YAMAHA M7CL-32 32 channel digital mixer

Discontinued

17,169.00 incl. GR VAT

Out of stock

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The M7CL series is a digital live-sound console that carries on the digital evolution from the acclaimed PM1DV2 and PM5D consoles. It includes an impressive array of advanced concepts such as the ‘CentralogicTM’ control interface that makes it as easy and intuitive to use as an analog console, and in-depth access management facilities that will […]

 

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The M7CL series is a digital live-sound console that carries on the digital evolution from the acclaimed PM1DV2 and PM5D consoles. It includes an impressive array of advanced concepts such as the ‘CentralogicTM’ control interface that makes it as easy and intuitive to use as an analog console, and in-depth access management facilities that will be particularly appreciated in installations. The M7CL is familiar and comfortable to use, offering a level of convenience that overturns the preconception that ‘digital is difficult’. A surprising range of functions that you would normally have to supply in the form of peripheral equipment is built in, and all of this is provided in a space that is dramatically less than an analog console of similar scope. The M7CL is the ideal digital mixing console for medium size live sound applications that have previously been handled by analog gear.  

Technical Specifications  

Internal processing

32bit (Accumulator=58bit)

Sampling frequency rate

Internal: 44.1kHz,48kHz
External: 44.1kHz(-10%) to 48kHz(+6%)

Signal delay

Less than 2.5ms (INPUT to OMNI OUT @48kHz)

Total harmonic distortion
Input Gain=Min.

CH INPUT to OMNI OUT
Less than 0.05% 20Hz to 20kHz @+4dB into 600ohms

Frequency response

CH INPUT to OMNI OUT
0, +0.5,-1.5dB 20Hz to 20kHz @+4dB into 600ohms

Dynamic range
(maximum level to noise level)

110dB, DA Converter (OMNI OUT)
108dB, AD+DA (OMNI OUT)

Hum & noise level

-128dB, Equivalent input noise (20-20kHz, Rs=150ohms, Input Gain=Max)
-84dB, Residual noise

Crosstalk(@1kHz) Input Gain=Min

-80dB, Adjacent input channels
-80dB, Input to output

Power requirements

110V-240V, 50/60Hz

Power consumption

M7CL-48: 300W, M7CL-32: 250W

Dimensions

M7CL-48: 1274(W) x 286(H) x 701(D)mm, 50kg
M7CL-32: 1060(W) x 286(H) x 701(D)mm, 42kg

Weight

M7CL-48: 50kg, M7CL-32: 42kg

 

Analog Input Characteristics  

Input terminal

Actual load impedance

For use with nominal

Input level

Connector

GAIN

Sensitivity

Nominal

Max. before clip

INPUT 1-n
ST IN 1-4[L,R]

-62dB
+10dB

3kohms

50-600ohm Mics & 600ohm Lines

-82dBu

-62dBu

-42dBu

XLR3-31 type

-10dBu

+10dBu

+30dBu

TALKBACK

-60dB
-16dB

3kohms

50-600ohm Mics &
600ohm Lines

-70dBu
-26dBu

-60dBu
-16dBu

-40dBu
+4dBu

XLR3-31 type

 

    

Analog Output Characteristics  

Output terminal

Actual source impedance

For use with nominal

GAIN SW

Output level

Connector

Nominal

Max. before clip

OMNI OUT 1-16

75ohms

600ohm Lines

+24dB
+18dB

+4dBu
-2dBu

+24dBu
+18dBu

XLR-3-32 type

PHONES

15ohms

8ohm Phones

75mW

150mW

ST Phone jack

40ohm Phones

65mW

150mW

 

Digital Output Characteristics  

Terminal

Format

Data length

Level

Connector

2TR OUT DIGITAL

AES3

24bit

RS422

XLR3-32 type (Balanced)

 

Control I / O Characteristics  

Terminal

Format

Level

Connector

ETHERNET

ETHERNET

RJ45

MIDI

IN

MIDI

DIN-5pin

OUT

MIDI

DIN-5pin

WORD CLOCK

IN

TTL/75ohms

BNC

OUT

TTL/75ohms

BNC

REMOTE

RS422

D-sub 9pin(male)

LAMP 1, 2

0V-12V

XLR-4-31 type

USB HOST

USB1.1

A type USB Connector

 

 

 

Weight 42.00 kg

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YAMAHA M7CL-32 32 channel digital mixer removeSOUNDCRAFT SI PERFORMER 2 removeBEHRINGER XR18 AIR digital console 18IN/12OUT removeALLEN HEATH QU-16 16-ch Digital mixer removeYAMAHA CL1 16 channel digital mixer removeQSC TouchMix-8 8 channel Digiatl Mixer remove
NameYAMAHA M7CL-32 32 channel digital mixer removeSOUNDCRAFT SI PERFORMER 2 removeBEHRINGER XR18 AIR digital console 18IN/12OUT removeALLEN HEATH QU-16 16-ch Digital mixer removeYAMAHA CL1 16 channel digital mixer removeQSC TouchMix-8 8 channel Digiatl Mixer remove
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SKUH040.00018SI PERFORMER 2E007133144.390CL-1010311
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Price 17,169.00 incl. GR VAT 5,472.18 incl. GR VAT 720.00 incl. GR VAT 2,593.00 incl. GR VAT 13,590.10 incl. GR VAT 1,199.00 incl. GR VAT
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Description
Content

The M7CL series is a digital live-sound console that carries on the digital evolution from the acclaimed PM1DV2 and PM5D consoles. It includes an impressive array of advanced concepts such as the 'CentralogicTM' control interface that makes it as easy and intuitive to use as an analog console, and in-depth access management facilities that will be particularly appreciated in installations. The M7CL is familiar and comfortable to use, offering a level of convenience that overturns the preconception that 'digital is difficult'. A surprising range of functions that you would normally have to supply in the form of peripheral equipment is built in, and all of this is provided in a space that is dramatically less than an analog console of similar scope. The M7CL is the ideal digital mixing console for medium size live sound applications that have previously been handled by analog gear.  

Technical Specifications  

Internal processing

32bit (Accumulator=58bit)

Sampling frequency rate

Internal: 44.1kHz,48kHz
External: 44.1kHz(-10%) to 48kHz(+6%)

Signal delay

Less than 2.5ms (INPUT to OMNI OUT @48kHz)

Total harmonic distortion
Input Gain=Min.

CH INPUT to OMNI OUT
Less than 0.05% 20Hz to 20kHz @+4dB into 600ohms

Frequency response

CH INPUT to OMNI OUT
0, +0.5,-1.5dB 20Hz to 20kHz @+4dB into 600ohms

Dynamic range
(maximum level to noise level)

110dB, DA Converter (OMNI OUT)
108dB, AD+DA (OMNI OUT)

Hum & noise level

-128dB, Equivalent input noise (20-20kHz, Rs=150ohms, Input Gain=Max)
-84dB, Residual noise

Crosstalk(@1kHz) Input Gain=Min

-80dB, Adjacent input channels
-80dB, Input to output

Power requirements

110V-240V, 50/60Hz

Power consumption

M7CL-48: 300W, M7CL-32: 250W

Dimensions

M7CL-48: 1274(W) x 286(H) x 701(D)mm, 50kg
M7CL-32: 1060(W) x 286(H) x 701(D)mm, 42kg

Weight

M7CL-48: 50kg, M7CL-32: 42kg

 

Analog Input Characteristics  

Input terminal

Actual load impedance

For use with nominal

Input level

Connector


GAIN

Sensitivity

Nominal

Max. before clip

INPUT 1-n
ST IN 1-4[L,R]

-62dB
+10dB

3kohms

50-600ohm Mics & 600ohm Lines

-82dBu

-62dBu

-42dBu

XLR3-31 type

-10dBu

+10dBu

+30dBu

TALKBACK

-60dB
-16dB

3kohms

50-600ohm Mics &
600ohm Lines

-70dBu
-26dBu

-60dBu
-16dBu

-40dBu
+4dBu

XLR3-31 type

 

    

Analog Output Characteristics  

Output terminal

Actual source impedance

For use with nominal

GAIN SW

Output level

Connector

Nominal

Max. before clip

OMNI OUT 1-16

75ohms

600ohm Lines

+24dB
+18dB

+4dBu
-2dBu

+24dBu
+18dBu

XLR-3-32 type

PHONES

15ohms

8ohm Phones

-

75mW

150mW

ST Phone jack

40ohm Phones

-

65mW

150mW

 

Digital Output Characteristics  

Terminal

Format

Data length

Level

Connector

2TR OUT DIGITAL

AES3

24bit

RS422

XLR3-32 type (Balanced)

 

Control I / O Characteristics  

Terminal

Format

Level

Connector

ETHERNET

ETHERNET

-

RJ45

MIDI

IN

MIDI

-

DIN-5pin

OUT

MIDI

-

DIN-5pin

WORD CLOCK

IN

-

TTL/75ohms

BNC

OUT

-

TTL/75ohms

BNC

REMOTE

-

RS422

D-sub 9pin(male)

LAMP 1, 2

-

0V-12V

XLR-4-31 type

USB HOST

USB1.1

-

A type USB Connector

 

 

 

Si Performer 2 Highlights

Massive mix capacity – 80 inputs to mix in a small format live sound digital mixer

2 ViSi Connect™ option card slots with 128x96 input/output paths for expanded digital I/O including the MultiDigital Card (Firewire/USB/ADAT), BSS Digital Audio Bus (BLU Link), Dante™, CAT5 or optical MADI, AVIOM™, CobraNet™ and others.

Assignable Fader Layers - Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!

1 Control = 1 Function - With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Performer controls to be labeled on the surface just as they would have been on an analogue mixer.

TOTEM™ - The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.

Soundcraft FaderGlow™ - Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again!

DMX interface - control sound and light from the same device.

BSS® GEQ - With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing.

Security Lockout - Lock the whole console or just selected elements, manage the security with the users and profile settings.

Personal Monitoring Interface - When used with the Si BLU link option card, the Si Performer is a perfect partner to the dbx PMC16 Personal Monitoring System , using simple Cat5 cabling for easy setup.

D.O.G.S. (Direct Out Gain Stabiliser) - Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.

Global Mode Controls - A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.

Copy & Paste - Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.

Instant Access Keys - Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-8, TAP TEMPO and more negate the need to dive into screen & context menus.

Function Focus - Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc.






Key Features

  •  24 mono mic inputs
  •  8 line inputs
  •  80 channels to mix
  •  2 ViSi Connect™ option card slots for 128 x 96 input/output paths
  •  Pre/Post selection per input per bus
  •  Freely assignable faders and patching
  •  Soundcraft FaderGlow™
  •  Colour backlit LCD screens per fader
  •  GEQ on every bus
  •  20 sub-group / aux busses
  •  4 FX busses
  •  8 Matrix busses
  •  LRC Mix busses
  •  LCR panning
  •  4 Stereo Lexicon Effects engines
  •  Delay on inputs and outputs
  •  8 Mute Groups
  •  8 VCA Groups
  •  AES in and out
  •  DMX interface and control - control sound and light simultaneously
  •  Freely assignable insert loops
  •  Harman HiQnet integration
  •  Colour touch screen interface

18-Channel Digital Mixer
  • Remote controlled via built-in router with Wi-Fi, Ethernet and multi-channel USB audio interface
  • 16 Mic/Line XLR/Combo jack inputs
  • Inputs: 2 x Line - 6.3 mm jack
  • Outputs: Main XLR
  • 6 AUX / Monitor sends
  • 4 Integrated effects processors
  • 100 Band Analyser
  • Stereo headphone output
  • Ultranet monitor connection
  • MIDI in-/output
  • iOS, Android and other software apps available free of charge
  • 3 U
  • Installation depth: 114 mm
  • Dimensions with rack ears and protection bumpers (W x H x D): 333 x 140 x 150 mm
  • Dimensions without rack ears and protection bumpers (B x H x T): 311 x 132 x 150 mm
  • Weight: 3.2 kg
  • Includes a rackmount chassis
Further Information
Buses 6
Inputs 18
Channels (max. amount) 18
DCA (Digitally Contr. Amp.) Yes
Card Slot (external) No
Touchscreen No
Offline Editing Yes
Demountable Stagebox No
External Power Supply No
Port For Ext. Power Supply No
19" Rack Unit Yes
Built in Audio player No

Qu-16 takes compact digital mixing to a new level with innovative design and exceptional functionality combining to create a superb professional mixing experience.

Bristling with all the features you'd expect from a top of the range digital console and incorporating technologies pioneered on our GLD and iLive digital mixing systems, Qu-16 has the power and pedigree to deliver class-leading audio performance.

Whether you're switching from analogue or updating your digital desk, it's time to experience the new digital with Qu-16.

  • 16 Mono Inputs (TRS + XLR)
  • 3 Stereo Inputs (TRS)
  • 4 Stereo FX Returns
  • 16 Busses
  • 12 Mix Outputs (LR, Mono Mix 1-4, Stereo Mix 1-3)
  • 4 FX Engines
  • AES Digital Out
  • 19" Rack Mountable
  • Moving Faders
  • Recallable AnaLOGIQ Preamps
  • Qu-Drive direct Multitrack Recording / Playback on USB drives
  • 800×480 Touchscreen
  • iLive FX Library
  • dSNAKE Remote Audio Port
  • Compatible with ME Personal Mixing System
  • Qu-Pad iPad App
  • USB Audio Streaming
  • DAW MIDI Control
  • 4 Mute Groups
  • Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor and delay on all Inputs
  • Insert, 4-band PEQ, 1/3 octave GEQ, compressor and delay on all Mix outputs
  • Built-in Signal Generator
  • RTA with Peak Band indication

Dual 8-fader sections in a space-saving console that can be used alone or cascaded to another CL console for input expansion.

  • Input channels: 48 mono, 8 stereo.
  • Fader configuration: 8-fader left section, 8-fader Centralogic section, 2-fader master section .
  • Meter bridge optional.
 

General specifications

Sampling frequency rate Internal 44.1kHz / 48kHz
External 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)
Signal delay Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz
Total harmonic distortion Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min.
Frequency response +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT
Dynamic range 112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min.
Crosstalk -100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min.
Power requirements US/Canada: 120V 60Hz, Japan: 100V 50/60Hz, China: 110-240V 50/60Hz, Korea: 220V 60Hz, Other: 110-240V 50/60Hz
Power consumption 170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W
Dimensions W 648mm (25 5/8in)
H 299mm (11 3/4in)
D 667mm (26 1/4in)
Net weight 24kg (52.9lb)
Others Temperature Range: Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃

12 total inputs: 8 mic, (four with XLR/TRS combo connector) and two stereo line
Stereo Main L/R outputs (XLR)
Four mono auxiliary mixes (XLR).
Mono auxiliaries may be linked for stereo use.
Auxes 3/4 can also drive wired in-ear monitors (IEM) directly.
Superb sound quality
Class-A microphone pre-amps
32-bit floating point processing
24-bit AD & DA convertors
Input channels are fully-featured:
Four-band full parametric EQ
Variable high-cut and low-cut filters
Gate
Compressor (with de-esser)
Main and auxiliary outputs feature:
1/3-octave graphic EQ
Limiter
Delay
Notch filters
Four professional quality stereo DSP effects. Choose from:
Two types of reverb
Mono delay
Stereo delay
Chorus
Pitch-change
A pitch correct processor is assignable to any input channel.
Eight DCA and eight mute groups.
Color, capacitive touch screen graphical user interface combined with hardware controls for fast and intuitive operation.
Great results and easy to use
Input channel preset library features over 100 presets developed by experienced concert engineers specifically for live sound applications.
Wizards assist with input gain adjustment and effects selection and routing.
On board Info system gives you instant access to the user manual.
Save your own channel presets and complete mixer scenes to internal memory or USB device.
Capturing live performance to multi-track has never been easier. Record 14 tracks (all inputs plus a stereo mix) directly to USB hard-drive. Mix down on TouchMix or import into your favorite DAW.
Complete mixer remote control via free iPad® App.
Monitor control via iPhone/iPod Touch App.
Multiple Wi-Fi Connectivity options
Security Lockout Modes
USB Wi-Fi interface and carrying case are included.

Weight42.00 kg10.00 kg3.00 kg13.50 kg24.00 kg2.50 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 42.00 kg
Weight 10.00 kg
Weight 3.00 kg
Weight 13.50 kg
Weight 24.00 kg
Weight 2.50 kg