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Voice Τone Τ1
Εξαιρετική ποιότητα ήχου χωρίς παραμορφώσεις
Υψηλής ποιότητας multi-band EQ
Compressor & de-esser
Δυνατότητα σύνδεσης με άλλα μοντέλα Voice Tone
Xαρακτηριστικά:
Αναλογικές εισόδους:
Connectors, balanced: Mic.: XLR
Mic Input Level @ 0 dBFS: -42dBu to +1dBu
EIN @ Max Mic Gain Rg = 150 Ohm: -126 dBu
Mic input SNR: >104 dB
Αντίσταση εισόδου κιθάρας : 1 MOhm
Επίπεδο εισόδου κιθάρας @ 0 dBFS: -7 dBU to 17 dBu
Είσοδος κιθάρας SNR: >115dB
Αναλογικές εξόδους:
Αντίσταση εξόδου Bal./Unbal.: 200/100 Ohm
Output Full Scale: +1 dBu
Δυναμικό εύρος : >104 dB, 20 Hz to 20 kHz
Απόκριση συχνότητας: +0/-0.3 dB, 20 Hz to 20 kHz
Control
USB for firmware and control
Mic Control using TC-Helicon
Μέγεθος
Ύψος: 5.4 inches (140 mm)
Πλάτος : 3.5 inches (90 mm)
Βάθος: 2.3 inches (60 mm)
Βάρος
Βαρος : 0.92 lb. (0.42 kg)
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There’s nothing like having a large and enthusiastic audience singing along with you. Critical Mass puts that magic right at your feet in an easy to use stompbox. Whether you’re pounding out arena rock-style anthems or leading worship at your church, having group vocals on demand allows you to set the mood and engage your entire audience. Choose from "melodic” or "gang” style vocals that suit any style of music with no key or scale input required.
FEATURES
- A simple-to-use vocal stompbox lets you easily create stunning group-sound vocal effects
- Powerful melodic and gang styles give you large group vocals using your voice alone
- No key or scale to set – just sing
- Simple three-knob control gets you up and running in seconds
- High-quality, low-noise mic preamp for pristine vocals
- On/off foot switch for quick performance control
- Rugged, road-worthy construction for years of dependable use
- 3-year warranty program
- Designed and engineered in Canada
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Whether youʼre at the top of the charts – or just a dreamer with a microphone, VoiceLive Play gives you hundreds of song & artist presets to choose from, helping you create amazing vocals. Plug in your MP3 player and sing along with your favorite tracks or create instant HIT effects for your own songs.
200+ song & artist inspired presets
Plug in your MP3 player to the AUX input and sing along using Vocal Cancel feature
RoomSense – embedded mics set auto key for harmonies
Sound Like The Pros
Producers spend more time on perfecting vocals than any other instrument, and the number of layered vocal tracks on a studio recording often run well into the double-digits. Now the same care for creating vocals live or at home is available to everyone.
VoiceLive Play gives singers the opportunity to experience the sound they know and love from their favorite songs with ease. Featuring automatic backing harmonies, vocal double tracking, pristine EQ and compression, lush reverbs, hard-tuned robo-voice – all the the goose-bumps-on-your-arm effects that make todayʼs Billboard hit vocals "pop”.
Pick a Genre, any Genre
Operating and navigating VoiceLive Play is a breeze. The GENRE button allows you to easily browse hundreds of presets. Choose a style that suits you and VoiceLive Play will list the presets that fit your preference. If youʼve never used effects before, youʼll quickly learn how to find the sound youʼre looking for with GENRES.
Download More & Make Your Favorites
If hundreds of presets wasnʼt enough, youʼll be able to download new and exciting artist presets each month for free via VoiceSupport.
Should you want to create your own presets, VoiceLive Play offers the simple and intuitive onboard controls to do so. In addition, you can mark any preset as a FAVORITE, creating a personal genre of choice effects for super-fast access.
Control
200+ Song & Artist Inspired Presets
Preset Up/Down and HIT Footswitch
Graphics LCD Display
Bump-Protected Mic Level
Dual-Colour Backlit Buttons
Dedicated Effect Block On/Offs
Size
Height: 1.8 inches (45 mm)
Width: 7.9 inches (200 mm)
Depth: 6.1 inches (156 mm)
Weight
Weight: 2.1 lb. (0.95 kg)
- See more at: http://www.nakas.gr/ecomnakas/nakas2006/default.asp?static=421&product=133031#sthash.FMfwOozB.dpuf
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- Antares Auto-Tune Evo real-time pitch correction with enhanced tracking and correction capabilities
- Antares Microphone Modeling simulates a variety of high-end studio microphones with variable proximity effect
- Analog tube modeling effect
- Variable-knee compression
- Downward-expanding gate processor
- Variable frequency de-esser
- Flexible 2-band parametric EQ
- Automatic mono or stereo doubletracking
- User-programmable settings
- Dynamic MIDI control
- XLR microphone input with phantom power
- 1/4” balanced line input and output
- S/PDIF digital output
- 1/4" footswitch input
| More sound to your amps and speakers
The secret to making speakers sound great lies with the crossover you use. With the dbx® 234xs Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The 234xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 234xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound.
The dbx 234xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs.
XLR balanced ins and outs
Mode switches for mono 4-way or stereo 2-way/3-way operation
Low frequency summed (subwoofer) output
x10 range switch on both channels
40Hz high pass (low cut) filter both channels
Phase reverse switch on all outputs
Individual level controls on all outputs
24dB per octave Linkwitz-Riley filters (the professional standard)
Stereo/Mono status LEDs indicate the selected mode
dbx® 2 year parts and labor as standard
CSA NRTL/C approved
CE compliant
Input Connectors |
XLR |
Input Type |
Electronically balanced/unbalanced, RF filtered |
Input Impedance |
Balanced >50k ohm, unbalanced >25k ohm |
Max Input |
>+22dBu balanced or unbalanced |
CMRR |
>40dB, typically >55dB at 1kHz |
Output Connectors |
XLR |
Output Type |
Impedance-balanaced/unbalanced, RF filtered |
Output Impedance |
Balanced 200 ohm, unbalanced 100 ohm |
Max Output |
>+21dBu balanced/unbalanced into 2k ohms or greater |
Bandwidth |
20Hz to 20kHz, +/-0.5dB |
Frequency Response |
90 kHz, +0/-3 dB |
Signal to Noise Ratio |
Ref: +4 dBu, 22 kHz measurement bandwidth |
Signal-to-Noise (Stereo Mode) |
>94dB (Low Output), >93dB (Mid Output), >90dB (High Output) |
Signal-to-Noise (Mono Mode) |
>94dB (Low Output, Low/Mid Output); >92dB (High/Mid Output); >88dB (High Output) |
Dynamic Range |
> 106 dB, unweighted, any output |
THD+Noise |
Interchannel Crosstalk |
Crossover Frequencies (Stereo Mode) |
Low/Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Low/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Mid/High 450Hz to 9.6kHz (x10 setting) |
Crossover Frequencies (Mono Mode) |
Low/Low-Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Low-Mid/High-Mid: 450 Hz to 9.6 kHz; High-Mid/High: 450 Hz to 9.6 kHz |
Crossover Filter Type |
Linkwitz-Riley, 24 dB/octave, state-variable |
Low cut Switch |
Activates 40 Hz Butterworth, 12 dB/octave high-pass filter, one switch per channel. |
Phase Invert Switch |
Inverts the phase at the output, one switch per output. |
x1 / x10 Switch |
Multiplies the low-high(mono: low/mid and high/mid) crossover frequency range of the front-panel markings by a factor of 1 or 10, one switch per channel. |
Mode Switch |
Selects stereo/mono and 2/3/4-way operation |
LF Sum Switch |
Selects normal (stereo) or mono-summed low frequency operation and disables Ch 2ʼs low output phase invert LED to indicate that this output is not operational in the LF sum mode. |
Indicators |
Stereo Operation (Green); Mono Operation (Yellow); Low Cut (Red-per channel); x10 (Green-per channel); Phase Invert (Red-per output) |
Operating Voltage |
100-120 VAC 50/60Hz; 120 VAC 60Hz 230 VAC 50/60Hz |
Operating Temperature |
32°F to 113°F (0°C to 45°C) |
Power Consumption |
15W |
Power Connector |
IEC receptacle |
Dimensions |
1.75" H X 19" W X 6.9" D (4.4cm x 48.3cm x 17.5cm) |
Unit Weight |
4.0 lbs. (1.8 kg) |
Shipping Weight |
5.8 lbs. (2.6 kg) |
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DBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction
It's amazing. One little button. So much effect. dbx? Type III? Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQs possible, boxes with the heritage and performance to rival our famous 30 Series EQs. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (our chief engineer, a nice guy, as far as engineers go) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQs sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see.
But hey, Roger wasn't about to stop there. PeakPlus? Limiter. Who knows more about limiting than the folks at dbx; nobody... that's who. So when the guys were developing this new series of EQs they wanted something that would be unique to these EQs. That's when Roger got another one of his bright ideas and said "I bet they'll work a lot better if there's a cool limiter built in." Next thing you know, all the guys are in the studio amazed at the new limiter Roger had designed specially for the 20 Series. Once again, hearing is believing... With a threshold range of 0dbu to plus 20dbu, the patent-pending PeakPlus limiter is designed to tame your program material from the subtlest nuances to the rowdiest hits. Also, the four stage LED ladder gives you a great visual indication as to what the limiter is doing.
20 Series EQs. You used to have to settle for second best in a reasonably priced EQ but not any more. With the new 20 Series from dbx Professional Products you get a great EQ circuit, a graceful yet powerful limiter and the revolutionary new design of the Type III Noise Reduction. Check out the dbx 20 Series graphic EQs at your pro audio outfitter. You'll see, with the 20 Series EQs you get MORE!!!
SPECIFICATIONS:
INPUT
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Connectors:
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1/4" TRS, female XLR (pin 2 hot), and barrier terminal strip
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Type:
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Electronically balanced/unbalanced, RF filtered
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Impedance:
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Balanced 40k ohm, unbalanced 20k ohm
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Max Input Level:
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>+21dBu balanced or unbalanced
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CMRR:
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>40dB, typically >55dB at 1kHz
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OUTPUTS
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Connectors:
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1/4" TRS, male XLR (pin 2 hot), and barrier terminal strip
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Type:
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Impedance-balanaced/unbalanced, RF filtered
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Impedance:
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Balanced 200 ohm, unbalanced 100 ohm
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Max Output Level:
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>+21dBu balanced/unbalanced into 2k or greater
>+18dBm balanced/unbalanced (into 600)
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SYSTEM PERFORMANCE
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Bandwidth:
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20Hz to 20kHz, +/-0.5dB
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Frequency Response:
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50kHz, +0.5/-3dB
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Noise Reduction In:
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(+/-6 and +/-15dB range):
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Signal-to-Noise:
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>102dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth
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Dynamic Range:
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>120dB, unweighted
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Noise Reduction Out:
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(+/-6dB range):
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Signal-to-Noise:
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>94dB, unweighted, ref: +4dBu, 22kHz measurment bandwidth
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Dynamic Range:
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>112dB, unweighted
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Noise Reduction Out:
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(+/-15dB range):
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Signal-to-Noise:
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>90dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth
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Dynamic Range:
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>108dB, unweighted
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THD + Noise:
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