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Provides huge kick drum sound. Ground shaking low end combined with exceptional clarity and attack.
The D6 is used for stage, studio and broadcast applications. Designed with a cardioid pickup pattern for isolation and feedback control, the D6 is equipped with a VLM™ diaphragm for natural, accurate sound reproduction.
Lightweight, compact and easy to position, the D6 is an excellent choice for miking instruments requiring extended low frequency reproduction such as kick drums, large toms and bass cabinets. The D6s transformer less design, low impedance and balanced output allow for interference-free performance.
Designed, assembled, and tested by Audix in the USA.
| Type | Dynamic |
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| Polar Pattern | Cardioid | | Frequency Response | 30Hz - 15kHz | | Impedance | 280 ohms | | Sensitivity | .8 mV/Pa @ 80Hz |
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Δυναμικό μικρόφωνο υπερκαρδιοειδές ειδικό για έγχορδα, 40Hz-18kHz - Tύπος κάψας : Super-cardioid
- Απόκριση Συχνοτήτων : 40.....15000 Hz
- Ευαισθησία σε ελέυθερο πεδίο, χωρίς φορτίο (1kHz) : 1,5 mV/Pa
- Αντίσταση : 350 Ohm
- Τερματισμένη αντίσταση : 1000 Ohm
- Διαστάσεις : 55 x 34 x 134 mm
- Βάρος : 140 g
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Δυναμικό μικρόφωνο, σούπερ-καρδιοειδούς κάψας, απόκριση συχνότητας 40 - 18ΚHz, Ιδανικό για quitar amps, βάρους 140 gr.
- Τύπος κάψας : supercardioid
- Απόκριση συχνότητας : 40...18000 Hz
- Ευαισθησία σε ελεύθερο πεδίο, χωρίς φορτίο : (1kHz) 2,2 mV/Pa
- Αντίσταση : 350 Ohm
- Τερματισμένη αντίσταση : 1000 Ohm
- Διαστάσεις Βάρος : 140 g
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Type: Black Electret Condenser
Polar Pattern: Uni-Directional
Frequency: 50Hz-16KHz
Sensitivity: -45dB
Output Impedance: 250 Ohm
Mixer Phantom Power: +48V
Ιδανικό για κρουστα, πνευστά & έγχορδα μουσικά
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The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
- A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
- Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
- Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
- Premium electronic components, including gold-plated internal and external connectors
- Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
- Extended frequency response
- Low self noise
- Exceptional reproduction of low-frequency sounds
- Can withstand high sound pressure levels (SPL)
- High output level
- No crossover distortion
- Uniform polar response
- Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
- Acoustic instruments -- such as piano, guitar, drums, percussion, strings
- Wind instruments -- brass and woodwind
- Low frequency instruments -- such as double bass, electric bass, kick drum
- Overhead miking -- drums or percussion
- Ensembles -- choral or orchestral
- Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording
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Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence.
The Beta 57A maintains a true supercardioid pattern throughout its frequency range. This insures high gain before feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. A completely new grille design lets you take better advantage of proximity effect. The Beta 57A is an exceptionally versatile microphone. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.
- Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound
- Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
- Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse
- Neodymium magnet for high signal-to-noise ratio output
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Frequency response: 50 to 16,000 Hz
Suggested Applications
Guitar Amp
Bass Amp
Acoustic Guitar
Brass/Saxophone
Snare Drums
Rack/Floor Toms
Congas
Woodwinds
Lead Vocals
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