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The AIRENCE-USB is designed to be the focal point for local radio production work in the studio or... at home. It’s understandable features makes it the ideal companion for rapid on-the-spot radio programs. The AIRENCE is compact, reliable and 19" rack mounting ideal for production rooms. It can also double as an On-Air mixer or implemented as your own Internet Radio station. If your budget is tight start with the 6 channel version which is a complete system to begin with.
And it never becomes obsolete as it can be used as pre-production mixer, if, at a later date, you fit in a larger On-Air mixer. And.. if more inputs are needed hook up the AIRENCE-EXT and instantly you have 6 more triple inputs with each giving you a low noise Mic and 2x stereo line inputs under control. The Cue buss is of course linked and can be used as communication buss.
Not enough? Buy another 6 channel unit to expand to 18 or even more input channels.
Every unit is individually powered by a modern digitally switched power supply to create high efficiency in power consumption. Also power supply redundancy is an option because the power supply unit is external.
CONTROL SECTION
On the right side of the mixer you see 24 illuminated (green/red or yellow) switches These switches can be used to control functions in your Radio Automation such as starting jingle machines and switching between live and NON stop. Recording a voice track while ON-AIR is one of the possibilities.
A built in USB controller, specially tailored by D&R and programmable by yourself, to make radio even more exciting.
SOFTWARE
The AIRENCE sends out control signals over USB based on the HID protocol. This means that the main output signals can be displayed on a TFT screen in a beautiful meter application. Both Program and Sub stereo signals are shown on a high resolution PPM. A smaller separate stereo meter shows all signals heard through the CRM speakers. At the same time this software application shows you a professional looking Radio clock that is synchronized by the nearest NTP server over he Internet.
METER APPLICATION
This included software program runs together with the 4 stereo audio signals over the same USB connection that connects the console with the Play-out PC. A second screen maybe connected to get a similar look as seen on the top of this page.
SUMMARY
The AIRENCE is a reliable modern digitally controlled analogue On-Air console that could satisfy any serious Radio Studio that does not have the budget to go high end digital all the way. This console can do nearly anything you want in a nice compact and good looking package.
D&R's popular AIRENCE-USB broadcast mixing console is updated. In response to customer demand D&R removed the master faders and made the AIRENCE more in line with their other broadcast consoles. This update made the AIRENCE even more failsafe.
The AIRENCE-USB is a digitally controlled reliable analog broadcast console with integrated 4 channel USB sound card and an integrated control section for Play-out systems. With the AIRENCE-USB ON-AIR mixer you can own a modern, split version type of radio production mixer. A smart mixer with an integrated USB based control section. Built with well proven low noise circuitry, this console is the reliable workhorse for the self-op production D.J.
Built in Telephone Hybrids (2x), 4 channels USB and 4 Mic inputs. Ideal for streaming to the web and sending and accepting 4 stereo channels from your Play-out software. A heavy duty (19" rack) RF shielded chassis, that can be used as a dropthrough in your furniture, houses all the vertically mounted input modules.
Extension units with six triple input channels with high end quality Mic inputs on XLR and two stereo line level inputs on Cinch (RCA) connectors can be connected to the main unit. The result is a modern split drop through 12 (or 18/24) fader radio console.
INPUTS.
Mic inputs: bal, 2 kOhm, XLR. ,48 volt Phantom.Noise: - 128 dBr (A-weighted). (That 1501)Sensitivity: - 70dB min, OdB Max.Insert: Jack unbalanced send 600 Ohm -10dBV.Aux Return unbalanced 10kOhm -10dBv. Line inputs: unbal.., 10kOhm, Cinch. Gain: range of 40dB. Phono inputs: unbal. 47kOhm, 5 mV. (optional)
USB:
4x Stereo in and 4x stereo out.Extern in: - 10 dBV at 10kOhm. Aux returns: - 10 dBv at 10kOhm stereoUSB. Fully compliant with USB 2.0 playback and record mode. 4x Stereo in and Main stereo or SUB signals out. HID Functions: Volume|Mute|Control
USB CONTROL SECTION.
24 free assignable illuminated switches plus encoder based on the HID protocol.
TELEPHONE HYBRIDS.
RJ-11 connectors for phone line/diallerMix Minus rejection @1kHz -40dB.
OUTPUTS.
Left/Right: + 6dBu bal. XLR. Monitor/Aux : + 6dBu unbal. on Cinch. Studio: + 6dBu, Jacks. Tape outp: -10dBv. Headphone: 32-600 Ohm, Jack. Announcer: 32-600 Ohm, Jack.USB out: Main program stereo signal or SUB
EQUALIZER.
High: + / -12 dB at 12kHz shelving. Mid: + / -12dB at 1 kHz bell curve. Low: + / -12dB at 60 Hz shelving.
THE HIGHLITES...
" Inserts on all Mic input modules.
" Program and Sub busses.
" Two built in Telephone Hybrids.
" Four built in USB channels.
" Modern Split design with the optional 6 channel Extender.
" Bi- Directional Cue Communication buss.
" Internal NON-STOP switching.
And of course the standard features...
" High efficiency switched mode external power supply with optional redundancy.
" Three band very musical EQ.
" Software based meter application included.
" High quality K-Alps faders.
Available Options
" Redundant power supply
" 6 channel Extender units available
" Studio Remote for cough and Cue.
OVERALL
Frequency response: 10 - 60.000Hz. Distortion: < 0.01% max at 1 kHz. Start switch: isolated reed relay. (24volt/50mA)Ledbars: 11 segment and on high res on screen
SOFTWARE
A software protocol is available for programming of the USB HID protocol to match your software.
DIMENSIONS:
Main unit19" rack mountable (480mm)Height: 356mm (8HE). Depth: 95mm. Weight: 9kg. Extension unitWidth: 400mmHeight: 356mm (8HE). Depth: 95mm. Weight: 7kg. | With the Webstation you can now own a modern broadcast mixer for a very attractive price. This new and handbuilt piece of precision equipment is built around proven low noise circuitry. It is an intelligent mixer with an internal USB control section that comfortably enhances daily use and even has a built in silence detector. It is a reliable workhorse for the self-op production D.J. There is a built in Telephone VOIP functionality, 3 in/out channels of stereo USB and 2 very low noise Mic inputs. The WEBSTATION is ideal for ON-AIR, Production work and perfect for streaming to the web.
The WEBSTATION accepts and instantly controls a maximum of 3 in/out stereo channels from your Play-out software. It is built into a heavy duty metal RF shielded chassis. Easily "drops” into your furniture to give that exciting radio look. Built with a strong powder coated front panel for durability and it is the result of more than 47 years of experience at D&R.
MIC, LINE, USB and Internal VoIP
The WEBSTATION mixer has 2 balanced, phantom powered mic inputs with inserts for voice processors. Six stereo line inputs, 3x USB channels and 1x Telephone VOIP channel.
If you want to connect an analog phone line a Cleanfeed output is provided for to connect to an external Hybrid.
Only one physical USB connection is the interface to transfer 3 stereo audio channels + VoIP signal from and to your PC plus all control data from the control section and the software meter application.
The VOIP Channel 6 is also routed to the main USB connector. Talk back to the VOIP channel is by pushing both "Mic CUE" and "VOIP CUE" to make conversation with callers very easy prior to broadcasting.
The Webstation has a very musical 2 band equalizer. High quality low noise mic inputs with built in low cut filters.
Straight Forward Master Section
The WEBSTATION’s modules can be easily tailored
to your own needs with the included software program page shown below.
All 6 modules have their own page, where you can program Cue reset enabled by Line, Mic, Fader, On etc.
The Mic On busses (for your ON-AIR light) can be enabled by Line or Mic or USB.
A great feature is the ability to program your own switch colours, activate the CRM mute module and program the Studio Remote. Additionally if you want your Phantom power on or off individually programmable per channel this can also easily done.
All settings can be stored(write) and loaded (read), see the configuration manager below.
Specs
- Six dual inputs
- 2 band EQUALIZER
- Windows / Mac compatible
- Built in auto Silence detector
- 3 USB stereo in /out channels
- Mic inputs with 48 volt Phantom
- Play out USB control section included
- CRM and Phone outputs
- Built in VOIP functionality
- Internal NON STOP switching
- Cleanfeed output for external Hybrids
- Bi directional Cue communication buss
- Incoming phone calls visible on screen
- Ideal for Production, Voice tracking and On-AIR
Summary
The uncluttered and clearly understandable features make it the ideal tool for making radio programs. The Webstation is compact, reliable and ideal for production rooms. It can be used as your main stations On-Air mixer or used as your home Internet Radio station. We hope to have given you an idea of the huge potential of this new WEBSTATION broadcast mixer. If you need more info than presented here on our web page you can download the manual for even more in depth info.
INPUTS
Mic input: bal, 2 kOhm, XLR ,48 volt Phantom.
Noise: - 128 dBr (A-weighted).
Sensitivity: - 70dB min, OdB Max.
Insert: unbalanced 10kOhm -10dBv.
Line inputs: unbal., 10kOhm, Cinch.
Gain: range of 40dB.
USB: 3x Stereo in and 3x stereo out.
USB
Fully compliant with USB 2.0 playback and record mode.
3x Stereo in and 3x stereo out.
USB CONTROL SECTION
12 free assignable illuminated switches based on the HID protocol.
VoIP CHANNEL
Uses USB processing for VoIP.
OVERALL
Frequency response: 10 - 60.000Hz.
Distortion: < 0.01% max at 1 kHz.
GPO/Mic On: Opto FETS. (24volt/50mA max).
Led bars: Software meter application.
OUTPUTS
Left/Right: 0 dBu unbal. on Cinch.
CRM: 32-400 Ohm, Jack.
Headphone: Program/Voice track/VoIP
USB out: 0 dBu unbal. on Cinch.
EQUALIZER
High: + / -12 dB at 12kHz shelving.
Low: + / -12 dB at 60 Hz shelving.
CONTROL SOFTWARE
A software program is included in the delivery for programming the Control section (Webstation Virtual Keyboard Mapper) and internal mixer settings.
DIMENSIONS
Left-Right: 350 mm
Front-Back: 315 mm
Height: 30 to 90 mm
Front panel thickness: 2 mm
Radius Corners: 20 mm
Weight: 8kg.
Drop through hole: 320 x 295 mm
EAN code: 7436917138155 |
Η XB-10 της Allen&Heath είναι broadcasting κονσόλα ιδανική για μικρό ραδιοφωνικό σταθμό ή internet radio. Διαθέτει 3 εισόδους mic/line, 3 εισόδους Stereo και 1 είσοδο Telco με επιλογή USB routing για εισερχόμενες κλήσεις VoiP. Ενσωματωμένη full duplex USB κάρτα ήχου για recording ή internet broadcasting. Επίσης έχει CompACT (Adaptive Compression Technology) compressor σε κάθε μια από τις 3 εισόδους μικροφώνου που παρεμβαίνει στην στάθμη του σήματος ήχου. Σε αντίθεση με άλλους compressors που έχουν ως σκοπό τον περιορισμό στις υψηλές στάθμες, ο συγκεκριμένος επεμβαίνει σε όλες τις στάθμες σήματος. Στα χαμηλής στάθμης σήματα δίνεται ένα gain boost (ενίσχυση), τα μεσαίου επιπέδου σήματα συμπιέζονται ηπίως, και τα υψηλής στάθμης περιορίζονται ωστε να εχουμε ενα ομαλο σημα.
- 3 mic/line and 3 stereo inputs
- Telco channel with optional USB routing for VoIP
- CompACT compressors on mic channels
- ON switch logic on mic and telco channels
- Start/cue logic outputs on stereo channels
- Separate headphones mix and outputs
- Auto mutes on control room outputs
- Remote mute facility on mic channels
- Responsive 3-band, swept mid EQ with MusiQ
- Configurable USB stereo audio in/out
- XLR main outputs with inserts and variable limiter
- Aux / Alt bus for external processing, recording or auditioning
USB
XB-10 comes with a full duplex USB soundcard built-in and many useful routing options for recording and broadcast applications.
MusiQ
XB-10 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ with optimised slope for a variety of sources.
Output Limiter
A variable limiter ensures the level does not exceed a pre-defined level. Back panel option switches allow the limiter to be bypassed. A trim pot is used to vary the threshold and an LED on the front panel indicates when the limiter has triggered.
CompACT Compressor
XB-10 features our ComPACT compressor on each of its mic channels. CompACT (Adaptive Compression Technology) is a program-dependent audio leveller. Unlike other compressors, which are effective only at reducing loud sounds, CompACT combines both downward and upward compression with peak limiting. Low level signals are given a gain boost, mid level signals are mildly compressed with a soft knee response, and high level signals are limited.
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The Lyra-8 is a fully digital desktop production mixer. Its concept originates from heavy investigations among end users and distributors looking for a versatile compact small universal desktop mixer.
The core of the Lyra is a sophisticated DSP engine. This processing engine involves the latest developments in DSP technology by Texas Instruments. An intense cooperation between T.I. and D&R has resulted in a digital audio mixer offering tremendous DSP power and a superb sonic quality.
Although the Lyra is a digital console, it is operated with the same comfort as a conventional analog production mixer. No fundamental concessions have been made towards reliability, high speed controller-response and system stability.
Apart from that there is the unique capability to control Lyra's functions over the Internet
- The Lyra is a fully digital desktop production mixer. Its concept originates from heavy investigations among end users and distributors looking for a versatile compact small universal desktop mixer.
- The core of the Lyra is a sophisticated DSP engine.
- This processing engine involves the latest developments in DSP technology by Texas Instruments. An intense cooperation between T.I. and D&R has resulted in a digital audio mixer offering tremendous DSP power and a superb sonic quality.
- Although the Lyra is a digital console, it is operated with the same comfort as a conventional analog production mixer.
- No fundamental concessions have been made towards reliability, high speed controller-response and system stability.
- Apart from that there is the unique capability to control Lyra's functions over the Internet
- Over 18 inputs (7x digital, 7x analog, 4x mic inputs) are connected to a digital cross-point router to accept various formats of audio.
- This router actually is an integrated programmable patch-bay allowing you to send any of the input signals to any desired processing channels of the DSP’s.
- These processing channels consist out of a three band parametric Eq-section and dynamics control application.
- The signal output by the DSP channel can be routed to main stereo busses.
- Every main buss is stereo and has dedicated analog outputs, but the bus signals can also be routed to a digital output as well.
- Monitoring functions are analog making interfacing with the outside world very simple and easy to understand.
- The Lyra has four processing channels with 100m faders with large illuminated On and Cue switches an a rotary encoder for multiple functions.
- A LCD per channel shows input selections and many other functions.
- In the right hand section of the console are dedicated instant access functions for Source selection, Gain, EQ on/off, Dynamics on/off, Aux, Pan, Program and Sub selection.
- The analog master section with 16 segment led bars and source select switches makes interfacing very easy with all sorts of monitoring devices.
- A CobraNet option is available for integration within our network solution to share more sources.
- An Ethernet connector is available for remote control via TCP/IP protocol.
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Allen & Heath XB-14² Compact Broadcast Mixer
Κονσόλα Broadcast mixer XB-14-2 της Allen & Heath με 4 mono mic, 2 telco και 4 dual stereo εισόδους. Διαθέτει EQ τριών περιοχών στις εισόδους mono και δύο περιοχών στις telco, 1 aux output, USB και έξοδο ακουστικών. Ιδανική για ραδιοφωνικούς σταθμούς Διαστάσεις (HxWxD) 98x385x465mm - 7,5kg (μεικτό βάρος 11,5kg).
- Audition/clean feed bus
- 3-band EQ on mono channels
- 4 mic/line and 4 stereo channels
- 2-band EQ on Telco/stereo channels
- 2 stage, padless pre-amp design
- Fader start sensing on mono channels
- Start/cue logic on stereo channel switches
- 2 Telco telephone communication channels
- USB connectivity to interface with PC/MAC
- Separate headphones mix for engineer/producer and 2 guests
- Vertically-mounted PCB construction with nutted rotary pots
- Aux and separate stereo busses for processing/recording
- Control room outputs with auto and remote mutes
- Remote mute facility on mic channels
- Balanced main outputs with inserts
- Input signal and peak metering
The XB-14² by Allen & Heath is a broadcast mixer designed for self-operated broadcast applications in small radio and internet studios, as well as larger facilities with multiple rooms. It comes in a compact package and is packed with radio-friendly options usually found on large-format broadcast consoles.
This Mixer allows for an efficient and flexible workflow with features such as telephone-communication (Telco) channels, fader-start sensing, automatic muting of speaker outputs, stereo channel-start/cue outputs for CD deck-transport control, separate headphone mixes for guests, an audition bus, and more.
Separate monitor mixes can be created enabling the operator to check levels and cues without interfering with the listening sources of the presenter or guests. Using remote-interface connectors, mono channels can be remotely muted from studio-located mute or cough switches (available separately). In addition, the Talk to Guest switch allows for the operator to communicate off-air with guests, presenters, and telephone callers.
The audio circuitry of the XB-14² features four mic/line channels equipped with high-gain DuoPre preamps and 3-band EQs to help cut sibilance & mic popping, and 2-band EQs on stereo channels for use with music. The full-duplex USB sound card offers playback and record to & from a computer as well as voice over IP (VoIP), and is compliant with Mac & Windows core audio drivers.
Flexible Routing Options
- Four mic/line mono channels
- Four dual-source stereo channels and a total of up to seven stereo sources
- Aux bus for external processing, effects, recording or auditioning
- Mix B for recording an independent mix to the main program mix, or creating a clean feed source from selected channels
- Audition bus for auditioning or recording telephone conversations
- 27 logic I/O for remote control
- 15 configuration switches
- Output matrix with three headphone outs allows separate mixes for engineer/producer and two guests
- Talk button for off-air conversation with guests
DuoPre Preamps
The four mono channels feature DuoPre technology which employs a two-stage design to control the input gain structure of the channel. The first stage provides 69 dB of gain for the signal at the XLR input. The second stage is activated by plugging the signal into the TRS line-input jack. This gain-staging eliminates the need for pad circuit & pad switch, and ensures that the signal remains in the optimum region of its dynamic range for lower noise and distortion.
USB
The XB-14² is equipped with a stereo bi-directional sound card for playback, recording, or voice over IP (VoIP) to and from a computer. Its USB 1.1 audio codec is compliant with USB 2.0 ports and Windows & Mac core audio drivers.
Telco
Two Telco channels provide a selectable clean-feed output (L/R PGM, Aux or audition bus), variable high-pass and low-pass filters which are useful when a caller is connected via a low-quality telephone line, and a talk button that allows for communication with a telephone caller without the presenter\'s voice going to the program mix.
Remote Control
The mono mic/line channels feature fader-start sensing to control external devices or to automatically mute speaker outputs to prevent feedback. The stereo channels are equipped with start & cue logic outputs used for CD deck transport control. Mic/line input channels can be remotely muted using an external "cough" switch (available separately).
Robust Construction
The XB-14² features individual vertically-mounted channel circuit boards with rotary controls fixed to the front panel using metal nuts. This robust construction allows for removing channels from the mixer one at a time and for easily changing faders, making servicing minimally disruptive.
Additional Features
- HPF and 3-band, swept-mid EQ on mono channels
- 2-band EQ on stereo channels
- Smooth-ride 100mm faders
- Auto-mute on control-room outputs
- XLR main outputs with inserts
- External-meter socket
- Input-signal and peak metering
| Inputs |
Mono Channel Mic Input (XLR): +6 to -63 dBu nominal / +17 dBu max
Mono Channel Line Input (TRS Jack Socket): +10 to -26 dBu / +30 dBu max
Insert Point (TRS Jack Socket): 0 dBu nominal / +21 dBu max
Stereo Input (TRS Jack Sockets): 0 dBu nominal (control = off to +10 dBu)
Stereo Input (RCA Phono Sockets): 0 dBu nominal (control = off to +10 dBu)
Telco Channel Input (XLR): +10 to -26 dBu / +30 dBu max
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| Outputs |
PGM L/R Outpu(XLR): +4 dBu nominal / +25 dBu max
PGM Mono Output (RCA Phono): 0 dBu nominal / +21 dBu max
PGM L & R inserts (TRS Jack Sockets): -2 dBu nominal / +21dBu max
Aux Output (Jack Socket): 0 dBu nominal / +21 dBu max
Mix B Outputs (RCA Phono Sockets): 0 dBu nominal / +21 dBu max
Audition Outputs (RCA Phono Sockets): 0 dBu nominal / +21 dBu max
CRM Outputs (RCA Phono Sockets): 0 dBu nominal / +21 dBu max
Telco Output (XLR): 0 dBu nominal / +21 dBu max
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| THD + N |
Mic In to PGM L/R Out: < 0.01% (0 dB Gain, 1 kHz, +10 dBu out)
Mic In to PGM Out: < 0.01% (30 dB gain, 1 kHz, +10 dBu out)
Line In to PGM L/R Out: < 0.01% (0 dB gain, 1 kHz, 0 dBu out)
Stereo In to PGM Out: < 0.01% (0 dB gain, 1 kHz, +10 dBu out) |
| USB Audio Codec |
USB Audio In/Out: USB 1.1 compliant / 16-bit
Sample Rate: 32, 44.1, 48 kHz |
| Noise |
Mic Pre EIN @ Maximum Gain: -124 dBu (150 R Input Z, 22 Hz to 22 kHz)
PGM Out: < -100 dBu (PGM fader = 0, 22 Hz to 22 kHz)
Audition Out: < -100 dBu (mix B out = 0, 22 Hz to 22 kHz)
Aux Out: < -85 dBu (mono out = 0, 22 Hz to 22 kHz) |
| Headroom |
Analog Headroom from Nominal (O VU) Outputs: 21 dB
Analog Headroom from Nominal (O VU) Mix Point: 24 dB
Headroom from Nominal (O VU): 14 dB |
| Crosstalk / Attenuation |
Mono Fader Attenuation: -95 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz)
Mono ON Switch Attenuation: -95 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz)
TELCO Fader Attenuation: -95 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz)
TELCO ON Switch Attenuation: -95 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz)
Stereo Fader Attenuation: -95 / -90 (dB relative to +10 dBu, 1 kHz to 10 kHz)
Stereo ON Switch Attenuation: -95 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz)
PGM Fader Attenuation: -100 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz)
TELCO Clean-Feed Isolation from I/P: -55 / -40 (dB relative to +10 dBu, 1 kHz to 10 kHz)
Stereo Separation, L in to PGM R Out: -70 / -50 (dBr, 1 kHz to 10 kHz) |
| Frequency Response |
Microphone In to PGM L/R Out: +0.5 / -1 dB, 10 Hz to 30 kHz (30 dB gain)
Line In to PGM L/R Out: +0.5 / -1 dB, 10 Hz to 20 kHz (0 dB gain)
Stereo In to PGM L/R Out: +0.5 / -1 dB, 10 Hz to 30 kHz |
| Power Supply |
100 - 240 V / 47 - 63 Hz |
| Power Consumption |
30 W |
| Fuse Rating |
T 10 A / 250 V / 20 mm |
| Dimensions (W x H x D) |
15.2 x 4.1 x 18.3" / 385 x 103 x 465 mm |
| Weight |
16.5 lb / 7.5 kg |
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The new AIRLAB DT radio ON-AIR console is D&R’s solution for applications where features and functions have to be weighed up against operational simplicity. A simple direct accessible control surface combined with intelligent instantly reset-able digital functions enables customizing to station requirements, and even to personal requirements, thanks to the use of a personalized chip card, holding all important functional data. D&R's AIRLAB has a welded steel drop through frame that will accommodate a maximum of 16 triple input modules with or without EQ, a digital AES/EBU in/output module, an USB module, a Control Module and Telco modules (up to 16) and the master section. The perfect mixing board for FM Broadcasting, Podcasting, Webcasting, or streaming to the internet!
The main outputs are electronically balanced (transformer balancing is an option) and the majority of connectors are on balanced XLRs.
With a sales track record (2017) of more than 900 consoles in the field, this On-Air mixing console has proved its popularity and... reliability.
FEATURES:
- 16 module positions
- Modern Drop) Through design
- Play-out Control Module
- Program and Sub busses
- Ideal for production and On-AIR use
- USB and Digital modules
- Bi directional Cue communication buss
- Software metering
SPECIFICATIONS:
- Mic input: bal. 2kOhm - 128dBr (40dB gain range plus 30dB of trim range)
- Line input: bal 10kOhm +/- 20dB gain range
- Telco input: (XLR) 10kOhm bal. 0dBu nominal
- CMRR: mic input max gain: 1kHz 85dB
- Line input: max gain 1 kHz 80dB
EQUALIZATION:
- +/- 12 dB @ 10kHz shelving
- +/- 12 dB @ 3kHz bell curve
- +/- 12 dB @ 60 Hz shelving
- Low Cut: 80Hz, 12dB per octave (mic only)
- Low Cut: 200Hz, 6 dB per octave (Telco only)
- High Cut: 8 kHz, 6 dB per octave (Telco only)
OUTPUTS:
- Left/Right : +6dBu electronically balanced (transformer balancing is an option)
- Sub : +6dBu electronically balanced
- All other outputs: +6dBu unbalanced.
OVERALL:
- Frequency response: 20-20.000 Hz +/-0.5dB
- Harmonic distortion: 0.035% (VCA in, 2nd harm)
- Crosstalk: less than -90dBr
- Noise: -86dBr
- Headroom: +22dB internal, 16dB on outputs
- Mix-Minus rejection: @1kHz -60dB
- Channel fader attenuation: 1kHz, 100dB
REMOTES:
All channel remotes are on stereo jack sockets
Start/Stop switching is by isolated reed relays
Both ON-AIR 1 and 2 (red light) ouputs are isolated by relays
DIMENSIONS AND WEIGHT:
50 kg / 110 Lbs
Drop through mounting hole dimensions: 590mm x 775mm
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