DOD 2×15 Equalizer -ΜΕΤΑΧΕΙΡΙΣΜΕΝΟ-

99.20 με ΦΠΑ 24%

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Διαθεσιμότητα: Διαθέσιμο Διαθέσιμο Κωδικός προϊόντος: DOD 2x15 Κατηγορία:
Η ΤΙΜΗ ΔΕΝ ΠΕΡΙΛΑΜΒΑΝΕΙ Φ.Π.Α. 23%    

 

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Η ΤΙΜΗ ΔΕΝ ΠΕΡΙΛΑΜΒΑΝΕΙ Φ.Π.Α. 23%

 

 

Βάρος 8.00 kg

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DOD 2x15 Equalizer -ΜΕΤΑΧΕΙΡΙΣΜΕΝΟ- removeSAMSON S-COM4 Four Channel Compressor/Gate Processor (ΜΕΤΑΧΕΙΡΙΣΜΕΝΟ) removeBSS DPR-504 QUAD NOISE GATE -ΜΕΤΑΧΕΙΡΙΣΜΕΝΟ- removeBSS AUDIO FCS-966 Opal Constant Q Γραφικός Ισσοσταθμιστής-Used- removeGepco Passive D.I. Box ΜΕΤΑΧΕΙΡΙΣΜΕΝΟ removeAKG N63E Phantom Power Supply ΜΕΤΑΧΕΙΡΙΣΜΕΝΟ remove
NameDOD 2x15 Equalizer -ΜΕΤΑΧΕΙΡΙΣΜΕΝΟ- removeSAMSON S-COM4 Four Channel Compressor/Gate Processor (ΜΕΤΑΧΕΙΡΙΣΜΕΝΟ) removeBSS DPR-504 QUAD NOISE GATE -ΜΕΤΑΧΕΙΡΙΣΜΕΝΟ- removeBSS AUDIO FCS-966 Opal Constant Q Γραφικός Ισσοσταθμιστής-Used- removeGepco Passive D.I. Box ΜΕΤΑΧΕΙΡΙΣΜΕΝΟ removeAKG N63E Phantom Power Supply ΜΕΤΑΧΕΙΡΙΣΜΕΝΟ remove
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SKUDOD 2x15SCOM 4 USEDDPR 504FCS966SHGEPCON63E
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Price 99.20 με ΦΠΑ 24% 80.00 285.00 285.0019.0080.00
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Η ΤΙΜΗ ΔΕΝ ΠΕΡΙΛΑΜΒΑΝΕΙ Φ.Π.Α. 23%    

ΜΕΤΑΧΕΙΡΙΣΜΕΝΟΣ ΣΕ ΚΑΛΗ ΚΑΤΑΣΤΑΣΗ.

Η τιμή δεν περιλαμβάνει φπα.

The S com 4 is a compact and versatile single-rack space device that provides
four channels of high quality dynamics processing with an Expander/Gate and
Compressor/Limiter on each channel.
The four channels operate independently or in stereo pairs. Its multi-segment LED
metering displays input/output level as well as gain reduction. The Expander/Gate
section features a continuously variable Threshold control as well as a switch for
fast or slow release times.
The Compressor/Limiter section includes variable Threshold, Ratio and Output levels.
S com 4\'s Enhancer switch restores high frequencies that are sometimes diminished
by heavy compression. This wide-ranging combination of features makes the S com
4 an efficient and versatile audio tool for a wide variety of applications. Its clean and
quiet audio characteristics make it ideal where high sonic integrity is imperative. 
 
FEATURES:

4 Channel Compressor/Limiter, Expander/Gate with Enhancer
Linkable in two Stereo pairs
Expander/Gate with variable Trigger control and switchable Fast/Slow Release
5 Segment LED meters for Input/Output levels and Gain Reduction on each channel
Advanced circuit design utilizing Low Noise Operational
Amplifiers and High Quality VCA\'s
Servo Balanced Inputs and Outputs on XLR and 1/4" connectors
SKD (Smart Knee Detector) circuit automatically switches from soft to hard knee
based on the level of Input signal applied
Individual Threshold and Ratio controls on each channel
Three-year extended warranty 

 

 

 Η ΤΙΜΗ ΔΕΝ ΠΕΡΙΛΑΜΒΑΝΕΙ Φ.Π.Α. BSS Opal FCS-966 Constant Q Graphic Eq Graphic equalisers are found in just about every sound application, from room contouring to feedback control and general audio sweetening. Traditionally, much general eq'ing takes place on the faders alone, but this restricts the use of the faders at each end of the scale for further precision eq work. So we provided the Opal FCS-966 with separate LF and HF contour filters which can change an overall sound balance without disturbing a detailed room or loudspeaker response. These filters are very musical gentle boost and cut shelving filters which can be used to add (or remove) room effects that change with temperature, audience numbers or humidity. All these effects can be easily made without disturbing the critical fader settings already made. Constant Q Filters The modern generation of graphic eq's uses the Constant Q topology, pioneered by BSS Audio, which means that the filter width is constant whatever the fader gain setting. Compared to the earlier 'gyrator' style of filters, Constant Q filters provide a smoother and more predictable interaction between adjacent faders and the resulting eq curve more closely resembles the actual fader positions. More Gain Control Per Filter Each eq fader has +/-15dB of adjustable gain, more than many competitive graphic eq's. The faders are long-throw 45mm types for precision control. High Pass Filter Also provided on the FCS-966 is a sweepable high-pass filter which can be used very effectively to restrict the low-energy output for better amplifier and loudspeaker performance. Stage monitors also benefit from the application of a high-pass filter to remove bass signals e.g. from vocal-only wedges. Metering BSS Audio believes in providing engineers with information, and the FCS-966's 8-segment led meter shows output level and warns of signal clipping within the eq. When the unit is switched to bypass, the meter will read the input level, allowing accurate matching of the 'dry' and equalised signals using the gain control. Centre Bypass When any eq fader is in its centre detent position, the filter is automatically bypassed, for optimum performance. Input/Outputs All the inputs and outputs of the FCS-966 are electronically balanced, with optional transformer balancing. To make installation of the FCS-966 easier, we've provided three differerent interface connectors: XLR-type, 1/4" TRS jack and Phoenix/Combicon screw terminals. Relay Bypass The EQ IN buttons switch the EQ path into circuit. When switched out, or power fails, a high-quality relay switches the input signal directly to the output connectors. Control Descriptions Faders 30 EQ filter faders on ISO centres, each with nominal +/-15dB of gain. Positive centre-detent on 45mm long-throw precision faders. HP Filter Sweepable high pass filter, frequency adjustable from OUT (flat) up to 250Hz. LF Contour Smooth shelving filter, +/-6dB of gain at 50Hz HF Contour Smooth shelving filter, +/-6dB of gain at 14kHz. GAIN Used for overall unity gain adjustment. Adjustable from - infinity to +10dB. CLIP Triple-point clip detector that indicates red when the internal signal is clipping at any one of three critical points. LED Meter Shows output signal level (input signal when eq is bypassed) from -24dBu to +18dBu in 8 steps.

Η ΤΙΜΗ ΔΕΝ ΠΕΡΙΛΑΜΒΑΝΕΙ ΦΠΑ

Gepco Passive D.I. Box-2nd Hand-

Η ΤΙΜΗ ΔΕΝ ΠΕΡΙΛΑΜΒΑΝΕΙ ΦΠΑ

AKG N63E Phantom Power Supply

Weight8.00 kg3.40 kg2.00 kg3.00 kg0.50 kg2.00 kg
DimensionsΜ/ΔΜ/ΔΜ/ΔΜ/ΔΜ/ΔΜ/Δ
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