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Το νέο επετειακό προϊόν της RME με αφορμή τον εορτασμό των 20 χρόνων λειτουργίας της εταιρείας έρχεται να ταράξει τα νερά του High End Audio παρέχοντας εξαιρετικά τεχνικά χαρακτηριστικά και αποδίδοντας κρυστάλλινο και μοναδικά διαυγή ήχο .
Το ΑDI 2 Pro Προσφέρει :
- Έναν high-end AD/DA μετατροπέα σε ποιότητα επαγγελματικού studio
- Διπλό ενισχυτή ακουστικών με πραγματική high-end ποιότητα
- Ένα μοναδικό USB DAC – με μοναδικές δυνατότητες και ευελιξία
- Έναν high-end AD/DA μετατροπέα και ενισχυτή ακουστικών για iPad / iPhone
- Έναν μετατροπέα πολλαπλών format (AES, SPDIF, ADAT) με δυνατότητες monitoring
- Μία λύση DSD εγγραφής και playback
- Έναν AD/DA μετατροπέα για AUDIO μετρήσεις μέχρι 768 kHz sample rate
H RME ADI-2 Pro AE έρχεται σε ένα μαύρο περίβλημα, που ταιριάζει με το στυλ του HiFi Hi End audiophile
Κατάλληλος για τους παρακάτω χρήστες: Audiophiles και HiFi / high-end lovers, Επαγγελματικά στούντιο ηχογραφήσεων, Απαιτητικούς οικιακούς χρήστες, Εργαστήρια μέτρησης
Analog Inputs :
XLR
- Input: XLR, servo-balanced
- Input impedance balanced: 18 kOhm, unbalanced: 9 kOhm
- Input sensitivity switchable +24 dBu, +19 dBu, +13 dBu, +4 dBu @ 0 dBFS
- Digital Trim Gain range: 0 dB up to +6 dB
- Signal to Noise ratio (SNR) @ +13/19/24 dBu: 120.x dB RMS unweighted, 124.x dBA
- Signal to Noise ratio (SNR) @ +4 dBu: 119 dB RMS unweighted, 123 dBA
- Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.5 kHz
- Frequency response @ 96 kHz, -0.5 dB: 3 Hz – 45.5 kHz
- Frequency response @ 192 kHz, -1 dB: 2 Hz – 92.7 kHz
- Frequency response @ 384 kHz, -1 dB:
- Frequency response @ 768 kHz, -3 dB:
- THD @ -1 dBFS: -120 dB, 0.0001 %
- THD+N @ -1 dBFS: -113 dB, 0.00022 %
- Channel separation: > 110 dB
Analog Outputs
1/2 XLR
- Output level switchable +24 dBu, +19 dBu, +13 dBu, +4 dBu @ 0 dBFS
- Signal to Noise ratio (SNR) @ +13/19/24 dBu: 117 dB RMS unweighted, 120 dBA
- Signal to Noise ratio (SNR) @ +4 dBu: 115 dB RMS unweighted, 118 dBA
- Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz
- Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 44.9 kHz
- Frequency response @ 192 kHz, -1 dB: 0 Hz – 88 kHz
- THD @ -1 dBFS: -110 dB, 0.00032 %
- THD+N @ -1 dBFS: -108 dB, 0.00039 %
- THD @ -3 dBFS: -116 dB, 0.00016 %
- Channel separation: > 110 dB
- Output impedance: 200 Ohm balanced, 100 Ohm
- Output: 6.3 mm TS jack, unbalanced
- Maximum output level: +19 dBu
- Signal to Noise ratio (SNR) @ +13/19 dBu: 117 dB RMS unweighted, 120 dBA
- Signal to Noise ratio (SNR) @ +4 dBu: 113 dB RMS unweighted, 117 dBA
- Output impedance: 100 Ohm
Analog Outputs
Phones 1/2
As Output 1/2 TS, but:
- Output: 6.3 mm TRS jack, unbalanced, stereo
- Output impedance: 0.1 Ohm
- Signal to Noise ratio (SNR) @ +22 dBu: 117 dB RMS unweighted, 120 dBA
- Signal to Noise ratio (SNR) @ +7 dBu: 114 dB RMS unweighted, 118 dBA
- Output level at 0 dBFS, Ref Level +19 dBu, load 100 Ohm or up: +22 dBu (10 V)
- Output level at 0 dBFS, Ref Level +4 dBu, load 8 Ohm or up: +7 dBu (1.73 V)
- THD @ +18 dBu, 32 Ohm load, 1.2 Watt: -110 dB, 0.0003 %
- THD+N @ + 18 dBu, 32 Ohm load: -107 dB, 0.00045 %
- THD @ +14 dBu, 16 Ohm load, 0.94 Watt: - Output Phones ¾ As Output Phones 1/2, but:
- Output levels at 0 dBFS: Hi-Power off +7 dBu, Hi-Power On +22
- Output levels at 0 dBFS: Hi-Power off +13 dBu (9.8 V), Hi-Power On +28 dBu (19.5 V)
- Output impedance: 0.2 Ohm
- Signal to Noise ratio (SNR) @ +28 dBu: 120 dB RMS unweighted, 123 dBA
- Signal to Noise ratio (SNR) @ +13 dBu: 118.4 dB RMS unweighted, 122 dBA
- Output level at 0 dBFS, Hi-Power On, load 150 Ohm or up: +28 dBu (19.5 V)
- Output level at 0 dBFS, Hi-Power Off, load 8 Ohm or up: +13 dBu (9.8 V)
- Max power @ 0.001% THD: 2.9 W per channel
Digital Inputs
General
- Lock Range: 28 kHz – 200 kHz
- Jitter suppression: > 50 dB (2.4 kHz)
- Jitter when synced to input signal:
- Accepts Consumer and Professional format AES/EBU
- 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992
- High-sensitivity input stage (
- SPDIF compatible (IEC 60958) SPDIF coaxial
- 1 x RCA, transformer-balanced, according to IEC 60958
- High-sensitivity input stage (
- AES/EBU compatible (AES3-1992) SPDIF optical
- 1 x optical, according to IEC 60958
- ADAT compatible
Digital Outputs
AES/EBU
- 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992
- Output level 2.7 Vpp
- Format Professional according to AES3-1992 Amendment 4
- Single Wire mode, sample rate 28 kHz up to 200 kHz SPDIF coaxial
- 1 x RCA, according to IEC 60958
- Output level 0.75 Vpp
- Format Consumer SPDIF according to IEC 60958
- Single Wire mode, sample rate 28 kHz up to 200 kHz
- SPDIF optical
- 1 x optical, according to IEC 60958
- Format Consumer (SPDIF) according to IEC 60958
- Sample rate 28 kHz up to 200 kHz
Digital
Clocks: Internal, AES In, SPDIF In, ADAT In
- Low Jitter Design:
- Internal clock:
- Jitter suppression of external clocks: > 50 dB (2.4 kHz)
- Effective clock jitter influence on AD and DA conversion: near zero
- PLL ensures zero dropout, even at more than 100 ns jitter
- Additional Digital Bitclock PLL for trouble-free varispeed ADAT operation
- Supported sample rates for external clocks: 28 kHz up to 200
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Monitor Mixer Ακουστικών
Πρόβλημα: Ο μουσικός χρειάζεται να ακούει το όργανο του με ακουστικά, μεμονωμένα ή μιξαρισμένο από την έξοδο της κονσόλας, την έξοδο ενός CD player, ή οποιαδήποτε άλλη στέρεο πηγή. Στην κεντρική κονσόλα όμως, πηγαίνει μόνο το σήμα μικροφώνου.
Λύση: Συνδέστε το MyMONITOR ανάμεσα στο μικρόφωνο ,την line πηγή και την κονσόλα .Οι στάθμες εντάσεως καθώς και μίξης του μικροφώνου και line πηγής μπορούν να ρυθμιστούν μέσω ακουστικών. Το MyMONITOR μπορεί να τροφοδοτηθεί μέσω μπαταρίας ή τροφοδοτικού AC και μπορεί να χρησιμοποιηθεί οπουδήποτε, όπως από ένα μεγάλο φεστιβάλ ή σε εφαρμογές όπου δεν υπάρχει η δυνατότητα τροφοδότησης ηλεκτρικού ρεύματος. Δεν υπάρχει περιορισμός στην σύνδεση τύπων μικροφώνων. Εκτός από δυναμικά μπορούν να συνδεθούν και πυκνωτικά μικρόφωνα, καθώς η απαιτούμενη τροφοδοσία 48V μπορεί δοθεί από την κονσόλα μας ή οποιαδήποτε άλλη συσκευή οπού έχει αυτήν την δυνατότητα .
MyMONITOR - Personal Headphone Monitor Mixer Overview
Problem: A performer needs to hear him/herself through headphones exclusively or mixed
with the output of a mixer, CD player, tape deck, or other stereo line level source. Only the
mic signal, however, should be going to the main mixer.
Solution: Connect MyMONITOR between the mic and line source, and the mixer. The Mic
and line Monitor levels can then be adjusted for mix and volume through the headphones.
Only the mic signal will go to the board. And since MyMONITOR can be AC or battery powered,
the unit can be used on a large stage or wherever there is no AC outlet nearby. Dynamic or
condenser mics can be used since phantom power would come through the Mic Thru jack from
the mixer or other source.
MyMONITOR - Personal Headphone Monitor Mixer Specifications:
Signal To Noise Ratio 90dB
Gain 15dB (1/4 in), 50dB (XLR)
Maximum Input Level -20dB mic, 40dB Monitor
Output Impedance 10 ohms
Power Requirements 12V DC (Adapter included) or one 9V battery
Phantom Power ON/OFF switch
Power LED indicator
Dimensions 4.5x2.75x1.5 inches (112mm x 72mm x 40mm)
Weight 1.3lb (590g)
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Το HeadAmp4 διαθέτει εισόδους και εξόδους 1/8ʼʼ καθώς και ¼ʼʼ, εξαιρετικά χαμηλού θορύβου και παραμόρφωσης, σε μια αρκετά συμπαγή μεταλλική κατασκευή.
Ιδανικό για κάθε home ή project studio, το ARTcessories HeadAmp4 εύκολα προσθέτει επιπλέον εξόδους ακουστικών σε οποιαδήποτε κονσόλα , κάρτα ήχου, workstation, iPod, media player ή laptop, χωρίς την παραμικρή απώλεια η επιβάρυνση στην αρχική έξοδο ακουστικών.
Διαθέτει ξεχωριστό έλεγχο στάθμης και για τις τέσσερις εξόδους ακουστικών, ʼσυνδέσεις ¼ʼʼ και 1/8ʼπου επιτρέπουν στο HeadAmp4 να συνδεθεί σε οποιαδήποτε πηγή και να οδηγήσει οτιδήποτε set up, όπως ακουστικά για studio εφαρμογές, in-ear monitors ή συνδυασμό των παραπάνω.
HeadAMP - Four Output Stereo Headphone Amp Overview
Most home recordings involve from one to four people, any or all of whom are
going to need headphone monitoring. The monitor amp would be connected
to the tape deck?s headphone output or a mixer output so that the performers
can hear themselves and each other. Of course the same application can apply
to band rehearsals and even home entertainment. HeadAMP provides amplification
and individual volume control for up to 4 headsets. It can be driven by either line-
level or headphone amplifier signals (mono or stereo).
HeadAMP - Four Output Stereo Headphone Amp Specifications:
Signal To Noise Ratio >90dB
IMD (SMPTE) 0.01%
Maximum Input Level +14dBV
Maximum Output Level 20dB per channel
Output Impedance 51 Ohms per channel
Output Connectors Four stereo 1/4? headphone outputs
Power Requirements 12V DC (Adapter included)
Total Harmonic Distortion | Palmer Monicon, and the volume is right!
With Palmer Monicon, your monitor volume is always under control. The passive mini-mixer with the oversized control is inserted between the stereo output of the notebook, PC or interface and an active monitor system and thus permits convenient and precise volume control of the monitors from the workstation. The passive circuitry with only a few components has absolutely no affect on the sound. Mute and mono buttons make it possible to mute the outputs and merge the stereo output signal into a mono master signal.
The inputs and outputs of the controller are equipped with XLR connectors and the 3.5mm stereo TRS sockets usually found on computers. Combo input sockets also permit connection with 6.3 mm TRS plugs. Thus the Palmer Monicon is compatible with both professional and consumer equipment. Genuine wood sides make the practical studio tool in its massive powder-coated sheet steel housing an elegant looking "little helper" that is a typical Palmer product.
- Type: passive
- Number of channels: 2
- Number of inputs: 2
- Input connections: XLR Combo / 3.5mm stereo jack
- Input type: balanced/unbalanced
- Maximum input level: +20 dBu
- Input impedance: 10 kohms balanced/ 5 kohms unbalanced
- Number of outputs: 2
- Output connections: XLR/m, 3.5 mm stereo jack
- Output type: balanced/unbalanced
- Max output level: +20 dBu
- Output impedance: 600 ohms
- Frequency response: 10Hz - 40 kHz +/- 1 dB
- THD: 0,001 %
- Max. attenuation: 85 dB (attenuator), 112 dB (attenuator + mute)
- Controls: Attenuation, Mute, Mono
- Housing material: sheet steel/wood
- Housing surface: powder-coated
- Width: 164 mm
- Height: 62 mm
- Depth: 85 mm
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Προενισχυτής In ear monitor με mono ή stereo λειτουργία με διακόπτη και δυνατότητα mix (2 XLR In). Ρύθμιση έντασης. Έξοδος mini jack stereo. Λειτουργεί με μπαταρία 9V & τροφοδοτικό PSU-SB (Δεν περιλαμβάνεται).
| Κατασκευαστής |
BEHRINGER |
| Κανάλια Μίξης |
2 |
| Μοντέλο |
P1 |
| Part Number |
000-AZM |
| Εγγύηση |
1 Χρόνος Εγγύηση |
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Plug In, Rock Out! The headphone guitar amp that lets you enjoy serious guitar sound, fast.
Jamming late at night? Donʼt want to wake the neighbors? Maybe you want to work out a lick with your MP3 player without taking the time to set up your amp. You want to play guitar right now. amPlug is the answer. Simply plug this palm-sized headphone guitar amp directly into your guitar, and enjoy serious guitar sound anywhere, anytime. The amPlug series received wide-ranging acclaim from guitarists around the world for delivering incredible guitar tone in a pocket-sized unit. The NEW amPlug 'Acoustic' quickly creates shimmering, rich acoustic guitar sounds. Two distinct sounds are available using the Fat/ Bright switch. The Blend combines the acoustic tone with the original signal for just the right mix! In combination with electric guitar's own tone controls and pickup selection, the sound variation is unlimited. The ultra-long battery life provides up to 27 hours of extended enjoyment! At home, in the studio and on the go, amPlug Acoustic delivers superb acoustic guitar sounds anytime, anyplace. Weight: 40g /1.41oz. (not including batteries). Included items: two AAA zinc-carbon batteries
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