SHURE SM58SE – Δυναμικό μικρόφωνο φωνής με διακόπτη on-off

• Pneumatic shockmount system cuts down handling noise
• Effective, built-in spherical wind and pop filter
• Supplied with break-resistant microphone clip that rotates 180 degrees
• High quality, rugged, and reliable
• Cardioid dynamic
• Frequency response: 50 Hz to 15 kHz

In the tradition of the SM58^?, the Beta 58A dynamic microphone has become a top choice among vocalists and touring sound professionals.

The Shure Beta 58A is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. It maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. The Beta 58A has a shaped frequency response that is ideal for close-up vocals. The superb performance of this microphone is not affected by rough handling because of its rugged construction, proven shock mount system, and hardened steel mesh grille. Typical applications for the Beta 58A include lead vocals, backup vocals and speech.

• Smooth, extended frequency response for outstanding sound for professional live vocal use
• Consistent supercardioid pattern provides the best gain-before-feedback among dynamic microphones
• Pneumatic shock mount reduces handling noise
• Frequency response: 50 to 16,000 Hz

• Frequency response tailored for vocals, with brightened midrange and bass rolloff to control proximity effect
• Uniform supercardioid pattern for high gain before feedback and superior rejection of off–axis sound
• Neodymium magnet for high signal–to–noise output
• Hardened steel mesh grille that resists wear and abuse
• Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
• Minimally effected by varying load impedance
• Legendary Shure quality and reliability

The first Neumann microphone with a dynamic capsule. Functionally optimized design
specifically for the broadcast field, featuring integrated pop protection, suppression of
structure-borne noise and a hypercardioid directional characteristic. 
Emotion conveyed with technical perfection. This is the ideal which the Neumann
microphones in the Broadcast Line have been designed to fulfill. The fine-tuning to the
requirements of professional broadcast studios and the individual, functionally optimized
design* ensure that these are microphones of character.
The BCM 705 is Neumann?s first dynamic microphone. The housing and headgrille are
identical to those of the BCM 104; only the green logo indicates that this is something new
from Neumann. The principle of reduction to the essentials can be seen in the dynamic
capsule with a hypercardioid directional characteristic, specifically designed for speech
reproduction at close range. Multi-level isolation from structure-borne noise ensures operation
free of interference, even in a lively studio environment.
Mechanical Features
The microphone headgrille twists off easily for quick cleaning. Neumann offers optional,
color-coded headgrilles so that, for reasons of hygiene, each announcer can use his or her
individual headgrille. Iin front of the capsule, mounted on a frame holder, a fine gauze serves
as a built-in popscreen.
The microphones of the Broadcast Line have an elastic mount against structure-borne noise,
that is compatible with standard broadcast-segment microphone arms.
Acoustic features
The frequency response has a light treble boost, in the region from 2 kHz to 9 kHz, aiding the
speech intelligibility. The bass frequency response is designed to compensate for the overemphasis
of the bass caused by the proximity effect.
The integrated Pop Screen
A pop screen not only prevents the occurrence of plosive pop noises in vocal recordings, but also
efficiently prevents unwanted particles, from respiratory moisture, nicotine, to food remnants, from
settling on the diaphragm. The pop screen can be removed for cleaning without the use of tools.
Mounting
The preferred mode of operation is to suspend the BCM 104 or BCM 705 from a standard studio
boom arm.
A thread adapter to fit different connector threads is included. In order to provide protection from
structure-borne noise, both the capsule and the microphone in its mount are elastically suspended.

The optional SG 5 swivel mount allows additional angling of the microphone by +/-90 degrees.
 
FEATURES:
Dynamic capsule
Hypercardioid directional characteristic
Characteristic, functionally optimized design*
Integrated, neutral pop protection
Integrated elastic suspension
Individual headgrilles for different users
Colored rings to identify the replacement headgrilles
Easy removal and cleaning of microphone headgrille (with bayonet mount)
Mechanical compatibility with standard studio boom arms
Multi-level isolation from structure-borne noise
No power supply required

APPLICATION HINTS:
Announcer's mic for broadcasting and studio

This is just one of the most common applications. We recommend
additional experimentation to gain maximum use from this microphone.

TECHNICAL DATA:
Acoustical operating principle Pressure gradient transducer
Directional pattern Hypercardioid
Frequency range 20 Hz ... 20 kHz
Sensitivity at 1 kHz into 10 kohm 1,7 mV/Pa = ?55,4 dB ± 1 dB
Rated impedance 200 ohms
Rated load impedance >= 10,000 ohms
Equivalent SPL CCIR 468-3 32 dB
Equivalent SPL DIN/IEC 651 18 dB-A
S/N ratio CCIR 468-3 62 dB
S/N ratio DIN/IEC 651 76 dB
Weight 500 g
Diameter 64 mm
Length 85 mm
Height (without suspension) 110 mm

Δυναμικό μικρόφωνο χειρός, υπερκαρδιοειδές,
τεχνολογίας luminated varimotion, απόκριση
συχν. 70Hz- 20kHz, ευαισθησία 2,6 mv/pa, max
156 dB SPL. Κατάλληλο για lead και backing
vocals. Περιλαμβάνεται βαλίτσα μεταφοράς.
Βάρος 340 gr

Με XLR διακόπτη ON/OFF

Behringer Ultravoice XM8500 Dynamic Cardioid Microphone

With the BEHRINGER vocal microphone ULTRAVOICE XM8500, your voice will shine in a way it never has before, giving a powerful edge to your performances. Your creative energy and highly professional demands finally have a worthy partner. You want your voice to come across at its best, capturing your audience with its power and expression. No problem: with the ULTRAVOICE XM8500, you've got them in your hands.

Bringing out the subtlest nuances and placing them properly in the mix: that's what a good vocal microphone is all about. And that's exactly what the ULTRAVOICE does. Its cardioid characteristic picks up sound from the front with the utmost sensitivity, while strongly dampening sound from the back. This gives you more security against feedback. The integrated shock-mount system effectively reduces handling noise to an absolute minimum. The XM8500's balanced low-impedance output lets you connect it to any console or microphone preamp - provided it has enough dynamic headroom. You'll need plenty of that: the ULTRAVOICE is so powerful that you'll put your current favorite microphone in its box. Even if it cost ten times as much.

On stage, dependability counts. The ULTRAVOICE won't let you down. Its rugged construction protects it against the toughest changes you can put it through. The matte anodized surface reduces reflections from studio or stage lighting. The two-stage pop filter and tough steel mesh keep breath and pop noises out of the signal.

The Beta 87A has consistently been a top choice of performers and audio technicians around the world due to its superb accuracy and detail, and rich vocal production. This long-standing favorite now incorporates a cardioid polar pattern and has been named the Beta 87C TM.

Developed in response to professional demands associated with the use of personal monitoring devices like the Shure PSM ? Series, Shure's new Beta 87C premium vocal microphone delivers studio-grade performance and a smooth, extended high-end frequency response in a cardioid condenser design.

The uniform cardioid polar pattern of the Beta 87C enables users to effectively reject ambient noise arriving at the rear of the microphone, an attribute that will be especially appealing to users of personal monitors and others who frequently experience undesirable sounds bleeding into their mixes.

Other features include:

• Smooth, wide frequency response with slight presence rise
• Uniform cardioid polar pattern for maximum isolation
• Minimal off-axis tone coloration
• Low-frequency roll-off compensates for proximity effect
• Three-stage pop filter minimizes breath pop and noise
• Break-resistant stand adapter
• Frequency response: 50 to 20,000 Hz