AUDIX DP-Quad Drum-microphone set

NEW! 4-piece Drum Mic Package

When it comes to drum and percussion microphones, Audix is the industry leader. These high precision instrument microphones are designed to fill the specific needs of artists and engineers for both studio and live applications.

The Audix DP Series QUAD pack is the simplest and most effective combination of microphones that will allow you to capture the depth and imaging of a full drum kit. With kick, snare and two overheads, the QUAD incorporates the best of two miking techniques: close miking and overhead (ambient) miking.

Close Miking:
The D6 for kick drum and the i5 for snare are considered the two microphones every drummer must have. The kick and snare are considered the core of any drum kit and the foundation for every groove. Close miking insures that they will be captured in the mix. If either the kick or the snare is unable to be heard, there is simply no groove. Being high SPL dynamic microphones, the D6 and i5 excel at "close miking”. This miking technique is required in order to capture the attack and percussive sound of the drum. Also, by having the mic close to the source of the sound, it helps to isolate the sound of each drum and separate it from the rest of the kit.  

Overhead (ambient) miking:
Supporting the idea that "less is more”, there are many engineers who will use just two overhead mics to capture the natural sound of the complete drum kit. With two overhead mics, positioned correctly, it is absolutely true that you can capture the transients, tonality and balance of the kit in a completely phase-coherent manner. The ADX51, which is a pre-polarized condenser microphone with a 14mm gold sputtered diaphragm, is designed specifically with overhead applications in mind. Due to its cardioid pickup pattern, high sensitivity and slim pencil design, the two ADX51 mics can be easily positioned overhead to provide a nice stereo image of the entire drum kit. 

The Blend:
With contemporary music and with the volumes typically generated on stage, it is more practical and effective to create a blended effect of close miking and overhead miking – the exact intent of the DP-QUAD. The D6 will help provide the earthshaking lows and the attack of the kick;  the i5 will reinforce the depth and crack of the snare;  the overheads will pick up the high-hat, tom fills, cymbals and the ambiance of the entire kit. With the DP-QUAD, drums will maintain their sound integrity and critical presence, regardless of the size of the room and PA system.

• 1 x i5 snare mic
• 1 x D6 kick mic
• 2 x ADX51 overhead mics
• 1 x DVICE rim mount with MC1 mic clip
• 3 x DCLIP mic clips
• 2 x WS81C windscreens

Legendary among harmonica players for its classic blues harp sound, the 520D's tradition is carried on by the 520DX "Green Bullet" and has a contoured size and shape that fits perfectly between harmonica and hands.

• New volume control knob allows musicians to adjust the volume to fit each musical situation
• New rugged, dynamic cartridge with improved response
• High-impedance, omnidirectional
• Supplied with 1/4 inch connector
• Frequency response: 100 to 5,000 Hz

The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a complete core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52 microphone, three A56D drum-mounting systems, and a lightweight and durable carrying case.

The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.

Features

• A highly consistent cardioid polar pattern
• Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
• Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
• Premium electronic components, including gold-plated internal and external connectors
• Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
• Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
• Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
• Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect

Performance Characteristics

• Extended frequency response
• Low self noise
• Exceptional reproduction of low-frequency sounds
• Can withstand high sound pressure levels (SPL)
• High output level
• No crossover distortion
• Uniform polar response
• Superior common mode rejection and suppression of radio frequency interference

APPLICATIONS

Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.

• Acoustic instruments -- such as piano, guitar, drums, percussion, strings
• Wind instruments -- brass and woodwind
• Low frequency instruments -- such as double bass, electric bass, kick drum
• Overhead miking -- drums or percussion
• Ensembles -- choral or orchestral
• Room ambiance pick-up -- guitar amplifier or drums

Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.

Suggested Applications

Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording