic range and Advanced Feedback
Suppression (AFS?), dbx proprietary Type V? noise reduction
and PeakStopPlus? limiting, the iEQ-15 offers out of this world specifications
with a downto- earth price point. Sure to find a home in the studio, on tour and
with installed sound venues, the iEQ-15 is destined to take its rightful place in
the lineage of great dbx? signal processors that are the professional?s choice
in signal processing. With such pristine design and quality, the iEQ-15 offers
the maximum sonic flexibility in a straight forward interface and rock-solid construction.
? Advanced Feedback Suppression (AFS?)
? Type V? Noise Reduction
? PeakStopPlus? Limiting
? 2/3-octave Constant Q frequency bands
? Switchable boost/cut ranges of ±6 or ±15dB
? 18 dB per octave 40Hz low-cut filter
? ±12dB input gain range
? XLR, TRS and Euroblock Inputs and Outputs
? Internal Toroidal Transformer
? Frequency Response of 10Hz to 22kHz
? Dynamic range of greater than 113dB
? User Power Up Features
? Relay Bypass for Power Failure System Protection
|
Inputs / Outputs
| USB I/O |
1 x USB-C Female Input |
| Audio I/O |
2 x 1/4" TS Hi-Z/Instrument Input (Use both for Stereo)
2 x 1/4" TS Hi-Z/Instrument Output (Use both for Stereo) |
Power
| Power Source |
AC Adapter with Power Brick (Not Included) |
| DC Input Power |
9 VDC at 0.4 A |
Physical
| Color |
Black |
| Dimensions |
5.55 x 3.62 x 2.56" / 14.1 x 9.19 x 6.5 cm (With Knobs and Protrusions) |
| Weight |
1.24 lb / 0.56 kg |
Packaging Info
| Package Weight |
1.73 lb |
| Box Dimensions (LxWxH) |
7.8 x 5.3 x 3.1" |
|
Inputs / Outputs
| USB I/O |
1 x USB-C Female Input |
| Audio I/O |
2 x 1/4" TS Hi-Z/Instrument Input (Unbalanced, Stereo Pair)
2 x 1/4" TS Hi-Z/Instrument Output (Unbalanced, Stereo Pair) |
Wireless
| Bluetooth |
5.0 |
| Mobile App Compatible |
Yes: Android & iOS
App Name: UAFX Control
Functionality: Adjust Settings, Firmware Update, Remote Control, Setup
*As of April, 2023: Check with manufacturer for the most up-to-date compatibility |
Power
| Power Source |
AC Adapter with Power Brick (Not Included) |
| DC Input Power |
9 VDC |
| Operating Current |
400 mA |
Environmental
| Environmental Protection |
None |
Physical
| Color |
Light Blue |
| Dimensions |
5.55 x 3.62 x 2.56" / 14.1 x 9.19 x 6.5 cm (D x W x H) |
| Weight |
1.24 lb / 0.56 kg |
Packaging Info
| Package Weight |
1.52 lb |
| Box Dimensions (LxWxH) |
7.4 x 4 x 3" |
| Digitech DOD Rubberneck analog delay
- Delay effect in pedal form
- Analog operating mode
- Delay time 1,500 milliseconds
- Tap tempo
- Delay time modulation (Rubbernecking)
- True bypass
- Adjusting for time
- Repeats
- Level
- Rate&depth
- Gain & tone
- Adjusting for rubberneck rate regen
- Switch for selection of tap ratio (eighth / dotted eighth / quarter notes)
- Switch for selection of tails mode (off / on / on-no dry)
- Bi-color status LED and delay tempo indicator LED
- Footswitch bypass and tempo/regen
- Metal construction
- Operation with power supply (optional)
| More sound to your amps and speakers
The secret to making speakers sound great lies with the crossover you use. With the dbx® 234xs Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The 234xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 234xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound.
The dbx 234xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs.
XLR balanced ins and outs
Mode switches for mono 4-way or stereo 2-way/3-way operation
Low frequency summed (subwoofer) output
x10 range switch on both channels
40Hz high pass (low cut) filter both channels
Phase reverse switch on all outputs
Individual level controls on all outputs
24dB per octave Linkwitz-Riley filters (the professional standard)
Stereo/Mono status LEDs indicate the selected mode
dbx® 2 year parts and labor as standard
CSA NRTL/C approved
CE compliant
| Input Connectors |
XLR |
| Input Type |
Electronically balanced/unbalanced, RF filtered |
| Input Impedance |
Balanced >50k ohm, unbalanced >25k ohm |
| Max Input |
>+22dBu balanced or unbalanced |
| CMRR |
>40dB, typically >55dB at 1kHz |
| Output Connectors |
XLR |
| Output Type |
Impedance-balanaced/unbalanced, RF filtered |
| Output Impedance |
Balanced 200 ohm, unbalanced 100 ohm |
| Max Output |
>+21dBu balanced/unbalanced into 2k ohms or greater |
| Bandwidth |
20Hz to 20kHz, +/-0.5dB |
| Frequency Response |
90 kHz, +0/-3 dB |
| Signal to Noise Ratio |
Ref: +4 dBu, 22 kHz measurement bandwidth |
| Signal-to-Noise (Stereo Mode) |
>94dB (Low Output), >93dB (Mid Output), >90dB (High Output) |
| Signal-to-Noise (Mono Mode) |
>94dB (Low Output, Low/Mid Output); >92dB (High/Mid Output); >88dB (High Output) |
| Dynamic Range |
> 106 dB, unweighted, any output |
| THD+Noise |
| Interchannel Crosstalk |
| Crossover Frequencies (Stereo Mode) |
Low/Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Low/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Mid/High 450Hz to 9.6kHz (x10 setting) |
| Crossover Frequencies (Mono Mode) |
Low/Low-Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Low-Mid/High-Mid: 450 Hz to 9.6 kHz; High-Mid/High: 450 Hz to 9.6 kHz |
| Crossover Filter Type |
Linkwitz-Riley, 24 dB/octave, state-variable |
| Low cut Switch |
Activates 40 Hz Butterworth, 12 dB/octave high-pass filter, one switch per channel. |
| Phase Invert Switch |
Inverts the phase at the output, one switch per output. |
| x1 / x10 Switch |
Multiplies the low-high(mono: low/mid and high/mid) crossover frequency range of the front-panel markings by a factor of 1 or 10, one switch per channel. |
| Mode Switch |
Selects stereo/mono and 2/3/4-way operation |
| LF Sum Switch |
Selects normal (stereo) or mono-summed low frequency operation and disables Ch 2ʼs low output phase invert LED to indicate that this output is not operational in the LF sum mode. |
| Indicators |
Stereo Operation (Green); Mono Operation (Yellow); Low Cut (Red-per channel); x10 (Green-per channel); Phase Invert (Red-per output) |
| Operating Voltage |
100-120 VAC 50/60Hz; 120 VAC 60Hz 230 VAC 50/60Hz |
| Operating Temperature |
32°F to 113°F (0°C to 45°C) |
| Power Consumption |
15W |
| Power Connector |
IEC receptacle |
| Dimensions |
1.75" H X 19" W X 6.9" D (4.4cm x 48.3cm x 17.5cm) |
| Unit Weight |
4.0 lbs. (1.8 kg) |
| Shipping Weight |
5.8 lbs. (2.6 kg) |
|
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