ROCKTRON REACTION SUPER CHA CHARGER/SCREAMER ΠΕΝΤΑΛ ΚΙΘΑΡΑΣ

Πληροφορίες

Charger/Screamer πετάλι κιθάρας

The BOSS AW-3 Dynamic Wah pedal gives guitarists a wide range of classic auto-wah and dynamic wah effects, plus a new "Humanizer" effect which can simulate human vowel sounds. A Bass input provides a variety of funky wah sounds for bass guitar.

• Compact pedal creates a variety of classic "wah" effects
• Dynamic wah sounds provide variable effect based on picking strength
• “Humanizer" effect creates human voice-type vowel sounds
• Dedicated Bass input for processing bass guitar
• EXP Pedal mode allows wah control via optional expression pedal
• Tempo can be set for pedal control or at fixed rate via Manual mode
• BOSS 5-year warranty

Building on the 20-year legacy of the famous BOSS BF-2, the new BF-3 flanger pedal gives guitarists and bassists an updated version of the classic BOSS flanger with the thickest stereo flanging sounds ever. Two new modes (Ultra and Gate/Pan) create stereo flanging with incredible depth--even Slicer-type effects and sounds that seem to "swirl" around the listener. An instant classic.

• BOSS' best flanging effects in a compact pedal
• New Ultra and Gate/Pan modes for ultra-fat flanging and futuristic slicer-type sounds, respectively
• Momentary mode turns flanging on instantly
• Tap tempo adjustable via pedal
• Independent Guitar and Bass inputs and stereo outputs
• BOSS 5-year warranty

The Marshall EH-1 ECHOHEAD Guitar Effect Pedal, Echo/Delay. Add dense rhythmic textures to your sound.

The Marshall EH-1 ECHOHEAD recreates six different delay effects for you to explore, from crystal-clear echoes to hypnotic reverse delays via the vintage whir of a retro tape machine. Create pulsing tones from your guitar rig and add dense rhythmic textures to your sound. The EH-1 Echohead features a maximum delay time of 2000ms, stereo outputs and a tap tempo delay imput. The EH1 Echohead dual outputs offer the choice of using a passive bypass for the main signal path to ensure complete tonal integrity or to allow your pedal to spill over, permitting your echo to naturally die away.

The main features of the Marshall EH-1 ECHOHEAD include:

• 6 different, high quality delay effects for you to explore
• Multi-mode selector switch
• Delay time control
• Feedback control
• Level control
• Solid metal casing
• Passive bypass
• Tap tempo pedal input
• Power: 9V DC Centre Negative Regulated PSU or PP3 battery
• Minimum Current Draw: 80mA
• Switches: On/Off Switch
• Indicators: On/Off LED
• Jacks: 2 Input, 2 Output 'Jack sockets' (1/4 inch)
• Input Impedance: 1MOhm
• Output Load Impedance: less than 1kOhm
• Dimensions: 120mm x 65mm x 55mm
• Weight: 510 grammes

Product Features:

Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany

How the specific frequency bands of the BEQ700 can shape your sound

50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss

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