YAMAHA MG-12-XU Analog Mixer

439.00 incl. GR VAT

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Availability: Available in 1-3 d. Available in 1-3 d. SKU: H020.00087 Category:
    12-Channel Mixing Console     Max. 6 Mic / 12 Line Inputs (4 mono + 4 stereo)     2 GROUP Buses + 1 Stereo Bus     2 AUX (incl. FX)     “D-PRE” mic preamps with an inverted Darlington circuit     1-Knob compressors     High-grade effects: SPX with 24 programs     24-bit / 192kHz 2in / […]

 

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    12-Channel Mixing Console
    Max. 6 Mic / 12 Line Inputs (4 mono + 4 stereo)
    2 GROUP Buses + 1 Stereo Bus
    2 AUX (incl. FX)
    “D-PRE” mic preamps with an inverted Darlington circuit
    1-Knob compressors
    High-grade effects: SPX with 24 programs
    24-bit / 192kHz 2in / 2out USB Audio functions
    Works with the iPad (2 or later) through the Apple iPad Camera Connection Kit / Lightning to USB Camera Adapter
    Includes Cubase Al DAW software download version
    PAD switch on mono inputs
    +48V phantom power
    XLR balanced outputs
    Internal universal power supply for world-wide use
    Optional Rack Mount Kit RK-MG12 Available
    Metal chassis
    Dimensions(W×H×D): 308 mm x 118 mm x 422 mm (12.1′ x4.6′ x16.6′)
    Net Weight: 4.2 kg (9.3 lbs.)

Weight 4.20 kg

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Quick Comparison

YAMAHA MG-12-XU Analog Mixer removeSOUNDCRAFT LX7 16CH MKII MIXING DESK removeMACKIE MCU Extended PRO 8 channel expansion removeSOUNDCRAFT GB4 LIVE 24MONO + 2STEREO MIXING CONSOLE removeSOUNDCRAFT EPM 6 Mixing Desk 6 mono(mic-line-insert)/ 2 stereo removeBEHRINGER Xenyx 502 Premium 5-Input 2-Bus Mixer remove
NameYAMAHA MG-12-XU Analog Mixer removeSOUNDCRAFT LX7 16CH MKII MIXING DESK removeMACKIE MCU Extended PRO 8 channel expansion removeSOUNDCRAFT GB4 LIVE 24MONO + 2STEREO MIXING CONSOLE removeSOUNDCRAFT EPM 6 Mixing Desk 6 mono(mic-line-insert)/ 2 stereo removeBEHRINGER Xenyx 502 Premium 5-Input 2-Bus Mixer remove
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SKUH020.00087SPIRIT LX7 16CH MKII149.049GB4 24CHSPIRIT EPM6E005126
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Description
Content

    12-Channel Mixing Console
    Max. 6 Mic / 12 Line Inputs (4 mono + 4 stereo)
    2 GROUP Buses + 1 Stereo Bus
    2 AUX (incl. FX)
    "D-PRE” mic preamps with an inverted Darlington circuit
    1-Knob compressors
    High-grade effects: SPX with 24 programs
    24-bit / 192kHz 2in / 2out USB Audio functions
    Works with the iPad (2 or later) through the Apple iPad Camera Connection Kit / Lightning to USB Camera Adapter
    Includes Cubase Al DAW software download version
    PAD switch on mono inputs
    +48V phantom power
    XLR balanced outputs
    Internal universal power supply for world-wide use
    Optional Rack Mount Kit RK-MG12 Available
    Metal chassis
    Dimensions(W×H×D): 308 mm x 118 mm x 422 mm (12.1' x4.6' x16.6')
    Net Weight: 4.2 kg (9.3 lbs.)

The LX7 combines the essential Soundcraft live mixer qualities
with basic recording-oriented features, in a compact frame that's
light enough for one person to carry yet easy to configure and use.
This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel
outputs make the LX7 an ideal choice for bands who need a live desk
that can double up in the studio.

Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
32 or 40 inputs - with no less than 7 separate bus outputs including
mix, 4 groups and a dedicated mono bus for centre speaker clusters,
side or rear fills. The output count rises to 29 with the inclusion of direct
outs on the first 16 mono inputs and six auxiliary busses.

LX7's balanced mic inputs all use patented Ultramic preamps,
providing 60dB of gain range and 22dBu of headroom. Each input
also includes 4 band EQ with two swept mid frequency controls.
In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
allow effective audio control in difficult venues whilst the six auxiliary sends
are pre-post switchable in pairs from each channel, providing a maximum of
4 pre-fader and six post-fader. This makes LX7 equally applicable
for foldback - heavy performance or in situations where more effects are required.

LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
for keyboards or stereo recording devices - as well as two FX returns. All four
groups are routable to mix and include 12 segment bargraph metering for
accurate monitoring and inserts. Six auxiliary masters on rotary controls also
included AFL soloing.

In the master section there is talkback provision to all pre-fade auxiliaries and
the mix. Global phantom power and a two track return for pre-show music are
also present. A "two-track" to mix switch allows the engineer to play CD's over
the main PA whilst back-stage set-up is going on, with one press of a button.
The mix is also routable to the separate mono bus if mono PAs are required.

LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.

Applications:

    * Gigging Bands
    * Small installations
    * Small venues
    * Theatres
    * Houses of Worship
    * Live and studio recording

 
    *  100mm faders
    * +48V phantom power
    * 16, 24 or 32 channel frame sizes
    * Up to 40 inputs (including stereo inputs and returns)
    * 18dB/octave high-pass filter
    * 6 aux sends, 4 of them pre/post switchable
    * Group and mix inserts
    * 12-segment LED metering
    * Integral PSU

Expand Your MCU with More Faders !

The Mackie Control Extender Pro is a control surface extender that expands your Mackie Control Universal Pro unit with the addition of eight motorized, touch-sensitive Penny + Giles faders, plus V-Pot rotary encoders and push-buttons on every channel strip. The Mackie Control Extender Pro module attaches seamlessly to the Control Universal Pro unit, integrating with all the main control surface's functions and commands without the need for any external hardware. You can expand your MCU's ability to control your DAW even further with the addition of the Mackie Control Extender Pro.

The Mackie Control Extender Pro features the same 100mm touch-sensitive optical Penny + Giles motorized faders as the MCU Pro control surface. These smooth faders give you the tactile, responsive feel of an analog console while accurately commanding your state-of-the-art DAW software.

Each of the Mackie Control Extender Pro's eight channels features a multi-function V-Pot for fast and accurate control of panning, effects levels, and more. Also included on each channel strip are mute, solo, pan, send level, and record arm functions, as well as a full meter display.

The Mackie Control Extender Pro is literally the "right hand man" of the Mackie Control Universal Pro control surface. Once connected, it's seamlessly integrated into the system, so all parameters, automation, and other control commands are communicated in concert with the rest of the system - no external hardware required!


Features:

  • Eight-Fader Control Surface Extension for MCU Pro
  • Proprietary Mackie communication protocol for seamless software integration by DAW makers
  • 100mm touch-sensitive optical Penny + Giles motorized faders
  • Multi-function V-Pots for fast control of panning, effects levels and more
  • Channel mute, solo, pan, send level and record arm functions
  • Full meter display with track names and parameters
  • Κονσόλα ήχου με νέας γενιάς προενισχυτές GB30, σχεδιασμένη για διπλή χρήση σαν front of house ή stage monitor. Διαθέτει 24 mono εισόδους (mic) με EQ 4 περιοχών (παραμετρικό για mid&low mid), 2 stereo εισόδους με EQ 4 περιοχών, 4 group, 8 AUX, με δυνατότητα εναλλαγής (SWAP) μεταξύ AUX 1-4 & group. Διαθέτει επίσης 4 mute groups, matrix 7x5, direct εξόδους σε κάθε mono είσοδο, ενδεικτικά στάθμης με 12-LED και REC out με limiter. Εσωτερικό τροφοδοτικό με link out για δεύτερο εξωτερικό. Βάρος 27kg. Κατάλληλη για μόνιμες εγκαταστάσεις, θέατρα, live p.a.

    Low-cost high-performance mixers Key Features
    • 6 Mono & 2 Stereo Input Channels
    • 6x GB30 Microphone Preamplifiers
    • Recording and Live Sound Audio Console
    • Compact Mobile Enclosure
    The Soundcraft EPM Series provides a straight-forward, yet professional alternative to complex audio mixers. Constructed in a 6-, 8- or 12-channel chassis, the EPM mixers are well-suited for recording and sound reinforcement applications. The EPM 6 features 6 mono and 2 stereo input channels providing the flexibility needed to accommodate the recording studio, venue or touring musician. All mono inputs feature 1/4" phone line and balanced XLR microphone inputs. The famed GB30 microphone preamps provide the quiet, detailed signal synonymous with Soundcraft\'s large FOH consoles. The stereo inputs provide L/R 1/4" phone connections and are ideal for connecting stereo devices such as keyboards, returning effects, etc. The EQ section features a sweepable mid-range on all mono channels and provides smooth frequency contouring. Inserts on all mono channels and stereo output enable signal routing to external signal processors. The compact profile, rich sound quality and flexibility of the EPM Series provides everything necessary for use in project recording, video editing, night clubs, bars, meeting halls, houses-of-worship, and more. 6 Mono and 2 Stereo Channels The EPM 6 features 6 mono microphone and line input channels, 2 stereo inputs feature L/R 1/4" phone connections Comprehensive Controls The comprehensive layout is designed to attract users who require a straight-forward mixing environment GB30 Microphone Preamplifiers All 12 mono inputs feature Soundcraft\'s GB30 microphone preamps for quiet, clean large-format FOH console quality Compact and Professional The EPM Series consoles pack a professional feature set in a compact, mobile enclosure
    Total # Of Inputs 6x Mono 2x Stereo
    Mic/Line Inputs 6x Line Mono: 1/4" TRS Phone 2x Line Stereo: L/R 1/4" TRS Phone 6x Microphone: 3-pin XLR
    Stereo Line Inputs 2x Stereo: L/R 1/4" TRS Phone
    In-Line Inputs/Returns No
    AUX Sends 2x Aux Sends
    AUX Returns No dedicated returns
    Inserts 1/4" TRS Phone - Mono Inputs, Main Stereo Output
    BUS (Group) Outputs Stereo Output Only
    2 Trk Master I/O Mix L/R: Stereo Paired L/R RCA Phono
    ALT I/O No
    Monitor Outputs Monitor: L/R Stereo Paired 1/4" TRS Phone
    EQ Section Mono Inputs +/- 15 dB Lo: 80 Hz Mid: 150 Hz - 3.5 kHz (swept) Hi: 12 kHz Q: 1.5 Stereo Inputs +/-15 dB Lo: 80 Hz Mid: 720 Hz Hi: 12 kHz
    Solo/Mute All Input Channels
    Channel Level Control 100 mm Faders
    Trim/Gain Control Rotary Potentiometers
    Phantom Power +48 V Phantom
    Metering 10-Segment L/R Peak LEDs +48 V Phantom Power LED PFL Active LED Power Indicator LED
    Frequency Response 20 Hz to 20 kHz +/-1.5 dB
    Dynamic Range Not specified by manufacturer
    Signal-to-Noise Ratio Noise (22 Hz - 22 kHz measurement bandwidth) Mic EIN @ max gain, 150 ohms source impedance -127 dBu Mix @ max, faders to down
    Total Harmonic Distortion (THD) Mic sensitivity 30 dB, +14 dBu @ mix output:
    • Premium ultra low-noise, high headroom analog mixer
    • State-of-the-art XENYX Mic Preamp comparable to stand-alone boutique preamps
    • Neo-classic "British" 2-band EQ for warm and musical sound
    • Main mix, stereo CD/tape plus separate headphone outputs
    • CD/tape inputs assignable to headphone output or main mix outputs
    • High-quality components and exceptionally rugged construction ensure long life
    • Conceived and designed by BEHRINGER Germany
    Weight4.20 kg18.20 kg20.00 kg27.00 kg5.20 kg0.55 kg
    DimensionsN/AN/AN/AN/AN/AN/A
    Additional information
    Weight 4.20 kg
    Weight 18.20 kg
    Weight 20.00 kg
    Weight 27.00 kg
    Weight 5.20 kg
    Weight 0.55 kg