| Content | YAMAHA TF3 Digital Mixer Overview:
- 25 motor faders (24 channels + 1 master)
- 48 input mixing channels (40 mono + 2 stereo + 2 return)
- 20 Aux (8 mono + 6 stereo) + Stereo + Sub buses
- 8 DCA groups with Roll-out
- 24 analog XLR/TRS combo mic/line inputs + 2 analog RCA pin stereo line inputs
- 16 analog XLR outputs
- 34 x 34 digital record/playback channels via USB 2.0 + 2 x 2 via a USB storage device
- 1 expansion slot for NY64-D audio interface card
| Ever since the "dawn of digital" audio engineers the world over have had a love-hate relationship with their consoles. The new BEHRINGER X32 digital mixing console lets you focus on your event, instead of navigating a vast sea of knobs, buttons and menus like most other live digital mixers. X32 is intuitive and powerful with 40 processing channels and 25 mix buses, all equipped with serious signal processing (dynamics, EQ and inserts), which can be configured quickly to meet the demands of virtually any gig, large or small.
Ready for your input
Use any combination of the local 32 console mic inputs or the networked digital snake inputs on stage-their audiophile quality programmable preamps always ensure full control, purity and impeccable dynamics. The dedicated channel strip section puts 17 backlit buttons and 13 rotary controls with LED-collars right at your fingertips for nuanced adjustment of each channel's compressor, 4-band parametric EQ and much more. Each input and output channel strip features its own color backlit 128x64 graphic LCD, which provides vital channel information at-a-glance.
Virtual FX Rack
The onboard virtual FX Rack provides access to eight true-stereo, multi-effects processors (16 mono) including delay, chorus, dynamics-and it can run 4 production quality true-stereo reverbs concurrently with 8 channels of 31-band graphic equalization, all without the need for expensive, space-consuming external hardware.
High-count I/O options
X32's extensive connectivity includes 32 high-end programmable mic preamps, 6 balanced Line Ins and Outs on 1/4" TRS, 16 balanced XLR Outs, plus dual Phones and balanced Control Room outputs on both XLR and 1/4" TRS connectors. Additionally, a single AES50 CAT5 cable from FOH to the stage can transfer up to 48 channels of bi-directional audio, collecting all input signals and delivering all bus outputs, along with 16 individual monitor feeds for BEHRINGER's brand new P16 personal monitoring system-all on just one line! The two AES50 ports provide connectivity for up to 6 BEHRINGER S16 stage boxes, or for sharing signals between multiple consoles-all with its ultra-low latency and high reliability the SuperMAC technology is known for.
Vital information is just a click away
Thanks to the netbook-resolution, 800x480 high-contrast color TFT display, you are never more than one or two button presses away from any of X32's eight highly intuitive control screens. Once you select the desired function, dedicated rotary/push encoders allow you to set parameters and source I/O assignment, without the need to "drill down" through multiple layers of menus or page through a complex owner's manual.
Versatile signal and scene management
Signals can be assigned to eight DCA groups (Digitally Controlled Amplifier), which provides simultaneous group level control via dedicated 100 mm motorized faders. The audio engineer can communicate with the talent by means of the Talkback section's onboard mic or an external mic of their choosing. X32's scene management allows snapshots of high-level production mixes to be captured and recalled for future use (you can even save them to a USB stick). X32 even has a dedicated custom control section with user-definable knobs and buttons where you can create your own set of controls, making it easy to access frequently used functions "on-the-fly."
Powered by MIDAS & KLARK TEKNIK
When we began development on the X32, we called on our sister companies, MIDAS and KLARK TEKNIK, recognized the world over for their digital consoles and EQ/FX processing, for implementation support. The programmable, high-grade mic preamps found in the X32 are based on a genuine MIDAS design, all the way down to their A/D converters. The resulting design ensures superior common mode rejection (CMRR) and extremely low harmonic distortion (THD). The X32 is an amazingly clean amalgam of high technology merged with superb user-friendly features.
We received brilliant support from MIDAS and KLARK TEKNIK in designing X32's GUI (graphical user interface), a major advancement in digital mixing made easy, productive, and well... fun! They also drew on their extensive experience in FPGA (Field Programmable Gate Array) coding for rock-solid, ultra-low latency digital channel patching-giving the X32 the capacity to handle up to 168 sources on 168 destinations, including the two AES50 ports. You can expect to see more collaboration between BEHRINGER and MIDAS in the very near future.
Bus and Rear Panel Flexibility
X32 provides 25 fully featured mix buses that can be configured for many different applications; Main LCR (Left, Center, Right) buses; 16 mix buses (individually configurable as pre/post EQ, pre/post Fader or Subgroup) with Inserts, 6-band parametric EQ and dynamics processing; plus six independent Matrix Mixes with Inserts, also with 6-band parametric EQ and dynamics processing.
The X32 abounds with a total of 168 accessible sources and destinations-and managing this much I/O has never been easier! Next to all the analog ins and outs, the rear panel also sports two AES50* ports, each with KLARK TEKNIK's rock-solid SuperMAC networking capability (addressing a total of 96 concurrent inputs and outputs) for dependable communication between the X32 and digital snakes, remote stage boxes or even other consoles. Stereo AES/EBU output, ULTRANET P16 and MIDI are also supported, plus a convenient top panel USB port is provided for recording an uncompressed two-channel "board mix" straight to any standard USB thumb drive or for playing background music. The Ethernet socket allows complete remote control via LAN or WiFi, and the expansion slot suggests there is even more to come...
The Future is Here-Now!
X32 ships with the insanely powerful XUF FireWire/USB audio interface card pre-installed in the expansion slot right out-of-the-box! XUF provides lowlatency 24-bit audio interfacing with Mac or PC host computers in the form of 32 In x 32 Out channels and MIDI. It even transmits HUI and Mackie Control data along with the audio I/O, which provides convenient remote control of your DAW via the X32 group fader section controls. XUF is compatible with CoreAudio on Mac OS 10.5 and above, and high-performance ASIO drivers for Windows PC are downloadable from behringer.com.
Digital Mixing-Analog Price
The BEHRINGER X32 digital mixing console sets a new benchmark for live sound mixing along with unprecedented value. Behringer is proud to offer the full-featured X32 digital mixing console with it's large input and output channel count, comprehensive processing, flexible expansion options and intuitive user interface-all at a price point that anyone can afford!
Compose. Record. Mix. Share.
TRACKTION 4 puts the fun back into the creative process, so we're including it free of charge with select BEHRINGER products. This powerful, yet easy-to-use music production software is unlike anything you've seen before, putting everything you'll need on your desktop, on a single-screen - without the sea of drop down and hidden menus common to most other DAWs. And TRACKTION doesn't limit the number of tracks you can record, or the number of effects you can use. In fact, the only limitation is your Mac or PC computer's processing power. Recording and editing couldn't be easier; simply drag, drop, cut, copy or paste. Once your magnum opus is finished, share it with other "Tracktioneers" so they can listen, collaborate and edit.
Here are just a few of TRACKTION 4's outstanding features:
- Native FX plug-ins ranging from dynamics to modulation, reverb and more
- Support for available third party AU, VST and VSTi plug-ins
- Mix Automation
- Safe Record
- Loop Recording
- 64-bit, 192 kHz Mix Engine
- Audio Clip manipulation
- MIDI Editor
- Filters - Volume / Pan, Level Meter, 4-Band EQ, Aux Send & Return and FX
- Export to a variety of formats such as .wav, .aif, and .mp3
Product Features:
- 40-input channel, 25-bus digital mixing console for Studio and Live application
- 32 MIDAS-designed, fully programmable mic preamps for audiophile sound quality
- 25 Fully automated motorized 100 mm faders allow for instant overview, powerful scene management and DAW control
- 16 XLR outputs plus 6 additional line in/outputs, 2 phones connectors and a talkback section with integrated or external mic
- Individual and dynamic LCD Scribble Strips on all channels and buses creating easy assignment and intuitive channel distinction
- 32 x 32 channel USB 2.0 audio interface, with DAW remote control emulating HUI* and Mackie Control*
- iPad* and iPhone* apps for professional remote operation available free of charge-no host PC required
- High-resolution 7" day-viewable Color TFT for easy viewing of workflow components and parameters
- Main LCR, 6 matrix buses and 16 mix buses each featuring inserts, 6-band parametric EQ's and full dynamics processing, plus 8 DCA and 6 mute groups
- Virtual FX rack featuring 8 true-stereo FX slots include high-end simulations such as Lexicon 480L* and PCM70*, EMT250* and Quantec QRS* etc.
- 40-Bit floating-point DSP features "unlimited" dynamic range with no internal overload and near-zero overall latency (0.8 msec)
- Powerful scene management for convenient handling of complex productions
- 48-channel Digital Snake ready** via AES50 ports, featuring KLARK TEKNIK's SuperMAC networking capability for ultra-low jitter and latency
- USB type-A connector providing file storage and uncompressed stereo recordings plus show presets and system updates
- Dedicated and easy-to-use channel strip section with direct access controls and graphic user interface for intuitive workflow
- Additional user-definable control section allows for on-the-fly adjustments of your favorite parameters
- ULTRANET connectivity for BEHRINGER's P-16 Personal Monitoring System** plus AES/EBU stereo digital output and MIDI
- Networked remote control for show setups with on-screen software editor via Ethernet
- Built-in expansion port for audio interface cards or digital networking bridges
- Future firmware updates, incl. new FX "Plug Ins“, downloadable from behringer.com free of charge
- Conceived and designed by BEHRINGER Germany
|
Si Performer 1 Highlights
•
Massive mix capacity – 80 inputs to mix in a small format live sound digital mixer
•
2 ViSi Connect™ option card slots with 128x96 input/output paths for expanded digital I/O including the MultiDigital Card (Firewire/USB/ADAT), BSS Digital Audio Bus (BLU Link), Dante™, CAT5 or optical MADI, AVIOM™, CobraNet™ and others.
•
Assignable Fader Layers - Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!
•
1 Control = 1 Function - With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Performer controls to be labeled on the surface just as they would have been on an analogue mixer.
•
TOTEM™ - The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.
•
Soundcraft FaderGlow™ - Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again!
•
DMX interface - control sound and light from the same device.
•
BSS® GEQ - With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing.
•
Security Lockout - Lock the whole console or just selected elements, manage the security with the users and profile settings.
•
Personal Monitoring Interface - When used with the Si BLU link option card, the Si Performer is a perfect partner to the dbx PMC16 Personal Monitoring System , using simple Cat5 cabling for easy setup.
•
D.O.G.S. (Direct Out Gain Stabiliser) - Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.
•
Global Mode Controls - A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.
•
Copy & Paste - Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.
•
Instant Access Keys - Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-8, TAP TEMPO and more negate the need to dive into screen & context menus.
•
Function Focus - Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc.
Key Features
• 16 mono mic inputs
• 8 line inputs
• 80 channels to mix
• 2 ViSi Connect™ option card slots for 128 x 96 input/output paths
• Pre/Post selection per input per bus
• Freely assignable faders and patching
• Soundcraft FaderGlow™
• Colour backlit LCD screens per fader
• GEQ on every bus
• 20 sub-group / aux busses
• 4 FX busses
• 8 Matrix busses
• LRC Mix busses
• LCR panning
• 4 Stereo Lexicon Effects engines
• Delay on inputs and outputs
• 8 Mute Groups
• 8 VCA Groups
• AES in and out
• DMX interface and control -control sound and light simultaneously
• Freely assignable insert loops
• Harman HiQnet integration
• Colour touch screen interface
• Comes with removable side cheeks | Ultimate sonic performance
Thanks to the MIDAS-designed mic preamps, precision digital converters and a sophisticated 40-bit floating-point DSP audio engine, X32 mixers reproduce your audio signals with every nuance intact. The preamp design eliminates typical imbalances of gain-setting stages, thereby improving the common-mode rejection ratio (CMRR) and reducing second level harmonic distortion to an almost immeasurable level.
Enhanced workflow
The X32 Family completely redefines the expectations of power in a digital mixer. The brilliance of X32's workflow is its simplicity and total lack of clutter; coupled with a fully interactive user interface that ensures immediate familiarity and instils confidence. Whether working on the control surface or remotely by PC/Mac/Linux computer or iPad/iPhone/iPod Touch, your experience will be fluid and natural.
Unlimited expandability
Each member of the X32 family comes loaded with all of the I/O and functionality you need, right out of the box, but it doesn't end there. On-board multi-track audio connectivity delivers audio to your DAW. Integrated multi-channel digital audio interfaces connect to S16 remote stage boxes, the P16 Personal Monitor System or BEHRINGER's iQ Networked Active Speakers. Native Ethernet control enables remote operation by computer, iPad or iPhone over a wired or wireless network, across the room, or across the planet!
The ideal experience
Whether you come from an analog mixing background, or are accustomed to using other digital consoles, your first experience with X32 has been engineered to be intuitive and straightforward. Tactile controls allow smooth adjustments to critical elements as the mix progresses while the TFT screen keeps you informed every step of the way. This integration of tactile controls, motorized faders and the array of LCD and TFT displays makes the X32 experience the premiere solution for Live Sound, Broadcast, Studio Recording and Post Production applications.
Features
- Compact 40-input channel, 25-bus digital mixing console for Studio and Live application
- 16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality
- 17 fully automated motorised 100mm faders allow for instant overview, powerful scene management and DAW control
- 8 XLR outputs plus 6 additional line in/outputs, phones connector and a talkback section with integrated or external mic
- 32 x 32 channel audio interface over USB 2.0, with DAW remote control emulating HUI and Mackie Control
- iPad and iPhone apps for professional remote operation available free of charge - no host PC required
- High-resolution 5" day-viewable Colour TFT for easy viewing of workflow components and parameters
- Main LCR, 6 matrix buses and all 16 mix buses each featuring inserts, 6-band parametric EQ's and full dynamics processing, plus 8 DCA and 6 mute groups
- Virtual FX rack featuring 8 true-stereo FX slots include high-end simulations such as Lexicon 480L and PCM70, EMT250, Quantec QRS and more
- 40-bit floating-point DSP features 'unlimited' dynamic range with no internal overload and near-zero overall latency for mixing a total of 48 signals on 25 buses
- Powerful scene management for convenient handling of complex productions
- 48-channel Digital Snake ready via dual AES50 ports, featuring KLARK TEKNIK's SuperMAC networking capability for ultra-low jitter and latency
- USB type - A connector providing file storage and uncompressed stereo recordings plus show presets and system updates
- Dedicated and easy-to-use channel strip section with direct access controls and graphic user interface for intuitive workflow
- Additional user-definable control section allows to set up short-cuts to your favourite views or parameters
- ULTRANET connectivity for Behringer's P-16 Personal Monitoring System
- Networked remote control for show setups with on-screen software editor via Ethernet
- Built-in expansion port for audio interface cards or digital networking bridges
- MIDI In/Out for remote scene recall or controlling other MIDI equipment
- Free future firmware updates downloadable from Behringer
Specifications
- Frequency Range: 10Hz - 22kHz
- Dynamic Range: 106dB
- Output Level: +4dBu / +21dBu (XLR)
- Main Screen: 5'', 800 x 480, 262k Colour TFT
- Main Meter: 18-Segment (-45dB to Clip)
- Power Supply: Switchmode 100V - 240V, 50Hz/60Hz
- Power Consumption: 70W
- Dimensions: 490mm x 506mm x 163mm
- Weight: 11.4kg / 25.1lbs
Processing Channels
- Input Channels: 32
- Aux Channels: 8
- FX Return Channels: 8
- Aux Buses: 16
- Matrices: 6
- Internal Effects Engines: 8 True Stereo / 16 Mono
- Internal Recall Scenes: 100
- Signal Processing: 40-Bit Floating Point
- AD/DA Conversion: 24-Bit @ 44.1kHz/48kHz, 114dB Dynamic Range (Cirrus Logic A/D CS5368, D/A CS4385)
- Local I/O Latency: 0.8ms
- Network I/O Latency: 1.1ms
Connectors
- XLR Inputs: 16 Inputs with Programmable Mic Preamps (Designed by MIDAS)
- Talkback Mic Input: XLR
- XLR Outputs: 8
- RCA Inputs/Outputs: 2/2
- Monitoring Outputs: 2 x 1/4'' Balanced
- Aux Inputs/Outputs: 6/6 x 1/4'' TRS Balanced
- Headphone Outputs: 1 x 1/4'' TRS
- AES50 Ports: 2/2
- Expansion Card Slot: 32 Channel Audio Input/Output
- P-16 Connector: 1
- MIDI Inputs/Outputs: 1/1
- RJ45 Ethernet: 1
- USB Type A: 1
|
Qu-16 takes compact digital mixing to a new level with innovative design and exceptional functionality combining to create a superb professional mixing experience.
Bristling with all the features you'd expect from a top of the range digital console and incorporating technologies pioneered on our GLD and iLive digital mixing systems, Qu-16 has the power and pedigree to deliver class-leading audio performance.
Whether you're switching from analogue or updating your digital desk, it's time to experience the new digital with Qu-16.
- 16 Mono Inputs (TRS + XLR)
- 3 Stereo Inputs (TRS)
- 4 Stereo FX Returns
- 16 Busses
- 12 Mix Outputs (LR, Mono Mix 1-4, Stereo Mix 1-3)
- 4 FX Engines
- AES Digital Out
- 19" Rack Mountable
- Moving Faders
- Recallable AnaLOGIQ Preamps
- Qu-Drive direct Multitrack Recording / Playback on USB drives
- 800×480 Touchscreen
- iLive FX Library
- dSNAKE Remote Audio Port
- Compatible with ME Personal Mixing System
- Qu-Pad iPad App
- USB Audio Streaming
- DAW MIDI Control
- 4 Mute Groups
- Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor and delay on all Inputs
- Insert, 4-band PEQ, 1/3 octave GEQ, compressor and delay on all Mix outputs
- Built-in Signal Generator
- RTA with Peak Band indication
|
19-inch Digital Production Console for Professionals in the Studio or On the Road
Mixing performance and features directly inherited from the DM2000 and 02R96 in a rack-mount size console. Version 2 offers ESAM II support, Add-on Effects compatibility, and numerous other upgrades.
When the acclaimed Yamaha DM2000 console appeared on the production scene, it proved that true 24-bit/96 kHz performance, DAW integration, and surround production facilities were what the industry had been waiting for. With the introduction of the 02R96 the same benefits became available to a broader range of engineers and facilities, including project studios for music production. Now the Yamaha DM1000, like the DM2000, is designed especially for commercial post-production, audio for video, and broadcast applications. But extraordinary versatility and configurability mean that the DM1000 is also ideal for a wide range of sound reinforcement applications.
The DM1000 Digital Production Console distills the essence of the DM2000 into a remarkably compact console that delivers the same level of performance and key features. And with the supplied Studio Manager Application software, all mix data is interchangeable between the DM2000, DM1000 and 02R96. These consoles can be linked and cascaded interactively within a multi-room studio, or a tour engineer can do a basic console setup on his laptop computer anywhere, and then simply load the settings into the console at the venue.
Like its predecessor, the DM1000 delivers mixing power and performance that's way ahead of anything else on the market, and it even incorporates newly introduced software features such as 6.1 Surround, User Assignable Layer, and Global Recall Safe. Never has so much mixing power and versatility been available in a compact, rack-mountable console.
With the introduction of Version 2, the DM1000 evolves to an even higher level of refinement.
Outline | Mixing capability | Mixing channels | 48 | | GROUP | 8 | | AUX | 8 | | MAIN | Stereo | | Input channel functions | Gate, Attenuator, 4-band PEQ, 2x Compressor, Delay, Pan | | Output channel functions | Attenuator, 4-band PEQ, Compressor, Delay | | On-board processors | 4x SPX multi effectors | | I/O | Mic inputs | 16 | | Phantom power | +48V DC; ON/OFF per channel | | Line inputs | 4x Omni in | | AD converter | 24-bit; 128-time over sampling | | Line outputs | 12x Omni output | | DA converter | 24-bit; 128-time over sampling | | Digital I/O | 2x 2tr in/out | | Expansion slots | 2x Mini-YGDAI (16-in/16-out) | | Control and others | To Host(USB), Control(GPI), Remote, MIDI, Time code in (SMPTE), Word clock I/O | General specifications | Internal processing | 32bit, Accumulator: 58bit | | Sampling frequency rate | Internal | 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz | | External | 44.1kHz/88.2kHz (-10%) - 48kHz/96kHz (+6%) | | Signal delay | Less than 1.6ms (@48kHz), Less than 0.8ms (@96kHz) | | Total harmonic distortion | Less than 0.05% (20Hz-40kHz) | | Frequency response | 0, +0.5, -1.5dB 20Hz-40kHz | | Dynamic range | DA: 110dB; AD+DA: 106dB | | Hum & noise level | Equivalent input noise | -128dBu | | Residual output noise | -86dBu | | Crosstalk | -80dB | | Power requirements | AC100V, 120V, 220-240V 50/60 Hz | | Power consumption | 135W | | Dimensions | W | 436mm; 17-3/16in | | H | 200mm; 7-7/8in | | D | 585mm; 23-1/16in | | Net weight | 20kg; 44.1lbs | | Accessories | Owner's Manual, Studio Manager Installation Guide, AC power cord | |
Reviews
There are no reviews yet.