Zoom H3-VR Handy Audio Recorder with Built-In Ambisonics Mic Array

239.00 incl. GR VAT

Only 1 left in stock (can be backordered)

EAN: 884354019969
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  • For Video, Audio, VR & AR Production
  • Ambisonics, Binaural & Stereo Modes
  • Export to 5.1 Surround via Computer
  • Ambisonics Array with Four Microphones
  • On-Board Ambisonics A-to-B Conversion
  • Up to 24-Bit / 96 kHz Resolution
  • Built-In Slate Function
  • 3.5mm Output with Binaural Monitoring
  • Record to microSD Card or Stream via USB
  • Automatic Mic Position Detection
  • For Video, Audio, VR & AR Production
  • Ambisonics, Binaural & Stereo Modes
  • Export to 5.1 Surround via Computer
  • Ambisonics Array with Four Microphones
  • On-Board Ambisonics A-to-B Conversion
  • Up to 24-Bit / 96 kHz Resolution
  • Built-In Slate Function
  • 3.5mm Output with Binaural Monitoring
  • Record to microSD Card or Stream via USB
  • Automatic Mic Position Detection

 

Read more

The Zoom H3-VR Handy Audio Recorder is a compact audio recorder with a built-in Ambisonics mic array offering flexible 360° audio capture as well as integrated Ambisonics A-to-B conversion, eliminating the need for external processing. The device goes well beyond VR applications, and is additionally geared towards sound recordists, audio engineers, and content creators in music, audio-for-video, game audio, and AR production.

It features an Ambisonics mic array with four microphone capsules, which can be utilized to record in Ambisonics, stereo binaural, or standard stereo modes, making it well suited for detailed reproduction of studio-based instrument ensembles and solo performances, audiences, sound effects, EFP, and more. The H3-VR supports full-sphere surround sound recording at up to 24-bit / 96 kHz, as well as real-time stereo/binaural monitoring and on-board Ambisonics A-to-B conversion, eliminating the need for additional processing with a computer in post. You can even export your Ambisonics recordings as stereo, binaural, or 5.1 audio files using the free Zoom Ambisonics Player software (downloadable to a Mac or Windows computer).

The unified single-knob gain control, LCD screen, and transport/menu buttons deliver easy and efficient device configuration and operation. Remote access to transport controls, levels, and metadata is possible via the iOS H3-VR Control app and optional BTA-1 Bluetooth adapter. An integrated 6-axis motion sensor is utilized to provide automatic detection of the microphone position, which ensures proper audio-to-video orientation alignment and simple angle leveling. Dual 3.5mm outputs with independent level control enable simultaneous connection to headphones and a camera. Record to a microSD/microSDHC/microSDXC card (available separately), or stream audio via USB to a computer or iOS device. The built-in slate function can be used to verbally mark takes and manually align audio and video files.

The H3-VR supports powering via two AA batteries or a USB connection, and its power LED also serves as a clip indicator. A 1/4″-20 threaded hole on the bottom of the H3-VR accommodates attachment to a standard camera tripod. At less than 5″ tall and 3″ wide, this recorder is visually discreet and unobtrusive. It is supplied with a foam windscreen, a dual mount adapter, and two AA batteries.

Music Recording Applications in Stereo or 3D Sound:

Accurately capture rehearsals, ensembles, and solo performances in recording studios and concert halls; you can spice up your stereo recordings with the binaural mode that tracks at up to 24-bit / 48 kHz to enhance 2D productions with spatially accurate imaging compatible with standard headphones

Sound for Film

Record dynamic Foley, sound effects, and ambience for film, television, and video game projects for Dolby Atmos Surround Sound as well as 5.1 Surround processing with the included Mac/PC software

Sound for VR

Record true 360° Ambisonic audio for immersive VR (virtual reality) and AR (augmented reality) in four channels at up to 24-bit / 96 kHz resolution for detailed 360° audio

Live Streaming Audio

USB 2.0 audio interface mode supports live streaming and recording via USB Micro-B connection

Versatile Playback, Decode, and Export Functions

  • On-board decoder automatically converts the raw Ambisonics A audio to VR-ready Ambisonics B audio, so it can easily be paired with your 360-video
  • Export Ambisonics recordings as 5.1 surround files via free Zoom Ambisonics Player software for Mac and Windows
  • 6-axis motion sensor provides automatic detection of mic position, enabling the audio and video orientations to stay aligned from scene to scene regardless of mic placement
  • Integrated Ambisonics playback allows you to rotate the H3-VR to simulate spatial audio while listening
  • Supports real-time headphone monitoring in stereo binaural or simulated 360° mode
  • Separate 3.5mm headphone and line outputs with independent volume adjustment allow simultaneous connection to your headphones and camera

Easy Controls

  • On-board LCD screen displays direction of microphone orientation to suit the position of the H3-VR
  • Straightforward buttons include home, play/pause, forward, back, and menu
  • Hold function locks the H3-VR’s settings while recording
  • Simultaneously adjust gain for all mic capsules via a single knob
  • H3 Control App allows remote access to transport controls, levels, and metadata notes via your iOS device and optional Zoom BTA-1 Bluetooth adapter, allowing you to control the device in real time without being in the shot—an important consideration for VR audio capture
  • Included mounting bracket allows you to mount the H3-VR to your VR camera

Precise Audio Quality

  • Sample rate stability is achieved through the use of an accurate internal clock (only 0.5 ppm variance)
  • Built-in limiter ensures clean recordings by inhibiting clipping
  • Control low frequencies and attenuate rumble with the adjustable high-pass filter

Multiple Powering Methods

  • Two AA lithium batteries will power the H3-VR for up to 24 hours
  • Two AA NiMH batteries will power the H3-VR for up to 11.5 hours
  • Alternatively power the H3-VR via a USB battery pack, 5 VDC USB connection, or compatible AC adapter

In the Box

  • Zoom H3-VR Handy Audio Recorder with Built-In Ambisonics Mic Array
  • Foam Windscreen
  • Dual Mounting Bracket
  • 2 x AA Batteries
  • Limited 1-Year Warranty
Weight 0.12 kg
Dimensions 7.6 × 7.8 × 12.3 cm

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Zoom H3-VR Handy Audio Recorder with Built-In Ambisonics Mic Array removeAPOGEE X-HD EXPANSION CARD FOR CONNECTING Apogee Converters WITH DigiDesign HD removeKurzweil KORE64 Expansion Card for PC3/PC3K removeFOCUSRITE LIQUID MIX HD Plugin for Pro Tools HD removeTOA D-2012C Remote Console Unit removeTASCAM DP-32 SD 32-Track Digital Portastudio remove
NameZoom H3-VR Handy Audio Recorder with Built-In Ambisonics Mic Array removeAPOGEE X-HD EXPANSION CARD FOR CONNECTING Apogee Converters WITH DigiDesign HD removeKurzweil KORE64 Expansion Card for PC3/PC3K removeFOCUSRITE LIQUID MIX HD Plugin for Pro Tools HD removeTOA D-2012C Remote Console Unit removeTASCAM DP-32 SD 32-Track Digital Portastudio remove
ImageZoom H3-VR Handy Audio Recorder
SKUG05ZM00115X-HDKORE64LIQUID MIX HDD-2012CTAEM000555
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Description
  • For Video, Audio, VR & AR Production
  • Ambisonics, Binaural & Stereo Modes
  • Export to 5.1 Surround via Computer
  • Ambisonics Array with Four Microphones
  • On-Board Ambisonics A-to-B Conversion
  • Up to 24-Bit / 96 kHz Resolution
  • Built-In Slate Function
  • 3.5mm Output with Binaural Monitoring
  • Record to microSD Card or Stream via USB
  • Automatic Mic Position Detection
Content
The Zoom H3-VR Handy Audio Recorder is a compact audio recorder with a built-in Ambisonics mic array offering flexible 360° audio capture as well as integrated Ambisonics A-to-B conversion, eliminating the need for external processing. The device goes well beyond VR applications, and is additionally geared towards sound recordists, audio engineers, and content creators in music, audio-for-video, game audio, and AR production. It features an Ambisonics mic array with four microphone capsules, which can be utilized to record in Ambisonics, stereo binaural, or standard stereo modes, making it well suited for detailed reproduction of studio-based instrument ensembles and solo performances, audiences, sound effects, EFP, and more. The H3-VR supports full-sphere surround sound recording at up to 24-bit / 96 kHz, as well as real-time stereo/binaural monitoring and on-board Ambisonics A-to-B conversion, eliminating the need for additional processing with a computer in post. You can even export your Ambisonics recordings as stereo, binaural, or 5.1 audio files using the free Zoom Ambisonics Player software (downloadable to a Mac or Windows computer). The unified single-knob gain control, LCD screen, and transport/menu buttons deliver easy and efficient device configuration and operation. Remote access to transport controls, levels, and metadata is possible via the iOS H3-VR Control app and optional BTA-1 Bluetooth adapter. An integrated 6-axis motion sensor is utilized to provide automatic detection of the microphone position, which ensures proper audio-to-video orientation alignment and simple angle leveling. Dual 3.5mm outputs with independent level control enable simultaneous connection to headphones and a camera. Record to a microSD/microSDHC/microSDXC card (available separately), or stream audio via USB to a computer or iOS device. The built-in slate function can be used to verbally mark takes and manually align audio and video files. The H3-VR supports powering via two AA batteries or a USB connection, and its power LED also serves as a clip indicator. A 1/4"-20 threaded hole on the bottom of the H3-VR accommodates attachment to a standard camera tripod. At less than 5" tall and 3" wide, this recorder is visually discreet and unobtrusive. It is supplied with a foam windscreen, a dual mount adapter, and two AA batteries.

Music Recording Applications in Stereo or 3D Sound:

Accurately capture rehearsals, ensembles, and solo performances in recording studios and concert halls; you can spice up your stereo recordings with the binaural mode that tracks at up to 24-bit / 48 kHz to enhance 2D productions with spatially accurate imaging compatible with standard headphones

Sound for Film

Record dynamic Foley, sound effects, and ambience for film, television, and video game projects for Dolby Atmos Surround Sound as well as 5.1 Surround processing with the included Mac/PC software

Sound for VR

Record true 360° Ambisonic audio for immersive VR (virtual reality) and AR (augmented reality) in four channels at up to 24-bit / 96 kHz resolution for detailed 360° audio

Live Streaming Audio

USB 2.0 audio interface mode supports live streaming and recording via USB Micro-B connection

Versatile Playback, Decode, and Export Functions

  • On-board decoder automatically converts the raw Ambisonics A audio to VR-ready Ambisonics B audio, so it can easily be paired with your 360-video
  • Export Ambisonics recordings as 5.1 surround files via free Zoom Ambisonics Player software for Mac and Windows
  • 6-axis motion sensor provides automatic detection of mic position, enabling the audio and video orientations to stay aligned from scene to scene regardless of mic placement
  • Integrated Ambisonics playback allows you to rotate the H3-VR to simulate spatial audio while listening
  • Supports real-time headphone monitoring in stereo binaural or simulated 360° mode
  • Separate 3.5mm headphone and line outputs with independent volume adjustment allow simultaneous connection to your headphones and camera

Easy Controls

  • On-board LCD screen displays direction of microphone orientation to suit the position of the H3-VR
  • Straightforward buttons include home, play/pause, forward, back, and menu
  • Hold function locks the H3-VR's settings while recording
  • Simultaneously adjust gain for all mic capsules via a single knob
  • H3 Control App allows remote access to transport controls, levels, and metadata notes via your iOS device and optional Zoom BTA-1 Bluetooth adapter, allowing you to control the device in real time without being in the shot—an important consideration for VR audio capture
  • Included mounting bracket allows you to mount the H3-VR to your VR camera

Precise Audio Quality

  • Sample rate stability is achieved through the use of an accurate internal clock (only 0.5 ppm variance)
  • Built-in limiter ensures clean recordings by inhibiting clipping
  • Control low frequencies and attenuate rumble with the adjustable high-pass filter

Multiple Powering Methods

  • Two AA lithium batteries will power the H3-VR for up to 24 hours
  • Two AA NiMH batteries will power the H3-VR for up to 11.5 hours
  • Alternatively power the H3-VR via a USB battery pack, 5 VDC USB connection, or compatible AC adapter

In the Box

  • Zoom H3-VR Handy Audio Recorder with Built-In Ambisonics Mic Array
  • Foam Windscreen
  • Dual Mounting Bracket
  • 2 x AA Batteries
  • Limited 1-Year Warranty

Apogee makes the direct connection to Pro Tools | HD systems a reality. The Apogee X-HD option card allows for direct connectivity between Pro Tools HD™ systems and Apogee's X-Series or Rosetta 200 converters. The result is an incredibly powerful combination of Digidesign's™Ê¼ Pro Tools software and Apogee's superior conversion and clocking hardware.

Features:
  • Primary HD port for connecting directly to HD Core or Accel cards.
  • Expansion port for daisy-chaining multiple Apogee devices (AD-16X, DA-16X, Rosetta 800 & Rosetta 200)
  • Compatible with the latest versions of ProTools
  • May be used along side similar interfaces (such as Digidesign 96 I/O, 192 I/O, Prism Dream ADA-8)
  • Please note: Not compatible with Pro Tools|HD Native


The KORE 64™ ROM option represents a complete expansion and reimagining of the PC3 and PC3K's sonic potential (not for the PC3LE). Pushing the limits of V.A.S.T. synthesis for both realistic and experimental electronic sounds, KORE 64™ adds over 300 new programs, including stunning new Synths, Electric Guitars, Horns, Drums and Percussion. With KORE 64™ installed, the PC3/K built-in program library now totals over 1400 presets!


    New Setups:

        50 new setups featuring the KORE 64™ sounds.
        Over 200 new drum grooves in multiple styles.
        New Dance and Hip Hop setups for triggering and controlling beats in real time.

    New Synths:

        New samples modeled after the Oberheim SEM, ARP Chroma, TX802, CZ1, and dozens of legacy waveforms from the K series.
        Over 100 new synth programs.
        Sounds for popular electronic music styles like House, Trance, Dubstep, Drum&Bass, Glitch, Electro Hip Hop, and more.
        More real time controls, beat-synced modulations and envelope control transform sounds without hitting the edit button.
        Atmospheric and cycling pads voiced for performing, producing, and scoring.

    New Guitars:

        New samples modeled after the Gibson Les Paul and Fender Stratocaster.
        Palm muted and sustained articulations playable in a picked or legato style.
        Instant-shredder arpeggiator patterns, whammy bar effects, and realistic feedback emulations.
        Preset sounds from Rock, Country, Rock-a-Billy, Metal, Funk, and more.

    New Brass/Woodwinds:

        New alto sax, tenor sax, baritone sax, trumpet, and trombone samples.
        New programs include solo instruments and custom sections with many combinations of the different instruments.
        Articulate with pressure on several new programs.
        Sections cover styles from Big Band, Soul, Funk, Latin, R&B, Hip Hop, Rock and more.

    New Drums

        Drums from Yamaha, Ludwig, Pearl, DW, Rogers, and Gretsch recorded as full kits.
        Full cymbal arrays recorded with Zildjian, Paiste, and Sabian cymbals.
        72 new Drum Kits and 62 percussion instruments and templates.
        10 times the samples and 30 times the data of the existing PC3/PC3K Drums.
        All drum kits have mixer functioning on the sliders to change the level the kick, snare, toms, hats, and percussion independently.
        Unsurpassed realism and playability for sampled drums.
        Full complement of Electronic and Processed Drum samples.
        Scratches, hits and Industrial Sounds.
        Wide variety of traditional and processed Percussion sounds.

Download the full preset Objects List under the Downloads section

User Installable.

Requires:  PC3K OS v2.20 or better
                  PC3 OS v2.20 or better

All specifications subject to change without notice.

Liquid Mix HDLiquid Mix HD | TDM Plugin for Pro Tools HD

Key Features
Variety of Classic Emulations
40 compressors and 20 EQs, sampled from vintage originals with a free expanding library online.
Dynamic Convolution Technology
The unique patented Dynamic Convolution process delivers unparalleled EQ and Compression emulations.
Ultra-Low Latency for Recording
With the ultra-low latency of Liquid Mix HD (just 12 samples), it can now be used for recording and live sound applications
Optimised for Pro Tools HD
Over one hundred simultaneous mono instances can be run at 44.1/48kHz on an HD3 system.
Full Control Surface Mapping
Pro Tools TDM format ensures full control mapping on all major Pro Tools control surfaces, including ICON and VENUE.
Unique Hybrid Super EQ
Create your own totally unique 7-band super EQ, built out of separate classic EQ bands.
Compressor 'Free' Mode
Vintage compressors with limited controls can now be set to provide fully variable Attack, Release and Ratio.
Automation and Full Recall
Perfect integration with Pro Tools HD allows for automation of parameters and full recall within your session.

The D-2012C is a 6U rack mountable Remote Console Unit designed for exclusive use with the D-2008SP Digital Mixing Processor Unit. Assigned to any desired channels inside the D-2008SP by the dedicated software, the D-2012C's 12 motorized faders and 8 rotary encoders can remotely adjust their volumes. Desired preset memories can be recalled using 8 function keys. It is equipped with 1 channel line input (stereo), which allows the audio signal to be transmitted to the D-2008SP via monitor bus. Audio signals inside the D-2008SP can be monitored via monitor bus through headphones connected to a stereo headphone output. The D-2012C can be installed on a desk with the additional use of an optional D-2012AS Console Case.

 

Specification
* 0 dB = 0.775 V
Power Source 220 - 240 V AC
Power Consumption 18 W
Volume Adjustment 100 mm motorized fader x 12
Rotary encoder x 8
Line Input 1 channel (stereo)
Headphone Output Stereo 100 mW + 100 mW (32 Ω load)
Monitor Bus 1 stereo input
Connector: RJ45 connector
Connection cable: Shielded twisted pair (STP) Cat 5 or higher LAN cable (2 pairs of data lines)
Maximum cable distance: 100 m (109.36 yd) (between D-2012C and D-2008SP)
LAN Network I/F: 10BASE-T/100BASE-TX (Automatic-Negotiation)
RJ45 connector
Network protocol: TCP/IP
Connection cable: Shielded twisted pair (STP) Cat 5 or higher LAN cable
Maximum cable distance: 100 m (109.36 yd) (between D-2008SP and switching hub)
Control RS-232C: D-sub connector (9 pins) for maintenance use
Finish Panel: Surface-treated steel plate
Rack mounting bracket: Surface-treated steel plate
Dimensions 482 (W) × 266 (H) × 138 (D) mm (18.98 × 10.47" × 5.43)
Weight 6.6 kg (14.55 lb)
Accessory Power cord (2 m (6.5 ft)) ……1
Fader knob (yellow) ……3
Option Console case: D-2012AS

 

Add 8 more ADAT optical inputs and outputs to your DM-3200 or DM-4800. Also works with older TASCAM gear such as the DM-24, DS-M71 and SX-1.The DP-32 is a home recording Portastudio with 32 tracks based on solid-state technology. The unit is equipped with colour LCD and channel strip controls to make recording simple so the user can stay creative. Up to eight tracks can be recorded at a time on a standard SD/SDHC memory card through its XLR and 6.3-mm combo jacks. Input processing like compression and limiting, an internal send effect with reverb, delay and chorus, guitar amp simulation and multi-effects for use with the instrument-level input as well as an external effects send are available during recording. For mixdown, the DP-32 offers 20 channel faders and 12 rotary controls for EQ, Pan and effects including reverb and chorus. During the mastering process, the material can be further optimized with EQ, compression and normalization. Once finished, songs can be written to CD with the built-in CD-RW drive or transferred to computer over USB to publish the songs on the Internet, for example. Main Features 32-track digital Portastudio 8 mono tracks, 12 stereo tracks (can also be used as mono tracks) Record up to 8 tracks at once with 44.1/48 kHz and 16/24-bit audio resolution Simultaneous playback of all 32 tracks Virtual tracks for alternate takes and undo Dedicated stereo master track Colour LC display and 12-encoder channel strip for simple operation Built-in 40-channel mixer Mix down your 32 playback tracks with eight input signals to the dedicated stereo master track Use the Bounce function to set tracks free by mixing multiple tracks to a single mono or stereo track Dedicated controls for EQ, pan and effect sends Solid-state recording to SD Card media for better shock resistance and reliability compared to hard drive recording 8 balanced microphone inputs on balanced combo XLR/jack connectors Switchable phantom power for 4 channels each One input switchable to instrument level for direct recording of a guitar or bass Unbalanced stereo output (RCA jacks) Balanced stereo monitor output (6.3-mm TRS jacks) Two unbalanced effect sends (6.3-mm TS jacks) Stereo headphones output (6.3-mm TRS jack) MIDI input and output for MMC, Control Change and MTC output Footswitch input (2.5-mm mini jack) for Tascam RC-3F (optional accessory) Input effects (Limiter, Compressor, Noise suppressor, Exciter) Guitar effects (Amp simulator, Reverb, Compressor, Chorus, Flanger, Phase shifter) Mixdown effects (Reverb, Delay, Stereo chorus) Mastering effect (Single/Multi-band stereo compressor, EQ, Noise shaping) Mark function (up to 99 location marks) Built-in chromatic tuner and metronome CD-RW drive for audio CD creation as well as file import and export USB 2.0 port for data backup/restore and file transfer with a computer Specifications Recording media and file systems Recording media        SD card (512 MB to 2 GB) SDHC card (4–32 GB) File system        SD card (512 MB to 2 GB): FAT16 SDHC card (4–32 GB): FAT32 Analogue audio inputs and outputs MIC/LINE INPUTS A–H, XLR (balanced) Connector        XLR-3-31 (1: GND, 2: HOT, 3: COLD) Input impedance        2.4 kOhm Nominal input level        –14 dBu Maximum input level        +2 dBu MIC/LINE INPUTS A–H, phone jack (balanced) Connector        6.3-mm TRS phone jack Input impedance        >22 kOhm or 1 MOhm (INPUT H, when LINE-GUITAR switch is set to GUITAR) Nominal input level        +4 dBu Maximum input level        +20 dBu STEREO OUT L/R connectors        RCA pin jack Nominal output level        –10 dBV Maximum output level        +6 dBV Output impedance        200 Ohm EFFECT SENDS 1/2 connectors        6.3-mm TS phone jack Nominal output level        –10 dBV Maximum output level        +6 dBV Output impedance        200 Ohm MONITOR OUT L/R connectors        6.3-mm TRS phone jack Nominal output level        –2 dBu Maximum output level        +14 dBu Output impedance        200 Ohm PHONES connector        6.3-mm TRS phone jack Maximum output power        70 mW + 70 mW or more (THD + N 0.1% or less, 32 Ohm load) Other inputs and outputs MIDI input (MIDI IN)        DIN 5 pin Format        Standard MIDI format MIDI output (MIDI OUT)        DIN 5 pin Format        Standard MIDI format USB connector        USB 4-pin mini-B type Format        Mass Storage Class USB 2.0 High Speed REMOTE connector        2.5-mm TRS jack Audio performance Frequency response        20 Hz to 20 kHz, +1/–1 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) Distortion        ≤0.01 % (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) S/N ratio        ≥90 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) Audio performance Frequency response        20 Hz to 20 kHz, +1/–1 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) Distortion        ≤0.01 % (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) S/N ratio        ≥90 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) Operating system requirements Windows        Pentium 300 MHz or faster 128 MB or more memory Macintosh        Power PC, iMac, G3, G4 266 MHz or faster 64 MB or more memory Recommended USB port        USB 2.0 Recommended USB host controller        Intel chipset Supported operating systems        Windows XP, Windows Vista, Windows 7 Mac OS X 10.2 or later Power requirements and other specifications Power supply        AC adaptor (TASCAM PS-1225L) Power consumption        12 W (Phantom power on) Dimensions (Width x Height x Depth, excluding projections)        514 mm x 104 mm x 340 mm Weight        6.2 kg Operating temperature        5–35 °C Design and specifications subject to change without notice.
Weight0.12 kg0.30 kg0.30 kg1.00 kg6.60 kg6.20 kg
Dimensions7.6 × 7.8 × 12.3 cmN/AN/AN/AN/AN/A
Additional information
Weight 0.12 kg
Dimensions 7.6 × 7.8 × 12.3 cm
Weight 0.30 kg
Weight 0.30 kg
Weight 1.00 kg
Weight 6.60 kg
Weight 6.20 kg