| Content | Powered Mixer with All You Need for the Gig
When sound reinforcement requirements get serious but you still want the convenience
and reliability of a Yamaha powered mixer, the console-style EMX5014C is the ticket.
It\'s an all-in-one solution that will appeal to gigging combos and venue operators alike.
It provides a surprising palette of features and versatile signal routing options. And it\'s
a Yamaha, so it\'s going to sound great.
Yamaha EMX5014C Powered Mixer Features:
Exclusive single-knob compressors on each input control unruly vocals
or tighten up a bass guitar
Feedback channel locator LEDs on each input pinpoint problems for
easy correction
80Hz high-pass filters for eliminating low-frequency noise and rumble
Channel ON switches let you switch individual channels into or out of the mix
PFL (Pre-Fader Listen) switches allow isolated monitoring of individual channels
All input channels feature signal and peak indicators for visual signal monitoring
Linear Aux 1, Aux 2, and Effect return faders with AFL (After-Fader Listen)
monitor switches
Stereo master fader with both PFL and AFL monitor switches
Limiter indicators tell you when the internal limiter circuitryhas been activated
due to power amplifier overload
Power amp mode selector allows 2-channel power amp to be quickly configured
for Main + Main, Mono + Aux 1, or Aux 1 + Aux 2 operation
Power amplifier output selector allows selection of 500, 200, or 75-watt output
per channel | PowerMate 1000
SPECIFICATIONS
Order No.
F01U131113 (DC-PM1000-3-UNIV)
Channels (Mono + Stereo)
6 + 4
Auxiliaries (MON, FX, AUX)
2 Pre, 2 Post, 2 Pre/Post switchable
Maximum Midband Output Power,1 kHz, THD=1%, Dual Channel
into 2.66 Ohms
2 x 1350 W
into 4 Ohms
2 x 1000 W
into 8 Ohms
2 x 600 W
Rated Output Power,THD=0.1%, Single Channel
into 4 Ohms
2 x 900 W
into 8 Ohms
2 x 450 W
Maximum Output Voltage of power amplifier, no load
74 Vrms
THD at 1kHz, MBW=80kHz
MIC input to Master A L/R output, +16 dBu, typical
< 0.005%
POWER AMP INPUTS to Speaker L/R output
< 0.075%
DIM 30, power amplifier, 60Hz, 7kHz
< 0.05%
IMD-SMPTE, power amplifier, 60Hz, 7 kHz
< 0.015% CMRR, MIC input, 1 kHz > 80 dB
Equivalent Input Noise, MIC Input, A-weighted, 150 Ω
-130 dBu
Signal/Noise-Ratio, power amplifier, A-weighted, 4 Ohms
105 dB
Output Stage Topology, amplifier
Class D
Equalization
LO Shelving
+/- 15 dB / 60 Hz
MID Peaking, mono inputs
+/- 15 dB / 100 Hz .. 8 kHz
MID Peaking, stereo inputs
+/- 12 dB / 2.4 kHz
HI Shelving
+/- 15 dB / 12 kHz
Master EQ, 11-band (63, 125, 250, 400, 1k, 1.6k, 2.5k, 4k, 6.3k, 12k Hz)
+/- 10 dB / Q = 1.5-2.5
Filter
LO-CUT, mono inputs
f=80 Hz, 18 dB/oct
VOICE FILTER, mono inputs
FEEDBACK FILTER, MON1/2
70 Hz .. 7 kHz, Notch, -9 dB
Speaker Processing
LPN, switchable
Display
High Contrast OLED
Effects |
A professional mixer offering two digital effect units and a 2 x 300 watts power amplifier to be used in entertainment and multimedia applications. Whether it is being used as mobile DJ-mixer, by a rental company, in a clubhouse, a hotel, a club / bistro, or in the party cellar at home: the comprehensive set of features and professional audio quality of the MP-7 Entertainment System also solves your sound reinforcement problem.
Maximum Midband Output Power, 1 kHz, THD = 1%: - into 4 ohms 2 x 340 W into 8 ohms 2 x 200 W Rated Output Power, 20Hz… 20 kHz, THD =0.2%: - into 4 ohms 2 x 300 W into 8 ohms 2 x 150 W Maximum Output Voltage of the power amplifier, no load THD @ 1 kHz, MBW=80kHz 43 Vrms MIC input to Main L/R output, +16 dBu 90 dB Channel seperation > 70 dB Input Sensitivity, all level controls in max. position: - MIC input -74 dBu (155µV) Line Input (Mono) -54 dBu (1.55 mV) CD/MD Line Input (Stereo) -24 dBu (49 mV) Phone Input (Stereo) -61.5 dBu (652 µV) Power Amplifier Input +6 dBu (1.55 V) Maximum Level, mixing desk: - MIC inputs +11 dBu Line inputs +30 dBu All other inputs +20 dBu Record Send output +14 dBu All other outputs +20 dBu Input Impedances: - MIC 1.8 kohms All other inputs > 10 kohms Output Impedances: - Record Send 1 kohms Phones 47 ohms All other outputs 75 ohms Equivalent Input Noise, MIC Input, A-weighted 150 ohms -130 dBu Noise, Channel inputs to Main L/R outputs, A-weighted: - Master fader down -104 dBu Master fader 0 dB, Channel fader down -91 dBu Master fader 0 dB, Channel fader 0 dB, Channel gain unity -84 dBu Signal/Noise-Ratio, power amplifier, A-weighted 105 dB Equalization STEREO: - LO Shelving +9/-30 dB / 60 Hz MID Peaking +9/-30 dB / 2.4 kHz HI Shelving +9/-30 dB / 12 kHz Equalization MIC: - LO Shelving ±15 dB / 60 Hz MID Peaking ±12 dB / 2.4 kHz HI Shelving ±15 dB / 12 kHz Master EQ, 2x7-band, Stereo ±10 dB Phantom Power, all MIC Inputs +24V dc Lamp +12V dc Power Requirements, factory preset, 50Hz....60Hz 100V/120V/230V/240V Power Consumption at 1/8 maximum output power 4 ohms 450 W Dimensions, (WxHxD), mm 455,5 x 175,8 x 340.6 Weight, including lid 13 kg Optional Rack-Mount-Kit MP7
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- FLS Feedback Locating System
- Master Mute for channels 1-7
- Footswitchable effects defeat
- Combination XLR and 1/4 input jacks
- RCA, 1/8" Media input
- Selectable 9-Band Graphic EQ with FLS
- Selectable Main or Monitor dual power section
- RCA Record outputs
- LED Meter bridge
- Digital effects parameter control
- Power amp sub-sonic filtering
- On-board 24- bit digital effects with mute button
- Clip light and signal present indicator
- Kosmos-C
- Main line level 1/4" output
- Mid-Morph EQ
- DDT Speaker protection circuit
- 48 Volt Phantom Power
- Bluetooth? streaming audio
- Weight Unpacked: 10.44 kg
- Weight Packed: 11.8 kg
- Width Packed: 35.56 cm
- Height Packed: 55.88 cm
- Depth Packed: 34.925 cm
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This innovative product comes in a very modern and user-friendly design. It combines finest analogue input circuitry and operating surface with the advantages of its digital master and amplifier section making for a new dimension of flexibility in its class. The acoustical performance meets everything that you have come to expect from a quality Dynacord product.
Its feature package includes: 5 MIC/LINE input channels with compressor / limiter and talk-over function, 3 Stereo Inputs including Jack, RCA and USB connectors, onboard player for MP3 or WAV audio files, high quality effects section with 32 editable presets, 3 Master outputs with 7-band EQ each and flexible signal routing options, delay line for Master-B (150 msec / 50m), headphones control, LPN speaker processing, class-D 2 x 450W RMS respectively 2 x 600W / 4 Ohms IHF-A power, micro-controlled power supply (100V – 240V), Direct-Drive option for 100V speaker lines, comprehensive protection package, live and install connectivity, optional rack mount kit.
The input structure of the PM 502, along with the entire feature package and connectivity, positions this mixer at the heart of many installations ranging from Bistros, small clubs, lounges, boutiques, hotel bars and lobbies to churches, mosques and a wide range of similar applications. Further the PM 502 is an extremely versatile tool for a multitude of live applications. It will be the ideal choice for entertainers, DJs and small bands looking for a compact and light-weight solution for live applications or rehearsal venues. The onboard MP3-Player on the front, allows the user to easily play pre-recorded music from a USB stick or a hard drive. The digital USB interface on the rear also allows for basic recording.
Channels (mono + stereo)
5 + 3
Microphone inputs
5 x XLR/Jack socket
Auxiliaries (FX, AUX)
1 Post, 1 Pre
Rated output power, 20-20000 Hz, THD
-
into 4 Ω
640 W
into 8 Ω
350 W
Max. dual channel output power, dynamic headroom, IHF-A
-
into 4 Ω
2 x 600 W
into 8 Ω
2 x 340 W
Max. single channel output power, continuous, 1 kHz, THD = 1%
-
into 4 Ω
500 W
into 8 Ω
280 W
Max. midband output power, 1 kHz, THD = 1%, dual channel
-
into 4 Ω
2 x 450 W
into 8 Ω
2 x 270 W
Rated output power, 20-20000 Hz, THD
-
into 4 Ω
2 x 400 W
into 8 Ω
2 x 240 W
Max. output power, Direct Drive mode (bridge configuration), continuous, 1 kHz, THD = 1%
-
into 12 Ω
680 W
Maximum output voltage, power amplifier, 1 kHz, no load
-
Dual channel mode
52 Vrms
Direct Drive mode
100 Vrms
THD, at 1 kHz, MBW = 22 kHz
-
MIC input to master A L/R outputs, +10 dBu, typical
MIC iput to speaker output
DIM 30, MIC input to speaker output, 3.15 kHz, 15 kHz
IMD-SMPTE, MIC input to speaker outputs, 60 Hz, 7 kHz
Frequency response, -3 dB, ref. 1 kHz
-
Any input to any Mixer output
15–22000 Hz
Any input to Speaker output
20–22000 Hz
Microphone mute switch attenuation
-
Amplifier Ch1/Ch2
Channel to channel
Microphone mute switch attenuation
> 100 dB
Channel VOL and FX/AUX send attenuation
> 85 dB
CMRR, MIC input, 1 kHz
> 80 dB
Input sensitivity, all level controls in max. position
-
MIC
-65 dBu (435 μV)
LINE (mono)
-45 dBu (4.35 mV)
LINE (stereo)
-27 dBu (34.6 mV)
CD (stereo)
-27 dBu (34.6 mV)
All other outputs (impedance balanced)
-
MIC inputs, GAIN at min. position
+11 dBu
Mono line inputs, GAIN at min. position
+30 dBu
Stereo line inputs
+26 dBu
PHONES output
+21 dBu
MASTER A, B, AUX outputs
+11 dBu
Input impedances
-
MIC
2 kΩ
CD
10 kΩ
All other inputs
> 15 kΩ
Output impedances
-
PHONES
47 Ω
All other outputs (impedance balanced)
150 Ω
MASTER VOLUME down
-129 dBu
Noise, channel inputs to MASTER A L/R outputs, MBW = 22 kHz, Aweighted
-
MASTER VOLUME down
-99 dBu
MASTER VOLUME center, all channel volume down
-90 dBu
MASTER VOLUME center, all channel volume center
-85 dBu
Signal-to-noise ratio, power amplifier, A-weighted, 450 W, 4 Ω
104 dB
Output stage topology, amplifier
Class D
Equalization
-
Low shelving filter
±15 dB / 60 Hz
Mid peak filter
±12 dB / 2.4 kHz
High shelving filter
±15 dB / 12 kHz
Master EQ 7-band (63, 160, 400, 1k, 2.5k, 6k, 12k Hz)
±10 dB / Q = 1.5
Filter
-
Low-cut filter, microphone processing (switchable)
80 Hz, 18 dB/oct. or 150 Hz, 12 dB/oct.
Low-cut filter, amplifier (engaged in Direct Drive mode)
50 Hz or 70 Hz, 18 dB/oct.
Speaker processing
LPN, switchable
Delay MASTER B, selectable
0–145 ms (0–50 m)
Effects
-
Type
Stereo 24/48-bit multi effects processor
Effect presets
32 factory presets, user editable
Remote control
Footswitch
Display
128 x 64 pixels, LCD
Audio player (USB at front panel)
-
Switching mode power supply (μC controlled)
FAT 32
Supported audio file formats
MP3, WAV
Interface
USB2.0, female type A
USB power supply, max. rated current (short circuit proof)
5 V, 500 mA
Digital audio interface (USB at rear panel)
-
Channels
2 in, 2 out
AD/DA conversion
16-bit, delta-sigma
Sampling rate
32/44.1/48 kHz
PC interface
USB2.0, female type B
Protection
-
MASTER A, B, AUX outputs
Adjustable peak limiters, -10 – +11 dBu
Amplifier
Audio limiters, high temperature, DC, HF, short circuit, peak current limiters, turn-on delay, back EMF
Switching mode power supply (μC controlled)
Inrush current limiters, mains over/undervoltage, mains over current, high temperature
Cooling
Continuous speed controlled fan
Phantom power, switchable
48 V DC
AC power input
100–240 V AC, 50–60 Hz
Power consumption, at 1/8 maximum output power, 4 Ω
180 W
Safety class
I
Operating temperature
5° to 40° C (40° to 105° F)
Product dimensions (Width x Height x Depth)
395 x 244 x 241 mm Rack-mount: 483 x 223 x 310.3 mm (7 HU)
Net weight
4.9 kg
Shipping weight
6.4 kg
| Κατέβασε
ΟΔΗΓΙΕΣ ΧΡΗΣΗΣ
EUROPOWER PMP6000 1600-Watt 20-Channel Powered Mixer with Dual Multi-FX Processor and FBQ Feedback Detection System
- Ultra-compact 2 x 800-Watt stereo powered mixer (1600 Watt bridged mode)
- Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weight
- Ultra-compact design at nearly half the weight of conventional powered mixers
- 20-channel mixer section features 12 mono and 4 stereo channels plus separate CD/Tape input/output
- 2 studio-grade 24-bit stereo FX processors with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
- Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies for easy feedback removal
- 12 high-quality XENYX Mic Preamps with switchable +48 V phantom power for condenser microphones
- Effective, extremely musical 3-band EQ, switchable Low cut filter, and Clip LEDs on all mono channels
- Stereo 7-band graphic EQ allows precise frequency correction of monitor or main outputs
- Voice Canceller function removes singerʼs voice from recordings for karaoke applications
- Selectable stereo (main L/R), double mono (main/monitor) or bridged mono amplifier operation mode
- Speaker Processing function adjusts frequency response to match professional speaker systems like BEHRINGER EUROLIVE series, etc.
- Standby switch mutes all mic input channels during breaks while background music is provided via CD/Tape input
- Breathtaking XPQ 3D stereo surround effect for more vitality and enhanced stereo image
- Adjustable stereo 2-Track input for connecting external line sources
- Multi-functional stereo Preamp outputs for added flexibility
- Internal switch-mode power supply, noise-free audio, superior transient response and very low power consumption
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
The new BEHRINGER PMP Powered Mixers (2 x 800-Watt stereo, 1600-Watt bridged mode) produce even more power than their predecessors while maintaining a famously low weight and high efficiency. These mixers employ Class-D technology including a new switch-mode power supply, significantly reducing weight and heat. The 20-channel PMP6000 features 12 built-in XENYX preamps, the 16-channel PMP4000 features 8 built-in XENYX mic preamps, and the 10-Channel PMP1680S features 8 high-quality built-in mic preamps. All three models feature 24-bit FX processors and FBQ Feedback Detection.
What is Class-D Technology?
Instead of operating relatively continuously like Class AB circuits, Class-D amps switch on and off thousands of times per second, delivering power only when needed. In other words, the amplifier is either fully on or fully off , which significantly reduces power losses from the output devices given off as heat. Less heat means our amps donʼt need massive heat sinks, and that means we can make them lighter. Our no-compromise design means the new PMP mixers will deliver full power with incredible fidelity all night long, without the need for lengthy rest cycles.
When used in conjunction with switching-mode power supplies, which donʼt require huge and heavy transformers, our Class-D amplifiers provide tremendous dynamic punch and superior fidelity. The resulting speaker systems are much lighter, making them easy to transport and set up.
Massive Mono or Stunning Stereo
Our latest PMP give you the choice of 2 x 800-Watt stereo, 2 x 800-Watt dual mono mode (giving you a mono version of the main signal through one powered output plus a mono version of all monitor send signals through the second powered input) or 1,600-Watt bridged mono sound. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, PMP mixers can accommodate. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share
face time.
Small, Simple, Superb Medium-sized events call for a lightweight (PMP6000: 13.1 kg/ 28.9 lbs; PMP4000: 0.4 kg/22.9 lbs; PMP1680S: 9.9 kg/28.8 lbs), easy-to-use powered mixer. BEHRINGER powered mixers are the most efficient, affordable mixers for the job, and are even suitable for use as pure analog mixers or as pure power amplfiers. With new technological advantages and incredible built-in features, itʼs easier than ever to lend exceptional sound quality to all kinds of public performances.
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