YAMAHA M7CL-48ES 48 channel digital mixer

Specifically designed for use with SB168-ES EtherSound stage boxes, the M7CL-48ES replaces the 48 internal head amps of the M7CL-48 with two EtherSound ports that provide plug-and-play connection to up to three SB168-ES units.

The M7CL-48ES adds EtherSound stage box connectivity for state-of-the-art system layout and signal routing capability, while retaining superior M7CL efficiency, functionality, and sound.

Where the original M7CL-48 has 48 analog inputs, the M7CL-48ES has a total of three EtherSound ports: two for connection to as many as three Yamaha SB168-ES EtherSound stage boxes in either daisy chain or ring configuration. The 3rd port allows permanent connection to a computer while the stage boxes are connected in ring mode.

To set up a basic daisy-chain system all you need to do is connect the M7CL-48ES to the SB168-ES stage boxes via appropriate cables and turn on the power. The ESMonitor software is not required. Everything is configured automatically, and you don't even have to set or worry about the order of the ID numbers of the SB168-ES units used. Switch a few settings and setting up a ring network is just as easy.

Although the 48 analog inputs are replaced by EtherSound ports, the M7CL-48ES retains eight OMNI inputs and eight OMNI outputs that can be used for direct analog connection. These provide an ideal way to insert outboard processors and other equipment.

The M7CL-48ES is compatible with backup data created by the M7CL-32 and M7CL-48 consoles, so time and effort you've spent creating finely-tuned setups for the M7CL-32 or M7CL-48 won't be wasted.

The M7CL-48ES retains the three Mini-YGDAI expansion slots of the M7CL-32/48, so expandability is not reduced in any way. The expansion slots can be used to add analog or digital I/O, versatile Aviom personal monitoring systems, direct live recording capability via high-performance Dante digital media networking, the ability to use multiple external processing plug-ins via the Waves SoundGrid system, and more.

• Two EtherSound ports for easy auto-configured connection to as many as three SB168-ES stage boxes (Optional) in daisy-chain or ring configuration. A third port is provided for permanent connection to a computer.
• 48 mono and 4 stereo inputs (a total of 56 mixing channels), 16 mix buses, LCR bus, 8 matrix channels, and 8 DCAs.
• 8 assignable omni inputs and outputs, and 3 Mini-YGDAI card slots.
• Virtual effect and EQ rack: up to 4 simultaneous multi-effect processors; up to 8 simultaneous 31-band graphic EQs.
• Centralogic interface: central, logical, and intuitive.
• Dual power modes: use the built in power supply, or add an external PW800W power supply unit (optional) for failsafe dual-supply operation.

• Internal processing 32bit (Accumulator=58bit)
• Sampling frequency rate
  
  • Internal: 44.1kHz,48kHz
  • External: 44.1kHz(-10%) to 48kHz(+6%)
  • 44.1 kHz (-2.5%) to 48 kHz (+2.5%)
• Signal delay Less than 2.5ms (INPUT to OMNI OUT @48kHz)
• Fader 100mm motorized x62 (46)
• Fader Resolution +10 to -138, -∞dB (1024 steps/100 mm)
• Maximum Voltage Gain 86 dB OMNI IN 1-8 to OMNI OUT 1-8
• Total harmonic distortion Input Gain=Min.
  
  • CH INPUT to OMNI OUT
  • Less than 0.05% 20Hz to 20kHz @+4dB into 600Ω
• Frequency response
  
  • CH INPUT to OMNI OUT
  • 0, +0.5,-1.5dB 20Hz to 20kHz @+4dB into 600Ω
• Dynamic range (maximum level to noise level)
  
  • 110dB, DA Converter (OMNI OUT)
  • 108dB, AD+DA (OMNI OUT)
• Hum & noise level
  
  • -128dB, Equivalent input noise (20-20kHz, Rs=150ohms, Input Gain=Max)
  • -84dB, Residual noise
• Crosstalk(@1kHz) Input Gain=Min
  
  • -80dB, Adjacent input channels
  • -80dB, Input to output
• Power requirements 110V-240V, 50/60Hz
• Power consumption 150 W
• Dimensions M7CL-48ES/-48: 1274(W) x 286(H) x 701(D)mm
• Weight  46kg
• Operation free-air Temperature Range +10°C to +35 °C
• Storage Temperature Range -20°C to +60 °C
• Included Accessories Owner's Manual, Dust cover, Power cord, Cord clamp

19-inch Digital Production Console for Professionals in the Studio or On the Road

Mixing performance and features directly inherited from the DM2000 and 02R96 in a rack-mount size console. Version 2 offers ESAM II support, Add-on Effects compatibility, and numerous other upgrades.

When the acclaimed Yamaha DM2000 console appeared on the production scene, it proved that true 24-bit/96 kHz performance, DAW integration, and surround production facilities were what the industry had been waiting for. With the introduction of the 02R96 the same benefits became available to a broader range of engineers and facilities, including project studios for music production. Now the Yamaha DM1000, like the DM2000, is designed especially for commercial post-production, audio for video, and broadcast applications. But extraordinary versatility and configurability mean that the DM1000 is also ideal for a wide range of sound reinforcement applications.
The DM1000 Digital Production Console distills the essence of the DM2000 into a remarkably compact console that delivers the same level of performance and key features. And with the supplied Studio Manager Application software, all mix data is interchangeable between the DM2000, DM1000 and 02R96. These consoles can be linked and cascaded interactively within a multi-room studio, or a tour engineer can do a basic console setup on his laptop computer anywhere, and then simply load the settings into the console at the venue.
Like its predecessor, the DM1000 delivers mixing power and performance that's way ahead of anything else on the market, and it even incorporates newly introduced software features such as 6.1 Surround, User Assignable Layer, and Global Recall Safe. Never has so much mixing power and versatility been available in a compact, rack-mountable console.
With the introduction of Version 2, the DM1000 evolves to an even higher level of refinement.

• Input channels: 72 mono, 8 stereo.
• Fader configuration: 16-fader left section, 8-fader Centralogic section, 8-fader right section, 2-fader master section .
• Stainless steel stay for iPad support.
• Built-in meter bridge.

The LS9 series consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha's digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there's also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles.  

Technical Specifications  

Analog Input Characteristics  

Analog Output Characteristics  

Digital Output Characteristics  

Control I / O Characteristics  

Qu-16 takes compact digital mixing to a new level with innovative design and exceptional functionality combining to create a superb professional mixing experience.

Bristling with all the features you'd expect from a top of the range digital console and incorporating technologies pioneered on our GLD and iLive digital mixing systems, Qu-16 has the power and pedigree to deliver class-leading audio performance.

Whether you're switching from analogue or updating your digital desk, it's time to experience the new digital with Qu-16.

• 16 Mono Inputs (TRS + XLR)
• 3 Stereo Inputs (TRS)
• 4 Stereo FX Returns
• 16 Busses
• 12 Mix Outputs (LR, Mono Mix 1-4, Stereo Mix 1-3)
• 4 FX Engines
• AES Digital Out
• 19" Rack Mountable
• Moving Faders
• Recallable AnaLOGIQ Preamps
• Qu-Drive direct Multitrack Recording / Playback on USB drives
• 800×480 Touchscreen
• iLive FX Library
• dSNAKE Remote Audio Port
• Compatible with ME Personal Mixing System
• Qu-Pad iPad App
• USB Audio Streaming
• DAW MIDI Control
• 4 Mute Groups
• Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor and delay on all Inputs
• Insert, 4-band PEQ, 1/3 octave GEQ, compressor and delay on all Mix outputs
• Built-in Signal Generator
• RTA with Peak Band indication

12 total inputs: 8 mic, (four with XLR/TRS combo connector) and two stereo line
Stereo Main L/R outputs (XLR)
Four mono auxiliary mixes (XLR).
Mono auxiliaries may be linked for stereo use.
Auxes 3/4 can also drive wired in-ear monitors (IEM) directly.
Superb sound quality
Class-A microphone pre-amps
32-bit floating point processing
24-bit AD & DA convertors
Input channels are fully-featured:
Four-band full parametric EQ
Variable high-cut and low-cut filters
Gate
Compressor (with de-esser)
Main and auxiliary outputs feature:
1/3-octave graphic EQ
Limiter
Delay
Notch filters
Four professional quality stereo DSP effects. Choose from:
Two types of reverb
Mono delay
Stereo delay
Chorus
Pitch-change
A pitch correct processor is assignable to any input channel.
Eight DCA and eight mute groups.
Color, capacitive touch screen graphical user interface combined with hardware controls for fast and intuitive operation.
Great results and easy to use
Input channel preset library features over 100 presets developed by experienced concert engineers specifically for live sound applications.
Wizards assist with input gain adjustment and effects selection and routing.
On board Info system gives you instant access to the user manual.
Save your own channel presets and complete mixer scenes to internal memory or USB device.
Capturing live performance to multi-track has never been easier. Record 14 tracks (all inputs plus a stereo mix) directly to USB hard-drive. Mix down on TouchMix or import into your favorite DAW.
Complete mixer remote control via free iPad® App.
Monitor control via iPhone/iPod Touch App.
Multiple Wi-Fi Connectivity options
Security Lockout Modes
USB Wi-Fi interface and carrying case are included.