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- Condenser instrument microphone
- Easy installation with various instrument holders for many different instruments (not included)
- Flexible gooseneck 120 mm for easy alignment on the instrument
- Detachable cable with screw contact
- 3-pin mini XLR plug for use with t.bone wireless systems (also suitable for Sirus and AKG wireless systems)
- Polar pattern: Cardioid
- Frequency range: 30 - 20.000 Hz
- Sensitivity: -38 dB +/- 2 dB
- Max. SPL: 130 dB
- Signal-to-noise ratio: 71 dB
- Impedance 100 Ohm
- Distortion factor: < 1%
- Cable length approx. 2 m
- Incl. Windscreen, phantom power adapter (phantom power required) and hard case (with space for an optional holder)
- Dimensions of the hard case (L x W x H): 26 x 13 x 7 cm
the t.bone Lucan System CC 200 GH
- Microphone Mount
- Guitar clip for the Lucan System CC 200 RC
- Suitable for clamping onto guitars or similar instruments with a thickness between 73 and 120 mm
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OVERVIEW
Cardioid dynamic kick drum mic with swivel mount and cable.
The PGA52 is a professional quality kick drum microphone with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence. Legendary Shure quality construction ensures exceptional performance in rigorous environments.
Additional design highlights include a swivel joint featuring a quick-release latch similar to bicycle component-locking technology for extremely quick and easy positioning.
FEATURES
- Mountable microphone featuring swivel joint with quick-release latch for kick drum
- Dynamic cartridge (does not require phantom power) with cardioid polar pattern
- Tailored cartridge design for low-frequency clarity, including on bass amps
- Includes PGA52, zipper pouch and user guide
- XLR to XLR mic cable included
| The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
- A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
- Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
- Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
- Premium electronic components, including gold-plated internal and external connectors
- Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
- Extended frequency response
- Low self noise
- Exceptional reproduction of low-frequency sounds
- Can withstand high sound pressure levels (SPL)
- High output level
- No crossover distortion
- Uniform polar response
- Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
- Acoustic instruments -- such as piano, guitar, drums, percussion, strings
- Wind instruments -- brass and woodwind
- Low frequency instruments -- such as double bass, electric bass, kick drum
- Overhead miking -- drums or percussion
- Ensembles -- choral or orchestral
- Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording |
Type: Black Electret Condenser
Polar Pattern: Uni-Directional
Frequency: 50Hz-16KHz
Sensitivity: -45dB
Output Impedance: 250 Ohm
Mixer Phantom Power: +48V
Ideal for wind & string musical instruments
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Audio Frequency Response 20 Hz - 10,000 Hz
Case Material Die cast zinc
Connector Type 3-pin XLR
Element Dynamic
Finish Textured Satin Black
Impedance, Low-Z balanced 150 Ω
Mic Type Instrumental
Open Circuit Voltage 0.63 mV/Pascal
Polar Pattern Supercardioid
Power Requirement Passive
Shipping Weight 23.7 oz (672 g)
Wired/Wireless Wired
Weight Net 12.84 oz (364 g)
| The unidirectional dynamic microphone DAP PL-07 is ideal for live sound reinforcement and clear recording of Brass, Saxophone, Harmonica, Snare, Tom, Congas and Guitar-Bass Amps.
Technical Info
Type: Dynamic, Moving coil.
Freq.Resp.: 40 to 16.500 Hz.
Polar Pattern: Cardioid
Sensitivity (1000Hz): 1,7 mV/Pa*
(*1 Pa = 94 dB SPL)
Max SPL: 137dB
Impedance: 600 Ohm
Power supply: none
Connector: 3p. XLR male-type).
Net. Weight: 245 g
Dimensions: (Ø 32 mm x L 157 mm)
Accessories: 6 mtr balanced cable
with XLR plugs |
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