User’s manual [3,19 MB] Four balanced microphone inputs with high quality preamplifiers, mono compatible stereo channels, an integrated compressor and 100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit. The microphone channels are switchable to line level and are equipped with high quality preamplifiers and a reduction in […]
Four balanced microphone inputs with high quality preamplifiers, mono compatible stereo channels, an integrated compressor and 100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit.
The microphone channels are switchable to line level and are equipped with high qualitypreamplifiers and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise 3-band EQs with practical selectable mids.
The master section of the mixer has an effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer.
It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories.
Item Number: LDVIBZ8DC
Product Type: mixer
Type: live
Number of Channels: 8
Mono Mic/Line Input Channels: 4
Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR
Mono Mic Input Type: electronically balanced
Frequency Response Mono Mic Input: 10 – 45,000 Hz
Amplification Range Mono Mic Input: 0 – +50 dB
Channel Insert: 2
Insert: 6.3 mm stereo jack (TIP= send / RING= return)
Channel Crosstalk: 62 dB
THD Mono Mic Input: 0.0058 %
Impedance Mono Mic Input: 4 kOhm
S/N Ratio Mono Mic Input: 113 dB
Mono Line Input Type: electronically balanced
Amplification Range Mono Line Input: 0 – +50 dB
THD Mono Line Input: 0.0045 %
Impedance Mono Line Input: 21 kOhm
S/N Ratio Mono Line Input: 116 dB
Frequency Response Mono Line Input: 10 – 45,000 Hz
Mono Channel Equalizer Treble: +/- 15 dB 12,000 Hz
Mono Channel Equalizer Mids: +/- 15 dB 2,500 Hz
Mono Channel Equalizer Bass: +/- 15 dB 80 Hz
Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain
Phantom Power: +48 V DC switchable
Low Cut: 95 Hz
Compressor: yes
Stereo Line Input Channels: 3
Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R)
Stereo Line Input Type: unbalanced
Frequency Response Stereo Line Input: 10 – 45,000 Hz
Amplification Range Mono Line Input: 0 – +50 dB
Channel Crosstalk: 62 dB
THD Stereo Line Input: 0.0045 %
Impedance Stereo Line Input: 3.7 kOhm
S/N Ratio Stereo Line Input: 116 dB
Stereo Channel Equalizer Treble: +/- 15 dB 12,000 Hz
Four balanced microphone inputs with high quality preamplifiers, mono compatible stereo channels, an integrated compressor and 100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit.
The microphone channels are switchable to line level and are equipped with high qualitypreamplifiers and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise 3-band EQs with practical selectable mids.
The master section of the mixer has an effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer.
It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories.
Item Number: LDVIBZ8DC
Product Type: mixer
Type: live
Number of Channels: 8
Mono Mic/Line Input Channels: 4
Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR
Mono Mic Input Type: electronically balanced
Frequency Response Mono Mic Input: 10 - 45,000 Hz
Amplification Range Mono Mic Input: 0 - +50 dB
Channel Insert: 2
Insert: 6.3 mm stereo jack (TIP= send / RING= return)
Channel Crosstalk: 62 dB
THD Mono Mic Input: 0.0058 %
Impedance Mono Mic Input: 4 kOhm
S/N Ratio Mono Mic Input: 113 dB
Mono Line Input Type: electronically balanced
Amplification Range Mono Line Input: 0 - +50 dB
THD Mono Line Input: 0.0045 %
Impedance Mono Line Input: 21 kOhm
S/N Ratio Mono Line Input: 116 dB
Frequency Response Mono Line Input: 10 - 45,000 Hz
Mono Channel Equalizer Treble: +/- 15 dB 12,000 Hz
Mono Channel Equalizer Mids: +/- 15 dB 2,500 Hz
Mono Channel Equalizer Bass: +/- 15 dB 80 Hz
Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain
Phantom Power: +48 V DC switchable
Low Cut: 95 Hz
Compressor: yes
Stereo Line Input Channels: 3
Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R)
Stereo Line Input Type: unbalanced
Frequency Response Stereo Line Input: 10 - 45,000 Hz
Amplification Range Mono Line Input: 0 - +50 dB
Channel Crosstalk: 62 dB
THD Stereo Line Input: 0.0045 %
Impedance Stereo Line Input: 3.7 kOhm
S/N Ratio Stereo Line Input: 116 dB
Stereo Channel Equalizer Treble: +/- 15 dB 12,000 Hz
Premium ultra low-noise, high headroom analog mixer
State-of-the-art XENYX Mic Preamp comparable to stand-alone boutique preamps
Neo-classic "British" 2-band EQ for warm and musical sound
Main mix, stereo CD/tape plus separate headphone outputs
CD/tape inputs assignable to headphone output or main mix outputs
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
Κoνσόλα μίξης 6 mono(mic-line-insert)/ 2 stereo, 2 AUX pre ή post, μεταλλικό σασί, 60mm faders, νέας γενιάς προενισχυτές ίδιοι με σειρά GB,+48V phantom power, EQ 3 περιοχών με παραμετρικό στις μεσαίες συχνότητες, διακόπτης PFL και MUTE για κάθε κανάλι, balanced XLR έξοδοι.
Low-cost high-performance mixers
Key Features
6 Mono & 2 Stereo Input Channels
6x GB30 Microphone Preamplifiers
Recording and Live Sound Audio Console
Compact Mobile Enclosure
The Soundcraft EPM Series provides a straight-forward, yet professional alternative to complex audio mixers. Constructed in a 6-, 8- or 12-channel chassis, the EPM mixers are well-suited for recording and sound reinforcement applications.
The EPM 6 features 6 mono and 2 stereo input channels providing the flexibility needed to accommodate the recording studio, venue or touring musician. All mono inputs feature 1/4" phone line and balanced XLR microphone inputs. The famed GB30 microphone preamps provide the quiet, detailed signal synonymous with Soundcraft's large FOH consoles. The stereo inputs provide L/R 1/4" phone connections and are ideal for connecting stereo devices such as keyboards, returning effects, etc.
The EQ section features a sweepable mid-range on all mono channels and provides smooth frequency contouring. Inserts on all mono channels and stereo output enable signal routing to external signal processors. The compact profile, rich sound quality and flexibility of the EPM Series provides everything necessary for use in project recording, video editing, night clubs, bars, meeting halls, houses-of-worship, and more.
6 Mono and 2 Stereo Channels
The EPM 6 features 6 mono microphone and line input channels, 2 stereo inputs feature L/R 1/4" phone connections
Comprehensive Controls
The comprehensive layout is designed to attract users who require a straight-forward mixing environment
GB30 Microphone Preamplifiers
All 12 mono inputs feature Soundcraft's GB30 microphone preamps for quiet, clean large-format FOH console quality
Compact and Professional
The EPM Series consoles pack a professional feature set in a compact, mobile enclosure
Total # Of Inputs
6x Mono 2x Stereo
Mic/Line Inputs
6x Line Mono: 1/4" TRS Phone 2x Line Stereo: L/R 1/4" TRS Phone 6x Microphone: 3-pin XLR
10-Segment L/R Peak LEDs +48 V Phantom Power LED PFL Active LED Power Indicator LED
Frequency Response
20 Hz to 20 kHz +/-1.5 dB
Dynamic Range
Not specified by manufacturer
Signal-to-Noise Ratio
Noise (22 Hz - 22 kHz measurement bandwidth) Mic EIN @ max gain, 150 ohms source impedance -127 dBu Mix @ max, faders to down
Total Harmonic Distortion (THD)
Mic sensitivity 30 dB, +14 dBu @ mix output:
Κονσόλα μίξης 8CH mono & 2CH stereo,
προενισχυτές μικροφώνων βασισμένοι πάνω
στην ίδια αρχιτεκτονική με την σειρά GB,
ενσωματωμένο LEXICON effect 24bit (με 32
εφφέ & μνήμες), 48V phantom power, EQ 3
περιοχών με παραμετρικό στη μεσαία περιοχή, &
2 aux sends για εφφέ ή monitor.
Soundcraft EFX
(EFX8, EFX12)
The Soundcraft EFX™ Series combines all the features of the popular Soundcraft EPM™ mixer with a built-in 24-bit, digital Lexicon® effects processor, expanding the Soundcraft low-cost, multipurpose compact range.
The Soundcraft EFX mixer uses the same AudioDNA® processor featured in many of the Digitech® and Lexicon outboard equipment including the highly respected Lexicon MX400 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.
The Effects section fits neatly into the mixers compact framework which is available in 8 or 12 mono input variants, both with 2 stereo channels and an effects send on each channel. There are 32 effects to choose from with a tap tempo function, 3 effects parameter controls and a user effects setting store facility. An effects channel level clip LED and Mute function gives the user even more flexibility.
The emphasis with the Soundcraft EFX is very firmly on quality build and audio performance, with an easy to understand control surface in line with the Soundcraft professional range. The Soundcraft EFX uses the highly-transparent GB30 Mic amp (designed by Graham Blyth for the companyʼs 30th anniversary, and also used on the larger LX7ii and GB Series professional consoles).The Soundcraft EFX also offers all the features of the Soundcraft EPM most notably a configurable aux send, XLR and ¼" metal jack connector sockets, RCA phono stereo playback inputs and record outputs, 3-band EQ with a swept mid on the mono inputs, 3-band EQ on the 2 stereo inputs, TRS insert sockets, inserts on all mono inputs, ten-segment LED output metering and a headphone
Key Features:
8+2 channel frame sizes
Built-in 24 bit Lexicon digital effects processor
32 FX settings
Tap Tempo and FX setting store function
1 FX send on each channel
1 configurable auxiliary bus
XLR-type and ¼” metal jack connector sockets
RCA phono stereo playback inputs and record outputs
3-band EQ with a swept mid on mono inputs
3-band EQ on stereo inputs
TRS insert sockets and inserts on all mono inputs
Ten-segment LED output metering
Intuitive and comprehensive solo system
Headphone output
Easily rack mountable
The Soundcraft EFX will find itself in many applications including live music, recording, houses of worship and multi-speaker installations.
Κoνσόλα μίξης 12 mono(mic-line-insert)/ 2
stereo, 2 AUX pre ή post, μεταλλικό σασί, 60mm
faders, νέας γενιάς προενισχυτές ίδιοι με σειρά
GB,+48V phantom power, EQ 3 περιοχών με
παραμετρικό στις μεσαίες συχνότητες,
διακόπτης PFL και MUTE για κάθε κανάλι,
balanced XLR έξοδοι.
Low-cost high-performance mixers
Soundcraft have unveiled another addition to the rapidly growing new Soundcraft family, the multi-format low-cost EPM mixers.
The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company�s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types.
A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors.
Other Features:
Frame sizes 12+2
2 configurable auxiliary buses
XLR-type and Ό� metal jack connector sockets
RCA phono stereo playback inputs and record outputs
3-band EQ with a swept mid on mono inputs
2-band EQ on stereo inputs
TRS insert sockets and inserts on all mono inputs and mix output
Ten-segment LED output metering
Intuitive and comprehensive solo system
Headphone output
Easily rack mountable
Κονσόλα ήχου με νέας γενιάς προενισχυτές GB30, σχεδιασμένη για διπλή χρήση σαν front of house ή stage monitor. Διαθέτει 32 mono εισόδους (mic) με EQ 4 περιοχών (παραμετρικό για mid&low mid), 2 stereo εισόδους με EQ 4 περιοχών, 4 group, 8 AUX, με δυνατότητα εναλλαγής (SWAP) μεταξύ AUX 1-4 & group. Διαθέτει επίσης 4 mute groups, matrix 7x5, direct εξόδους σε κάθε mono είσοδο, ενδεικτικά στάθμης με 12-LED και REC out με limiter. Εσωτερικό τροφοδοτικό με link out για δεύτερο εξωτερικό. Βάρος 32kg. Κατάλληλη για μόνιμες εγκαταστάσεις, θέατρα, live p.a.
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User’s manual [3,19 MB]
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