YAMAHA SPX-2000 MULTI-EFFECT PROCESSOR

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1,200.00 incl. GR VAT

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The name “SPX” has been synonymous with “professional multi-effect processor” for more than 15 years, and the models like SPX90, SPX90II, SPX900, SPX1000 and SPX990 have been the most commonly found equipment in the studio and SR racks. Superb Sonic Quality with 24bit/96khz Standard Throughout The heart of the SPX2000\’s hardware is its 96kHz audio […]

 

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The name “SPX” has been synonymous with “professional multi-effect processor”
for more than 15 years, and the models like SPX90, SPX90II, SPX900, SPX1000
and SPX990 have been the most commonly found equipment in the studio and
SR racks.
Superb Sonic Quality with 24bit/96khz Standard Throughout
The heart of the SPX2000\’s hardware is its 96kHz audio DSP, with 32-bit internal
processing (58-bit accumulator) which offers abundant processing power for its
advanced effect algorithms.
Refined Preset Programs Including the Newly Developed “REV-X” Reverb Algorithm
There are 3 banks to the SPX2000\’s memory: “PRESET“, “CLASSIC” and “USER“.
The “PRESET” bank contains 97 programs. 17 programs are made with the newly
developed “REV-X” reverb algorithms. “REV-X” is a whole new generation of Yamaha
Reverb programs with the richest reverberation tone and smoothest decay. There are
“REV-X Hall“, “REV-X ROOM” and “REV-X PLATE” algorithms.
Reliable and Efficient Front Panel User Interface with Colors
The SPX2000\’s hardware cosmetics are designed to offer optimum reliability for the
engineers on site. The rugged aluminum front panel features 2 sets of “Cross-keys” –
simple navigation tool anyone is familiar with. Parameters are sorted in 3 groups;
“PARAMETER“, “FINE PARAM” and “UTILITY” to ensure speedy access. Also other
dedicated buttons like UNDO, COMPARE, BANK, MODE, METER, TAP, and BYPASS
ensure efficient operations.
The SPX2000\’s LCD offers 5 back light color variations(!). You can freely assign any of
the 5 colors to user programs. The preset programs are colored by effect groups giving
you an instant recognition of the effect type even from the distance. (CYAN: Reverbs,
WHITE: Delays, MAGENTA: Pitch & Modulations, YELLOW: Others, GREEN: CLASSIC
Bank) RED is reserved for warning messages.
SPX2000 “OPERATION LOCK” function offers 3 security levels; from preventing accidental
changing of Utility settings, or protecting stored memories to prohibiting almost all operations.
Professional Audio I/O and Control Connectors
Its rear panel houses, for analog connection, XLR type (w/latch) and quarter inch L + R Input
and Output connectors both with +4dBU/-10dBu selector switch. Professional digital connection
is secured with AES/EBU XLR type I/O connectors and BNC Wordclock In connector. Also MIDI
In, Out/Thru and USB TO HOST connectors are provided for remote control and data management
using computers, Digital Consoles or any MIDI device. Foot Switch connector for effect tempo
control is placed on the front panel.
“SPX2000 Editor” for Mac OSX and Windows
The SPX2000 Editor will give you the editing, data management, and remote control capability
using computers, in the same environment and common interface as the STUDIO MANAGER
for Yamaha Digital Consoles.

Technical Description
Specifications
General AD/DA Conversion:
– 24-bit Linear 128-times Oversampling (@fs=44.1,48kHz)
– 24-bit Liner 64-times Oversampling (@fs=88.2,96kHz)
Sampling Frequency:
– Internal Clock: 44.1, 48, 88.2, 96kHz
– External Clock: Normal Rate: 39.69kHz – 50.88kHz,
Double Rate: 79.38kHz – 101.76kHz
Frequency Response:
– At 48kHz: 20Hz – 20kHz (0dB +1.0, -3.0)
– At 96kHz: 20Hz – 40kHz (0dB +1.0, -3.0)
Dynamic Range: 106dB AD + DA, Input Level VR: Max
Bank Memory:
– PRESET BANK: 97
– USER BANK: 99
– CLASSIC BANK: 25
Displays:
– LCD: 16 charactors x 2 lines with 6-color Back Light
– METER LED: 12 segment (L,R)
Dimensions (W x H x D): 19 x 1.75 x 14.7 in. (480 x 45 x 372.5 mm)
Weight: 4kg (8.8 lbs.)
Power Requirements: AC 100V, 60Hz
Power Consumption: 25W
Optional: Foot Switch FC5

Weight 6.00 kg

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YAMAHA SPX-2000 MULTI-EFFECT PROCESSOR removeARX DI6s 6CH. ACTIVE DIRECT BOX.SPLITTER and LINE MIXER removeDBX ZONEPRO 1260 12IN-6OUT DIGITAL ZONE PROCESSOR removeDBX IEQ15 DUAL 15-BAND GRAPHIC EQUALIZER removeDBX-1074 OUAD NOISE GATE removeARX COMBO DUAL CHANNEL COMPRESSOR-LIMITER remove
NameYAMAHA SPX-2000 MULTI-EFFECT PROCESSOR removeARX DI6s 6CH. ACTIVE DIRECT BOX.SPLITTER and LINE MIXER removeDBX ZONEPRO 1260 12IN-6OUT DIGITAL ZONE PROCESSOR removeDBX IEQ15 DUAL 15-BAND GRAPHIC EQUALIZER removeDBX-1074 OUAD NOISE GATE removeARX COMBO DUAL CHANNEL COMPRESSOR-LIMITER remove
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SKUH050.00015DI-6SDBX ZONEPRO 1260DBX IEQ15DBX 1074COMBO
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Price 1,200.00 incl. GR VAT 372.00 incl. GR VAT 1,150.00 incl. GR VAT 770.00 incl. GR VAT 589.00 incl. GR VAT 297.60 incl. GR VAT
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Description
ContentThe name "SPX" has been synonymous with "professional multi-effect processor" for more than 15 years, and the models like SPX90, SPX90II, SPX900, SPX1000 and SPX990 have been the most commonly found equipment in the studio and SR racks. Superb Sonic Quality with 24bit/96khz Standard Throughout The heart of the SPX2000\'s hardware is its 96kHz audio DSP, with 32-bit internal processing (58-bit accumulator) which offers abundant processing power for its advanced effect algorithms. Refined Preset Programs Including the Newly Developed "REV-X" Reverb Algorithm There are 3 banks to the SPX2000\'s memory: "PRESET“, "CLASSIC" and "USER“. The "PRESET" bank contains 97 programs. 17 programs are made with the newly developed "REV-X" reverb algorithms. "REV-X" is a whole new generation of Yamaha Reverb programs with the richest reverberation tone and smoothest decay. There are "REV-X Hall“, "REV-X ROOM" and "REV-X PLATE" algorithms. Reliable and Efficient Front Panel User Interface with Colors The SPX2000\'s hardware cosmetics are designed to offer optimum reliability for the engineers on site. The rugged aluminum front panel features 2 sets of "Cross-keys" - simple navigation tool anyone is familiar with. Parameters are sorted in 3 groups; "PARAMETER“, "FINE PARAM" and "UTILITY" to ensure speedy access. Also other dedicated buttons like UNDO, COMPARE, BANK, MODE, METER, TAP, and BYPASS ensure efficient operations. The SPX2000\'s LCD offers 5 back light color variations(!). You can freely assign any of the 5 colors to user programs. The preset programs are colored by effect groups giving you an instant recognition of the effect type even from the distance. (CYAN: Reverbs, WHITE: Delays, MAGENTA: Pitch & Modulations, YELLOW: Others, GREEN: CLASSIC Bank) RED is reserved for warning messages. SPX2000 "OPERATION LOCK" function offers 3 security levels; from preventing accidental changing of Utility settings, or protecting stored memories to prohibiting almost all operations. Professional Audio I/O and Control Connectors Its rear panel houses, for analog connection, XLR type (w/latch) and quarter inch L + R Input and Output connectors both with +4dBU/-10dBu selector switch. Professional digital connection is secured with AES/EBU XLR type I/O connectors and BNC Wordclock In connector. Also MIDI In, Out/Thru and USB TO HOST connectors are provided for remote control and data management using computers, Digital Consoles or any MIDI device. Foot Switch connector for effect tempo control is placed on the front panel. "SPX2000 Editor" for Mac OSX and Windows The SPX2000 Editor will give you the editing, data management, and remote control capability using computers, in the same environment and common interface as the STUDIO MANAGER for Yamaha Digital Consoles. Technical Description Specifications General AD/DA Conversion: - 24-bit Linear 128-times Oversampling (@fs=44.1,48kHz) - 24-bit Liner 64-times Oversampling (@fs=88.2,96kHz) Sampling Frequency: - Internal Clock: 44.1, 48, 88.2, 96kHz - External Clock: Normal Rate: 39.69kHz - 50.88kHz, Double Rate: 79.38kHz - 101.76kHz Frequency Response: - At 48kHz: 20Hz - 20kHz (0dB +1.0, -3.0) - At 96kHz: 20Hz - 40kHz (0dB +1.0, -3.0) Dynamic Range: 106dB AD + DA, Input Level VR: Max Bank Memory: - PRESET BANK: 97 - USER BANK: 99 - CLASSIC BANK: 25 Displays: - LCD: 16 charactors x 2 lines with 6-color Back Light - METER LED: 12 segment (L,R) Dimensions (W x H x D): 19 x 1.75 x 14.7 in. (480 x 45 x 372.5 mm) Weight: 4kg (8.8 lbs.) Power Requirements: AC 100V, 60Hz Power Consumption: 25W Optional: Foot Switch FC5

About the DI6s
It's a fact of audio life that a lot of equipment that has to be connected to
professional audio systems isn't impedance or level compatible.
Interfaces Unlimited
Tape/cassette/DVD/CD decks, audio for video, drum machines, synthesizers,
bass guitars, computers; at some stage all these need linking up to Balanced
inputs, whether the application is Live sound, Studio or Broadcast.
To solve these problems, we've developed the DI-6s:

Six active D.I. (Direct Injection) boxes,
plus a 6 into 1 Line Mixer,
plus a 1 to 6 Splitter,
All of this in a compact, all steel 1 RU package.

A Pro Audio Toolbox
This unique and flexible audio toolbox allows Six independent unbalanced
audio sources to easily and quietly interface with Balanced pro audio systems,
either to individual channels or summed down to one Master output.
But that's not all. By pressing a single switch on the rear panel the DI6s will
change from being Direct Boxes and a Mixer to being a 6 way Splitter (line
distribution amplifier). Now it will split an incoming signal to 6 individual outputs
or zones.
On the front panel, each channel has 2 IN/OUT jacks, a level control from infinity
(off) through 0dB to +15dB gain, and a Clip indicator LED.The Master section has
a Master volume control and status LEDs indicating whether the unit is in DI or
Splitter mode. In addition, as on all ARX single rack unit equipment, each channel
has a numbered marker panel ('scribble strip') you can write on for easy confirmation
of channel assigns.
Balanced Outputs
On the rear, each channel has an XLR Balanced output, with associated Ground lift
switch and status LED, to isolate the chassis and electronic grounds.
The Master section has both Balanced XLR and Unbalanced Jack outputs. In addition
there is a Balanced XLR input with a switch to put the unit in either DI or Splitter mode.
Universal AC Power
AC power range is a universal 100 to 120V or 220 to 240V AC, and is connected to the
unit via a removable power lead and standard 3 pin IEC connector, with built-in fuse and
voltage change switch.
With so many handy functions, plus a true 'user friendly' layout, it's no wonder people call
the DI-6s 'A total Audio Patching System in 1 RU!'
You'll never compromise on Quality when you choose ARX

Features
Unique Pro Audio problem solver
Six Direct boxes, Splitter and Line Mixer in one unit
Multi mode unit: Six in, Six out; Six in, One out; One in, Six out
Individual Output Ground lift switches
Up to +15dB Gain available per channel
Balanced XLR Outputs; High Impedance Jack Ins and Outs
Flawless performance in any audio environment

T E C H N I C A L S P E C I F I C A T I O N S

Channels 1 - 6
High Z Input Impedance 2.2 Meg Ohm
Max Channel Gain 15dB
Clip LED Illuminates 1dB prior to clip
Direct Output Impedance 300 ohms Balanced
Max Input Level +20dB
Max Output Level +21dB
Signal to Noise -96dB(unity gain)
Frequency Response 20Hz to 20KHz, ±0.5dB
Distortion < 0.004%, 1KHz, +4dB
Output Connector 3 pin XLR
Master Section
Output Impedance 300 Ohms Balanced
Max Output Level +21dB
Signal to Noise -90dB (unity gain)
Frequency Response 10Hz to 20KHz, ±0.5dB
Distortion < 0.004%, 1KHz, +4dB
Output Connector 3 pin XLR
Splitter Section
Maximum Level + 20dB
Input Impedance 20 KOhms, Balanced
Input Connector XLR
Frequency Response 10Hz?20KHz ±0.5dB
AC Power 100-120, 220-240 V AC, 8 VA
Size 19?W x 6?D x 1??H, 482 x 155 x 44mm
Weight 2.2 Kg (5 lbs)

Front Panel Controls
Hi Impedance (Hi Z) insulated jack Input and Output
connectors
Level control with up to +15dB of Gain available
Clip LED indicator
Marker panels for labelling DI assigns
Master Level controls
Rear Panel
Balanced XLR Outputs
Individual Audio Ground Lift switches and status LEDs
XLR and jack Master Outputs
XLR Input for splitter
Splitter/DI + Mixer mode switch
AC input connector, with voltage switch and fuse. 

With 12 inputs and 6 outputs and Ethernet control the dbx ZonePro? 1260 and 1261
are the newest members of the ZonePro? family providing a complete suite of signal
processing and control for Commercial Audio applications.
Designed to offer superior system sonic performance and flexibility, the 1260/1261 deliver
the highest quality tools available. Even the input and outputs connectors were chosen for
their standard usage and reliability. The ZonePro products offer Euroblock connectors for
balanced signals and RCA connectors for interfacing with consumer equipment often used
in commercial applications; there is also a simple analog input buss that allows inputs to be
sent from one unit to the next for unit and job scalability. The 1260 and 1261 provide every
necessary processing tool, from the input processing like gain control and EQ available on all
inputs to highly sophisticated and specific functions such as selectable paging microphone
processing including Gating, De-Essing, Auto Gain Control, Compression and Feedback
Suppression. The heart of the ZonePro products is the Routing module that provides of course
Primary Source Selection but also Source Ducking for Paging and Priority Override. The outputs
also offer a wealth of processing designed for commercial applications like our patent-pending
AutoWarmth? function that was co-developed with JBL to provide natural low frequency extension
at any signal level. Each output also offers EQ, Bandpass and Crossover filters, Limiting and Delay
for system optimization. With the ZonePro? every tool is at your disposal to maximize the response
of your system.
Beyond processing, the ZonePro? products offer multiple forms of control to further extend the
versatility of your system. From easy-to-use wall panel Zone Controllers for standard end-user
functions like source select and volume control to advanced system control including a built-in
Real Time Clock that can provide programmable system changes throughout the day or week.
For system setup and monitoring the ZonePro Designer software provides an intuitive interface
and a speedy setup Wizard for configuring and editing all system parameters. The addition of
Ethernet control means that not only will it work with standard network equipment, but it can also
be accessed from remote dialup locations or from wireless access points.
The ZonePro? 1260 and 1261 will take your Commercial Audio system to the next level with advanced
processing, versatility and control.
 
? Advanced Feedback Suppression (AFS?)
? Autowarmth?
? Auto Gain Control
? Compression
? Limiting
? Noise Gating
? Notch Filtering
? Bandpass and Crossover Filters
? Parametric EQ
? Security Lockout
? Wall Panel Control
? RS-232 Control
? IEC, UL and CSA Approvals
 
ZonePro? 1260/1261 Specifications    
      
ANALOG INPUT
Number of Inputs:
12 Total (2) Switchable mic or line, (8) RCA, and (1)
S/PDIF
Connectors:
Euroblock (Line and Mic) RCA (Source)
Type:
Impedance (Euroblock):
> 50kΩ Balanced, >25kΩ Unbalanced, RF Filtered
Impedance (RCA):
>25kΩ Unbalanced, RF Filtered
Max input line level:
+20dBu Mic/Line, +12dBu RCA
CMRR:
> 40dB, typically >55db @ 1kHz
Mic Pre gain:30 to 60dB
Mic EIN:
> 118dB, 22Hz-22kHz, 150Ω Source Impedance
Mic Phantom Power:
15V
 
ANALOG OUTPUTS
Number of Outputs 6
Connectors: Euroblock
Type:
Electronically balanced, RF filtered
Impedance:
120 ohms balanced, 60ohm unbalanced
Max Output Level: +20dBu
 
A/D PERFORMANCE
Type:
dbx Type IV? conversion system
Dynamic Range line:
>113 dB, A-weighted, >110 dB unweighted
Type IV dynamic range:
>119 dB, A-weighted, 22kHz BW
>117 dB, A-weighted, 22kHz BW
Sample Rate: 48kHz
 
D/A PERFORMANCE
Dynamic Range:
112 dB A-weighted, 109dB unweighted
 
SYSTEM PERFORMANCE
Dynamic Range:
>110 dB A-weighted, >107dB unweighted
THD+N:
0.003% typical at +4dBu, 1kHz, 0dB gain
Frequency Response:
20Hz - 20kHz, +/-0.5dB
Interchannel Crosstalk:
>80dB typical
Crosstalk input to output:
>80dB
Propagation Delay
0.6 msec
 
POWER REQUIREMENTS
Operating Voltage:
100-240 VAC, 50/60Hz
Power Consumption:
27 Watts
 
Physical:
Weight:
6.8 lbs.(3.1 kg) Shipping weight 8.8 lbs. (4.0 kg)
Dimensions:
1.75? H x 5.75? D x 19? W

iEQ-15 Dual 15-Band Graphic EQ with Type V? NR and AFS?

With an EQ heritage that has produced countless industry standard
patents and dates back more than 30 years, the dbx iEQ-31 easily
lives up to the dbx legacy of uncompromised sonic integrity. In
addition to unsurpassed equalization specs, the iEQ-15 also offers
the built-in necessities which include AFS? feedback Suppression,
Type V? noise reduction and PeakStopPlus? limiting. Besides
including two 15-band channels of 2/3-octave equalization, the iEQ-15
also offers +12 dB input gain range; switchable +6 or +15 dB boost/cut
range, 40mm faders, XLR, 1/4'' and Euroblock inputs and outputs,
nonconductive nylon sliders; and an intuitive user interface with comprehensive
output and gain reduction metering. As always, the inevitable result of our
meticulous attention to detail and top-quality componentry is exceptional
sound, performance, and reliability.

The iEQ series represents a major step forward in the performance of EQs.
The iEQ series is now able to offer state-of-the-art digital EQ performance
and specs with an analog look and feel. From its amazing 10Hz to 22kHz
frequency response, to its 113dB dynamic range and Advanced Feedback
Suppression (AFS?), dbx proprietary Type V? noise reduction
and PeakStopPlus? limiting, the iEQ-15 offers out of this world specifications
with a downto- earth price point. Sure to find a home in the studio, on tour and
with installed sound venues, the iEQ-15 is destined to take its rightful place in
the lineage of great dbx? signal processors that are the professional?s choice
in signal processing. With such pristine design and quality, the iEQ-15 offers
the maximum sonic flexibility in a straight forward interface and rock-solid construction.

  
? Advanced Feedback Suppression (AFS?)

? Type V? Noise Reduction

? PeakStopPlus? Limiting

? 2/3-octave Constant Q frequency bands

? Switchable boost/cut ranges of ±6 or ±15dB

? 18 dB per octave 40Hz low-cut filter

? ±12dB input gain range

? XLR, TRS and Euroblock Inputs and Outputs

? Internal Toroidal Transformer

? Frequency Response of 10Hz to 22kHz

? Dynamic range of greater than 113dB

? User Power Up Features

? Relay Bypass for Power Failure System Protection

The latest addition to the 10 Series product line, the dbx® 1074 QuadGate™, is the perfect companion to the 1066 and 1046. The 1074 offers 4 channels of gating with threshold, depth and release controls on each channel. The 1074, like the rest of the products in dbx 10 Series, is based on the legendary dbx V2 VCA and offers XLR inputs and outputs, and 1/4” side-chain input. In addition to an external key input per channel, the 1074 also has an internal filter that can be independently activated and controlled on a channel-per-channel basis. This filter allows the 1074 to not only clean up tracks, but gives you frequency selective control on each gate, to open exactly when you want it to. These features combined, make the 1074 an absolute must for those who require quad gating on applications including: Gating dry and percussive sounds such as snare drum and kick drum,gating sounds that have longer decay times such as cymbals and Pianos, gating hum or buzz from live instruments or recorded tracks or eliminating Headphone leakage into microphones. Gating instrument microphones to eliminate amplifier bleed. 

From the company that has been redefining the standard of signal processing for more than 30 years, dbx® Professional Products comes a bulletproof product that caters to the scrutinizing needs of those who require the precision noise gating capabilities. Once again, the engineering staff at dbx® Professional Products have taken technology that has been over three decades in the making and have created a product that is flexible, versatile and rock solid in construction design. The 1074ʼs independent channel design with key filtering capabilities make it the perfect tool for countless applications.

  • Four independent channels of gating
  • Independent key filtering
  • Independent Threshold and Release controls
  • Differentially balanced gold-plated XLR and 1/4" inputs and outputs
  • True RMS level detection
  • Stereo Coupling mode
  • Switchable +4dBu or -10dBv operation per channel

    Input ConnectorsXLR (Pin 2 and tip hot)
    Input TypeElectronically balanced/unbalanced, RF filtered
    Input ImpedanceBalanced > 50 kOhm, unbalanced >25 kOhm
    Max Input> +22 dBu balanced or unbalanced
    CMRR40dB: Typically >55 dB at 1 kHz
    Key InputElectronically balanced/unbalanced, RF fitered Balanced 50kOhm, unbalanced > 25 kOhm
    Output ConnectorsXLR (Pin 2 hot)
    Output TypeServo-balanced/unbalanced, RF filtered
    Output ImpedanceBalanced 60 Ohm, unbalanced 30 Ohm
    Max Output> +22 dBm balanced, > +20 dBm unbalanced
    Bandwidth20 Hz to 20 kHz, +0/-0.5 dB
    Frequency Response0.35 Hz to 200 kHz, +0/-3 dB
    Noise
    Dynamic Range> 115 dB, unweighted
    THD+Noise0.008% typical at +4 dBu (1 kHz unity gain), 0.08% typical at +20 dBu (1 kHz unity gain),
    Interchannel Crosstalk
    Stereo CouplingTrue RMS Power Summing
    Operating Voltage100-120 VAC 50-60 Hz or 200-240 VAC 50/60 Hz
    Power Consumption30 Watts
    Fuse100-120 VAC:250 mA Slow Blow, 200-240 VAC:125 mA Type T
    Power ConnectorIEC receptacle
    Unit Weight6.9 lbs.
    Shipping Weight9.3 lbs.


Features
Enhance switch to restore spectral balance of compressed signal
Switchable Mode - Dual Channel or Stereo linked
Above or Below Threshold LEDs
Balanced XLR and Jack Inputs and Outputs
Intuitive, user friendly layout
Flawless performance

Innovation
The ARX COMPO? is a unique compressor/limiter designed for use in any
professional audio dynamics control application, packaged in a compact 1
RU chassis.The COMPO operates as two independent compressor/limiters,
with 'industry standard' variable Threshold, Ratio and Output gain controls.
A Stereo Link switch on the front panel lets both channels track as a stereo
pair in a Master/Slave configuration.
Enhance Switch
The COMPO features an 'Enhance' switch, which provides frequency restoration
to preserve the spectral balance of the audio signal, compensating for the sagging
Low and High frequency response of compressed program material.
The best way to think of it is as a 'smart' loudness control.
Wide Scale metering
There is comprehensive LED indication of all operating functions and status. Above
or Below Threshold LEDs on each channel give you instant visual confirmation of
compressor activity, as well as easy to read LED Gain Reduction meters.
Balanced Inputs and Outputs
On the rear panel, each channel has true differential Balanced inputs and outputs,
on both XLR and TRS jack connectors. Other features include an Active/Bypass
switch for each channel, and passive RFI filters on the inputs.
Universal AC Power
AC power range is a universal 100 to 120V or 220 to 240V AC, and is connected to
the unit via a removable power lead and standard 3 pin IEC connector, with built-in
fuse and voltage change switch.
ARX Quality
With its smooth compression, intuitive user friendly layout, high density precision
circuitry, and extensive user-variable operating parameters, the ARX COMPO is the
ideal installation 'set and forget' compressor, and is also equally at home in Studio,
Broadcast and Sound Reinforcement environments.

Every day, ARX Audio interface products solve audio problems for thousands of people
around the world.


T E C H N I C A L S P E C I F I C A T I O N S
Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms
Input Headroom + 22 dB
CMRR >60 dB, 20 Hz-20 KHz
Output Impedance Balanced 300 ohms, Unbalanced 150 ohms
Output Level (Max) + 22 dB
Frequency Response 20Hz to 20KHz ±0.4dB
Signal to Noise ratio -85 dB Unweighted, -99 dB 'A' weighted
Distortion .02% THD @ 0dB,1KHz
Dynamic Range 107 dB
Enhance Section
Low Enhance 50 Hz, High Enhance 10 KHz
Power Requirements 100/120 V AC, 220/240 V AC
Weight 5 lbs/2.2 Kg
Dimensions 19“W x 1?“H x 6“D, 482 x 44 x 155mm
Input/OutputConnector type XLR, Balanced Jack

Front Panel Controls
Channel A Active/Bypassed IN/OUT switch
Threshold, Ratio and Output Gain controls
Numbered marker panel for labelling compressor assigns
5 segment LED Gain Reduction display
Above/Below Threshold status LEDs
Enhance switch and status LED
Stereo link switch and status LED
Channel B controls identical to Channel A
Rear Panel Connectors
Balanced XLR Input and Output connectors.
Balanced TRS jack Input and Output connectors.
AC input connector, with voltage switch and fuse.
 

Weight6.00 kg5.20 kg4.00 kg3.86 kg3.00 kg5.20 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 6.00 kg
Weight 5.20 kg
Weight 4.00 kg
Weight 3.86 kg
Weight 3.00 kg
Weight 5.20 kg