Yamaha SPX-900 Multieffect -USED- (Made in Japan)

Discontinued

189.00

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PRICE WITHOUT V.A.T. 50 Superb Effect Programs Offering 50 preset effect programs, the SPX900 also provides simultaneous processing of up to 5 effects at one time. With a sampling frequency of 44.1 kHz, it delivers a full frequency response from 20 Hz to 20 kHz. Exceptionally clean, professional quality sound makes the SPX900 the most […]

 

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PRICE WITHOUT V.A.T.

50 Superb Effect Programs

Offering 50 preset effect programs, the SPX900 also provides simultaneous processing of up to 5 effects at one time. With a sampling frequency of 44.1 kHz, it delivers a full frequency response from 20 Hz to 20 kHz. Exceptionally clean, professional quality sound makes the SPX900 the most appropriate choice for sophisticated sound and recording systems.

Broad Programming Versatiity

Any of the 50 preset programs can be edited, re-titled, and stored in any of the 49 RAM (user memory) locations. Each program has a range of “main” parameters that tailor the effect to a specific application. Individual two-band EQ and dynamic filter parameters are also provided for each effect program. In addition, the SPX900 offers a group of internal parameters that provide custom control over each effect. Finally, level parameters balance between direct sound, and set overall output level.

External Controller Assignment

An EXTERNAL CONTROL ASSIGN function makes it possible to assign two selected parameters from each program to two external controllers. The selected parameters can be remotely controlled in real-time.

MIDI Control

For sophisticated remote control, and automation capability the SPX900 is extensively MIDI equipped. It allows MIDI selection of all programs, and real-time control of up to two selected effect parameters at one time. Switchable MIDI THRU/OUT terminal is provided. When switched to OUT edited programs stored in internal RAM can be dumped to a second SPX900, a MIDI data recorder, or other storage device, and later reloaded via the MIDI IN terminal.

Reverb

A broad range of different reverb effects are offered, simulating the type of natural reverberation experienced in a variety of acoustic spaces. A number of reverb programs stretch the acoustic environment, providing effects such as long tunnel or deep canyon reverberation. REV 6 WHITE ROOM, REV 11 TUNNEL, REV 12 CANYON and REV 13 BASEMENT offer a range of parameters allowing you to adjust the room’s dimensions and relative sound absorption of the wall features. Reverb programs also include a programmable gate which can be selectively triggered by the input signal, a MIDI message, or a trigger footswitch. Reverb programs include: REV 1 HALL, REV 2 HALL & GATE, REV 3 ROOM 1, REV 4 ROOM 2, REV 5 ROOM 3, REV 6 WHITE ROOM, REV 7 VOCAL 1, REV 8 VOCAL 2, REV 9 PLATE, REV 10 PLATE & GATE, REV 11 TUNNEL, REV 12 CANYON, REV 13 BASEMENT.

Early Reflection

Early reflection programs simulate the first few reflections that occur just after a sound is produced – before the reflections become dense enough to be called reverberation – adding punch and presence to vocals and instruments. Early reflection programs can be used to create short reverb type effects or longer “dense echo” type sounds. PROGRAMMABLE ER allows you to individually specify delay time, level and stereo position of up to 19 early reflections. GATE REVERB combines early reflections the early reflections with a programmable, triggerable gate so you can “shape” the effect sound as required. The REVERSE GATE produces a contemporary reverse-reverb effect that can sound like a tape being played backwards. Features also include PERCUSSION ER.

Delay & Echo

DELAY L, R; and DELAY L, C, R are sophisticated delay programs that make it possible to create a wide range of dynamic delay effects. STEREO ECHO offers independently variable left, right and center channel delays.

Modulation

A variety of modulation effects can be produced: STEREO FLANGE produces a pleasant “swirling” sound that effectively thickens and adds warmth to the sound of an instrument or track. CHORUS serves to thinken the sound creating the effect of several instruments at once. SYMPHONIC creates a more intense, multi-voice chorus effect. PHASING is a gentler, swirling effect, lending a smooth animated quality to the original sound. TREMOLO produces a fluctuation in the volume of the signal.

Noise Gate

ADR-NOISE GATE uses a “gate” to pass or shut off the input signal in a number of useful ways. It can function as a “noise gate,” gating out system noise when no signal is present. It is also possible to create reverse gate type effects in which the signal level increases gradually after the effect is triggered.

Pitch Change

Pitch Change programs alter the pitch of an input signal in semitone increments over a 4-octave range (plus or minus 2 octaves). Pitch change permits makes it possible to produce two independently pitch-shifted notes in additon to the direct signal, so you can create three-part harmonies with a single input note. Both pitch-shifted notes appear at the center of the stereo sound field. PITCH 1 & 2 produce 2 pitch-shifted notes in addition to the original input note independently fed to the left and right channel outputs. PITCH CHANGE 3 offers the most complex pitch change effect by creating three pitch-shifted notes in addition to the direct sound. MONO PITCH is ideal when a single shifted note is desired.

Freeze

These are sampling programs which permit recording a sound segment in the memory. The entire sound or specific portion of it may then be played back as required. A maximum of 1.35 seconds makes it possible to capture long sounds with outstanding fidelity. The FREEZE program allows single playback of the sampled sound, or continuous looped playback.

Pan

An advanced pan program allows the creation of a 2-dimensional “rotory” pan in addition to standard stereo pan effects enabling the sound to sweep toward and away from the listener in addition to side-to-side movement. The TRIGGERED PAN program automatically pans the sound image across the stereo sound field – with programmable attack, pan, and release rates.

Compressor

Compression limits the dynamic range of an input signal, boosting soft signals and reducing high signals to keep them within the specified range. It can help reduce volume fluctuations as a vocalist moves closer to or away from a microphone, or limit the maximum level of a signal to prevent system overload. The COMPRESSOR program also includes a downward expander capability for effective, real-time, noise reduction.

Distortion

This feature is capable of producing an extremely broad range of guitar-style overdrive sounds. In addition to distortion level, it offers equalization parameters that offer a wide palette of overdrive colors, from “chunky” rhythm to driving leads.

Aural Exciter

This program adds appropriate harmonics to the input signal, adding “sparkle” to the sound. This effect is often used to bring “buried” sounds to the foreground without making them louder, or to add “life” to dull-sounding tracks.

Multi-Effects

Multi-effect programs combine compressor, distortion, equalizer/dynamic filter, reverb, echo, chorus, symphonic or Aural Exciter effects with programmable parameters for each effect. A nearly limitless range of processing possibilities from subtle to extreme can be achieved through Multi-effect programs.

Dual Effects

Dual effect programs provide different, independent effects for the left and right channel outputs allowing for the creation of many unique stereo effects.

Weight 2.50 kg

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Yamaha SPX-900 Multieffect -USED- (Made in Japan) removeDOD 2x15 Equalizer-SECONH HAND- removePeavey EQ-215 Stereo Equalizer Vintage -SECOND HAND- removeDOD SR830 Graphic equalizer stereo USED (Made in USA) removeSAMSON S-COM 4 Four Channel Compressor-Gate Processor (USED) removeBSS FDS-334 MINIDRIVE LOUDSPEAKER MANAGEMENT SYSTEM 2IN/4OUT -USED- remove
NameYamaha SPX-900 Multieffect -USED- (Made in Japan) removeDOD 2x15 Equalizer-SECONH HAND- removePeavey EQ-215 Stereo Equalizer Vintage -SECOND HAND- removeDOD SR830 Graphic equalizer stereo USED (Made in USA) removeSAMSON S-COM 4 Four Channel Compressor-Gate Processor (USED) removeBSS FDS-334 MINIDRIVE LOUDSPEAKER MANAGEMENT SYSTEM 2IN/4OUT -USED- remove
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Description
ContentPRICE WITHOUT V.A.T. 50 Superb Effect Programs Offering 50 preset effect programs, the SPX900 also provides simultaneous processing of up to 5 effects at one time. With a sampling frequency of 44.1 kHz, it delivers a full frequency response from 20 Hz to 20 kHz. Exceptionally clean, professional quality sound makes the SPX900 the most appropriate choice for sophisticated sound and recording systems. Broad Programming Versatiity Any of the 50 preset programs can be edited, re-titled, and stored in any of the 49 RAM (user memory) locations. Each program has a range of "main" parameters that tailor the effect to a specific application. Individual two-band EQ and dynamic filter parameters are also provided for each effect program. In addition, the SPX900 offers a group of internal parameters that provide custom control over each effect. Finally, level parameters balance between direct sound, and set overall output level. External Controller Assignment An EXTERNAL CONTROL ASSIGN function makes it possible to assign two selected parameters from each program to two external controllers. The selected parameters can be remotely controlled in real-time. MIDI Control For sophisticated remote control, and automation capability the SPX900 is extensively MIDI equipped. It allows MIDI selection of all programs, and real-time control of up to two selected effect parameters at one time. Switchable MIDI THRU/OUT terminal is provided. When switched to OUT edited programs stored in internal RAM can be dumped to a second SPX900, a MIDI data recorder, or other storage device, and later reloaded via the MIDI IN terminal. Reverb A broad range of different reverb effects are offered, simulating the type of natural reverberation experienced in a variety of acoustic spaces. A number of reverb programs stretch the acoustic environment, providing effects such as long tunnel or deep canyon reverberation. REV 6 WHITE ROOM, REV 11 TUNNEL, REV 12 CANYON and REV 13 BASEMENT offer a range of parameters allowing you to adjust the room's dimensions and relative sound absorption of the wall features. Reverb programs also include a programmable gate which can be selectively triggered by the input signal, a MIDI message, or a trigger footswitch. Reverb programs include: REV 1 HALL, REV 2 HALL & GATE, REV 3 ROOM 1, REV 4 ROOM 2, REV 5 ROOM 3, REV 6 WHITE ROOM, REV 7 VOCAL 1, REV 8 VOCAL 2, REV 9 PLATE, REV 10 PLATE & GATE, REV 11 TUNNEL, REV 12 CANYON, REV 13 BASEMENT. Early Reflection Early reflection programs simulate the first few reflections that occur just after a sound is produced - before the reflections become dense enough to be called reverberation - adding punch and presence to vocals and instruments. Early reflection programs can be used to create short reverb type effects or longer "dense echo" type sounds. PROGRAMMABLE ER allows you to individually specify delay time, level and stereo position of up to 19 early reflections. GATE REVERB combines early reflections the early reflections with a programmable, triggerable gate so you can "shape" the effect sound as required. The REVERSE GATE produces a contemporary reverse-reverb effect that can sound like a tape being played backwards. Features also include PERCUSSION ER. Delay & Echo DELAY L, R; and DELAY L, C, R are sophisticated delay programs that make it possible to create a wide range of dynamic delay effects. STEREO ECHO offers independently variable left, right and center channel delays. Modulation A variety of modulation effects can be produced: STEREO FLANGE produces a pleasant "swirling" sound that effectively thickens and adds warmth to the sound of an instrument or track. CHORUS serves to thinken the sound creating the effect of several instruments at once. SYMPHONIC creates a more intense, multi-voice chorus effect. PHASING is a gentler, swirling effect, lending a smooth animated quality to the original sound. TREMOLO produces a fluctuation in the volume of the signal. Noise Gate ADR-NOISE GATE uses a "gate" to pass or shut off the input signal in a number of useful ways. It can function as a "noise gate," gating out system noise when no signal is present. It is also possible to create reverse gate type effects in which the signal level increases gradually after the effect is triggered. Pitch Change Pitch Change programs alter the pitch of an input signal in semitone increments over a 4-octave range (plus or minus 2 octaves). Pitch change permits makes it possible to produce two independently pitch-shifted notes in additon to the direct signal, so you can create three-part harmonies with a single input note. Both pitch-shifted notes appear at the center of the stereo sound field. PITCH 1 & 2 produce 2 pitch-shifted notes in addition to the original input note independently fed to the left and right channel outputs. PITCH CHANGE 3 offers the most complex pitch change effect by creating three pitch-shifted notes in addition to the direct sound. MONO PITCH is ideal when a single shifted note is desired. Freeze These are sampling programs which permit recording a sound segment in the memory. The entire sound or specific portion of it may then be played back as required. A maximum of 1.35 seconds makes it possible to capture long sounds with outstanding fidelity. The FREEZE program allows single playback of the sampled sound, or continuous looped playback. Pan An advanced pan program allows the creation of a 2-dimensional "rotory" pan in addition to standard stereo pan effects enabling the sound to sweep toward and away from the listener in addition to side-to-side movement. The TRIGGERED PAN program automatically pans the sound image across the stereo sound field - with programmable attack, pan, and release rates. Compressor Compression limits the dynamic range of an input signal, boosting soft signals and reducing high signals to keep them within the specified range. It can help reduce volume fluctuations as a vocalist moves closer to or away from a microphone, or limit the maximum level of a signal to prevent system overload. The COMPRESSOR program also includes a downward expander capability for effective, real-time, noise reduction. Distortion This feature is capable of producing an extremely broad range of guitar-style overdrive sounds. In addition to distortion level, it offers equalization parameters that offer a wide palette of overdrive colors, from "chunky" rhythm to driving leads. Aural Exciter This program adds appropriate harmonics to the input signal, adding "sparkle" to the sound. This effect is often used to bring "buried" sounds to the foreground without making them louder, or to add "life" to dull-sounding tracks. Multi-Effects Multi-effect programs combine compressor, distortion, equalizer/dynamic filter, reverb, echo, chorus, symphonic or Aural Exciter effects with programmable parameters for each effect. A nearly limitless range of processing possibilities from subtle to extreme can be achieved through Multi-effect programs. Dual Effects Dual effect programs provide different, independent effects for the left and right channel outputs allowing for the creation of many unique stereo effects.

PRICE WITHOUT V.A.T. 23%

PRICE DOES NOT INCLUDE VAT

Peavey EQ-215 Stereo Vintage (Used)

  • 15 frequency bands stereo equalizer
  • External condition: mediocre (scratches,one fader knob missing)
  • Works perfectly
  • Made in U.S.A.
  • Price does not include V.A.T.

 

Features
• Dual 15-band equalizer
 
• Constant Q
 
• Low cut filter at 50Hz with a 12dB/Octave slope
 
• Balanced XLR inputs and outputs
• Bal 1/4" inputs and impedance balanced 1/4" outputs
-
• ISO 2/3 octave frequency centers
PRICE DOES NOT INCLUDE VAT

Longer throw faders provide more precise adjustments when equalizing a room. The SR830QXLR offers 2 channels of equalization each with 15 bands of 45mm faders. The all steel chassis construction can handle the abuse of the road, or the solace of a permanent installation.

USED IN GOOD CONDITION.

Price does not include vat

The S com 4 is a compact and versatile single-rack space device that provides
four channels of high quality dynamics processing with an Expander/Gate and
Compressor/Limiter on each channel.
The four channels operate independently or in stereo pairs. Its multi-segment LED
metering displays input/output level as well as gain reduction. The Expander/Gate
section features a continuously variable Threshold control as well as a switch for
fast or slow release times.
The Compressor/Limiter section includes variable Threshold, Ratio and Output levels.
S com 4\'s Enhancer switch restores high frequencies that are sometimes diminished
by heavy compression. This wide-ranging combination of features makes the S com
4 an efficient and versatile audio tool for a wide variety of applications. Its clean and
quiet audio characteristics make it ideal where high sonic integrity is imperative. 
 
FEATURES:

4 Channel Compressor/Limiter, Expander/Gate with Enhancer
Linkable in two Stereo pairs
Expander/Gate with variable Trigger control and switchable Fast/Slow Release
5 Segment LED meters for Input/Output levels and Gain Reduction on each channel
Advanced circuit design utilizing Low Noise Operational
Amplifiers and High Quality VCA\'s
Servo Balanced Inputs and Outputs on XLR and 1/4" connectors
SKD (Smart Knee Detector) circuit automatically switches from soft to hard knee
based on the level of Input signal applied
Individual Threshold and Ratio controls on each channel
Three-year extended warranty 

PRICE WITHOUT V.A.T.

The BSS FDS-334T is a 2 input / 4 output loudspeaker management system with
Features such as : Fast-access edit input and output, Each output is assignable
to either input or to sum of inputs, Navipad menu navigation, Bright blue text display,
Crossover, assignable PEQ mid-filter limiters, polarity and delay on each output,
Assignable parametric EQ and delay on each input, LED bargraphs on every input
and output, 6, 12, 18, 24 or 48dB per octave Butterworth, Bessel or Linkwitz crossover
alignments, 60 user programs, Lockable front panel mutes and level trims and MIDI control.

 

Weight2.50 kg8.00 kg2.00 kg3.00 kg3.40 kg3.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.50 kg
Weight 8.00 kg
Weight 2.00 kg
Weight 3.00 kg
Weight 3.40 kg
Weight 3.00 kg