| Content |
Dual 8-fader sections in a space-saving console that can be used alone or cascaded to another CL console for input expansion.
- Input channels: 48 mono, 8 stereo.
- Fader configuration: 8-fader left section, 8-fader Centralogic section, 2-fader master section .
- Meter bridge optional.
General specifications
| Sampling frequency rate | Internal | 44.1kHz / 48kHz | | External | 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm) | | Signal delay | Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz | | Total harmonic distortion | Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min. | | Frequency response | +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT | | Dynamic range | 112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min. | | Crosstalk | -100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min. | | Power requirements | US/Canada: 120V 60Hz, Japan: 100V 50/60Hz, China: 110-240V 50/60Hz, Korea: 220V 60Hz, Other: 110-240V 50/60Hz | | Power consumption | 170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W | | Dimensions | W | 648mm (25 5/8in) | | H | 299mm (11 3/4in) | | D | 667mm (26 1/4in) | | Net weight | 24kg (52.9lb) | | Others | Temperature Range: Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃ |
|
|
Si Performer 3 Highlights
| | • |
Massive mix capacity – 80 inputs to mix in a small format live sound digital mixer
| | • |
2 ViSi Connect™ option card slots with 128x96 input/output paths for expanded digital I/O including the MultiDigital Card (Firewire/USB/ADAT), BSS Digital Audio Bus (BLU Link), Dante™, CAT5 or optical MADI, AVIOM™, CobraNet™ and others.
| | • |
Assignable Fader Layers - Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!
| | • |
1 Control = 1 Function - With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Performer controls to be labeled on the surface just as they would have been on an analogue mixer.
| | • |
TOTEM™ - The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.
| | • |
Soundcraft FaderGlow™ - Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again!
| | • |
DMX interface - control sound and light from the same device.
| |
•
|
BSS® GEQ - With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing.
| | • |
Security Lockout - Lock the whole console or just selected elements, manage the security with the users and profile settings.
| | • |
Personal Monitoring Interface - When used with the Si BLU link option card, the Si Performer is a perfect partner to the dbx PMC16 Personal Monitoring System , using simple Cat5 cabling for easy setup.
| | • |
D.O.G.S. (Direct Out Gain Stabiliser) - Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.
| | • |
Global Mode Controls - A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.
| | • |
Copy & Paste - Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.
| | • |
Instant Access Keys - Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-8, TAP TEMPO and more negate the need to dive into screen & context menus.
| | • |
Function Focus - Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc.
|
|
|
|
|
Key Features
• 32 mono mic inputs
• 8 line inputs
• 80 channels to mix
• 2 ViSi Connect™ option card slots for 128 x 96 input/output paths
• Pre/Post selection per input per bus
• Freely assignable faders and patching
• Soundcraft FaderGlow™
• Colour backlit LCD screens per fader
• GEQ on every bus
• 20 sub-group / aux busses
• 4 FX busses
• 8 Matrix busses
• LRC Mix busses
• LCR panning
• 4 Stereo Lexicon Effects engines
• Delay on inputs and outputs
• 8 Mute Groups
• 8 VCA Groups
• AES in and out
• DMX interface and control - control sound and light simultaneously
• Freely assignable insert loops
• Harman HiQnet integration
• Colour touch screen interface
|
19-inch Digital Production Console for Professionals in the Studio or On the Road
Mixing performance and features directly inherited from the DM2000 and 02R96 in a rack-mount size console. Version 2 offers ESAM II support, Add-on Effects compatibility, and numerous other upgrades.
When the acclaimed Yamaha DM2000 console appeared on the production scene, it proved that true 24-bit/96 kHz performance, DAW integration, and surround production facilities were what the industry had been waiting for. With the introduction of the 02R96 the same benefits became available to a broader range of engineers and facilities, including project studios for music production. Now the Yamaha DM1000, like the DM2000, is designed especially for commercial post-production, audio for video, and broadcast applications. But extraordinary versatility and configurability mean that the DM1000 is also ideal for a wide range of sound reinforcement applications.
The DM1000 Digital Production Console distills the essence of the DM2000 into a remarkably compact console that delivers the same level of performance and key features. And with the supplied Studio Manager Application software, all mix data is interchangeable between the DM2000, DM1000 and 02R96. These consoles can be linked and cascaded interactively within a multi-room studio, or a tour engineer can do a basic console setup on his laptop computer anywhere, and then simply load the settings into the console at the venue.
Like its predecessor, the DM1000 delivers mixing power and performance that's way ahead of anything else on the market, and it even incorporates newly introduced software features such as 6.1 Surround, User Assignable Layer, and Global Recall Safe. Never has so much mixing power and versatility been available in a compact, rack-mountable console.
With the introduction of Version 2, the DM1000 evolves to an even higher level of refinement.
Outline | Mixing capability | Mixing channels | 48 | | GROUP | 8 | | AUX | 8 | | MAIN | Stereo | | Input channel functions | Gate, Attenuator, 4-band PEQ, 2x Compressor, Delay, Pan | | Output channel functions | Attenuator, 4-band PEQ, Compressor, Delay | | On-board processors | 4x SPX multi effectors | | I/O | Mic inputs | 16 | | Phantom power | +48V DC; ON/OFF per channel | | Line inputs | 4x Omni in | | AD converter | 24-bit; 128-time over sampling | | Line outputs | 12x Omni output | | DA converter | 24-bit; 128-time over sampling | | Digital I/O | 2x 2tr in/out | | Expansion slots | 2x Mini-YGDAI (16-in/16-out) | | Control and others | To Host(USB), Control(GPI), Remote, MIDI, Time code in (SMPTE), Word clock I/O | General specifications | Internal processing | 32bit, Accumulator: 58bit | | Sampling frequency rate | Internal | 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz | | External | 44.1kHz/88.2kHz (-10%) - 48kHz/96kHz (+6%) | | Signal delay | Less than 1.6ms (@48kHz), Less than 0.8ms (@96kHz) | | Total harmonic distortion | Less than 0.05% (20Hz-40kHz) | | Frequency response | 0, +0.5, -1.5dB 20Hz-40kHz | | Dynamic range | DA: 110dB; AD+DA: 106dB | | Hum & noise level | Equivalent input noise | -128dBu | | Residual output noise | -86dBu | | Crosstalk | -80dB | | Power requirements | AC100V, 120V, 220-240V 50/60 Hz | | Power consumption | 135W | | Dimensions | W | 436mm; 17-3/16in | | H | 200mm; 7-7/8in | | D | 585mm; 23-1/16in | | Net weight | 20kg; 44.1lbs | | Accessories | Owner's Manual, Studio Manager Installation Guide, AC power cord | |
- 16-channel digital stereo mixer to create your personal monitor mix
- Ultra-intuitive "analog" operation with total recall and 16 presets for custom mixes
- State-of-the-art 24-bit D/A converters for premium audio quality
- 16 Channel Select buttons with dual LEDs for perfect overview
- Level and Pan/Spread control per channel with LED meter
- 3-band EQ per channel with mid-band frequency control
- Solo and Mute functions per channel
- Global Level and EQ controls plus Panic Mute function
- High power and "drummer proof" headphones output
- Fully adjustable limiter protects your ears and headphones
- Additional mono/stereo line output to connect your powered monitor
- MIDI IN port for real-time remote control of all channels by external MIDI device such as BEHRINGER BCF2000, BCR2000, etc.
- Standard CAT5e connection delivers power and 16 signals to each Personal Mixers
- ULTRANET connector to daisy-chain up to forty-eight P16-M mixers for large systems (in conjunction with P16-D)
- Ultra-low system latency of less than 1 millisecond
- Powered via external power supply (included) or P16-I / P16-D
- Mounts easily on a mic stand with the P16-MB mic stand mount (not included)
- Extremely rugged construction ensures long life even under the most demanding conditions
- Conceived and designed by BEHRINGER Germany
|
12 total inputs: 8 mic, (four with XLR/TRS combo connector) and two stereo line
Stereo Main L/R outputs (XLR)
Four mono auxiliary mixes (XLR).
Mono auxiliaries may be linked for stereo use.
Auxes 3/4 can also drive wired in-ear monitors (IEM) directly.
Superb sound quality
Class-A microphone pre-amps
32-bit floating point processing
24-bit AD & DA convertors
Input channels are fully-featured:
Four-band full parametric EQ
Variable high-cut and low-cut filters
Gate
Compressor (with de-esser)
Main and auxiliary outputs feature:
1/3-octave graphic EQ
Limiter
Delay
Notch filters
Four professional quality stereo DSP effects. Choose from:
Two types of reverb
Mono delay
Stereo delay
Chorus
Pitch-change
A pitch correct processor is assignable to any input channel.
Eight DCA and eight mute groups.
Color, capacitive touch screen graphical user interface combined with hardware controls for fast and intuitive operation.
Great results and easy to use
Input channel preset library features over 100 presets developed by experienced concert engineers specifically for live sound applications.
Wizards assist with input gain adjustment and effects selection and routing.
On board Info system gives you instant access to the user manual.
Save your own channel presets and complete mixer scenes to internal memory or USB device.
Capturing live performance to multi-track has never been easier. Record 14 tracks (all inputs plus a stereo mix) directly to USB hard-drive. Mix down on TouchMix or import into your favorite DAW.
Complete mixer remote control via free iPad® App.
Monitor control via iPhone/iPod Touch App.
Multiple Wi-Fi Connectivity options
Security Lockout Modes
USB Wi-Fi interface and carrying case are included. |
Proven at millions of gigs worldwide, the Mackie DL Series combines the power of a full-featured digital mixer with the unmatched ease-of-use of an iPad. Ideal for bands, rental house and production/installations, the DL Series provides the mobile freedom to wirelessly control the mix and powerful plug-in processing from anywhere in the venue.
- Ultra-low noise design with highest possible headroom
- 8 Onyx microphone preamps
- 4 auxiliary sends
- Stereo main output
- 24-bit Cirrus Logic converters
- 4-band EQ, gate and compressor on channel inputs
- Global reverb and delay processors
- 31-band graphic EQ with compressor limiter on main outputs
- Use up to 10 iPads simultaneously
- Ground-breaking Master Fader App
- Wired or wireless mixing from anywhere
- Full recall except mic pre gains
- Dedicated iPad channel
- PadLock feature for fixed install
- Διαστάσεις: 394x 292 x 99 mm
- Βάρος: 3.2kg
- iPad not included
|
Reviews
There are no reviews yet.