YAMAHA MGP-24X 16in Analog Mixer With FX

Original price was: €1,767.00.Current price is: €1,680.00. incl. GR VAT

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Availability: Available in 1-3 d. Available in 1-3 d. SKU: H020.00080 Category:
Specs Outline Mixing capability    Mixing channels    24 Line Inputs (16 mono and 4 stereo) GROUP    4 GROUP Buses + ST Bus AUX    6 AUX Sends + 2 FX Sends MATRIX    1 Matrix out On-board processors    FX1:REV-X(8 PROGRAM, PARAMETER control)/ FX2:SPX(16 PROGRAM, PARAMETER control) I/O    Mic inputs    MIC: 16 (INPUTS HPF: 100Hz 12dB/oct) Phantom power    48V […]

 

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Specs

Outline

Mixing capability    Mixing channels    24 Line Inputs (16 mono and 4 stereo)
GROUP    4 GROUP Buses + ST Bus
AUX    6 AUX Sends + 2 FX Sends
MATRIX    1 Matrix out
On-board processors    FX1:REV-X(8 PROGRAM, PARAMETER control)/ FX2:SPX(16 PROGRAM, PARAMETER control)
I/O    Mic inputs    MIC: 16 (INPUTS HPF: 100Hz 12dB/oct)
Phantom power    48V phantom power per channel
Line inputs    LINE: 16 mono + 4 stereo, CH INSERT: 16 RETURN: 1 stereo
Digital I/O    USB Device, iPod / iPhone
General specifications

Total harmonic distortion    0.02% (20Hz-20kHz@ +14dBu)
Frequency response    +0.5/-1.0dB 20Hz – 20kHz, refer to the nominal output level @1kHz
Hum & noise level    Equivalent input noise    -128 dBu Equivalent Input Noise
Residual output noise    -94 dBu Residual Output Noise
Crosstalk    -74dB @ 1kHz
Power requirements    100-240V 50Hz/60Hz
Power consumption    86W max
Dimensions    W    819mm (32.2“)
H    169mm (6.7“)
D    565mm (22.2“)
Net weight    15.5kg (34.2lb)

Weight 15.50 kg

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Quick Comparison

YAMAHA MGP-24X 16in Analog Mixer With FX removeDYNACORD CMS 1600-3 Mixing Desk 16 Channels (12 mono, 4 stereo) removeSOUNDCRAFT GB2 24CH 24MONO+ 2STEREO MIXING CONSOLE removeDYNACORD CMS 2200-3 Sound Desk 22 Channels removeSOUNDCRAFT EPM 12 Mixing Desk 12 mono(mic-line-insert)/ 2 stereo removeSOUNDCRAFT GB4 LIVE 32MONO + 2STEREO MIXING CONSOLE remove
NameYAMAHA MGP-24X 16in Analog Mixer With FX removeDYNACORD CMS 1600-3 Mixing Desk 16 Channels (12 mono, 4 stereo) removeSOUNDCRAFT GB2 24CH 24MONO+ 2STEREO MIXING CONSOLE removeDYNACORD CMS 2200-3 Sound Desk 22 Channels removeSOUNDCRAFT EPM 12 Mixing Desk 12 mono(mic-line-insert)/ 2 stereo removeSOUNDCRAFT GB4 LIVE 32MONO + 2STEREO MIXING CONSOLE remove
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SKUH020.00080E002849GB2 24CHE003071SPIRIT-EPM12GB4 32CH
Rating
Price Original price was: €1,767.00.Current price is: €1,680.00. incl. GR VAT Original price was: €2,450.00.Current price is: €2,398.00. incl. GR VAT Original price was: €2,411.17.Current price is: €2,171.00. incl. GR VAT Original price was: €2,850.00.Current price is: €2,760.00. incl. GR VAT Original price was: €460.00.Current price is: €391.88. incl. GR VAT Original price was: €3,231.13.Current price is: €2,909.00. incl. GR VAT
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Description
Content

Specs

Outline

Mixing capability    Mixing channels    24 Line Inputs (16 mono and 4 stereo)
GROUP    4 GROUP Buses + ST Bus
AUX    6 AUX Sends + 2 FX Sends
MATRIX    1 Matrix out
On-board processors    FX1:REV-X(8 PROGRAM, PARAMETER control)/ FX2:SPX(16 PROGRAM, PARAMETER control)
I/O    Mic inputs    MIC: 16 (INPUTS HPF: 100Hz 12dB/oct)
Phantom power    48V phantom power per channel
Line inputs    LINE: 16 mono + 4 stereo, CH INSERT: 16 RETURN: 1 stereo
Digital I/O    USB Device, iPod / iPhone
General specifications

Total harmonic distortion    0.02% (20Hz-20kHz@ +14dBu)
Frequency response    +0.5/-1.0dB 20Hz - 20kHz, refer to the nominal output level @1kHz
Hum & noise level    Equivalent input noise    -128 dBu Equivalent Input Noise
Residual output noise    -94 dBu Residual Output Noise
Crosstalk    -74dB @ 1kHz
Power requirements    100-240V 50Hz/60Hz
Power consumption    86W max
Dimensions    W    819mm (32.2“)
H    169mm (6.7“)
D    565mm (22.2“)
Net weight    15.5kg (34.2lb)

MIC/LINE Input Channels
The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
The +48V phantom power for condenser microphones can be switched in groups of six.
The Line Input and Channel Insert are implemented as jack sockets.
The Gain can be controlled in the range 0-60 dB.
The switchable Lo Cut filter (80Hz, 18dB/oct.) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.
Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively.
With their extended buss structures, the CMS3 mixers offer very flexible configuration options. In all, 6 AUX busses are available in each case:
2 (FX) are assiged to the two effects devices;
2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section;
2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section.
MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal.
Each channel offers a Signal Present and Peak LED for level control.
The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic.
All potentiometers and faders are high-quality components from ALPS.
Stereo MIC/LINE Input Channels
The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals.
Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players.
The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4
Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired.
Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips.
MASTER
In the Master Section, too, the CMS3 mixers are lavishly equipped.
The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice.
The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation.
The Master B signal is available pre or post MASTER L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control.
The level meters of the CMS3 comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu.
The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music.
A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp.
DIGITAL USB 2.0 AUDIO INTERFACE  
The USB 2.0 port serves as a digital audio interface between the CMS3 and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu.
For the use of the CMS3 with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD.
PC MIDI Interface
The CMS3 also offers a fully-featured PC MIDI interface.
The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch.
Professional Effects, OLED Display and Processing Menus
The CMS3 has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable.
Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology.
The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments.
Other presets include Echo/Reverb and Chorus/Echo combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key.
Edited effects programs can be stored in the 20 User memories offered by each device, assigned names, and later selected and used in the same way as the presets.
The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder.
Processing Menus
For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from the clearly arranged menus.
Innovative Solution for Protection and Transportation
Optionally available for the CMS 1000 and 1600 is a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort.
For the CMS 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER).
Accessories
For rack installation of the CMS 1000 (or table installation of the models 1600 and 2200), the mounting kit RMK 1000-3 is available.
Other accessories include the gooseneck light DC-LITLITE-4P and the DC-FS11 ON/OFF footswitch for the effects units.

The Soundcraft GB-2 (2-bus) 24 Channel Console is designed for installed sound and A/V applications that donʼt require all the sophisticated functionality of the GB4 and GB8.

However the Soundcraft GB-2 24 Channel Console is a genuine GB Series console in every respect, with sound quality assured by GB30 Mic Pre and Equaliser designs, and reliability by the same rugged build quality that has made the GB4 and GB8 so dependable in demanding professional applications.

Along with six Aux busses and an integral 6 x 2 matrix, four subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.

The GB2 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the line input to the local channel overrides the mic inputs.

The Soundcraft GB-2 (2-bus) 24 Channel Console Main Features Include:

  • 24 channel frame size
  • 12 busses
  • 2 full feature stereo channels
  • 2 stereo returns (on stereo channels)
  • 6 Aux sends
  • 4 sub groups (paired)
  • 6x2 output matrix
  • GB30 mic preamp and precision equalisation circuitry
  • Direct outputs on every channel
  • Talkback facility
  • 100mm faders
  • Switchable 48V phantom powering on every channel
  • 100Hz high pass filter
  • 12-segment LED metering
  • Record output
  • Width: 1013mm (39.88“)
  • Weight: 25kg (55.1lbs)

MIC/LINE Input Channels
The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
The +48V phantom power for condenser microphones can be switched in groups of six.
The Line Input and Channel Insert are implemented as jack sockets.
The Gain can be controlled in the range 0-60 dB.
The switchable Lo Cut filter (80Hz, 18dB/oct.) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.
Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively.
With their extended buss structures, the CMS3 mixers offer very flexible configuration options. In all, 6 AUX busses are available in each case:
2 (FX) are assiged to the two effects devices;
2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section;
2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section.
MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal.
Each channel offers a Signal Present and Peak LED for level control.
The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic.
All potentiometers and faders are high-quality components from ALPS.
Stereo MIC/LINE Input Channels
The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals.
Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players.
The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4
Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired.
Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips.
MASTER
In the Master Section, too, the CMS3 mixers are lavishly equipped.
The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice.
The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation.
The Master B signal is available pre or post MASTER L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control.
The level meters of the CMS3 comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu.
The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music.
A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp.
DIGITAL USB 2.0 AUDIO INTERFACE  
The USB 2.0 port serves as a digital audio interface between the CMS3 and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu.
For the use of the CMS3 with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD.
PC MIDI Interface
The CMS3 also offers a fully-featured PC MIDI interface.
The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch.
Professional Effects, OLED Display and Processing Menus
The CMS3 has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable.
Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology.
The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments.
Other presets include Echo/Reverb and Chorus/Echo combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key.
Edited effects programs can be stored in the 20 User memories offered by each device, assigned names, and later selected and used in the same way as the presets.
The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder.
Processing Menus
For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from the clearly arranged menus.
Innovative Solution for Protection and Transportation
Optionally available for the CMS 1000 and 1600 is a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort.
For the CMS 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER).
Accessories
For rack installation of the CMS 1000 (or table installation of the models 1600 and 2200), the mounting kit RMK 1000-3 is available.
Other accessories include the gooseneck light DC-LITLITE-4P and the DC-FS11 ON/OFF footswitch for the effects units.

Low-cost high-performance mixers Soundcraft have unveiled another addition to the rapidly growing new Soundcraft family, the multi-format low-cost EPM mixers. The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company�s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types. A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors. Other Features:
  • Frame sizes 12+2
  • 2 configurable auxiliary buses
  • XLR-type and Ό� metal jack connector sockets
  • RCA phono stereo playback inputs and record outputs
  • 3-band EQ with a swept mid on mono inputs
  • 2-band EQ on stereo inputs
  • TRS insert sockets and inserts on all mono inputs and mix output
  • Ten-segment LED output metering
  • Intuitive and comprehensive solo system
  • Headphone output
  • Easily rack mountable

Κονσόλα ήχου με νέας γενιάς προενισχυτές GB30, σχεδιασμένη για διπλή χρήση σαν front of house ή stage monitor. Διαθέτει 32 mono εισόδους (mic) με EQ 4 περιοχών (παραμετρικό για mid&low mid), 2 stereo εισόδους με EQ 4 περιοχών, 4 group, 8 AUX, με δυνατότητα εναλλαγής (SWAP) μεταξύ AUX 1-4 & group. Διαθέτει επίσης 4 mute groups, matrix 7x5, direct εξόδους σε κάθε mono είσοδο, ενδεικτικά στάθμης με 12-LED και REC out με limiter. Εσωτερικό τροφοδοτικό με link out για δεύτερο εξωτερικό. Βάρος 32kg. Κατάλληλη για μόνιμες εγκαταστάσεις, θέατρα, live p.a.

Weight15.50 kg13.00 kg33.00 kg12.00 kg5.80 kg32.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 15.50 kg
Weight 13.00 kg
Weight 33.00 kg
Weight 12.00 kg
Weight 5.80 kg
Weight 32.00 kg