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The MicroD is primarily a drum and percussion instrument microphone for professional stage and studio applications. The MicroD has a uniformly controlled hypercardioid polar pattern and a smooth, accurate response in its frequency range.
This mic is lightweight, compact and simple to use. The MicroD is housed in an aluminum ring and isolated by means of a rubber shock mount system. The MicroD attaches easily and firmly to a standard drum rim utlizing the patented DVICE rim mount system.
| Type | Pre-polarized Condenser |
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| Polar Pattern | Hypercardioid | | Frequency Response | 40Hz - 20kHz | | Impedance | 250 Ohms | | Sensitivity | 5.6 mV/Pa @1k |
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NEW Wider mounting base capable of accommodating a larger range of microphone stands. Even works with the LP Claw.
Specifically engineered for drum and instrument applications, the Beta 56A's compact, pivoting design makes it the ideal choice for these applications.
Its extremely uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.
- Built-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
- Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
- Compact design reduces stage clutters
- Hardened steel mesh grille resists wear and abuse
- Neodymium magnet for high signal-to-noise ratio output
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Frequency response: 50 to 16,000 Hz
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Τύπος μικροφώνου: Δυναμικό
Πολικό διάγραμμα: Υπερκαρδιοειδές
Συχνοτική απόκριση μικροφώνου: 30 – 20.000 Hz
Τρόπος σύνδεσης: XLR 3-pin
Κατασκευάζεται στην Γερμανία
Όπως όλα τα μέλη της σειράς M, το M 88 TG είναι χειροποίητο στη Γερμανία. Τα υλικά και η ακριβής δεξιοτεχνία που μπαίνουν στο μικρόφωνο δημιουργούν τελικά ένα προϊόν παγκόσμιας κλάσης, ένα επίπεδο ποιότητας που μετατρέπει μια συνηθισμένη αγορά μικροφώνου σε μακροπρόθεσμη επένδυση.
Ιδανικό για μπάσες πηγές
Το M 88 TG υπερέχει στο τύμπανο, το σαξόφωνο και τα κρουστά, αποτέλεσμα ισορροπημένου ηχητικού προφίλ και βαθιών μπάσων. Είναι απαραίτητο για κάθε συλλογή μικροφώνων. Και γιατί να μην είναι όταν εξετάζετε τα χαρακτηριστικά του; Δεν είναι ευαίσθητο στα υψηλά επίπεδα ηχητικής πίεσης και ανθεκτικό στην ανάδραση χάρη στο σχεδόν τέλειο υπερκαρδιοειδές του διάγραμμα!
Εύχρηστο εργαλείο για κάθε studio
Το M 88 TG υπερέχει στο στούντιο με τη βοήθεια της πολύπλευρης ευελιξίας του. Ανεξάρτητα από το αν η δουλειά περιλαμβάνει φωνητικά, κόρνα, ενισχυτές κιθάρας ή τύμπανα - το μικρόφωνο είναι η τέλεια επιλογή για το ευρύτερο φάσμα πηγών. Είναι όλα το αποτέλεσμα της εξαιρετικά ευρείας απόκρισης συχνότητας και του πλούσιου ήχου.
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Ζεύγος μικροφώνων C414B-XLS matched pair εργοστασιακά ως προς την απόκριση συχνότητας και την ευαισθησία. Παραδίδονται σε μεταλλική βαλίτσα φύλαξης και μεταφοράς με 2 αντικραδασμικές βάσεις, 2 αντιανεμικά, βραχίονα στήριξης για X/Y recording και αποδεικτικά χαρτιά μετρήσεων. |
The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
- A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
- Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
- Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
- Premium electronic components, including gold-plated internal and external connectors
- Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
- Extended frequency response
- Low self noise
- Exceptional reproduction of low-frequency sounds
- Can withstand high sound pressure levels (SPL)
- High output level
- No crossover distortion
- Uniform polar response
- Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
- Acoustic instruments -- such as piano, guitar, drums, percussion, strings
- Wind instruments -- brass and woodwind
- Low frequency instruments -- such as double bass, electric bass, kick drum
- Overhead miking -- drums or percussion
- Ensembles -- choral or orchestral
- Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording
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Optimized for low-frequency bass punch/high-power SPL handling. Designed for kick drum.
The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch“, and delivers studio quality sound even at extremely high sound pressure levels.
The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.
Features
- Frequency response shaped specifically for kick drums and bass instruments
- Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
- Studio quality performance, even at extremely high sound pressure levels
- Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
- Hardened steel mesh grille that resists wear and abuse
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Neodymium magnet for high signal–to–noise ratio output
- Low sensitivity to varying load impedance
- Legendary Shure quality and reliability
| Type |
Dynamic (moving coil) |
| Frequency Response |
20 to 10,000 Hz |
| Polar Pattern |
Supercardioid, rotationally symmetrical about microphone axis |
| Output Level |
Open Circuit Voltage: -64 dBV/Pa* (0.6 mV), *1 Pa = 94 dB SPL |
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