ROCKTRON THIRD ANGEL DISTORTION ΠΕΝΤΑΛ ΚΙΘΑΡΑΣ

Πληροφορίες

Distortion πετάλι κιθάρας

• Experience true analog delay and vintage slap-back echo that rivals any tape delay
• This BEHRINGER product has been designed to compete head to head with leading products on the market
• Vintage BBDs produce up to 300 ms of delay and advanced noise reduction circuit keeps your signal clean
• Dedicated Intensity, Echo and Repeat Rate controls for awesome sound shaping
• Blue status LED for effect on/off and battery check
• Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
• First-class electronic On/Off switch for highest signal integrity in bypass mode
• High-quality components and exceptionally rugged construction ensure long life
• Conceived and designed by BEHRINGER Germany

The Marshall EH-1 ECHOHEAD Guitar Effect Pedal, Echo/Delay. Add dense rhythmic textures to your sound.

The Marshall EH-1 ECHOHEAD recreates six different delay effects for you to explore, from crystal-clear echoes to hypnotic reverse delays via the vintage whir of a retro tape machine. Create pulsing tones from your guitar rig and add dense rhythmic textures to your sound. The EH-1 Echohead features a maximum delay time of 2000ms, stereo outputs and a tap tempo delay imput. The EH1 Echohead dual outputs offer the choice of using a passive bypass for the main signal path to ensure complete tonal integrity or to allow your pedal to spill over, permitting your echo to naturally die away.

The main features of the Marshall EH-1 ECHOHEAD include:

• 6 different, high quality delay effects for you to explore
• Multi-mode selector switch
• Delay time control
• Feedback control
• Level control
• Solid metal casing
• Passive bypass
• Tap tempo pedal input
• Power: 9V DC Centre Negative Regulated PSU or PP3 battery
• Minimum Current Draw: 80mA
• Switches: On/Off Switch
• Indicators: On/Off LED
• Jacks: 2 Input, 2 Output 'Jack sockets' (1/4 inch)
• Input Impedance: 1MOhm
• Output Load Impedance: less than 1kOhm
• Dimensions: 120mm x 65mm x 55mm
• Weight: 510 grammes

The MD-2 Mega distortion takes the bottom-heavy distortion sounds heard in today's new-school metal and pushes it to the extreme. The secret is a special dual-stage distortion circuit with an added gain boost-plus new Bottom and Tone controls--for crushing distortion with massive low end. Take your distortion into the future with the MD-2.

• Produces extreme, low-end distortion for modern metal and hard rock
• Gain Boost circuit creates huge distortion and sustain regardless of level
• New Bottom control for bottom-heavy distortion matched to 6- or 7-string guitars
• Tone control adjusts balance between high and low frequencies
• BOSS 5-year warranty

Building on the 20-year legacy of the famous BOSS BF-2, the new BF-3 flanger pedal gives guitarists and bassists an updated version of the classic BOSS flanger with the thickest stereo flanging sounds ever. Two new modes (Ultra and Gate/Pan) create stereo flanging with incredible depth--even Slicer-type effects and sounds that seem to "swirl" around the listener. An instant classic.

• BOSS' best flanging effects in a compact pedal
• New Ultra and Gate/Pan modes for ultra-fat flanging and futuristic slicer-type sounds, respectively
• Momentary mode turns flanging on instantly
• Tap tempo adjustable via pedal
• Independent Guitar and Bass inputs and stereo outputs
• BOSS 5-year warranty

Product Features:

Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany

How the specific frequency bands of the BEQ700 can shape your sound

50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss