Behringer CB 100 condenser microphone for acoustic instruments

Condenser Gooseneck Microphone for Instrument Applications

• Universal condenser microphone for acoustic instruments

• Frequency response designed for string, brass, percussion and wind instruments

• Cardioid polar pattern brings clarity and details

• Flexible gooseneck shaft for effortless "sweet spot" positioning

• Integrated XLR cable for extreme mobility during performance

• Extremely high signal output lets the sound cut through

• XLR phantom power adaptor

• Effective wind and pop noise filters included

• Compatible with most instrument clamps (not included)

• Impact-resistant carrying case included

• Rugged, reliable die-cast body construction

• 3-Year Warranty Program*

• Designed and engineered in Germany

υναμικό υπέρ-καρδιοειδές μικρόφωνο, για Snare/Tom. Αντίσταση 600Ω, απόκριση 50-16.000 Hz, ευαισθησία 2,2 mV. Περιλαμβάνεται μανταλακι στήριξης

Ενσύρματο δυναμικό μικρόφωνο της σειράς Evolution 600, με καρδιοειδές πολικό διάγραμμα, απόκριση συχνότητας 40Hz - 18kHz, διαστάσεων d33mm x 59mm και βάρους 60gr. Περιλαμβάνεται βάση στήριξης.

Είναι ιδανικό για κρουστά.

The e 902 is a dynamic cardioid instrument microphone, which was designed
for lowest bass signals with very high sound pressure levels.It is suitable for
kick drums, bass guitar-amps, tuba, and other bass instruments.
 
Features
Frequency response optimized for kick drum
Very fast attack
Exceptionally clean and clear pick-up of the deepest bass signals
Integral stand mount
Hum compensating coil
Shock mounted capsule
Robust metal body
Delivery Includes
e 902 microphone
Pouch
User Manual

Technical Data
Pick-up pattern  cardioid 
Frequency response  20...18000 Hz 
Sensitivity in free field, no load (1kHz)  0,2 mV/Pa; (@ 60 Hz): 0,6 mV/Pa 
Nominal impedance  350 Ohm 
Min. terminating impedance  1000 Ohm 
Dimensions  128,5 x 60 mm 
Weight  440 g 

The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.

Features

• A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
• Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
• Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
• Premium electronic components, including gold-plated internal and external connectors
• Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
• Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
• Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
• Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect

Performance Characteristics

• Extended frequency response
• Low self noise
• Exceptional reproduction of low-frequency sounds
• Can withstand high sound pressure levels (SPL)
• High output level
• No crossover distortion
• Uniform polar response
• Superior common mode rejection and suppression of radio frequency interference

APPLICATIONS

Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.

• Acoustic instruments -- such as piano, guitar, drums, percussion, strings
• Wind instruments -- brass and woodwind
• Low frequency instruments -- such as double bass, electric bass, kick drum
• Overhead miking -- drums or percussion
• Ensembles -- choral or orchestral
• Room ambiance pick-up -- guitar amplifier or drums

Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.

Suggested Applications

Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording

ΜΙΚΡΟΦΩΝΟ ΓΙΑ ΠΝΕΥΣΤΑ ( ΣΑΞΟΦΩΝΟ, ΤΡΟΜΠΕΤΑ, ΚΛΑΡΙΝΟ Κ.Λ.Π ) - ΚΡΟΥΣΤΩΝ

Linear frequency response, natural sound reproduction, lightweight, easy and stable positioning thanks to the gooseneck, very good impact sound isolation thanks to elastic capsule fastening, strong clamp providing good fastening without causing any damage to the instrument thanks to the soft rubber inner surface of the clips. Phantom Power Adapter LDPHA also available separately.

• Converter Principle: Electret Condenser Microphone
• Pick-up Pattern: Cardioid pattern
• Frequency Response: 50 Hz – 18 kHz
• SPL: 133 dB
• Sensitivty: -45 dB +/- 3dB
• Impedance: 250 Ohms +/- 30% @1kHz
• Connections: Mini XLR – 3 pins
• Gooseneck: 70 mm
• Cable length: 1,5 m
• Surface: Black matt
• Weight: 56 g
• Accessories: Wind protection, Phantom power adapter