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- Professional dynamic microphone for instrument and vocal applications
- Frequency response designed for guitar amplifiers, percussions and brass instruments
- Super-cardioid polar pattern minimizes background noise and feedback
- Switchable low-cut, flat and high-frequency boost to match instruments
- Extremely high signal output which lets the sound cut through
- Flat-shaped microphone body, perfectly suited for guitar amp combos and cabinets
- Microphone stand adapter and impact-resistant carrying case included
- Rugged, reliable die-cast body construction
- 3-Year Warranty Program*
- Designed and engineered in Germany
- Frequency Response: 50 Hz to 18 kHz
- Impedance: 600 Ohms
- Sensitivity: -54 dBV/Pa at 1Khz
- Connector: XLR 3 Pin Male
- Color: Black
- Mic Clip Included: Yes
- Hard Case included: Yes
- Microphone Weight: 140g / 494 oz
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NEW Wider mounting base capable of accommodating a larger range of microphone stands. Even works with the LP Claw.
Specifically engineered for drum and instrument applications, the Beta 56A's compact, pivoting design makes it the ideal choice for these applications.
Its extremely uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.
- Built-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
- Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
- Compact design reduces stage clutters
- Hardened steel mesh grille resists wear and abuse
- Neodymium magnet for high signal-to-noise ratio output
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Frequency response: 50 to 16,000 Hz
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Τύπος μικροφώνου: Δυναμικό
Πολικό διάγραμμα: Υπερκαρδιοειδές
Συχνοτική απόκριση μικροφώνου: 30 – 20.000 Hz
Τρόπος σύνδεσης: XLR 3-pin
Κατασκευάζεται στην Γερμανία
Όπως όλα τα μέλη της σειράς M, το M 88 TG είναι χειροποίητο στη Γερμανία. Τα υλικά και η ακριβής δεξιοτεχνία που μπαίνουν στο μικρόφωνο δημιουργούν τελικά ένα προϊόν παγκόσμιας κλάσης, ένα επίπεδο ποιότητας που μετατρέπει μια συνηθισμένη αγορά μικροφώνου σε μακροπρόθεσμη επένδυση.
Ιδανικό για μπάσες πηγές
Το M 88 TG υπερέχει στο τύμπανο, το σαξόφωνο και τα κρουστά, αποτέλεσμα ισορροπημένου ηχητικού προφίλ και βαθιών μπάσων. Είναι απαραίτητο για κάθε συλλογή μικροφώνων. Και γιατί να μην είναι όταν εξετάζετε τα χαρακτηριστικά του; Δεν είναι ευαίσθητο στα υψηλά επίπεδα ηχητικής πίεσης και ανθεκτικό στην ανάδραση χάρη στο σχεδόν τέλειο υπερκαρδιοειδές του διάγραμμα!
Εύχρηστο εργαλείο για κάθε studio
Το M 88 TG υπερέχει στο στούντιο με τη βοήθεια της πολύπλευρης ευελιξίας του. Ανεξάρτητα από το αν η δουλειά περιλαμβάνει φωνητικά, κόρνα, ενισχυτές κιθάρας ή τύμπανα - το μικρόφωνο είναι η τέλεια επιλογή για το ευρύτερο φάσμα πηγών. Είναι όλα το αποτέλεσμα της εξαιρετικά ευρείας απόκρισης συχνότητας και του πλούσιου ήχου.
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The e 902 is a dynamic cardioid instrument microphone, which was designed
for lowest bass signals with very high sound pressure levels.It is suitable for
kick drums, bass guitar-amps, tuba, and other bass instruments.
Features
Frequency response optimized for kick drum
Very fast attack
Exceptionally clean and clear pick-up of the deepest bass signals
Integral stand mount
Hum compensating coil
Shock mounted capsule
Robust metal body
Delivery Includes
e 902 microphone
Pouch
User Manual
Technical Data
Pick-up pattern cardioid
Frequency response 20...18000 Hz
Sensitivity in free field, no load (1kHz) 0,2 mV/Pa; (@ 60 Hz): 0,6 mV/Pa
Nominal impedance 350 Ohm
Min. terminating impedance 1000 Ohm
Dimensions 128,5 x 60 mm
Weight 440 g
| The unidirectional dynamic microphone DAP PL-07 is ideal for live sound reinforcement and clear recording of Brass, Saxophone, Harmonica, Snare, Tom, Congas and Guitar-Bass Amps.
Technical Info
Type: Dynamic, Moving coil.
Freq.Resp.: 40 to 16.500 Hz.
Polar Pattern: Cardioid
Sensitivity (1000Hz): 1,7 mV/Pa*
(*1 Pa = 94 dB SPL)
Max SPL: 137dB
Impedance: 600 Ohm
Power supply: none
Connector: 3p. XLR male-type).
Net. Weight: 245 g
Dimensions: (Ø 32 mm x L 157 mm)
Accessories: 6 mtr balanced cable
with XLR plugs |
The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
- A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
- Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
- Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
- Premium electronic components, including gold-plated internal and external connectors
- Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
- Extended frequency response
- Low self noise
- Exceptional reproduction of low-frequency sounds
- Can withstand high sound pressure levels (SPL)
- High output level
- No crossover distortion
- Uniform polar response
- Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
- Acoustic instruments -- such as piano, guitar, drums, percussion, strings
- Wind instruments -- brass and woodwind
- Low frequency instruments -- such as double bass, electric bass, kick drum
- Overhead miking -- drums or percussion
- Ensembles -- choral or orchestral
- Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording
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