Project Lone Pine Kali\’s debut LP-6 studio monitors are designed to give you world-class power and accuracy without breaking the bank. Performance Transparency. Clarity. Accuracy. Kali Audio\’s Lone Pine Series studio monitors are designed to allow you to hear every detail that\’s happening in your mix. This starts with an exceptionally accurate frequency response. Whatever […]
Kali\’s debut LP-6 studio monitors are designed to give you world-class power and accuracy without breaking the bank.
Performance
Transparency. Clarity. Accuracy.
Kali Audio\’s Lone Pine Series studio monitors are designed to allow you to hear every detail that\’s happening in your mix.
This starts with an exceptionally accurate frequency response. Whatever is present on your mix is what you\’ll hear in these monitors. Nothing is boosted or suppressed to cover flaws or try to sound more pleasing.
With the LP-6, you can mix with more confidence, and you can also be assured that your mix will translate as best as possible to whatever systems your audience is using.
80W Class D Power
39 Hz Lower Frequency Response
< 3% System THD 94 dB @ 1M
112 dB Max SPL
3-D Imaging Waveguide
Hear three dimensional sound from a stereo pair of speakers.
Dual-Layer Voice Coil
Large diameter voice coil allows for low distortion and high dynamic range.
Low Noise Port Tube
Precisely engineered using airflow simulations for powerful bass without port noise.
The single most important aspect of a studio monitor is its accuracy. A good studio monitor should present the material it’s playing faithfully, allowing you to make critical decisions that you know will translate to all the systems that your work will ultimately be played on.
Rather than make our own claims about the accuracy of our speakers, we had them independently tested by Pro Sound Testing in Greenville, Indiana. You can download their full test data from the links below, and explore the frequency response, dispersion, and distortion characteristics of both the LP-6 and LP-8. Please note that this data requires the “Common Loudspeaker Format Viewer” application to view.
Kali Audio defines a listening distance as the maximum distance at which the speakers can play continuously at 85 dB while maintaining 20 dB dynamic headroom.
This means that anywhere within that listening distance, you can listen for long periods of time at reference volume, and momentary peaks such as bass drops or explosion effects will come through clearly and with minimal distortion. The LP-6 has enough output for most 1-2 person setups, and the LP-8 can handle larger setups easily.
Bass on the LP-Series monitors is delivered by larger magnets and larger voice coils than any comparable speakers on the market. This gives you more accurate bass response that extends lower, so you can dial in exactly the low end sound you need. Bass response is not boosted or overhyped, but you can be sure that you’re hearing the bass that you have on the track.
The integrated Class D Power amp delivers clean, reliable power that’s optimized to this speaker.
Both models use 40W for the 1” soft dome tweeter. The LP-6 uses 40W for the 6.5-Inch woofer, and the LP-8 uses 60W for the 8-Inch woofer.
Boundary EQ Control
A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound.
Happily, most of the common positions are fairly predictable and easily corrected.
Kali’s team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers.
Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in, or where the speakers are placed.
Easy Connections
The LP-6 and LP-8 both feature balanced XLR and TRS inputs, and an unbalanced RCA input.
The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack. 3-D Imaging Waveguide
The waveguide on the Lone Pine Series studio monitors ensures that the directivity of the loudspeaker is smooth throughout its frequency response. What’s more: it’s calibrated so that the sound power of the loudspeaker helps you to perceive sound accurately.
In practical terms, what this means is that you’re hearing spatial details in the recording that allow your brain to place elements of the recording in the space around you. This gives the speakers a more natural, lifelike feel that exposes more of the detail of the material that you’re working on. This level of detail makes it easier to make critical decisions, as well as making these monitors pleasurable to mix on and listen to in general.
Low Noise Port Tube
We wanted to put a port on the front of the LP-Series studio monitors so that they could be used in small spaces where they’d be placed against walls. At the same time, we didn’t want noise from the front port to distract from the accuracy of the speaker, so we developed a special front port that doesn’t make noise.
On most port tubes, air leaves at different speeds from different points of the opening, creating noisy turbulence. This turbulence can be heard as “chuffing,” or an audible air sound coming from the monitor. This sound will add to the noise floor and obscure the details of the low end.
The port tube on LP-6 was designed to ensure that all of the air leaves the port tube at the same velocity. This helps add to the low end response of the speaker, while keeping the bass clean, tight, and devoid of extra noise.
Kali\'s debut LP-6 studio monitors are designed to give you world-class power and accuracy without breaking the bank.
Performance
Transparency. Clarity. Accuracy.
Kali Audio\'s Lone Pine Series studio monitors are designed to allow you to hear every detail that\'s happening in your mix.
This starts with an exceptionally accurate frequency response. Whatever is present on your mix is what you\'ll hear in these monitors. Nothing is boosted or suppressed to cover flaws or try to sound more pleasing.
With the LP-6, you can mix with more confidence, and you can also be assured that your mix will translate as best as possible to whatever systems your audience is using.
80W Class D Power
39 Hz Lower Frequency Response
< 3% System THD 94 dB @ 1M
112 dB Max SPL
3-D Imaging Waveguide
Hear three dimensional sound from a stereo pair of speakers.
Dual-Layer Voice Coil
Large diameter voice coil allows for low distortion and high dynamic range.
Low Noise Port Tube
Precisely engineered using airflow simulations for powerful bass without port noise.
The single most important aspect of a studio monitor is its accuracy. A good studio monitor should present the material it’s playing faithfully, allowing you to make critical decisions that you know will translate to all the systems that your work will ultimately be played on.
Rather than make our own claims about the accuracy of our speakers, we had them independently tested by Pro Sound Testing in Greenville, Indiana. You can download their full test data from the links below, and explore the frequency response, dispersion, and distortion characteristics of both the LP-6 and LP-8. Please note that this data requires the "Common Loudspeaker Format Viewer" application to view.
Kali Audio defines a listening distance as the maximum distance at which the speakers can play continuously at 85 dB while maintaining 20 dB dynamic headroom.
This means that anywhere within that listening distance, you can listen for long periods of time at reference volume, and momentary peaks such as bass drops or explosion effects will come through clearly and with minimal distortion. The LP-6 has enough output for most 1-2 person setups, and the LP-8 can handle larger setups easily.
Bass on the LP-Series monitors is delivered by larger magnets and larger voice coils than any comparable speakers on the market. This gives you more accurate bass response that extends lower, so you can dial in exactly the low end sound you need. Bass response is not boosted or overhyped, but you can be sure that you’re hearing the bass that you have on the track.
The integrated Class D Power amp delivers clean, reliable power that’s optimized to this speaker.
Both models use 40W for the 1” soft dome tweeter. The LP-6 uses 40W for the 6.5-Inch woofer, and the LP-8 uses 60W for the 8-Inch woofer.Boundary EQ Control
A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound.
Happily, most of the common positions are fairly predictable and easily corrected.
Kali’s team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers.
Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in, or where the speakers are placed.
Easy Connections
The LP-6 and LP-8 both feature balanced XLR and TRS inputs, and an unbalanced RCA input.
The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack.3-D Imaging Waveguide
The waveguide on the Lone Pine Series studio monitors ensures that the directivity of the loudspeaker is smooth throughout its frequency response. What’s more: it’s calibrated so that the sound power of the loudspeaker helps you to perceive sound accurately.
In practical terms, what this means is that you’re hearing spatial details in the recording that allow your brain to place elements of the recording in the space around you. This gives the speakers a more natural, lifelike feel that exposes more of the detail of the material that you’re working on. This level of detail makes it easier to make critical decisions, as well as making these monitors pleasurable to mix on and listen to in general.
Low Noise Port Tube
We wanted to put a port on the front of the LP-Series studio monitors so that they could be used in small spaces where they’d be placed against walls. At the same time, we didn’t want noise from the front port to distract from the accuracy of the speaker, so we developed a special front port that doesn’t make noise.
On most port tubes, air leaves at different speeds from different points of the opening, creating noisy turbulence. This turbulence can be heard as "chuffing,” or an audible air sound coming from the monitor. This sound will add to the noise floor and obscure the details of the low end.
The port tube on LP-6 was designed to ensure that all of the air leaves the port tube at the same velocity. This helps add to the low end response of the speaker, while keeping the bass clean, tight, and devoid of extra noise.
Ultra-linear frequency response from 50 Hz to 21 kHz with individual frequency diagrams
Built-in 150- and 75-Watt power amps with enormous power reserve
Ultra high-resolution ferrofluid-cooled tweeter
Long-throw 8 ¾" woofer with special polypropylene diaphragm and deformation-resistant aluminum die-cast chassis
Controlled dispersion characteristics and extremely large "sweet spot” owing to the unique BEHRINGER wave guide technology
Active crossover network with 4th order Linkwitz-Riley filters
Adjustable to a wide range of acoustic conditions and subwoofer operation
Separately controlled limiter for low and high frequency overload protection
Automatic standby mode (defeatable)
Magnetic shielding allows placement near computer monitors
Delivered as "matched pairs” with individual frequency diagrams
Low-vibration and environment-friendly E1 MDF cabinet
Servo-balanced inputs with XLR and ¼” TRS connectors
Conceived and designed by BEHRINGER Germany
ΤΙΜΗ ΤΕΜΑΧΙΟΥ
The original A5
The small A5 managed to make itself a big name in both professional environments as well as in computer or desktop applications. A wealth of truly outstanding reviews and many awards helped to establish this speaker as one "of the best small monitors” and a "great choice for the small studio.” (Future Music, 01/2009).
The new A5X
The similar dimensions and name could make one believe that the A5X is nothing more than a new version of the A5. A quick listening however leaves no doubt that the A5X is much more than that.
Like all other models of the AX-Series it features the proprietary X-ART tweeter. The very data of this technology shows that it is at the forefront of what tweeters can accomplish. Numerous listening tests have confirmed this.
A 5.5” Midwoofer reproduces the frequencies below 2.5kHz. The diaphragm is made from Carbon fiber/Rohacell/Glass fiber, which is the same composite structure shared in the next two bigger models. This material with minimum weight and maximum rigidity prevents break up resonances, resulting in an outstanding dynamic behaviour and impeccable sound characteristics.
Stereolink
A very handy and exclusive feature found in the two smaller AX monitors is the Stereolink. This is accomplished by a pair of additional RCA connections that allow for a bypass of the second stereo channel to the other speaker.
This new technology connects two A5X speakers in such a manner as to allow the user the option to control the overall stereo volume of the system from either speakers gain control. This makes the A5X a natural for "mixer-less” desktop applications where overall system volume needs to be adjusted easily.
Controls and Connectors
The front of the A5X sports dual ports for surprisingly low frequency response down to 50Hz. The front panel also has power and gain controls. The rear panel includes a tweeter gain control as well as balanced (XLR) jacks and unbalanced (RCA) jacks, allowing for greater connection flexibility. There are also two M6 (6 mm) metric screw threads for stand/wall mounting.
Review: "The A5X: a superb impression."
“A sparkling and lively desktop monitor with an open, powerful character. Good filters and practical ergonomics as well as useful equipment make ADAMs A5X an ideal partner in multimedia nearfield sound." (Stereo, 10/10)
Mid-Woofer
Number
1
Basket Ø
5.5" (145 mm)
Voice coil Ø
1.5" (32 mm)
Cone material
Carbon/Rohacell/Glass Fiber
Tweeter
Number
1
Type
X-ART
Diaphragm area
4 inch² (2420 mm²)
Equiv. Diaphragm Ø
2" (56 mm)
Velocity transform ratio
4:1
Diaphragm weight
0.17 g
Built-in Amplifiers
Mid-Woofer
1
Type
PWM
Amp. power RMS / music
50 W / 75 W
Tweeter
1
Type
A/B
Amp. power RMS / music
50 W / 75 W
Control panel
Input Sensitivity
-∞ to +14 dB
High Shelf EQ > 5 kHz
±6 dB
Low Shelf EQ
±6 dB
Tweeter gain
±4 dB
Input connectors
Analog
XLR / RCA
General data
Frequency response
50 Hz - 50 kHz
THD 90dB/1m > 100 Hz
≤0.6 %
Long term output
≥102 dB
Max. peak
≥110 dB
Crossover frequencies
2500 Hz
Input impedance
30 KOhm
Weight
14.6 lb (6,6 kg)
Magnetically shielded
No
Height x Width x Depth
11" (280 mm) x 6.5" (170 mm) x 8.5" (220 mm)
Warranty
5 Years
Delivery contents
Cinch-cable, Power cord, Manual
Αυτοενισχυόμενα ηχεία monitor ισχύος 2 X 8 watts. Εφοδιάζονται με woofer 4” και tweeter 1,5”. Απόκριση συχνότητας 80-20000Hz. Είσοδοι line in σε RCA stereo & mini jack. Είσοδος mic σε jack 1/4 με ρύθμιση έντασης. Γενική ρύθμιση έντασης & bass/treble. Έξοδος ακουστικών σε mini jack. Βάρος 3,5 Kgr. (ΤΙΜΗ ΖΕΥΓΟΥΣ).
Κατασκευαστής
BEHRINGER
Τύπος Ηχείου
Ενεργό
Κατηγορία Ηχείου
Studio Monitor
Υλικό Κατασκευής
Πλαστική Καμπίνα
Χρώμα
Μαύρο
Βάρος (kg)
3,5
Συνολική Ισχύς (Watt)
16
Διάμετρος Woofer (inches)
4
Tweeter / Driver (inches)
1
Απόκριση συχνοτήτας (Hz)
80-20000
Σειρά
MS series
Μοντέλο
MS16
Behringer MS-16 2x8W 2-Way Active Personal Monitor System
The Behringer MS16 Studio Monitors feature an active 2-way design with powerful 4'' woofers and 1.5'' tweeters, powered by two 8 watt amplifiers. Offering two line inputs and a microphone input, the Behringer MS16 monitors are perfect for both home studios and general multimedia applications.
Full Description
Compact and Ideal For Home Studio
The Behringer MS16 Studio Monitors, Pair are the ideal studio monitor for your home studio project. Whether that be mixing, producing, or even listening the MS16 Studio Monitors turn your computer into a personal home studio. Its powerful 4" woofers provide thumping bass, whilst the high resolution tweeters provide clean high frequencies. Also featured are dedicated volume, bass and treble controls for extra flexibility. They also make excellent add-on speakers for electronic keyboards and playing a live performance.
Input Connections
The MS16 Studio Monitors feature multiple input options featuring a 1/8" stereo input for connecting up CD, MD and MP3 players. The dual RCA jacks allow for stereo keyboard modules and tape decks. Furthermore there is a 1/4" inch to allow connections for a dynamic microphone or electric guitar enabling you to sign or play along with prerecorded tracks.
Features
Compact stereo speaker system ideally suited for home studios, multimedia applications, keyboard and vocal monitoring, etc.
Powerful 4'' woofers and high-resolution tweeters powered by two 8 watt amplifiers
Dedicated Volume, Bass and Treble controls for more flexibility
Stereo RCA inputs for sound cards, keyboards, etc. that can be used simultaneously with a second stereo source (e. g. CD/MD player) through 1/8'' TRS stereo input
Separately adjustable 1/4'' TRS microphone input mixable with stereo inputs for playback and vocal monitoring applications
1/8'' TRS headphone connector with auto-mute loudspeaker function
Magnetically shielded for placement near computer monitors
Designed and engineered in Germany
Specifications
Woofer: 4''
Tweeter: 1.5''
Output Power: 2 x 8 Watts
Frequency Response: 80Hz - 20kHz
Speaker Impedance: 4?
Input 1:
Connector: 1/8'' TRS Stereo
Input Level: -10dBm, 10k?
Input 2:
Connector: RCA Stereo
Input Level: -10dBm, 10k?
Mic Input:
Connector: 1/4'' TRS
Input Level: -50dBm, 50?
Dimensions: 9.5'' x 5.5'' x 6'' / 241mm x 140mm x 150mm (H x W x D)
Weight: 4kg
ΤΙΜΗ ΤΕΜΑΧΙΟΥ
The most powerful AX monitor
With its power and radiation characteristics, the brand new A8X is suitable for both nearfield and midfield monitoring. With a price/performance ratio that could hardly be better, this monitor is a perfect entry into these monitoring fields.
The A8X is equipped with the X-ART tweeter and a large (8.5”) midwoofer, a combination that adds both a very deep and yet very tight bass response to the unsurpassed reproduction qualities of the ADAM proprietary tweeter: a licence to thrill.
Cabinet- and bass reflex-construction
Like the other AX-Series models, the upper corners of the A8X are slanted to minimize reflections. The very large, double bass reflex tubes on the front have been specifically designed to perfectly match the midwoofer with its large voice coil.
Amplification and controls
With a 50W A/B amplifier for the tweeter and a 150W PWM amplifier for the midwoofer, the A8X has power in abundance and is the brawny monitor of the AX-Series.
On the rear panel are several controls: a gain for the high frequencies (± 4dB) and two shelf filters for the high and low frequencies.
There are both XLR (balanced) and RCA (unbalanced) connectors on the rear panel of the speaker, which allow the A8X to be used in almost any application.
Review: A8X: a "powerful link" between near- and midfield monitors!
"The A8X is a powerful link between ADAM´s AX Series and the formidable and more expensive SX Series. Its all-in-all homogenous tuning, the deep and precise bass as well as the brilliant mid- and high-frequency reproduction make this speaker a huge recommendation for ambitious people without deep pockets." (Professional Audio 10/2010)
Mid-Woofer
Number
1
Basket Ø
8.5" (220 mm)
Voice coil Ø
1.5" (38 mm)
Cone material
Carbon/Rohacell/Glass Fiber
Tweeter
Number
1
Type
X-ART
Diaphragm area
4 inch² (2420 mm²)
Equiv. Diaphragm Ø
2" (56 mm)
Velocity transform ratio
4:1
Diaphragm weight
0.17 g
Built-in Amplifiers
Mid-Woofer
1
Type
PWM
Amp. power RMS / music
150 W / 225 W
Tweeter
1
Type
A/B
Amp. power RMS / music
50 W / 75 W
Control panel
Input Sensitivity
-∞ to +14 dB
High Shelf EQ > 5 kHz
±6 dB
Low Shelf EQ
±6 dB
Tweeter gain
±4 dB
Input connectors
Analog
XLR / RCA
General data
Frequency response
38 Hz - 50 kHz
THD 90dB/1m > 100 Hz
≤0.5 %
Long term output
≥112 dB
Max. peak
≥120 dB
Crossover frequencies
2300 Hz
Input impedance
30 KOhm
Weight
28.7 lb (13 kg)
Magnetically shielded
No
Height x Width x Depth
15.5" (400 mm) x 10" (255 mm) x 12.5" (320 mm)
Warranty
5 Years
Delivery contents
Power cord, Manual
ΤΙΜΗ ΤΕΜΑΧΙΟΥ
The smallest big sound ever...
With the A3X, ADAM Audio present their smallest monitor to date, making it perfectly suited for all environments where space is limited but sound shouldnʼt be constricted. The A3X combines a tiny footprint with the much acclaimed ADAM sound quality by using the X-ART tweeter for the higher frequencies, a guarantee for crystal clear music reproduction.
A 4.5” (basket) driver handles the lower registers. The diaphragm is made from carbon fiber, a material that is very light but very stiff and therefore capable of delivering colouring-free sound. Two built-in 25 Watt amplifiers powers each of the drivers directly.
Stereolink
A very handy and exclusive technology found in the two smaller AX monitors is the Stereolink. This is accomplished by a pair of additional RCA connections that allow for a bypass of the second stereo channel to the other speaker.
This new technology connects two A3X speakers in such a manner as to allow the user the option to control the overall stereo volume of the system from either speakerʼs gain control. This makes the A3X a natural for "mixer-less” desktop applications where overall system volume needs to be adjusted easily.
Controls and Connectors
The front of the A3X sports dual ports for surprisingly low frequency response down to 60Hz. The front panel also has power and gain controls. The rear panel includes a tweeter gain control as well as balanced (XLR) jacks and unbalanced (RCA) jacks, allowing for greater connection flexibility. There are also two M6 (6 mm) metric screw threads for stand/wall mounting.
Review: "Highly recommended"
"Iʼve used various monitors for my computer work before, but never of the caliber of the A3X series. Before these, I would have to redo my mixes significantly when transitioning from the small cheapies to the big 'real ones'. The ADAM Audio A3Xʼs save me a step by providing both great sound in a compact format and by changing mundane audio task-work into a quality listening experience. If you use good monitors from the outset, youʼll learn your music that much faster so that when it comes time for mixdown and mastering on your big boxes, youʼll already be acclimated to your songʼs subtler sonic aspects—aspects revealed only by the A3Xʼs with their sweet, smooth top end, and impressive handling of bass frequencies. Highly recommended.“
(Jon Chappell, Harmony Central, 03/10)
Review: "...one of the best compact monitors"
"ADAM´s A3X as the smallest monitor with a X-ART tweeter to date has convinced us in every respect. It´s one of the best compact monitors we have ever reviewed and with its almost shameless low price it´s worth every penny. (Professional Audio, 05/10)
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Ultra-linear frequency response from 50 Hz to 21 kHz with individual frequency diagrams 
Active crossover network with 4th order Linkwitz-Riley filters 
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