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The AVANTONE CK-6 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET mics…but at a fraction of their cost!
The rugged CK-6 microphone body and capsule assembly are precision machined of Brass. Aesthetically the compact body features an elegant Metallic Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.
This Transformerless CLASS A FET Microphone w/ 32mm gold sputtered thin Mylar capsule is designed with circuitry that will yield pleasing professional results comparable to much more expensive designs. It also features -10 dB pad & 80 Hz LF roll off switches for varied recording situations.
The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.
Applications
Studio vocals, acoustic guitar, mandolin, drum overheads, piano, etc…
Specifications
Type: True Transformerless Condenser
Polar Pattern: Cardioid
Frequency Response: 35-20,000 Hz +/- 3.5dB
Output Impedance: | Δύο matched πυκνωτικά μικρόφωνα για χρήση studio recording και live εφαρμογές. Με καρδιοειδές πολικό διάγραμμα.
| Πολικό Διάγραμμα |
Καρδιοειδές |
| Κάψα Μικροφώνου |
Πυκνωτική |
| Κατηγορία Μικρόφώνου |
Μουσικού Οργάνου |
| Τύπος Μικροφώνου |
Ενσύρματο |
| Απόκριση Συχνότητας |
20-20000 |
| Ευαισθησία (mV / Pa) |
8,9 |
| Application |
Concert, Portable PA, Studio |
| Series |
C series |
| Εγγύηση |
1 Χρόνος |
| Κατασκευαστής |
BEHRINGER |
| Μοντέλο |
C-2 |
| Part Number |
000-263 |
2 Matched Studio Condenser Microphones
- 2 matched condenser microphones for stereo studio recording and live applications
- Ideal as main and support microphones for studio and live applications
- Cardioid pickup pattern for effective feedback elimination
- Low-mass diaphragm for ultra-wide frequency response and ultimate sound reproduction
- Switchable low-frequency roll-off and input attenuation
- Ultra low-noise transformerless FET input eliminates low-frequency distortion
Excellent Source Isolation
Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist.
The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort!
Sound That Astounds
Every stitch of these mics is designed to deliver beautiful sound. Beginning with the gold-plated 3-pin XLR connector, you get the highest signal integrity.
Once connected to your system, youʼll notice these twin pro-caliber microphones have a 4 dB boost in the 1 kHz - 8 kHz range. For those of you new to condenser mics, this basically means youʼll get a slightly brighter sound that will give the perfect shape to cymbals and overhead miking. Acoustic pianos and choirs also benefit greatly from this type of frequency response.
Excellent Source Isolation
The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort!
Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist.
You Are Covered
We always strive to provide the best possible Customer Experience. Our products are made in our own MUSIC Group factory using state-of-the-art automation, enhanced production workflows and quality assurance labs with the most sophisticated test equipment available in the world.
As a result, we have one of the lowest product failure rates in the industry, and we confidently back it up with a generous 3-Year Warranty program. |
| Acoustical operating principle | Pressure gradient transducer | | Directional pattern | Cardioid | | Frequency range | 20 Hz ... 20 kHz | | Sensitivity at 1 kHz into 1 kohms | 18 mV/Pa | | Rated impedance | 50 ohms | | Rated load impedance | 1000 ohms | | Equivalent SPL CCIR 468-3 | 21 dB | | Equivalent SPL DIN/IEC 651 | 10 dB-A | | S/N ratio CCIR 468-3 | 73 dB | | S/N ratio DIN/IEC 651 | 84 dB | | Maximum SPL for THD 0.5% | 140 dB | | Maximum output voltage | 13 dBu | | Dynamic range of the microphone amplifier DIN/IEC 651 | 130 dB | | Supply voltage | 48 V ± 4 V | | Current consumption | 3 mA | | Matching connectors | XLR 3F | | Weight | 480 g | | Diameter | 49 mm | | Length | 175 mm |
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Πυκνωτικό μικρόφωνο 3 πολικών διαγραμμάτων (cardioid, omnidirectional and figure-eight), κάψες μεγάλου διαφράγματος 1“, 28MV ευαισθησία, 20Ηz-20kΗz απόκριση συχνότητας, εξαιρετική αντοχή σε μεγάλες ηχητικές πιέσεις (135 / 145 dB SPL (0 / -10 dB), 20dB προεξασθένηση, bass-cut filter. Περιλαμβάνεται βαλίτσα μεταφοράς, αντικραδασμική βάση. Κατάλληλο για studio recording, live.
A/B, X/Y, and M/S stereo recording
Ambience recording
Grand piano, woodwind and brass instruments
Percussions
Drums
Classical music recording
Studio applications
- Back-to-back large-diaphragm multi-pattern transducer
- True condenser technology
- High sensitivity and 155 dB maximum SPL capability
- Switchable 20 dB preattenuation pad
- Switchable bass cut filter
- Legendary, pristine AKG sound quality
- Complete with spider-type shock mount and aluminium carrying case
| Type | Dual-capsule,1-inch large-diaphragm, true condenser pressure-gradient microphone | | Polar pattern | Cardioid, omnidirectional, figure-eight | | Frequency range | 20 to 20,000 Hz | | Sensitivity | 28 mV/Pa (-31 dBV) | | Max. SPL | 135/155 dB SPL (0/-20 dB) for 0.5% THD | | Equivalent noise level | 16 dB-A (IEC 60268-4) | | Signal/noise ratio (A-weighted) | 78 dB | | Preattenuation pad | 0 dB, -20 dB | | Bass filter | 12 dB/octave, 300 Hz | | Impedance | =1000 ohms | | Current consumption | |
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Το TLM-103 είναι το ιδανικό μικρόφωνο μεγάλου διαφράγματος για όλες τις επαγγελματικές και ημι-επαγγελματικές εφαρρμογές παρέχοντας τη μέγιστη ποιότητα με το μικρότερο κόστος.
Αξιοποιόντας το δοκιμασμένο και πραγματικά χωρίς μετασχηματιστή κύκλωμα που συναντάμε σε πολλά μικρόφωνα της Neumann, το TLM-103 έχει από τα πιο χαμηλά επίπεδα θορύβου και από τις μεγαλύτερες δυναμικές περιοχές. Η κάψα του, που προέρχεται από εκείνη που χρησιμοποιείται στο U-87, έχει πολικό διάγραμμα καρδιά και είναι ακουστικά άριστα ισσοροπημένη μειώνοντας τους ήχους από την πίσω πλευρά του μικροφώνου.
Το TLM-103 διατίθεται σε νίκελ και μαύρο χρώμα μαζί με την αντικραδασμική βάση EA1.
| Tύπος: | Πυκνωτικό | | Πολικό Διάγραμμα: | Καρδιοειδής | | Απόκριση συχνότητας: | 20 Hz ... 20 kHz | | Ευαισθησία: | 23 mV/Pa | | Αντίσταση: | 50 ohms | | Συνολική αρμονική παραμόρφωση: | 138 dB | | Διαστάσεις: | 132 mm | | Βάρος: | 450 g | | Αξεσουάρ: | Αντικραδασμική βάση EA1 |
| Πυκνωτικό μικρόφωνο μεγάλου διαφράγματος με φίλτρο αποκοπής χαμηλών συχνοτήτων & preattenuation pad (-20 dB). Περιλαμβάνεται αντικραδασμική βάση τύπου αράχνης & μεταλλική θήκη.
- One-inch large-diaphragm, true condenser cardioid transducer
- Rugged all-metal body
- Roadworthy construction
- Switchable 20 dB preattenuation pad
- Switchable bass cut filter
- Legendary AKG sound quality
- Designed and engineered by AKG in Vienna, Austria
- Comes with spider-type shock mount and aluminium carrying case
The Perception 220 is a large-diaphragm true condenser microphone offering outstanding build quality and excellent value. Its many useful features and included accessories make this microphone uncommonly versatile. It delivers a classic warm, clear sound and conforms to the stringent standards defined for AKG recording products. These standards are based on AKG΄s six decades of experience in making microphones and on input from sound engineers around the world who use AKG products every day.
Its 1-inch large-diaphragm true condenser transducer brings AKG studio quality to the project studio as well as all other areas of recording and live sound applications. A switchable bass cut filter and preattenuation pad make it perfectly suited even for use on loud sound sources producing sound pressure levels up to 155 dB SPL. The rugged and roadworthy design makes it also a perfect choice for on-stage applications. The Perception 220 comes with a spider-type shock mount and a rugged metal case. |
| Type |
1" Large Diaphragm True Condenser |
| Polar pattern |
cardioid |
| Frequency range |
20 to 20,000 Hz |
| Sensitivity |
18 mV/Pa (-35 dBV) |
| Max. SPL |
135 dB/155 dB (0/-20 dB) for 0.5% THD |
| Equivalent noise level |
16 dB-A (IEC 60268-4) |
| Signal/noise ratio (A-weighted) |
78 dB |
| Preattenuation pad |
0 dB, -20 dB |
| Bass filter |
12 dB/octave at 300 Hz |
| Impedance |
=1000 ohms |
| Current consumption |
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