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Πυκνωτικό μικρόφωνο 3 πολικών διαγραμμάτων (cardioid, omnidirectional and figure-eight), κάψες μεγάλου διαφράγματος 1“, 28MV ευαισθησία, 20Ηz-20kΗz απόκριση συχνότητας, εξαιρετική αντοχή σε μεγάλες ηχητικές πιέσεις (135 / 145 dB SPL (0 / -10 dB), 20dB προεξασθένηση, bass-cut filter. Περιλαμβάνεται βαλίτσα μεταφοράς, αντικραδασμική βάση. Κατάλληλο για studio recording, live.
A/B, X/Y, and M/S stereo recording
Ambience recording
Grand piano, woodwind and brass instruments
Percussions
Drums
Classical music recording
Studio applications
- Back-to-back large-diaphragm multi-pattern transducer
- True condenser technology
- High sensitivity and 155 dB maximum SPL capability
- Switchable 20 dB preattenuation pad
- Switchable bass cut filter
- Legendary, pristine AKG sound quality
- Complete with spider-type shock mount and aluminium carrying case
| Type | Dual-capsule,1-inch large-diaphragm, true condenser pressure-gradient microphone | | Polar pattern | Cardioid, omnidirectional, figure-eight | | Frequency range | 20 to 20,000 Hz | | Sensitivity | 28 mV/Pa (-31 dBV) | | Max. SPL | 135/155 dB SPL (0/-20 dB) for 0.5% THD | | Equivalent noise level | 16 dB-A (IEC 60268-4) | | Signal/noise ratio (A-weighted) | 78 dB | | Preattenuation pad | 0 dB, -20 dB | | Bass filter | 12 dB/octave, 300 Hz | | Impedance | =1000 ohms | | Current consumption | |
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Πυκνωτικό μικρόφωνο μεγάλου διαφράγματος με απόκριση συχνότητας 20Hz – 20KHz, ευαισθησία –38 db re 1Mv Pa, κύκλωμα εξαιρετικά χαμηλού θορύβου, καρδιοειδές πολικό διάγραμμα, δυναμική περιοχή >147 db και max SPL 157 db. Περιλαμβάνει εξωτερικό τροφοδοτικό, καλώδια τροφοδοσίας και σύνδεσης του μικροφώνου δερμάτινη μαλακή θήκη μεταφοράς ZP1 και το μανταλάκι στήριξής Μ2.
| Tύπος: | Πυκνωτικό | | Πολικό Διάγραμμα: | Καρδιοειδές | | Απόκριση συχνότητας: | 20 Hz - 20 kHz | | Ευαισθησία: | -38dB re 1V/Pa (12mV @ 94dB SPL) +/-1dB @ 1kHz | | Αντίσταση: | 200Ω | | Συνολική αρμονική παραμόρφωση: | > 158dB SPL (@ 1kHz, 5% THD into 1KΩ load) | | Διαστάσεις: | 55mmW x208mmH x 55mmD | | Βάρος: | 760gm | | Αξεσουάρ: |
Τροφοδοτικό,καλώδια τροφοδοσίας και σύνδεσης του μικροφώνου, δερμάτινη μαλακή θήκη,μανταλάκι Μ2
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Το TLM-103 είναι το ιδανικό μικρόφωνο μεγάλου διαφράγματος για όλες τις επαγγελματικές και ημι-επαγγελματικές εφαρρμογές παρέχοντας τη μέγιστη ποιότητα με το μικρότερο κόστος.
Αξιοποιόντας το δοκιμασμένο και πραγματικά χωρίς μετασχηματιστή κύκλωμα που συναντάμε σε πολλά μικρόφωνα της Neumann, το TLM-103 έχει από τα πιο χαμηλά επίπεδα θορύβου και από τις μεγαλύτερες δυναμικές περιοχές. Η κάψα του, που προέρχεται από εκείνη που χρησιμοποιείται στο U-87, έχει πολικό διάγραμμα καρδιά και είναι ακουστικά άριστα ισσοροπημένη μειώνοντας τους ήχους από την πίσω πλευρά του μικροφώνου.
Το TLM-103 διατίθεται σε νίκελ και μαύρο χρώμα μαζί με την αντικραδασμική βάση EA1.
| Tύπος: | Πυκνωτικό | | Πολικό Διάγραμμα: | Καρδιοειδής | | Απόκριση συχνότητας: | 20 Hz ... 20 kHz | | Ευαισθησία: | 23 mV/Pa | | Αντίσταση: | 50 ohms | | Συνολική αρμονική παραμόρφωση: | 138 dB | | Διαστάσεις: | 132 mm | | Βάρος: | 450 g | | Αξεσουάρ: | Αντικραδασμική βάση EA1 |
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| Acoustical operating principle | Pressure gradient transducer | | Directional pattern | Omnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8 plus one intermediate position each | | Frequency range | 20 Hz ... 20 kHz | | Sensitivity at 1 kHz into 1 kohm | 34/47/62 mV/Pa* | | Rated impedance | 50 ohms | | Rated load impedance | 1000 ohms | | Equivalent SPL CCIR 468-3 | 28/25/23 dB* | | Equivalent SPL DIN/IEC 651 | 16/13/11 dB-A* | | S/N ratio CCIR 468-3 | 66/69/71 dB* | | S/N ratio DIN/IEC 651 | 78/81/83 dB* | | Typical SPL (tube characteristic) | K | | Maximum output voltage | 18 dBu | | Dynamic range of the microphone amplifier cardioid DIN/IEC 651 for | 101 (121) dB | | Powering | Power supply N 149 | | Matching connectors | Microphone DIN 8F, Power supply XLR 3F | | Weight | 730 g | | Diameter | 70 mm | | Length | 201 mm |
* Omnidirectional / cardioid / figure-8
| Δύο matched πυκνωτικά μικρόφωνα για χρήση studio recording και live εφαρμογές. Με καρδιοειδές πολικό διάγραμμα.
| Πολικό Διάγραμμα |
Καρδιοειδές |
| Κάψα Μικροφώνου |
Πυκνωτική |
| Κατηγορία Μικρόφώνου |
Μουσικού Οργάνου |
| Τύπος Μικροφώνου |
Ενσύρματο |
| Απόκριση Συχνότητας |
20-20000 |
| Ευαισθησία (mV / Pa) |
8,9 |
| Application |
Concert, Portable PA, Studio |
| Series |
C series |
| Εγγύηση |
1 Χρόνος |
| Κατασκευαστής |
BEHRINGER |
| Μοντέλο |
C-2 |
| Part Number |
000-263 |
2 Matched Studio Condenser Microphones
- 2 matched condenser microphones for stereo studio recording and live applications
- Ideal as main and support microphones for studio and live applications
- Cardioid pickup pattern for effective feedback elimination
- Low-mass diaphragm for ultra-wide frequency response and ultimate sound reproduction
- Switchable low-frequency roll-off and input attenuation
- Ultra low-noise transformerless FET input eliminates low-frequency distortion
Excellent Source Isolation
Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist.
The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort!
Sound That Astounds
Every stitch of these mics is designed to deliver beautiful sound. Beginning with the gold-plated 3-pin XLR connector, you get the highest signal integrity.
Once connected to your system, youʼll notice these twin pro-caliber microphones have a 4 dB boost in the 1 kHz - 8 kHz range. For those of you new to condenser mics, this basically means youʼll get a slightly brighter sound that will give the perfect shape to cymbals and overhead miking. Acoustic pianos and choirs also benefit greatly from this type of frequency response.
Excellent Source Isolation
The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort!
Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist.
You Are Covered
We always strive to provide the best possible Customer Experience. Our products are made in our own MUSIC Group factory using state-of-the-art automation, enhanced production workflows and quality assurance labs with the most sophisticated test equipment available in the world.
As a result, we have one of the lowest product failure rates in the industry, and we confidently back it up with a generous 3-Year Warranty program. |
The CK-7 houses a 35mm gold-sputtered thin Mylar capsule. The CK-7 uses high grade Polystyrene and Metalized Polypropylene capacitors in the audio path. This represents a commitment to quality, as these normally are the type of "upgrade" components that are implemented by microphone modders/hot-rodders! Any studio can proudly offer the CK-7 as a vocal mic or utility condenser due to its versatility...It exudes class visually as well as sonically.
Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability. The versatile CK-7 mic is able to produce professional results with a clean sonic character. The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results. The 3 patterns allow the CK-7 to be used in a variety of situations.
The cardioid pattern is generally best used on vocals and single instruments. The omni mode works well in incorporating some room sound into the track. The figure 8 pattern allows 2 vocalists to use the mic at the same time from opposite sides. The CK-7 has separate -10 dB pad & 80 Hz LF roll off switches....The -10dB attenuation switch can be engaged when miking very high SPL sources to keep from overloading the electronics. The 80Hz high-pass filter switch can be engaged to reduce rumble and to keep unwanted low frequencies from "muddying up" the track.
Applications.
studio vocals, acoustic guitar, mandolin, drum overheads, piano, room mic
Specifications
Type: True Condenser
Polar Pattern(s): Cardioid , Omni , Figure 8
Capsule: Dual-sided 35mm center-terminated gold-sputter Mylar (6 micron)
Frequency Response: 20-20,000 Hz +/- 3dB
Output Impedance: |
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