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Φορητή κονσόλα μείξης, ιδανική για εξωτερικές ηχογραφήσεις. Διαθέτει 2 εισόδους balanced Mic XLR με phantom 48/15V, 2 Balanced Output, High-pass filter 80 η 160 Hz, Input Pan-Pot Left Center Right, Εξοδο ακουστικών, Peak Limiters σε κάθε κανάλι, Δυναμική περιοχή 110 dB, Ενδειξη χαμηλής μπαταρίας, Λειτουργεί με 2 μπαταρίες ΑΑ η με εξωτερικό 5-18 VDC. |
Υβριδική επαγγελματική κάρτα ήχου 24bit / 192kHz Firewire & USB2 με 10 εισόδους και 10 εξόδους (8 αναλογικές και 2 ψηφιακές). 2 είσοδοι με υποδοχές combo για κιθάρα και μικρόφωνο με προενίσχυση phantom power και 6 είσοδοι line με υποδοχές 1/4 jacks balanced & unbalanced, 8 αναλογικές έξοδοι με υποδοχές 1/4 jacks balanced & unbalanced, καθώς και δύο γενικές έξοδοι.
Ψηφιακή είσοδος και έξοδος S/PDIF, MIDI IN – OUT, έξοδος ακουστικών και δυνατότητα συγχρονισμού μέσω SMPTE. Διαθέτει CueMix FX το οποίο είναι ένας ευέλικτος μίκτης 10 εισόδων και 14 εξόδων με ενσωματωμένα εφφέ DSP, συμπεριλαμβανομένου reverb με sends / returns, EQ και Compression σε κάθε είσοδο και έξοδο. Το reverb παρέχει 5 διαφορετικούς τύπους δωματίων, ρυθμιστικά συχνοτήτων και διάρκεια μέχρι 60 δευτερόλεπτα. Compression με δύο τύπων, ένα κλασσικό με έλεγχο threshold, ratio, attack, gain και το Leveler, ένα ακριβές μοντέλο του θρυλικού LA-2A optical compressor. Modeled EQ που παρέχει παραμετρικό EQ 7 περιοχών και 4 τύπους φίλτρων για να καλύπτεται ένα μεγάλο φάσμα ηχητικού υλικού.
Όπως και τα άλλα audio interfaces της MOTU, έτσι και το Ultralite MK3 διαθέτει τη δυνατότητα συνύπαρξης με άλλα interfaces της εταιρείας για περισσότερες εισόδους και εξόδους. Στο πακέτο περιλαμβάνεται το μουσικό λογισμικό AudioDesk το οποίο είναι ένας μουσικός σταθμός εργασίας για Mac OS X με δυνατότητα 24bit ηχογράφησης, αναπαραγωγής και editing, καθώς και 32bit μίξη, επεξεργασία και mastering. Είναι συμβατό με όλα τις μουσικές εφαρμογές και διαθέτει οδηγούς ASIO, WDM και Core Audio με μηδενικό latency για PC (Windows XP, Vista και 7) & Mac OS X.
Αναλυτικά:
Hybrid FireWire/USB2 connectivity — connect to your computer via either bus-powered FireWire or hi-speed USB2.
CueMix FX™ — flexible 10 input/14 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output.
10 inputs / 14 outputs — there's no channel sharing in the UltraLite-mk3 Hybrid; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels.
Classic Reverb™ — provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60 seconds.
Two forms of compression — a standard compressor with conventional threshold/ratio/attack/release/gain controls and the Leveler™, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control.
Modeled EQ — provides 7-band parametric EQ modeled after British analog console EQs, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB.
CueMix FX cross-platform mixing software — attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Also provides full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis.
Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
“Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
Expandable — add additional interfaces for more I/O as your needs grow.
Separate TRS main outs with front panel volume control.
Stereo 24-bit 96kHz S/PDIF in/out.
Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
100% compatible with all host-based effects processing in today's popular audio programs.
Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
Plug-and-play operation with your Mac or PC via FireWire or USB2.
Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
Front panel headphone jack with volume control.
Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
Cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
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The 828mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.
The 828mk3 provides ten channels of pristine 192 kHz analog recording and playback, combined with sixteen channels of ADAT digital I/O and stereo S/PDIF. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.
The 828mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 828mk3 provides 28 separate inputs and 30 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven compression, EQ and reverb to every input and output, independent of your host computer. When recording from the mic/guitar inputs, the 828mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no digital clipping or harsh artifacts.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
After programming the on-board mixing in the studio, unplug the 828mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.
The 828mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
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UA-20: Audio Capture USB Audio/MIDI Interface
Features
The UA-20 is the standard model to Edirol's rapidly expanding UA series of USB Audio Capture devices. The unit can accept input from Mic, Line and even guitar level signals. The audio is converted at 24-bit quality and is transferred to your computer via industry standard low latency WDM, ASIO, MME drivers for compatibility with all major sequencing platforms, the input signal may be also monitored directly in hardware. Outputs include analogue, digital and headphone. The built-in MIDI in and out utilize Edirol's Fast Processing Technology for super accurate MIDI timing with any sequencing software on Mac or PC platforms and can be used with both OMS or FreeMIDI drivers on the Apple Macintosh. The UA-20 requires no external power supply and is ideal for use by mobile laptop or Powerbook users. The unit ships with drivers for Windows XP, 2000, Me, 98, MacOS X, and Mac OS 9.x, 8.5 and may also be used with the native USB audio drivers that are included with both Mac & PC.
- Audio and MIDI in a compact unit.
- Fully equipped with I/O jacks.
- Great tool for creating music.
- Edirol's FPT Technology.
Record1 pair of stereoPlayback1 pair of stereoSignal ProcessingPC interface24 bitSampling RateDigital output44.1 kHzNominal Input Level-45 – -10 dBuInput ImpedanceLINE22 k ohmsGUITAR470 k ohmsMIC22 k ohmsNominal Output Level-10 dBuOutput Impedance1 k ohmsResidual Noise LevelMaster Out-105 dBu or less
(input terminated with 1 k ohm, Master Volume = max.,
Input Monitor = off, IHF-A, typ.)InterfaceUSB
Digital output (Optical Type , conforms to S/P DIF)ConnectorsInput Jack (1/4 inch phone type) x 2
Digital Out Connector (Optical type)
Headphones Jack (Stereo miniature phone type)
Master Out Jack (RCA phono type)
MIDI ConnectorsOthersPower SupplySupplied from the computerCurrent Draw170 mAAccessoriesOwnerʼs Manual
USB cable
CD-ROMSize and WeightWidth149 mm5-7/8 inchesDepth111 mm4-3/8 inchesHeight43 mm1-11/16 inchesWeight0.2 kg0 lbs. 8 oz.
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Πρωτόκολλο Σύνδεσης USB
Αναλογικές Είσοδοι 2
Συνδετήρες Εισόδου XLR - TRS 1/4
Προενίσχυση Μικροφώνου ΝΑΙ
Τροφοδοσία Phantom 48V Ναι
Προενίσχυση Πικ-απ (Phono) OXI
Προενίσχυση Κιθάρας (DI) NAI
Αναλογικές Έξοδοι 2
Συνδετήρες Εξόδου TRS 1/4
Ενισχυτής Ακουστικών ΝΑΙ
Ψηφιακή Είσοδος ΝΑΙ
Ψηφιακή Έξοδος ΝΑΙ
Είσοδος/Έξοδος MIDI OXI
Word Clock OXI
Μετατροπείς/Ανάλυση 24bit / 48kHz
Δυναμική Περιοχή
Απόκριση Συχνότητας
Ολική Αρμονική Παραμόρφωση
Υποστήριξη Surround OXI
Συνοδευτικό Λογισμικό Pro Tools LE
Οδηγοί PC ΝΑΙ
Οδηγοί Mac ΝΑΙ
Χρόνος Εγγύησης 1
Ιδιαίτερα Χαρακτηριστικά Λειτουργεί με όλες τις μουσικές εφαρμογές
| Portable 10-in/10-out compact, mobile FireWire audio at home or on the road
The FA-101 has the highest specs available to support your most demanding applications. You get 24-bit, 192kHz simultaneous recording and playback in a compact 1U half-rack unit, with all the headroom you need.
Supports up to 24 bit, 192 kHz
Compatible with Mac OS X standard driver
Two independent, on board mic pre-amps
Capable of full duplex recording and playback on 10 independent channels
Bus powered and durable metal construction for mobile applications
Lots of ins and outs to support a wide range of recording and gigging applications
The FA-101 is a feature-packed 10x10 audio interface that can handle a full 10 channels of input/output at 24-bit/96kHz. Record and monitor all 10 channels simultaneously in full duplex. Phenomenal audio power for the studio musician! In addition, the FA-101 offers 6-channel recording and playback at 24-bit/192kHz for performance at DVD-A quality.
* 10x10 24-bit/96kHz audio performance
* 6x6 24-bit/192kHz audio performance
* Firewire bus-powered
* Direct monitoring
* Low-latency driver support
* Native Support in Mac OS X (10.3.4 or later)
* 2x phantom-powered mic preamps
* 8x8 balanced analog I/O
* S/PDIF optical I/O
* MIDI I/O |
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