| Content |
The highly flexible Zoom LiveTrak L-20 is a 20-input digital mixer and multi-track recorder, well suited for live performances, studio recording, band rehearsals, podcasts, and more. The mixer features 16 mono channels, each with combo mic/line XLR-1/4" inputs with high gain, low-noise microphone preamps, +48V phantom power, and a single compression knob, while the two stereo inputs offer dual 1/4" and RCA inputs. Channels 1-2 also offer Hi-Z inputs for connecting guitars and basses. All channels work with the on-board channel strip, which provides a low-cut filter, a 3-band EQ, a pan control, and two send FX for sending signals to the 20 built-in high-quality effects processor with two dedicated EFX Return channels.
The LiveTrak L-20 features balanced XLR main outputs, while the six monitor outputs utilize balanced TRS 1/4" connectors, each with the ability to set up customized mixes. Simply connect your headphones or a stage monitor and adjust the levels to taste. There are nine snap-shot presets, which allow you instant recall of different setups and sessions.
The built-in SD recorder can simultaneously record every channel and the master fader stereo signal output for a total of 22 tracks at resolutions up to 24-bit/ 96 kHz. Files can easily be copied to a computer and used in a DAW. In addition, overdubbing and punching in/out can be done as expected when using the unit as a multi-track recorder. The L-20 can also function as a 22-in/4-out USB audio interface, allowing you to record directly to your favorite software DAW or to iOS devices. Other notable features include 12-segment LED meters on all channels, a built-in metronome, and a built-in slate mic for identifying takes. The Zoom LiveTrak L-20 ships with a power cord and a USB cable.
- 20 Discrete channels
- 16 Mono plus 2 stereo channels with XLR and 1/4" phone jacks
- Simultaneous recording of 22 tracks
- Playback of 20 tracks
- USB audio interface with 22 inputs and 4 outputs
- Audio recording up to 24-bit / 96 kHz on SD storage media
- 48V Phantom power
- Hi-Z Connectors (channels 1-2)
- 26 dB Pad (channels 3 to 16)
- Compressor per channel with one knob (channels 1 to 16)
- Solo and mute buttons for each channel
- Low cut per channel between 40 - 600 Hz variably adjustable
- Total outputs and six configurable monitor outputs
- Monitor outputs can be configured as headphone output or normal line-level output
- Additional separate headphone output
- Memory function for up to nine mixer scenes
- 20 Internal, editable chorus, delay and reverb effects
- Two effect buses
- Integrated talkback microphone
- Pre-record function
- Class-compliant operation (for iOS compatibility)
- Automatic start and stop recording possible
- Import and export of projects via the USB 2.0 interface
- Compatible functions for the ZOOM FS01 footswitch
- Dimensions (W x D x H): 445 x 388.4 x 82.6 mm
- Weight: 3.71 kg
- Includes power supply (AD-19), USB 2.0 cable and quick start guide
| TASCAM's award winning DR-60D is the new audio recording solution for on-set filmmakers and videographers using DSLR's. For years, filmmakersProSound Network Best of Show have been trying different methods for recording audio, using bulky recorders designed for music and trying to transform the inferior audio technology built-into DSLR's. Now TASCAM has designed an answer that pros and amateurs alike have been waiting for.
The DR-60D is a brand new 4-track solid-state recorder utilizing TASCAM's decades of experience. The recorder utilizes high-grade HDDA pre-amps, legendary AD converters, and a durable but lightweight structure and shape. This device will fit snuggly under any camera or into any rig, and record up to 96kHz/24-bit high quality audio straight to SD/SDHC media. Filmmakers have at their disposal two 1/4“-XLR Locking Combo MIC/LINE Inputs, 3.5mm Stereo MIC Input, Camera In, Camera Out, Line Out and Headphone Out. Both 1/4“-XLR Combo Inputs supply +48V Phantom Power and the 3.5mm Input supplies Plug-In Power for microphones requiring a bias voltage.
The DR-60D is incredibly easy to use, employing TASCAM's very popular user interface and external controls for every major operation. The body structure, soft-touch keys and dials are designed specifically to help eliminate handling noise. The multiple record modes include, 4-Channel Record, Auto Record and TASCAM's Dual Record "Safety Track" Mode make the DR-60D one of the most versatile recorders on the market.
- Record to SD/SDHC card (Up to 32GB)
- Simultaneously record up to 4 tracks
- Record Mode：MONO, STEREO, DUAL MONO, DUAL STEREO, 4-CHANNEL
- Recording format：44.1/48/96kHz 16/24bit (WAV/BWF)
- TASCAM original HDDA microphone preamps
- Recording levels can be adjusted independently for the 1/L, 2/R and 3-4 inputs
- Two XLR/TRS inputs support +4dBu line level input and phantom power (24 or 48VDC on XLRF)
- Plug-in power and high-output mic input supported on inputs 3-4
- CAMERA OUT connector for output from the DR-60D's mixer (adjustable gain)
- CAMERA IN connector for sound monitoring from the camera
- Independent adjustable LINE OUT and HEADPHONE jacks for high-quality sound output
- 50mW/ch headphone output
- Tripod mounting socket (bottom) and DSLR mounting screw attachment (top)
- Handles protect the screen and can be used to attach a shoulder strap
- Soft-Touch Rubber Keys for silent operation
- HOLD switch to prevent accidental operation
- QUICK button feature for easy access to various functions
- 128x64 pixel LCD with backlight
- USB 2.0 connection for high-speed transferring of files
- Mini USB cable included
- Operates on 4-AA batteries, an AC adapter (sold separately) or USB bus power
- Can extend battery life with BP-6AA battery pack (sold separately)
- Dedicated remote control jack for the wired RC-10 remote control or RC-3F footswitch (both sold separately)
- Internal mixer: PAN and LEVEL controls
- Low cut filter(40/80/120Hz)
- Limiter (1/L and 2/R can be selected for link-operation)
- Delay function for microphone distance adjustment (up to 150ms)
- M-S decode function
- Slate tone generator (AUTO/MANUAL)
- Selectable duration of slate tone from four positions (0.5/1/2/3 sec, when auto-generated)
- Selectable slate tone generation. 3 positions: OFF/HEAD/HEAD+TAIL, when auto-generated
- File name format can be set to use a user-defined word or date
- Dual-recording function allows two files to be recorded simultaneously at different levels
- Auto-record function can automatically start and stop recording at set level
- Pre-recording function allows the unit to record a 2 second sound buffer before recording is activated
- Self-timer function for solo recording
- New file starts recording automatically without interruption when maximum file size is reached
- Track incrementing function allows a recording to be split by creating a new file when desired
- Jump back and play function
- Equalizer function for playback, and level alignment function to enhance the perceived overall sound pressure
- Resume function to memorize the playback position before the unit is turned off
- MARK function up to 99 points per audio track
- DIVIDE function
SPECIFICATIONS
| Recording media |
SD card(64MB to 2GB), SDHC card(4GB to 32GB) |
| Recording format |
|
| WAV |
44.1/48/96kHz, 16/24bit |
| BWF |
44.1/48/96kHz, 16/24bit |
| Number of channels |
4channel (stereo x2) |
| Analog audio input |
|
| 1/L, 2/R connectors |
|
| Connector |
XLR-3-31 (1:GND, 2:HOT, 3:COLD)/6.3mm(1/4“)TRS standard jack |
| Set to "MIC / MIC+PHANTOM“ |
|
| Input impedance |
2k ohms |
| Phantom power |
48V +/-4V(10mA/CH) / 24V +/-4V(10mA/CH) |
| Maximum input level |
0dBu |
| Minimum input level |
-72dBu |
| MIC input gain |
TRIM MAX |
| LOW |
+11dB |
| MID |
+36dB |
| HIGH |
+52dB |
| Set to "LINE“ |
|
| Input impedance |
10k ohms or more |
| Standard input level |
+4dBu |
| Maximum input level |
+24dBu |
| 3-4 connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack (this connector can be supplied plug-in power) |
| Input impedance |
10k ohms |
| Maximum input level |
+10dBV |
| Minimum input level |
-50dBV |
| MIC input gain |
TRIM MAX |
| LOW |
+3dB |
| HIGH |
+26dB |
| CAMERA IN connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack |
| Input impedance |
10k ohms |
| Standard input level |
-10dBV |
| Maximum input level |
+6dBV |
| Analog audio output |
|
| CAMERA OUT connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack |
| Output impedance |
200 ohms |
| Standard output level |
-50dBV |
| Maximum output level |
-30dBV |
| LINE OUT connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack |
| Output impedance |
200 ohms |
| Standard output level |
-10dBV |
| Maximum output level |
+10dBV |
| PHONES connector |
|
| Connector |
3.5mm (1/8“) stereo mini jack |
| Maximum output level |
50mW + 50mW |
| USB |
|
| Connector |
Mini-B type |
| Format |
USB2.0 HIGH SPEED mass storage class |
| REMOTE |
|
| Connector |
2.5mm TRS jack |
| Power |
Four AA batteries(Alkaline or NI-MH),
USB bus power,
Dedicated AC adapter(TASCAM PS-P515U, sold separately),
Dedicated external battery pack(TASCAM BP-6AA, sold separately) |
| Power consumption |
5.4W |
| Continuous operation time |
2ch WAV, 44.1kHz, 16bit rec |
| DR-60D |
|
| Alkaline batteries (EVOLTA) |
About 2:30 min (Phantom on)
About 4:30 min (Phantom off) |
| NI-MH batteries (eneloop) |
About 3:15 min (Phantom on)
About 5:00 min (Phantom off) |
| NI-MH batteries (eneloop pro) |
About 3:45 min (Phantom on)
About 6:00 min (Phantom off) |
| DR-60D+BP-6AA |
|
| Alkaline batteries (EVOLTA) |
About 5:30 min (Phantom on)
About 10:30 min (Phantom off) |
| NI-MH batteries (eneloop) |
About 7:30 min (Phantom on)
About 12:00 min (Phantom off) |
| NI-MH batteries (eneloop pro) |
About 9:30 min (Phantom on)
About 14:30 min (Phantom off) |
| Dimensions |
133(W)×93.2(H)×78(D)mm (with the top adapter attached) |
| Weight |
510g (not including batteries) |
| Operating temperature |
0˚C to 40˚C |
| Standard accessories |
USB cable, warranty card, Owner's manual |
| Computer compatibility |
| Windows |
| OS |
Windows XP, Windows Vista, Windows 7, Windows 8 |
| CPU |
Pentium 300MHz or more |
| RAM |
128MB or more |
| USB |
recommended: USB2.0 |
| Macintosh |
| OS |
Mac OS X Jaguar (V10.2), Mac OS X Panther (V10.3), Mac OS X Tiger (V10.4),
Mac OS X Leopard (V10.5), Mac OS X Snow Leopard(V10.6.8), OS X Lion(V10.7),
OS X Mountain Lion(V10.8) |
| CPU |
Power PC, iMac, G3, G4 266MHz or more |
|
64MB or more |
| USB |
recommended: USB2.0 |
| Audio performance |
| Frequency response |
20-20kHz +0.5/-2dB(LINE IN or MIC IN to LINE OUT, Fs44.1k/48kHz, JEITA)
20-40kHz +0.5/-3dB(LINE IN or MIC IN to LINE OUT, Fs96kHz, JEITA) |
| Distortion |
0.02% or less(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA) |
| S/N ratio |
92dB or more(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA) |
| Equivalent input noise |
-120dBu or more |
Recording duration
The table below shows the maximum recording time on SD/SDHC cards of different capacities for different file formats for recording.
| File format(recording setting) |
SD/SDHC card capacity(hours:mintes) |
| 1GB |
2GB |
4GB |
8GB |
| WAV/BWF 16bit(STEREO) |
44.1kHz |
1:41 |
3:22 |
6:44 |
13:28 |
| 48kHz |
1:33 |
3:06 |
6:12 |
12:24 |
| 96kHz |
0:46 |
1:33 |
3:06 |
6:12 |
| WAV/BWF 24bit(STEREO) |
44.1kHz |
1:07 |
2:15 |
4:30 |
9:00 |
| 48kHz |
1:02 |
2:04 |
4:08 |
8:16 |
| 96kHz |
0:31 |
1:02 |
2:04 |
4:08 |
- The recording times shown above are estimates. They might differ depending on the SD/SDHC card in use.
- The recording times shown above are not continuous recording times, but rather they are the total possible recording times for the SD/SDHC card.
- If recorded in mono in WAV files, the maximum recording time will be double the figures above.
- For dual and 4-channel recording in WAV/BWF format, the recording times are about half those shown above.
| Recorder section
Number of tracks:
2 tracks
2 tracks simultaneous playback
2 tracks simultaneous recording
Recording formats:
Compressed audio format
MP2 format (extension .mp2)
48 kHz@128, 192, 256, 320 kbps
MP3 format (extension .mp3)
44.1 kHz@128, 192, 256, 320 kbps
PCM audio format
WAV format (extension .wav), BWF compliant
44.1 kHz @ 16/24-bit, 48 kHz @ 16/24-bit
88.2 kHz @ 24-bit, 96 kHz @ 24-bit
176.4 kHz @ 24-bit, 192 kHz @ 24-bit
1-bit audio format
2.8 MHz @ 1-bit
DSDIFF format (extension .dff), DSF (extension .dsf), WSD (extension .wsd)
Recording Time:
Maximum 6 hours @ 44.1 kHz/16-bit (for 4GB memory card)
Maximum continuous recording 6 hours
Number of projects:
Recognizes a maximum of 400 projects of each date folder
Mark points:
100 points per project *No mark names
USB functionality:
Connect to computer via USB 2.0, usable as FAT32 USB removable drive
Song editing:
Rename, Delete, Protect
Tuner
Temperament:
Equal temperament, chromatic tuner
Range (sine wave):
27.50 Hz – 1,318.5 Hz (A0 - E6)
Reference pitch:
A = 435 – 445 Hz
Memory Card (SD)
Supported cards:
SD and SDHC cards with a capacity of 512MB-32GB
(SDHC card of class 4 or higher recommended)
General
Display:
128 x 128 pixel LCD with backlight
Power supply:
AA/LR6 alkaline battery x 2;
AA nickel-metal hydride battery x 2;
USB bus power
Power consumption:
1.5W
Dimensions:
(W x D x H): 2.52" x 4.72" x 0.9“
Weight:
4.94 oz. (not including a memory card and batteries)
Main specifications
Frequency response:
20 Hz – 20 kHz ±1.5 dB (MP2/MP3)
10 Hz – 20 kHz ±1.5 dB @Fs44.1 kHz/48 kHz
10 Hz – 40 kHz ±1.5 dB @Fs88.2 kHz/96 kHz/176.4 kHz/192 kHz
10 Hz – 100 kHz (1-bit)
S/N:
90 dB (typical) @IHF-A
THD+N:
0.018% (typical) 20 Hz – 20 kHz
A/D conversion:
2.8224 MHz (1-bit), 24-bit (PCM)
D/A conversion:
2.8224 MHz (1-bit), 24-bit (PCM)
Mic
Connector:
3.5 mm stereo mini phone jack (switchable to Plug-in-Power)
Input impedance:
10k ohms
Nominal level:
-39 dBV
Maximum level:
-27 dBV
Line In
Connector:
3.5 mm stereo mini phone jack
Input impedance:
75k ohms
Nominal level:
-10 dBV
Maximum level:
+2 dBV
Phones
Connector:
3.5 mm stereo mini phone jack
Maximum level:
20 mW+20 mW @ 16 ohms
USB
Connector:
Type mini-B
Format:
USB 2.0 compliant, USB mass storage class
Supported operating systems:
Windows 2000, or later; Mac OS X 10.4 or later
Included items
Install CD (“AudioGate” audio file conversion application)
AudioGate (v2.0) System Requirements
Windows
Supported OS:
Microsoft Windows XP Home Edition/Professional Edition Service Pack 3 or later
Microsoft Windows Vista Service Pack 2 or later
Microsoft Windows 7
Supported Computers:
Processor: Intel Pentium III/1GHz or faster
Memory: 256MB or larger (512 or larger recommended)
Hardware: A USB port that meets the operating requirements of Windows;
A writable CD/DVD drive is required in order to create audio CDs or DSD discs.
Mac OS X
Supported OS:
Mac OS X 10.4 or later
Supported Computers:
Processor:Apple G4/800MHz or faster (Intel-based Mac recommended)
Memory: 256MB or larger (512 or larger recommended)
Hardware: A USB port that meets the operating requirements of Mac OS X;
A writable CD/DVD drive is required in order to create audio CDs or DSD discs. |
Why are 4-channels of audio better than 2-channels?
-
Capture more ambient sound at any shoot for an overall more convincing soundscape.
-
Place mics on each participant in conferences, panels, reporters, etc.
-
Redundancy or backup in case of camera mic noise or drop out.
-
Simplify wedding shoots with a mic on the bride, groom, officiator and a mic for ambient sound.
-
Video editing environments now support multi-channel audio as standard.
-
Main Features
The R-4 brings you a new generation of portable recording. Enjoy superb sound quality. Use the 40GB hard disk drive for extended recording. Record up to four channels at once. Edit waveforms on the recorder itself. All this plus a compact size and light weight that assure outstanding mobility in the field. The Edirol R-4. Gear up for the new generation of portable recording.
Extended Recording with 40GB Hard Disk Drive
Equipped with a 40GB hard disk drive, the R-4 can record up to 17 hours at maximum sound quality or up to 58 hours at CD quality.
Superior 24-bit/96-kHz Linear Recording
Totally uncompressed recording assures outstanding sound quality. Choose 16-bit or 24-bit quantization and a sampling rate of 44.1 kHz, 48 kHz, or 96 kHz. Save data as WAV files.
Simultaneous 4-Channel Recording
The 4 XLR/Phone combo jacks come with switchable phantom power and give you a choice of MONO, STEREO, STEREO X2, or 4CH recording. Digital input/output is also provided.
Four-channel recording gives you exceptional flexibility. For example, you can use mics to capture the ambience of a performance hall while using line input to record the performance itself. Or you can record at several different level settings simultaneously.
-
Five High-Quality Effects
The R-4 lets you tailor the sound during both recording and playback.
-
L Terminal for Linking a Digital Video Camera
The R-4's L terminal lets you connect a similarly equipped digital video camera to synchronize the camera start/stop while R-4 is recording. Counting the camera's two channels, this configuration gives you a total of six audio channels — a wealth of audio data to get creative with.
Waveform Editing Using Only the R-4
The R-4 is all you need to edit waveforms. Just watch the waveform on the LCD as you edit. Scrubbing playback with the shuttle dial lets you set the edit points precisely by sound.
Index Any Point Instantly
Press the mark button anytime during recording or playback to mark that point for easy, instant indexing later. With the A-B repeat function you can set two points and repeatedly play back the material between them.
Easy Playback with the Jog Dial
Use the jog dial to fast-forward or rewind at any of seven speed levels.
Built-In Stereo Speakers
The R-4's built-in speakers make it easy to monitor recorded sound without headphones.
-
L Terminal for Linking a Digital Video Camera
The R-4's L terminal lets you connect a similarly equipped digital video camera to synchronize the camera start/stop while R-4 is recording. Counting the camera's two channels, this configuration gives you a total of six audio channels — a wealth of audio data to get creative with.
Waveform Editing Using Only the R-4
The R-4 is all you need to edit waveforms. Just watch the waveform on the LCD as you edit. Scrubbing playback with the shuttle dial lets you set the edit points precisely by sound.
Index Any Point Instantly
Press the mark button anytime during recording or playback to mark that point for easy, instant indexing later. With the A-B repeat function you can set two points and repeatedly play back the material between them.
Easy Playback with the Jog Dial
Use the jog dial to fast-forward or rewind at any of seven speed levels.
Built-In Stereo Speakers
The R-4's built-in speakers make it easy to monitor recorded sound without headphones.
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- 2-channel field recorder in Stereo or Mono on Compact Flash or Micro drive cards
- Light weight with rigid chassis
- FAT32 file system & BWF Stereo file format + MP3 recording/playback
- Built-in Stereo microphone for quick memo recording
- 2 x XLR mic inputs with phantom power to accept professional microphones
- High resolution recording at 24bit 96kHz
- Mic Trim for accurate recording level adjustment
- Automatic Level Control (ALC - OFF/ALC/LIMITER)
- Hi-Pass Filter
- Backlit 132 x 64 dot matrix LCD display
- Two-hour capacity on 4GB CF card with Stereo 24 Bit/96 kHz resolution
- Pre-record buffer (2 secs) ensures full-take recording with no inadvertent loss
- Auto File Closing (the recording file auto-closes every minute to secure recorded data)
- Auto Shut-off function when the input power becomes abnormally low to save data
- Convenient file naming mode: DATE or TAKE
- 4 hours operation on 4 x AA Alkaline / Ni-MH batteries
- 8 hours operation possible with optional rechargeable NiMH battery pack
- Wired remote controller with microphone attachment belt
- USB 2.0 data transfer to Mac or PC computers for further editing and post-production
- Comes with 128MB CF card, AC adapter, dedicated shoulder belt and carrying pouch
• Recording / Playback / General
Recording Medium: Compact Flash Card
Recording Times: see chart above
File Formats: BWF (Broadcast Wave Format), MP3 (MPEG Layer-3)
Sampling Frequency: 44.1 / 48 / 88.2 / 96 kHz
Quantization: 16-bit linear (44.1 / 48 kHz);
24-bit linear (44.1 / 48 / 88.2 / 96);
MP3 192kbps (stereo)
Recording Tracks: 2 tracks (stereo)
Simultaneous Recording: 2 tracks (stereo)
Rec/Play Frequency: 20Hz-20kHz ±2dB (FS 44.1/48kHz); 20Hz-40 kHz ±3dB (FS 88.2/96kHz)
S/N: (ADC-DAC, 24bit, 48kHz) - Line: (Input Gain: +4dBu) 95dB (typical) - Mic: (Input Gain: -60dBu) 85dB (typical)
Dynamic Range: 95dB (typical) (ADC-DAC, 24bit, 48kHz)
THD: (ADC-DAC, 24it, 48kHz) - Line:
Channel Separation: more than 90dB (at 1kHz 0dB) (24bit, -20BFS, 48kHz)
Reference Level: -12dBFS
Locate Memory: 99 Cue points per file
Battery Operation Time: approx. 4 hours (4 x AA Alkaline / Ni-MH AA cells); approx. 8 hours (optional Ni-MH battery pack) | • Input / Output
Analogue In (L/R) Connector: XLR-Jack (1/4“) Combo Type
Mic In Connector: XLR (balanced, 2-pin hot)
Line In Connector: Jack (1/4“) (unbalanced)
Input Impedance: > 10k ohm
Reference Input Level: -10dBV
Maximum Input Level: +2dBV
Input Impedance: > 6k ohm
Reference Input Level: -50dBu to -10dBu
Maximum Input Level: +2dBu
Phantom: P48
Monitor Out Connector: RCA Phono (unbalanced)
Load Impedance: > 10k ohm
Reference Output Level: -10dBV
Phones Connector: Stereo Mini Jack (3.5mm)
Load Impedance: > 32 ohm
Maximum Output Level: 15 + 15mW (32 ohm)
USB 2.0 (for PC) Connector: Series "B” Receptacle
Built-in Speaker
Maximum Output: 300mW
| • Physical
Dimensions: 57(H) x 206(W) x 132(D) mm
Weight: 0.8kgs (w/o battery)
Included Accessories: CF card (128MB), AC Adaptor, shoulder strap, remote control and carry pouch | Pedigree Portable Field Recorder
The FR-2LE is a compact field memory recorder for professional use offering 24bit 96kHz recording in the industry standard BWF file format. It has a good pedigree given Fostex's previous success with their DAT portables (PD2 & PD4) and latterly with their solid state FR-2 and its optional full timecode facility.
Now with their latest FR-2LE, they have an even more compact offering for high quality field recording, interview recording (MP3 mode also available), or simple film/broadcast audio recording.
The FR-2LE is equipped with two professional phantom powered XLR microphone inputs (XLR-Jack combo) complete with precise control over the recording level. It features a 1 take = 1 file recording system which eliminates overwrites and its 2 second ʽpre-recordʼ buffer means there should never be a missed take or lost soundbite. Thereʼs also an MP3 mode and built-in stereo microphone.
Feature rich, elegant in operation, good pedigree - the new FR-2LE looks assured of success.
MAIN FEATURES
• Long Battery Life
The FR-2LE can run for up to 4 hours on 4 x AA Alkaline batteries and up to 8 hours with the optional NiMH BATPACK battery pack. A choice of two BATPACK chargers are also available - one for the mains and one that also charges your pack from a 12V car outlet.
• Extended recording times
Over 6 hours @ 16bit 44.1kHz recording on an 4Gb CompactFlash card.
• Professional inputs
Dual XLR inputs (XLR-Jack combo) with top quality microphone pre-amps, trim control and phantom power. Analogue out is provided on phono (RCA) connectors.
• BWF or MP3 recording
Record up to 24bit 96kHz audio.
• Tough construction
Manufactured from high-grade materials and specifically designed for professional location recording.
• Fail Safe Recording
In addition to a 1 take = 1 file system to eliminate overwrites, the FR-2LE also features Auto File Closing which closes files at one minute intervals, thus preserving the data in the event of a power failure.
• USB 2.0
The USB 2.0 port allows direct connection to PC and MAC for easy file transfer.
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Features at a glance - Supports Sennheiser wireless system mics and transmitters (DR-10CS)
- Supports Shure wireless system mics and transmitters (DR-10CH, DR-10CS with optional AK-DR10CH panel)
- Supports Sony/RAMSA wireless system mics and transmitters (DR-10CS/DR-10CH with optional AK-DR10CR panel)
Note: The Sony/RAMSA panel has a sliding switch to allow proper wiring configuration - 48kHz/24-bit linear PCM mono recording
- WAV files (compatible with BWF format)
- Media: microSD/SDHC cards (supports 32GB capacities)
- Sliding record switch and hold function to prevent misoperation during recording
- Dual recording function
- automatic file closing function to prevent the loss of already recorded data
- High/Mid/Low recording level settings
- Low-cut filter
- Limiter
- Automatic level function
- With a built-in clock function, supports BWF files that can have time information added - convenient for editing and searching
- Time track incrementing function can create new files at regular intervals (every 15 minutes) during recording
- Playback function allows recorded data to be checked immediately
- Headphone output
- Easy-to-read organic EL display
- micro USB B port enables easy data exchange with computers
- Records at least 10 hours on a single AAA battery * using alkaline batteries (EVOLTA)
- Unit settings can be created and transferred as a computer text file
- Settings can be transferred between DR-10C units using the infrared transmission function
- Firmware can be updated using a microSD card
- Belt clip included
- Silicon band that can be used to attach the unit to a transmitter included
- Custom case for storing the unit and accessories included
- RoHS-compliant product
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