ELECTRO HARMONIX Nano Looper 360 ΠΕΝΤΑΛ

Πετάλι κιθάρας looper. O κιθαρίστας μπορεί να δημιουργήσει loops 360 δευτερολέπτων. Δυνατότητα αποθήκευσης 11 θέσεις .  uncompressed audio, 44,1 kHz sample rate, μετατροπέας  24-bit A / D / A μετατροπέας, Die-Cast μεταλλικό πλαίσιο, Λειτουργίες overdubbing , undo-redo και  ereasing, Περιλαμβάνεται τροφοδοτικό 9V DV

The MD-2 Mega distortion takes the bottom-heavy distortion sounds heard in today's new-school metal and pushes it to the extreme. The secret is a special dual-stage distortion circuit with an added gain boost-plus new Bottom and Tone controls--for crushing distortion with massive low end. Take your distortion into the future with the MD-2.

• Produces extreme, low-end distortion for modern metal and hard rock
• Gain Boost circuit creates huge distortion and sustain regardless of level
• New Bottom control for bottom-heavy distortion matched to 6- or 7-string guitars
• Tone control adjusts balance between high and low frequencies
• BOSS 5-year warranty

Wah-wah πετάλι που χρησιμοποιεί τεχνολογία οπτικής ίνας, μηχανισμό διαμόρφωσης της αντίστασης στην αίσθηση του, και Range control (440 Hz εώς τα 250 Hz) για απόλυτο έλεγχο.

Product Features:

Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany

How the specific frequency bands of the BEQ700 can shape your sound

50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss