Behringer CB 100 condenser microphone for acoustic instruments

Condenser Gooseneck Microphone for Instrument Applications

• Universal condenser microphone for acoustic instruments

• Frequency response designed for string, brass, percussion and wind instruments

• Cardioid polar pattern brings clarity and details

• Flexible gooseneck shaft for effortless "sweet spot" positioning

• Integrated XLR cable for extreme mobility during performance

• Extremely high signal output lets the sound cut through

• XLR phantom power adaptor

• Effective wind and pop noise filters included

• Compatible with most instrument clamps (not included)

• Impact-resistant carrying case included

• Rugged, reliable die-cast body construction

• 3-Year Warranty Program*

• Designed and engineered in Germany

NEW Wider mounting base capable of accommodating a larger range of microphone stands. Even works with the LP Claw.

Specifically engineered for drum and instrument applications, the Beta 56A's compact, pivoting design makes it the ideal choice for these applications.

Its extremely uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.

• Built-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
• Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
• Compact design reduces stage clutters
• Hardened steel mesh grille resists wear and abuse
• Neodymium magnet for high signal-to-noise ratio output
• Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
• Frequency response: 50 to 16,000 Hz

The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.

Features

• A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
• Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
• Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
• Premium electronic components, including gold-plated internal and external connectors
• Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
• Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
• Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
• Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect

Performance Characteristics

• Extended frequency response
• Low self noise
• Exceptional reproduction of low-frequency sounds
• Can withstand high sound pressure levels (SPL)
• High output level
• No crossover distortion
• Uniform polar response
• Superior common mode rejection and suppression of radio frequency interference

APPLICATIONS

Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.

• Acoustic instruments -- such as piano, guitar, drums, percussion, strings
• Wind instruments -- brass and woodwind
• Low frequency instruments -- such as double bass, electric bass, kick drum
• Overhead miking -- drums or percussion
• Ensembles -- choral or orchestral
• Room ambiance pick-up -- guitar amplifier or drums

Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.

Suggested Applications

Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording

Δυναμικό μικρόφωνο, σούπερ-καρδιοειδούς κάψας, απόκριση συχνότητας 40 - 18ΚHz, Ιδανικό για quitar amps, βάρους 140 gr.

• Τύπος κάψας : supercardioid
• Απόκριση συχνότητας : 40...18000 Hz
• Ευαισθησία σε ελεύθερο πεδίο, χωρίς φορτίο : (1kHz) 2,2 mV/Pa
• Αντίσταση : 350 Ohm
• Τερματισμένη αντίσταση : 1000 Ohm
• Διαστάσεις Βάρος : 140 g

A high performance mini-condenser for sound reinforcement and recording. Great for instruments or drums. The ultra-uniform pickup pattern provides high gain before feedback and excellent rejection of unwanted noise.

Other features include:

• Mew A98D flexible drum mount
• SPL handling to 160dB
• frequency response of 20 to 20,000Hz and included preamplifier
• shock mount and windscreen

Δυναμικό μικρόφωνο υπερκαρδιοειδές ειδικό για έγχορδα, 40Hz-18kHz

• Tύπος κάψας : Super-cardioid
• Απόκριση Συχνοτήτων : 40.....15000 Hz
• Ευαισθησία σε ελέυθερο πεδίο, χωρίς φορτίο (1kHz) : 1,5 mV/Pa
• Αντίσταση : 350 Ohm
• Τερματισμένη αντίσταση : 1000 Ohm
• Διαστάσεις : 55 x 34 x 134 mm
• Βάρος : 140 g