YAMAHA MG-16 ANALOG MIXER

565.00 incl. GR VAT

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Availability: Available in 1-3 d. Available in 1-3 d. SKU: H020.00088 Category:
16-Channel Mixing Console: Max. 10 Mic / 16 Line Inputs (8 mono + 4 stereo) / 4 GROUP Buses + 1 Stereo Bus / 4 AUX (incl. FX) 16-Channel Mixing Console Max. 10 Mic / 16 Line Inputs (8 mono + 4 stereo) 4 GROUP Buses + 1 Stereo Bus 4 AUX (incl. FX) “D-PRE” […]

 

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16-Channel Mixing Console: Max. 10 Mic / 16 Line Inputs (8 mono + 4 stereo) / 4 GROUP Buses + 1 Stereo Bus / 4 AUX (incl. FX)
  • 16-Channel Mixing Console
  • Max. 10 Mic / 16 Line Inputs (8 mono + 4 stereo)
  • 4 GROUP Buses + 1 Stereo Bus
  • 4 AUX (incl. FX)
  • “D-PRE” mic preamps with an inverted Darlington circuit
  • 1-Knob compressors
  • PAD switch on mono inputs
  • +48V phantom power
  • XLR balanced outputs
  • Internal universal power supply for world-wide use
  • Rack Mount Kit Included
  • Metal chassis
  • 444 mm x 130 mm x 500 mm (17.5″ x 5.1″ x 19.7″)
  • 6.6 kg (14.6 lbs.)

Outline

I/O Phantom power +48 V
Input Channels Mono[MIC/LINE] 8
Mono/Stereo[MIC/LINE] 2
Stereo[LINE] 2
Output Channels STEREO OUT 2
MONITOR OUT 1
PHONES 1
AUX SEND 4
GROUP OUT 4
Bus Stereo: 1, GROUP: 4, AUX: 4
Input Channel Function PAD 26 dB (Mono)
HPF 80 Hz, 12 dB/oct (Mono/Stereo: MIC only)
COMP 1-knob compressor (Gain/Threshold/Ratio) Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1, Output level: 0 dB to 7 dB Attack time: approx. 25 msec, Release time: approx. 300 msec
EQ HIGH Gain: +15 dB/-15 dB, Frequency: 10 kHz shelving
EQ MID Gain: +15 dB/-15 dB, Frequency: Mono 250 Hz – 5 kHz peaking
EQ LOW Gain: +15 dB/-15 dB, Frequency: 100 Hz shelving
PEAK LED LED turns on when post EQ signal reaches 3 dB below clipping

General specifications

Total harmonic distortion 0.03 % @ +14dBu (20 Hz to 20kHz), GAIN knob: Min, 0.005 % @ +24dBu (1kHz), GAIN knob: Min
Frequency response +0.5 dB/-1.5 dB (20 Hz to 48 kHz) , refer to the nominal output level @ 1 kHz, GAIN knob: Min
Hum & noise level Equivalent input noise -128 dBu (Mono Input Channel, Rs: 150Ω, GAIN knob: Max)
Residual output noise -102 dBu (STEREO OUT, STEREO master fader: Min)
Crosstalk -78 dB
Power requirements AC 100 – 240 V, 50 / 60 Hz
Power consumption 30 W
Dimensions W 444 mm (17.5″)
H 130 mm (5.1″)
D 500 mm (19.7″)
Net weight 6.6 kg (14.6 lbs.)
Accessories Included Accessory: Owner’s Manual, Technical Specifications, AC power cord, Rack-mount kit
Others Operating Temperature: 0 to +40˚C

 

Weight 6.60 kg

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Quick Comparison

YAMAHA MG-16 ANALOG MIXER removeSOUNDCRAFT EPM 6 Mixing Desk 6 mono(mic-line-insert)/ 2 stereo removeMACKIE MCU Extended PRO 8 channel expansion removeSOUNDCRAFT LX7 24CH MKII MIXING DESK removeSOUNDCRAFT EFX-12 Mixing Desk 12CH mono & 2CH stereo removeSOUNDCRAFT LX7 MK II 32 CH - livemixer 32 mono- 2stereo inputs remove
NameYAMAHA MG-16 ANALOG MIXER removeSOUNDCRAFT EPM 6 Mixing Desk 6 mono(mic-line-insert)/ 2 stereo removeMACKIE MCU Extended PRO 8 channel expansion removeSOUNDCRAFT LX7 24CH MKII MIXING DESK removeSOUNDCRAFT EFX-12 Mixing Desk 12CH mono & 2CH stereo removeSOUNDCRAFT LX7 MK II 32 CH - livemixer 32 mono- 2stereo inputs remove
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SKUH020.00088SPIRIT EPM6149.049SPIRIT LX7 24CH MKIISPIRIT EFX12SPIRIT LX7 32CH MKII
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Price 565.00 incl. GR VAT 305.00 incl. GR VAT 953.99 incl. GR VAT 1,913.00 incl. GR VAT 547.00 incl. GR VAT 2,238.00 incl. GR VAT
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Description
Content16-Channel Mixing Console: Max. 10 Mic / 16 Line Inputs (8 mono + 4 stereo) / 4 GROUP Buses + 1 Stereo Bus / 4 AUX (incl. FX)
  • 16-Channel Mixing Console
  • Max. 10 Mic / 16 Line Inputs (8 mono + 4 stereo)
  • 4 GROUP Buses + 1 Stereo Bus
  • 4 AUX (incl. FX)
  • "D-PRE" mic preamps with an inverted Darlington circuit
  • 1-Knob compressors
  • PAD switch on mono inputs
  • +48V phantom power
  • XLR balanced outputs
  • Internal universal power supply for world-wide use
  • Rack Mount Kit Included
  • Metal chassis
  • 444 mm x 130 mm x 500 mm (17.5" x 5.1" x 19.7")
  • 6.6 kg (14.6 lbs.)
Outline
I/O Phantom power +48 V
Input Channels Mono[MIC/LINE] 8
Mono/Stereo[MIC/LINE] 2
Stereo[LINE] 2
Output Channels STEREO OUT 2
MONITOR OUT 1
PHONES 1
AUX SEND 4
GROUP OUT 4
Bus Stereo: 1, GROUP: 4, AUX: 4
Input Channel Function PAD 26 dB (Mono)
HPF 80 Hz, 12 dB/oct (Mono/Stereo: MIC only)
COMP 1-knob compressor (Gain/Threshold/Ratio) Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1, Output level: 0 dB to 7 dB Attack time: approx. 25 msec, Release time: approx. 300 msec
EQ HIGH Gain: +15 dB/-15 dB, Frequency: 10 kHz shelving
EQ MID Gain: +15 dB/-15 dB, Frequency: Mono 250 Hz - 5 kHz peaking
EQ LOW Gain: +15 dB/-15 dB, Frequency: 100 Hz shelving
PEAK LED LED turns on when post EQ signal reaches 3 dB below clipping
General specifications
Total harmonic distortion 0.03 % @ +14dBu (20 Hz to 20kHz), GAIN knob: Min, 0.005 % @ +24dBu (1kHz), GAIN knob: Min
Frequency response +0.5 dB/-1.5 dB (20 Hz to 48 kHz) , refer to the nominal output level @ 1 kHz, GAIN knob: Min
Hum & noise level Equivalent input noise -128 dBu (Mono Input Channel, Rs: 150Ω, GAIN knob: Max)
Residual output noise -102 dBu (STEREO OUT, STEREO master fader: Min)
Crosstalk -78 dB
Power requirements AC 100 - 240 V, 50 / 60 Hz
Power consumption 30 W
Dimensions W 444 mm (17.5")
H 130 mm (5.1")
D 500 mm (19.7")
Net weight 6.6 kg (14.6 lbs.)
Accessories Included Accessory: Owner's Manual, Technical Specifications, AC power cord, Rack-mount kit
Others Operating Temperature: 0 to +40˚C
 
Low-cost high-performance mixers Key Features
  • 6 Mono & 2 Stereo Input Channels
  • 6x GB30 Microphone Preamplifiers
  • Recording and Live Sound Audio Console
  • Compact Mobile Enclosure
The Soundcraft EPM Series provides a straight-forward, yet professional alternative to complex audio mixers. Constructed in a 6-, 8- or 12-channel chassis, the EPM mixers are well-suited for recording and sound reinforcement applications. The EPM 6 features 6 mono and 2 stereo input channels providing the flexibility needed to accommodate the recording studio, venue or touring musician. All mono inputs feature 1/4" phone line and balanced XLR microphone inputs. The famed GB30 microphone preamps provide the quiet, detailed signal synonymous with Soundcraft\'s large FOH consoles. The stereo inputs provide L/R 1/4" phone connections and are ideal for connecting stereo devices such as keyboards, returning effects, etc. The EQ section features a sweepable mid-range on all mono channels and provides smooth frequency contouring. Inserts on all mono channels and stereo output enable signal routing to external signal processors. The compact profile, rich sound quality and flexibility of the EPM Series provides everything necessary for use in project recording, video editing, night clubs, bars, meeting halls, houses-of-worship, and more. 6 Mono and 2 Stereo Channels The EPM 6 features 6 mono microphone and line input channels, 2 stereo inputs feature L/R 1/4" phone connections Comprehensive Controls The comprehensive layout is designed to attract users who require a straight-forward mixing environment GB30 Microphone Preamplifiers All 12 mono inputs feature Soundcraft\'s GB30 microphone preamps for quiet, clean large-format FOH console quality Compact and Professional The EPM Series consoles pack a professional feature set in a compact, mobile enclosure
Total # Of Inputs 6x Mono 2x Stereo
Mic/Line Inputs 6x Line Mono: 1/4" TRS Phone 2x Line Stereo: L/R 1/4" TRS Phone 6x Microphone: 3-pin XLR
Stereo Line Inputs 2x Stereo: L/R 1/4" TRS Phone
In-Line Inputs/Returns No
AUX Sends 2x Aux Sends
AUX Returns No dedicated returns
Inserts 1/4" TRS Phone - Mono Inputs, Main Stereo Output
BUS (Group) Outputs Stereo Output Only
2 Trk Master I/O Mix L/R: Stereo Paired L/R RCA Phono
ALT I/O No
Monitor Outputs Monitor: L/R Stereo Paired 1/4" TRS Phone
EQ Section Mono Inputs +/- 15 dB Lo: 80 Hz Mid: 150 Hz - 3.5 kHz (swept) Hi: 12 kHz Q: 1.5 Stereo Inputs +/-15 dB Lo: 80 Hz Mid: 720 Hz Hi: 12 kHz
Solo/Mute All Input Channels
Channel Level Control 100 mm Faders
Trim/Gain Control Rotary Potentiometers
Phantom Power +48 V Phantom
Metering 10-Segment L/R Peak LEDs +48 V Phantom Power LED PFL Active LED Power Indicator LED
Frequency Response 20 Hz to 20 kHz +/-1.5 dB
Dynamic Range Not specified by manufacturer
Signal-to-Noise Ratio Noise (22 Hz - 22 kHz measurement bandwidth) Mic EIN @ max gain, 150 ohms source impedance -127 dBu Mix @ max, faders to down
Total Harmonic Distortion (THD) Mic sensitivity 30 dB, +14 dBu @ mix output:

Expand Your MCU with More Faders !

The Mackie Control Extender Pro is a control surface extender that expands your Mackie Control Universal Pro unit with the addition of eight motorized, touch-sensitive Penny + Giles faders, plus V-Pot rotary encoders and push-buttons on every channel strip. The Mackie Control Extender Pro module attaches seamlessly to the Control Universal Pro unit, integrating with all the main control surface's functions and commands without the need for any external hardware. You can expand your MCU's ability to control your DAW even further with the addition of the Mackie Control Extender Pro.

The Mackie Control Extender Pro features the same 100mm touch-sensitive optical Penny + Giles motorized faders as the MCU Pro control surface. These smooth faders give you the tactile, responsive feel of an analog console while accurately commanding your state-of-the-art DAW software.

Each of the Mackie Control Extender Pro's eight channels features a multi-function V-Pot for fast and accurate control of panning, effects levels, and more. Also included on each channel strip are mute, solo, pan, send level, and record arm functions, as well as a full meter display.

The Mackie Control Extender Pro is literally the "right hand man" of the Mackie Control Universal Pro control surface. Once connected, it's seamlessly integrated into the system, so all parameters, automation, and other control commands are communicated in concert with the rest of the system - no external hardware required!


Features:

  • Eight-Fader Control Surface Extension for MCU Pro
  • Proprietary Mackie communication protocol for seamless software integration by DAW makers
  • 100mm touch-sensitive optical Penny + Giles motorized faders
  • Multi-function V-Pots for fast control of panning, effects levels and more
  • Channel mute, solo, pan, send level and record arm functions
  • Full meter display with track names and parameters
  • The LX7 combines the essential Soundcraft live mixer qualities
    with basic recording-oriented features, in a compact frame that's
    light enough for one person to carry yet easy to configure and use.
    This makes it especially suitable for multi-purpose use in venues
    such as small halls and community centres, while its direct channel
    outputs make the LX7 an ideal choice for bands who need a live desk
    that can double up in the studio.

    Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
    32 or 40 inputs - with no less than 7 separate bus outputs including
    mix, 4 groups and a dedicated mono bus for centre speaker clusters,
    side or rear fills. The output count rises to 29 with the inclusion of direct
    outs on the first 16 mono inputs and six auxiliary busses.

    LX7's balanced mic inputs all use patented Ultramic preamps,
    providing 60dB of gain range and 22dBu of headroom. Each input
    also includes 4 band EQ with two swept mid frequency controls.
    In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
    allow effective audio control in difficult venues whilst the six auxiliary sends
    are pre-post switchable in pairs from each channel, providing a maximum of
    4 pre-fader and six post-fader. This makes LX7 equally applicable
    for foldback - heavy performance or in situations where more effects are required.

    LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
    for keyboards or stereo recording devices - as well as two FX returns. All four
    groups are routable to mix and include 12 segment bargraph metering for
    accurate monitoring and inserts. Six auxiliary masters on rotary controls also
    included AFL soloing.

    In the master section there is talkback provision to all pre-fade auxiliaries and
    the mix. Global phantom power and a two track return for pre-show music are
    also present. A "two-track" to mix switch allows the engineer to play CD's over
    the main PA whilst back-stage set-up is going on, with one press of a button.
    The mix is also routable to the separate mono bus if mono PAs are required.

    LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
    professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.

    Applications:

        * Gigging Bands
        * Small installations
        * Small venues
        * Theatres
        * Houses of Worship
        * Live and studio recording

     
        * 100mm faders
        * +48V phantom power
        * 16, 24 or 32 channel frame sizes
        * Up to 40 inputs (including stereo inputs and returns)
        * 18dB/octave high-pass filter
        * 6 aux sends, 4 of them pre/post switchable
        * Group and mix inserts
        * 12-segment LED metering
        * Integral PSU

    Key Features:
    • 12+2 channel frame sizes
    • Built-in 24 bit Lexicon digital effects processor
    • 32 FX settings
    • Tap Tempo and FX setting store function
    • 1 FX send on each channel
    • 1 configurable auxiliary bus
    • XLR-type and Ό� metal jack connector sockets
    • RCA phono stereo playback inputs and record outputs
    • 3-band EQ with a swept mid on mono inputs
    • 3-band EQ on stereo inputs
    • TRS insert sockets and inserts on all mono inputs
    • Ten-segment LED output metering
    • Intuitive and comprehensive solo system
    • Headphone output
    • Easily rack mountable

    SOUNDCRAFT-SPIRIT
    LX-7 32 II

    Soundcraft Spirit LX-7 32 II, livemixer 32 mono-, 2stereoinputs, 2 st.-returns, 4 subgroups, 3 master, 6aux., built-in-powersupply, 4 band EQ with 2 param. mids

    Dimensions: 16.51H x 50.29D x 105.9W
    Weight: 25.45kgs

    Weight6.60 kg5.20 kg20.00 kg21.80 kg3.50 kg25.45 kg
    DimensionsN/AN/AN/AN/AN/AN/A
    Additional information
    Weight 6.60 kg
    Weight 5.20 kg
    Weight 20.00 kg
    Weight 21.80 kg
    Weight 3.50 kg
    Weight 25.45 kg