YAMAHA DM1000VCM 16 channel digital mixer

5,822.94 incl. GR VAT

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Availability: Available in 1-3 d. Available in 1-3 d. SKU: DM1000VCM Category:
19-inch Digital Production Console for Professionals in the Studio or On the Road Mixing performance and features directly inherited from the DM2000 and 02R96 in a rack-mount size console. Version 2 offers ESAM II support, Add-on Effects compatibility, and numerous other upgrades. When the acclaimed Yamaha DM2000 console appeared on the production scene, it proved […]

 

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19-inch Digital Production Console for Professionals in the Studio or On the Road

Mixing performance and features directly inherited from the DM2000 and 02R96 in a rack-mount size console. Version 2 offers ESAM II support, Add-on Effects compatibility, and numerous other upgrades.


When the acclaimed Yamaha DM2000 console appeared on the production scene, it proved that true 24-bit/96 kHz performance, DAW integration, and surround production facilities were what the industry had been waiting for. With the introduction of the 02R96 the same benefits became available to a broader range of engineers and facilities, including project studios for music production. Now the Yamaha DM1000, like the DM2000, is designed especially for commercial post-production, audio for video, and broadcast applications. But extraordinary versatility and configurability mean that the DM1000 is also ideal for a wide range of sound reinforcement applications.
The DM1000 Digital Production Console distills the essence of the DM2000 into a remarkably compact console that delivers the same level of performance and key features. And with the supplied Studio Manager Application software, all mix data is interchangeable between the DM2000, DM1000 and 02R96. These consoles can be linked and cascaded interactively within a multi-room studio, or a tour engineer can do a basic console setup on his laptop computer anywhere, and then simply load the settings into the console at the venue.
Like its predecessor, the DM1000 delivers mixing power and performance that’s way ahead of anything else on the market, and it even incorporates newly introduced software features such as 6.1 Surround, User Assignable Layer, and Global Recall Safe. Never has so much mixing power and versatility been available in a compact, rack-mountable console.
With the introduction of Version 2, the DM1000 evolves to an even higher level of refinement.

Outline

Mixing capability Mixing channels 48
GROUP 8
AUX 8
MAIN Stereo
Input channel functions Gate, Attenuator, 4-band PEQ, 2x Compressor, Delay, Pan
Output channel functions Attenuator, 4-band PEQ, Compressor, Delay
On-board processors 4x SPX multi effectors
I/O Mic inputs 16
Phantom power +48V DC; ON/OFF per channel
Line inputs 4x Omni in
AD converter 24-bit; 128-time over sampling
Line outputs 12x Omni output
DA converter 24-bit; 128-time over sampling
Digital I/O 2x 2tr in/out
Expansion slots 2x Mini-YGDAI (16-in/16-out)
Control and others To Host(USB), Control(GPI), Remote, MIDI, Time code in (SMPTE), Word clock I/O

General specifications

Internal processing 32bit, Accumulator: 58bit
Sampling frequency rate Internal 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
External 44.1kHz/88.2kHz (-10%) – 48kHz/96kHz (+6%)
Signal delay Less than 1.6ms (@48kHz), Less than 0.8ms (@96kHz)
Total harmonic distortion Less than 0.05% (20Hz-40kHz)
Frequency response 0, +0.5, -1.5dB 20Hz-40kHz
Dynamic range DA: 110dB; AD+DA: 106dB
Hum & noise level Equivalent input noise -128dBu
Residual output noise -86dBu
Crosstalk -80dB
Power requirements AC100V, 120V, 220-240V 50/60 Hz
Power consumption 135W
Dimensions W 436mm; 17-3/16in
H 200mm; 7-7/8in
D 585mm; 23-1/16in
Net weight 20kg; 44.1lbs
Accessories Owner’s Manual, Studio Manager Installation Guide, AC power cord
Weight 20.00 kg

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SKUDM1000VCMCL-5Si EXPRESSION 2144.106SI PERFORMER 2E005684
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Description
  • 16 Programmable MIDAS Microphone Preamps
  • 8 XLR Outputs, 6 Aux Inputs/Outputs
  • 48-Channel Digital Snake Ready via AES50
  • 32x32 FireWire/USB Audio Interface Card
Content

19-inch Digital Production Console for Professionals in the Studio or On the Road

Mixing performance and features directly inherited from the DM2000 and 02R96 in a rack-mount size console. Version 2 offers ESAM II support, Add-on Effects compatibility, and numerous other upgrades.


When the acclaimed Yamaha DM2000 console appeared on the production scene, it proved that true 24-bit/96 kHz performance, DAW integration, and surround production facilities were what the industry had been waiting for. With the introduction of the 02R96 the same benefits became available to a broader range of engineers and facilities, including project studios for music production. Now the Yamaha DM1000, like the DM2000, is designed especially for commercial post-production, audio for video, and broadcast applications. But extraordinary versatility and configurability mean that the DM1000 is also ideal for a wide range of sound reinforcement applications.
The DM1000 Digital Production Console distills the essence of the DM2000 into a remarkably compact console that delivers the same level of performance and key features. And with the supplied Studio Manager Application software, all mix data is interchangeable between the DM2000, DM1000 and 02R96. These consoles can be linked and cascaded interactively within a multi-room studio, or a tour engineer can do a basic console setup on his laptop computer anywhere, and then simply load the settings into the console at the venue.
Like its predecessor, the DM1000 delivers mixing power and performance that's way ahead of anything else on the market, and it even incorporates newly introduced software features such as 6.1 Surround, User Assignable Layer, and Global Recall Safe. Never has so much mixing power and versatility been available in a compact, rack-mountable console.
With the introduction of Version 2, the DM1000 evolves to an even higher level of refinement.


Outline
Mixing capability Mixing channels 48
GROUP 8
AUX 8
MAIN Stereo
Input channel functions Gate, Attenuator, 4-band PEQ, 2x Compressor, Delay, Pan
Output channel functions Attenuator, 4-band PEQ, Compressor, Delay
On-board processors 4x SPX multi effectors
I/O Mic inputs 16
Phantom power +48V DC; ON/OFF per channel
Line inputs 4x Omni in
AD converter 24-bit; 128-time over sampling
Line outputs 12x Omni output
DA converter 24-bit; 128-time over sampling
Digital I/O 2x 2tr in/out
Expansion slots 2x Mini-YGDAI (16-in/16-out)
Control and others To Host(USB), Control(GPI), Remote, MIDI, Time code in (SMPTE), Word clock I/O
General specifications
Internal processing 32bit, Accumulator: 58bit
Sampling frequency rate Internal 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
External 44.1kHz/88.2kHz (-10%) - 48kHz/96kHz (+6%)
Signal delay Less than 1.6ms (@48kHz), Less than 0.8ms (@96kHz)
Total harmonic distortion Less than 0.05% (20Hz-40kHz)
Frequency response 0, +0.5, -1.5dB 20Hz-40kHz
Dynamic range DA: 110dB; AD+DA: 106dB
Hum & noise level Equivalent input noise -128dBu
Residual output noise -86dBu
Crosstalk -80dB
Power requirements AC100V, 120V, 220-240V 50/60 Hz
Power consumption 135W
Dimensions W 436mm; 17-3/16in
H 200mm; 7-7/8in
D 585mm; 23-1/16in
Net weight 20kg; 44.1lbs
Accessories Owner's Manual, Studio Manager Installation Guide, AC power cord
With a three-section fader layout for efficient hands-on control, the CL5 is the ideal choice for a diverse spectrum of live sound systems.
  • Input channels: 72 mono, 8 stereo.
  • Fader configuration: 16-fader left section, 8-fader Centralogic section, 8-fader right section, 2-fader master section .
  • Stainless steel stay for iPad support.
  • Built-in meter bridge.
  General specifications
Sampling frequency rate Internal 44.1kHz / 48kHz
External 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)
Signal delay Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz
Total harmonic distortion Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min.
Frequency response +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT
Dynamic range 112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min.
Crosstalk -100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min.
Power requirements US/Canada: 120V 60Hz, Japan: 100V 50/60Hz, China: 110-240V 50/60Hz, Korea: 220V 60Hz, Other: 110-240V 50/60Hz
Power consumption 170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W
Dimensions W 1053mm (41 1/2in)
H 299mm (11 3/4in)
D 667mm (26 1/4in)
Net weight 36kg (79.4lb)
Others Temperature Range: Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃
 

Drawing on more than a decade of experience in the field of digital audio mixing, the Soundcraft® Si Expression exploits some of the newest DSP, component technology and manufacturing techniques to deliver our most powerful cost effective digital console ever! Each console in the range is identical in its feature set so your only choice is how many faders and local mic amps you want. With a range covering the super portable 19" rack mount Expression 1 to the mighty Si Expression 3 with its 30+2 faders and 32 mic/line inputs there is a model to meet all needs.

Taking the Si Expression 2 as a typical example, it features 24 recallable mic pre amps (32 on Si Expression 3 and 16 on Si Expression 1) plus 4 line inputs, 4 internal stereo FX returns, AES in, and a 64x64 expansion slot offering more than enough scope to use every one of the 66 input processing channels. Every input processing channel has dedicated processing for high pass filter, input delay, gate, compressor and four band EQ whilst keeping it under control is a comprehensive automation system augmented with four mute groups and FaderGlow™ to light the way so you are never lost.

All Si Expression consoles have busses, output processing and connectivity to match the versatility of the inputs; the 14 aux/group mixes can be configured as 14 mono mixes, 8 mono plus 6 stereo mixes or almost anything in between, whilst the 4 matrix mixes can be mono or stereo as needed. The bus and matrix mixes are complemented with four more mix busses dedicated to the internal Lexicon FX processors all in addition to the left, right and centre busses. Each bus mix features a compressor, 4 band EQ, BSS graphic EQ and delay always available all of the time. Output connectivity is comprehensive with all models featuring 16 balanced line outputs, headphone monitor out, AES out and of course the 64x64 option slot.

To complement the channel and bus processing all Si Expression consoles integrate four stereo Lexicon FX processors based on the MX400 providing a wealth of sounds, user adjustable parameters and dedicated tap-tempo keys. As the FX are hardware based, use of all the effects, even on the most demanding programmes does not affect other processing in any way and all dynamics, EQs, filters, delays, and GEQs remain available regardless what you are doing.

Flexible onboard and expansion I/O options ensure your Si Expression integrates effortlessly with other system components utilising any of the Si series option cards including AES, Firewire/USB/ADAT*1, AVIOM™, CobraNet™, BSS Digital Audio Bus (BLU Link)*1, Dante™*1 CAT5 or optical MADI. The MADI card, as well as being an interface to multi-track recording systems or plug-in systems like Waves, enables linking the Si Expression to any of the Soundcraft or Studer stageboxes to extend the I/O power and flexibility. Adding a stagebox to an Si Expression actually increases the number of channels you can mix at once not just how many inputs you have available to choose from! It is said ʽPower is nothing without controlʼ and here the Si Expression excels with a comprehensive but 'simple to use' control surface incorporating a dedicated control for every parameter, a row of global mode encoders and colour touch screen ensuring operation is quick and easy.

As you would expect from any Soundcraft digital mixer the facilities are extensive and include legendary audio quality courtesy of the latest generation EMMA™ DSP processor, the same DSP platform that has helped propel previous Soundcraft Si series consoles to fame. All this power united with reliability, flexibility and usability puts the Si Expression in a class of its own.

*1 Expected spring/summer 2013

Si Expression Highlights
•     D.O.G.S. (Direct Out Gain Stabiliser) – Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.
•     Security Lockout – Lock the whole console or just selected elements, manage the security with the users and profile settings.
•     Assignable Fader Layers – Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!
•     Copy & Paste – Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.
•     TOTEM™ – The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.
•     BSS® GEQ – With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing.
•     1 Control = 1 Function – With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Expression controls to be labelled on the surface just as they would have been on an analogue mixer.
•     Global Mode Controls – A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.
•     Soundcraft FaderGlow® – Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again!
•     Instant Access Keys – Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-4, TAP TEMPO and more negate the need to dive into screen & context menus.
•     Function Focus – Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc...
•     Everything Everywhere – All channels and busses have a full complement of processing, nothing to assign or configure.

Key Features
      24 (32 - Si Expression 3, 16 – Si Expression 1) mono mic inputs
      4 line inputs
      Colour touch screen interface
      66 channels to mix possible
      Pre/Post selection per input per bus
      AES in and out
      Global mode encoders
      Soundcraft FaderGlow™
      GEQ on every bus
      20 sub-group / aux busses
      4 FX busses
      8 Matrix busses
      LR and C Mix busses
      4 Stereo Lexicon Effects engines
      Delay on inputs and outputs
      4 Mute Groups
      Freely assignable insert loops
      Harman HiQnet integration
      64x64 channel option card slot

GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard GLD 32 input system offers 28 XLR mic inputs with plug nʼ play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs).

At the heart of the system is the GLD-80 mixer, providing 48 input processing channels, 8 stereo FX returns fed by iLiveʼs acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise.

  • Compact digital mixer with scalable, remote I/O
  • Systems from 4 to 44 mics
  • Easy to use, quick to access, analogue style interface
  • dSNAKE Cat5 digital snake—up to 120m cable length
  • 8.4 inch colour touchscreen for graphical view and setup
  • 20 faders, 4 layers, 80 channel strips in a freely customizable layout
  • 48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs
  • 8 stereo RackFX engines with dedicated ʽshortʼ returns with 4-band PEQ
  • Full processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delay
  • Full processing on all outputs including insert, PEQ, GEQ, compressor and delay
  • LR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes
  • 16 DCAs / mute groups
  • Built-in Talkback, RTA and Signal Generator
  • I/O module options for FOH/Monitor split, multitrack recording, link to iLive and more
  • MIDI In/Out and Ethernet Network port
  • AviomTM Pro16 compliant Monitor port on main AudioRack
  • High end 1dB step recallable mic/line preamps
  • User definable channel names and colours
  • Engineerʼs mono Wedge and stereo IEM strips
  • Input, output and insert soft patchbays
  • Quick copy, paste and reset of mixes and parameters
  • Libraries, Scenes and Show memories with USB transfer
  • Get started quickly with Template Shows
  • Dimensions: (W x D x H) 730 x 577 x 159mm
  • Weight: 16kg

Si Performer 2 Highlights

Massive mix capacity – 80 inputs to mix in a small format live sound digital mixer

2 ViSi Connect™ option card slots with 128x96 input/output paths for expanded digital I/O including the MultiDigital Card (Firewire/USB/ADAT), BSS Digital Audio Bus (BLU Link), Dante™, CAT5 or optical MADI, AVIOM™, CobraNet™ and others.

Assignable Fader Layers - Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!

1 Control = 1 Function - With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Performer controls to be labeled on the surface just as they would have been on an analogue mixer.

TOTEM™ - The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.

Soundcraft FaderGlow™ - Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again!

DMX interface - control sound and light from the same device.

BSS® GEQ - With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing.

Security Lockout - Lock the whole console or just selected elements, manage the security with the users and profile settings.

Personal Monitoring Interface - When used with the Si BLU link option card, the Si Performer is a perfect partner to the dbx PMC16 Personal Monitoring System , using simple Cat5 cabling for easy setup.

D.O.G.S. (Direct Out Gain Stabiliser) - Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.

Global Mode Controls - A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.

Copy & Paste - Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.

Instant Access Keys - Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-8, TAP TEMPO and more negate the need to dive into screen & context menus.

Function Focus - Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc.






Key Features

  •  24 mono mic inputs
  •  8 line inputs
  •  80 channels to mix
  •  2 ViSi Connect™ option card slots for 128 x 96 input/output paths
  •  Pre/Post selection per input per bus
  •  Freely assignable faders and patching
  •  Soundcraft FaderGlow™
  •  Colour backlit LCD screens per fader
  •  GEQ on every bus
  •  20 sub-group / aux busses
  •  4 FX busses
  •  8 Matrix busses
  •  LRC Mix busses
  •  LCR panning
  •  4 Stereo Lexicon Effects engines
  •  Delay on inputs and outputs
  •  8 Mute Groups
  •  8 VCA Groups
  •  AES in and out
  •  DMX interface and control - control sound and light simultaneously
  •  Freely assignable insert loops
  •  Harman HiQnet integration
  •  Colour touch screen interface

The X32 Compact 40-Channel, 25-Bus Digital Mixing Console from Behringer provides a wealth of features in a compact design, ideal for professional live and recording applications. The mixer features 16 fully programmable MIDAS-designed mic preamps. The Main LCR (left, center, right) channels, 16 mix busses, and 6 independent matrix mix busses all have 6-band parametric EQs and integrated dynamics processing for excellent sonic tailoring capabilities. The mixer has 16 analog XLR outputs, as well as 6 balanced line-level 1/4" Aux inputs and outputs, and two 1/4" headphone jacks. The talkback section allows you to communicate with the integrated mic or an external mic. The mixer also has a pair of AES50 ports that feature Klark Teknik SuperMAC networking capability for use with 48-channel digital snakes for ultra-low jitter and latency. The system also has an integrated expansion port that ships with a 32 x 32 XUF FireWire/USB audio card installed. The built-in Virtual FX offers 8 true-stereo FX slots that deliver high-end simulations of popular processors, such as Lexicon 480L and PCM70, EMT250 and Quantec QRS, etc. The integrated high-power 40-bit floating-point DSP system delivers "unlimited" dynamic range, no internal overload, and near-zero latency between inputs and outputs for top-quality performance. The mixer also has 6 mute groups and 8 DCA groups. The intuitive interface offers ease-of-use with a dedicated channel strip section that has direct-access controls. There is also a high-resolution 7" color TFT display with associated controls and individual RGB backlit graphic LCDs on every channel. The unit has 17 motorized 100mm faders for extensive user-definable control. The system has a USB flash connector to provide file storage for uncompressed recordings, show presets, and system updates. There are also connections that support the P-16 personal monitoring system, AES/EBU stereo digital outputs, and MIDI. Adjustable line delays are available on all of the physical inputs and outputs. Other features of the X32 Compact include networked remote control or show setups with the included remote editor software via USB and Ethernet ports. You can even conveniently handle the scene management duties of complex productions. All of these features are packed into a compact and durable enclosure to ensure a long life of professional use.

Free Control Software Applications

Behringer iPad and iPhone apps for professional remote operation are free downloads on the Apple App Store. All of the X32's features can be managed concurrently from various locations and instances of the XiQ, XiControl, and XControl apps.

Versatile and Expandable

The X32 Compact can act as the nucleus of a flexible and expandable audio system. The built-in 32 x 32 USB recording interface, 8 stereo effects engines, zero-latency monitoring and 100% total recall deliver the tools to handle a wide variety of projects.
Number of Analog Input Channels 40
Number of Mic Preamps 16
Max I/O Capacity 150 x Input / 160 x Output (with Optional Hardware)
Mix Routing 1 x Main LRC 16 x Bus 6 x Matrix 8 x Aux Send 8 x FX Return
Presets 100 x Scene
Display Main Display: 7" / 177.8 mm LCD Touchscreen Channel Display: LCD (Backlit)
Display Resolution/Color Main Display: 800 x 480 / 6-Bit Color Channel Display: 128 x 64 / RGB Color
Meters 3 x 24-Segment LED
Signal Processing
Internal Effects 8 x Stereo 16 x Mono
Digital Audio
Sample Rates 44.1 / 48 kHz
Bit Depth AD/DA Conversion: 24-Bit
DSP 40-Bit Floating Point
Converter Dynamic Range A/D: 109 dB D/A: 108 dB
Latency 0.8 ms (Console Input to Main Output) 1.1 ms (Stagebox Input to Stagebox Output)
Performance
Frequency Response 10 Hz to 22 kHz
Max Input Level 1/4" TRS Input: +16 dBu Mic Input: +23 dBu
Output Level 1/4" TRS Output: +4 dBu (Nominal) +16 dBu (Max) Headphone Output: +25 dBm (Stereo) XLR Output: +4 dBu (Nominal) +21 dBu (Max)
Analog Dynamic Range Input to Output: 106 dB
I/O Impedance 1/4" Input: 40 Kilohms (Balanced) 20 Kilohms (Unbalanced) Headphone Output: 40 Ohms Mic Input: 5 Kilohms (Unbalanced) 10 Kilohms (Balanced) XLR Output: 75 Ohms (Balanced/Unbalanced) 1/4" TRS Output: 300 Ohms (Balanced) 150 Ohms (Unbalanced)
Crosstalk Adjacent Channels: 100 dB at 1 kHz
CMRR > 70 dB at +20 dB Gain > 80 dB at +40 dB Gain
EIN -128 dBu (Input Shorted)
Noise Floor -87 dBu A-Weighted
THD+N < 0.006% at +20 dB Gain (A-Weighted)
Connectivity
Analog Inputs 1 x XLR Talkback Input 16 x XLR Balanced Mic/Line Input 6 x 1/4" TRS Aux Input 1 x 2RCA Line/Aux Input
Analog Outputs 2 x 1/4" TRS Balanced Monitor Output 2 x 1/4" TRS Headphone Output 6 x 1/4" TRS Aux Output 1 x 2RCA Aux/Line Output 8 x XLR Balanced Line Output
Phantom Power +48 V (Selectable on Individual Inputs)
Digital I/O 1 x RJ45 (Control) 1 x RJ45 Ultranet (Control) 1 x XLR AES3 Output 2 x etherCON AES50/SuperMAC
MIDI I/O 1 x MIDI 5-Pin In 1 x MIDI 5-Pin Out
USB 1 x USB Type-A (USB 2.0, Audio Playback, External Memory)
Expansion Ports 1 x 32 x 32 I/O Card
Power
AC Input Power 100 to 240 VAC, 50 / 60 Hz
Power Consumption 120 W
Physical
Dimensions 8.5 x 24.6 x 20" / 215 x 625 x 510 mm
Weight 33.9 lb / 15.4 kg
Weight20.00 kg36.00 kg19.50 kg16.00 kg10.00 kg15.40 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 20.00 kg
Weight 36.00 kg
Weight 19.50 kg
Weight 16.00 kg
Weight 10.00 kg
Weight 15.40 kg