ZOOM SGH-6 ΚΑΤΕΥΘΥΝΤΙΚΟ ΜΙΚΡΟΦΩΝΟ SHOTGUN ΓΙΑ ZOOM H-5 ΚΑΙ H-6

Our optional SGH-6 Shotgun capsule adds a professional-quality hyperdirectional (that is, highly directional) microphone to the H5 and the H6, making it the perfect audio recorder for anyone working in film, video or live theater, or for ENG (electronic news gathering) applications.

The SGH-6 includes

SGH-6 Shotgun capsule
Hairy Windscreen

The CS-50 is a compact, light-weight stereo condenser microphone designed for the R-4 and R-4 Pro, videographer, broadcaster, and sound designer. The CS-50 features bass roll-off capability as well as selectable wide stereo or narrow (focused) polar patterns.

From Edirol, the CS-50 Stereo Microphone is designed for use with the Edirol/Roland R4 portable digital field recorder. The microphone features wide stereo and narrow polar patterns. The wide stereo pattern reproduces audio with accurate stereo imaging while the mono pattern is focused and reduces signal at the sides of the capsule. The CS-50 features a low frequency roll-off switch for eliminating hum and low-frequency noise due to wind or proximity effect. A dual XLR output cable is supplied.

What's in the Box:

• Windscreen
• Desktop Prop
• Mic Stand Adapter
• L/R XLR Cable 6.56 feet (2m)
• Soft case
  
• 1 Year Warranty

380 χιλ. Στερεοφωνικό μικρόφωνο shotgun με τροφοδοσία Phantom

Based on models originally developed for use in the broadcast of the Sydney Olympics in 2000, the BP4027 (14.96" long) and BP4029 (9.29" long) Stereo Shotgun models are engineered for high-end broadcast and production use. Both microphones feature independent line-cardioid and figure-of-eight elements configured in an MS (Mid-Side) arrangement with switch-selectable internal matrixing. These innovative microphones allow sound recordists the choice of selecting a left-right stereo output (wide or narrow) via the microphone's internal matrixing system or choosing discreet Mid-Side signals for later manipulation, a flexibility not available from any other manufacturer. A switchable low frequency roll-off filter helps minimize the pickup of unwanted low frequency noise. These phantom-powered models feature a rugged lightweight design and sleek black color scheme, perfect for on-camera use.

Designed for broadcasters, videographers and sound recordists
Compact, lightweight design is perfect for camera-mount use
Independent Line-cardioid and Figure-of-eight condenser elements
Switchable low-frequency roll-off
Switch selection of non-matrixed M-S mode and two internally-matrixed left/right stereo modes
Includes a 0.61 m (24“) cable (5-pin XLRF to two standard 3-pin XLRM connectors)
RoHS compliant - free from all substances specified in the EU directive on hazardous substances

Frequency Response: 30-20,000 Hz
Low Frequency Roll Off: 80 Hz, 12 dB/octave
Open Circuit Sensitivity: Mid: -30 dB (31.6 mV) re 1V at 1 Pa; Side: -34 dB (19.9 mV) re 1V at 1 Pa; LR Stereo: -36 dB (15.8 mV) re 1V at 1 Pa
Impedance: 200 ohms
Maximum Input Sound Level: Mid: 123 dB SPL, 1 kHz at 1% T.H.D.; Side: 127 dB SPL, 1 kHz at 1% T.H.D.; LR Stereo: 126 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: Mid: 101 dB, 1 kHz at Max SPL; Side: 101 dB, 1 kHz at Max SPL; LR Stereo: 102 dB, 1 kHz at Max SPL
Signal to Noise Ratio: Mid: 72 dB SPL, 1 kHz at 1 Pa; Side: 68 dB SPL, 1 kHz at 1 Pa; LR Stereo: 70 dB SPL, 1 kHz at 1 Pa
Phantom Power Requiremens: 11-52V DC, 4 mA typical at 48V, each channel
Weight: 142 g (5.0 oz)
Dimensions: 380.0 mm (14.96“) long, 21.0 mm (0.83“) diameter
Output Connector: Integral XLR5M-type
Cable: Dual 0.61 m (24“) shielded two-conductor, terminated in two XLR3M-type connectors
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; AT8135 foam windscreen; 5/8“-27 to 3/8“-16 threaded adapter; protective carrying case

Τώρα οι εικονολήπτες μπορούν να χρησιμοποιήσουν στερεοφωνική ηχογράφηση στουντιακού επιπέδου σε εξωτερικά γυρίσματα με μεγάλη ευκολία. Η Χ/Υ ρύθμισή του επιτρέπει στο Stereovideomic να ηχογραφεί το πραγματικό περιβαλλον του χώρου, κρατώντας παράλληλα σε χαμηλά επίπεδα τους background και low end θορύβους. Επίσης διαθέτει το ίδιο κυκλωμα χαμηλού θορύβου όπως και το κορυφαίο σε πωλήσεις VideoMic. To StereoVideoMic επίσης προσφέρει λειτουργία 9V με μπαταρία, ένδειξη μπαταρίας με LED, high pass φίλτρο και διακόπτη PAD -10 dB έτσι ώστε να μπορεί να χρησιμοποιηθεί με τις περισσότερες κάμερες διατηρώντας πάντα τον έλεγχο της έντασης του ήχου. Μπορείτε να το χρησιμοποιήσετε και σε stand ή σε καλάμι boom.    

Audio-Technicaʼs high-SPL BP892 MicroSet® offers the ultimate in low-profile, high-performance audio. Delivering clear and accurate sound in an inconspicuous package, the ultra-lightweight BP892 hooks securely behind either ear and can be worn for hours without fatigue. For maximum stability and comfort, the included AT8464 dual-ear microphone mount converts the MicroSet to a dual-ear-worn unit.

The microphone features a flat, extended frequency response and other outstanding performance specifications, resulting in extremely intelligible, natural audio for stage and television talent, lecturers and houses of worship. Protected by a highly durable Parylene coating, the new headworn mic is built to stand up to the rigors of day-to-day use.

Handles high sound pressure levels with ease
Extremely intelligible natural audio
Inconspicuous, lightweight headset with capsule diameter of just 2.6 mm is ideal for applications requiring minimum visibility
Ergonomic under-ear design—flexible, lightweight contoured loop hooks behind the ear for an ultra-secure, comfortable fit with or without glasses
Comes equipped with AT8464 Dual-Ear Microphone Mount that converts single ear-worn MicroSet to a dual-ear-worn unit for maximum stability and comfort
High-pass filter on power module provides a steep low-frequency attenuation to improve sound pickup without affecting voice quality

Element: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Omnidirectional
Frequency Response: 20-20,000 Hz
Low Frequency Roll-Off: 80 Hz, 18 dB/octave (wired only)
Open Circuit Sensitivity: –49 dB (3.5 mV) re 1V at 1 Pa
Impedance: 250 ohms (wired only)
Maximum Input Sound Level: 135 dB SPL, 1 kHz at 3% T.H.D.
Dynamic Range: (Typical)    104 dB, 1 kHz at Max SPL (wired only)
Signal-To-Noise Ratio: 63 dB, 1 kHz at 1 Pa
Phantom Power Requirements: 11-52V DC, 2 mA typical (wired only)
Switch: Flat, roll-off (wired only)
Current Consumption: 0.1 mA typical at 5V (wireless only)
Voltage Range: 2.5-11V (wireless only)
Weight (Microphone):    Microphone, boom & earpiece: 2.6 g (0.09 oz)
Weight (Power Module): 85 g (3.0 oz) (wired only)
Dimensions Microphone: 8.1 mm (0.32“) long, 2.6 mm (0.10“) diameter Boom: 98.4 mm (3.87“) long, 1.07 mm (0.04“) diameter
Dimensions (Power Module)@ 97.6 mm (3.84“) long, 18.9 mm (0.74“) diameter (wired only)
Output Connector: (Power Module)    Integral 3-pin XLRM-type
Cable: 1.4 m (55“) long (permanently attached to microphone), 1.6 mm (0.06“) diameter, 2-conductor shielded cable with locking 4-pin connector (wired only)
Accessories Furnished: BP892: AT8539 power module (wired only); AT8464 dual-ear microphone mount; AT8440 cable clip; two AT8157 windscreens; two AT8156 element covers; moisture guard; belt clip (wired only); carrying case BP892-TH: AT8539 power module (wired only); AT8464-TH dual-ear microphone mount; AT8440 cable clip; two AT8157-TH windscreens; two AT8156-TH element covers; moisture guard; belt clip (wired only); carrying case
Audio-Technica Case Style: M31

Internally switchable proximity effect compensation and sensitivity reduction.

The BCM 104 condenser microphone is the first product in the new Broadcast Line,
which is especially tailored to the demands of professional radio announcing.
What sets the Broadcast Line apart is a completely independent, functionally-
optimized design derived from extensive 3D simulations.
The large-diaphragm condenser capsule used in the BCM 104 has a cardioid directional
pattern with internally switchable proximity effect compensation. A second switch allows
the sensitivity to be reduced by 14 dB.
The microphone headgrill twists off easily for quick cleaning. Neumann offers optional,
color-coded headgrills so that, for reasons of hygiene, each announcer working at an
announcing desk can use his or her individual headgrill.
Directly in front of the capsule, mounted on a frame holder, is a piece of fine gauze that
serves as a built-in popscreen.
The BCM 104 has an elastic mount against structure-borne noise, that is compatible with
standard broadcast-segment microphone arms.

Features:
Cardioid microphone for broadcast & studio
Large diaphragm condenser capsule with
switchable proximity compensation
Distinctive design
Integrated pop screen
Quick release head grille for easy cleaning
Individual head grilles available for each user

Acoustic features
The microphone headgrill houses the K 04 large-diaphragm capsule, which has a flat frequency
response up to 3 kHz. Higher frequencies have an increased presence of 2 dB maximum.
Since the above-mentioned microphone characteristics are obtained without the use of resonance
effects, the microphone features excellent transient response and transmits all transient phenomena
of music and speech without any coloration.
The integrated Pop Screen
A pop screen not only prevents the occurrence of plosive pop noises in vocal recordings, but also
efficiently prevents unwanted particles, from respiratory moisture, nicotine, to food remnants, from
settling on the diaphragm.
The pop screen can be removed for cleaning without the use of tools.

Electrical features
Instead of a transformer to couple the microphone output to the supply voltage, the BCM 104
has an electronic circuit which, like a transformer, provides for good common mode rejection.
Interference induced in the balanced modulation line is thus suppressed as usual.
With a very low self-noise of 7 dB(A), and an overload capability extending to 138 dB SPL,
the BCM 104 has a dynamic range of 131 dB (DIN/IEC 651).
Filter and Preattenuation
The BCM 104 amplifier has a linear operation down to 20 Hz. An active filter efficiently suppresses
signals below this frequency. In order to compensate for the proximity effect, a high-pass filter,
electronically activated by a switch, is built into the microphone. This filter reduces frequencies
below 100 Hz by 12 dB/octave.
A 14-dB preattenuation switch is provided in order to adjust the sensitivity, if necessary,
to transmission circuits designed for dynamic microphones. But this will increase the
self noise by 14 dB.Both switches are located inside the microphone housing, since they
will normally be operated only once, when the broadcasting facility is set up.
Mounting
The preferred mode of operation is to suspend the BCM 104 from a standard studio boom arm.
A thread adapter to fit different connector threads is included.
In order to provide protection from structure-borne noise, both the capsule and the microphone
in its mount are elastically suspended.
The optional SG 5 swivel mount allows additional angling of the BCM 104 by +/-90 degrees.

Application hint:
While designed to be an announcer's mic for broadcasting and studio, this is
just one of the most common applications. With additional experimentation,
you will gain maximum use from this microphone.

Technical Description:
Acoustical operating principle: Pressure gradient transducer
Directional pattern: Cardioid
Frequency range: 20 Hz -- 20 kHz
Sensitivity at 1 kHz into 1 kohm: 22 mV/Pa
-14 dB attenuation: 4.4 mV/Pa
Rated impedance: 50 ohms
Rated load impedance: 1000 ohms
Equivalent SPL CCIR 468-3: 18 dB
Equivalent SPL DIN/IEC 651: 7 dB-A
S/N ratio CCIR 468-3: 76 dB
S/N ratio DIN/IEC 651: 87 dB
Maximum SPL for THD 0.5%: 138 dB
Maximum SPL for THD 0.5% with preattenuation: 152 dB
Maximum output voltage: 10 dBu
Dyn. range of the mic. amplifier DIN/IEC 651: 131 dB
Supply voltage: 48 V +/- 4 V
Current consumption: 3.2 mA
Matching connector: XLR 3 F
Weight: 500 g
Diameter: 64 mm
Length: 85 mm