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The MZU 2008 switching unit can be installed in 19” racks for selective voice/music switching in 8 audio zones, with the possibility to increase the number of zones as multiple of 8, adding other MZU 2008 in cascade. Selection of the zones in which the music is to be interrupted and an announcement transmitted is carried out from the MBT 8008 control console. Using the 8 "MUSIC” keys on the front panel, you can choose in which of the 8 audio zones to play the normal background music and in which zones no music is to be played. The system can be configured in one of the following ways: • a) the 2 inputs of the unit are driven by two amplifiers, one of which is dedicated to voice transmission and the other to music transmission. The 8 outputs of the unit drive the 8 speakers of the 8 audio zones. • b) the 2 inputs of the unit are driven by two signal preamplifiers, one of which is dedicated to voice transmission and the other to music transmission. The 8 outputs of the unit drive the 8 power amplifiers dedicated to sound diffusion in the 8 audio zones.
Code
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12944
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Characteristics
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1 rack unit with frame with RAL 7035 light grey paint finish
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Inputs
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2 music inputs with two wires, speech with three wires, one of which is used for emergencies (for amplifiers)
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Outputs for loudspeaker line (zones)
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8 with three wires, one of which is used for Emergencies
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Max. applicable power
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1200 Watt/100 V, 840 Watt/70V, 600 Watt/50V, 300 Watt/25V
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Controls
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Speech key for each zone. Music key for each zone. General call key. Power ON-OFF key
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Remote controls
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Zone selection control. General call command. Activation of emergency and OPEN COLLECTOR output
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Output power supply
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Power supply +15/0/-15 VDC
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Luminous indicators
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Speech Led and Music Led per zone. General call indicator led. Emergency indicator led. Power ON-OFF indicator led
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VAC Power supply
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230 VAC with external power supply unit
120 VAC with external power supply unit
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Optional accessories
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MBT 8008 microphone base
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Product Features: 16-channel digital stereo mixer to create your personal monitor mix Ultra-intuitive \"analog\" operation with total recall and 16 presets for custom mixes State-of-the-art 24-bit D/A converters for premium audio quality 16 Channel Select buttons with dual LEDs for perfect overview Level and Pan/Spread control per channel with LED meter 3-band EQ per channel with mid-band frequency control Solo and Mute functions per channel Global Level and EQ controls plus Panic Mute function High power and \"drummer proof\" headphones output Fully adjustable limiter protects your ears and headphones Additional mono/stereo line output to connect your powered monitor MIDI IN port for real-time remote control of all channels by external MIDI device such as BEHRINGER BCF2000, BCR2000, etc. Standard CAT5e connection delivers power and 16 signals to each Personal Mixers ULTRANET connector to daisy-chain up to forty-eight P16-M mixers for large systems (in conjunction with P16-D) Ultra-low system latency of less than 1 millisecond Powered via external power supply (included) or P16-I / P16-D Mounts easily on a mic stand with the P16-MB mic stand mount (not included) Extremely rugged construction ensures long life even under the most demanding conditions Conceived and designed by BEHRINGER Germany
User\'s Manual |
An elegant slim-line device contains all the functions required by a system for distributing different musical programmes in homes for multi-room sound systems and commercial premises.
Three different musical programmes and one for paging can be transmitted in five mono zones, or alternatively four zones, one of which is in stereo. It is also possible to extend the number of zones to ten using a simple connector to interlink two systems. The system has five amplified 20 W / 4 ohm outputs. For each of the five zones, a direct auxiliary input is available for connecting sources such as CD players or mixers to be used exclusively for one zone/room.
The back-lit display and function keys make it possible to access all the menus for configuring and adjusting the system: Volume, Tone, Loudness, Output settings, VOX.
Features |
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3 Music Source Inputs individually selectable to each output | One Input Source with Override facility (Jukebox or Auto Announcer) | 5 zoned outputs (Mono) or 1 Stereo and 3 Mono Output Zones | Can be expanded interlink of two or more MS520 units | Inbuilt 20W into 4 Ohms 5 channel Amplifiers (1 Stereo – 3 Mono Option) | Direct Inputs and Outputs on each zone | Paging or Alarm Input Override System | Full Digital Matrix control of functions to all 5 zones | Up to 10 remote control panels RC 62 can be connected to each MS 520 |
AMPLIFIER SPECIFICATIONS |
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Power output: | 5 x 20 | Watt rms | Frequency Response (Music): | 30 ÷ 45 | Hz ÷ kHz | Frequency Response (Direct): | 30 ÷ 45 | Hz ÷ kHz | Frequency Response (Paging): | 200 ÷ 18 | Hz ÷ kHz | Distortion: | 0.5 | % | Signal / noise ratio (Music): | -78 | dB | Signal / noise ratio (Direct): | -78 | dB | Signal / noise ratio (Paging): | -60 | dB |
INPUT SECTION |
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Input sensitivity (Music): | -16 | dBu | Input sensitivity (Direct): | -16 | dBu | Input sensitivity (Paging - Line): | - 43 ÷ -27 | dBu | Input sensitivity (Paging - Mic): | - 58 ÷ -41 | dBu | Bass Tone: | (100 kHz) ± 8 | dB | Treble Tone: | (12.5 kHz) ± 8 | dB |
OUTPUT SECTION |
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Out level: | -6 / -10 | dB | Protections: | Short ciurcuit, thermal, AC / DC fuses | | Power supply: | 16 | V dc |
POWER REQUIREMENT |
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Operating voltage: | 220÷240 / 110÷120 V ~ 50 / 60 Hz | V ~ Hz | Power (consumption): | 370 | W | Max. Available power: | 100 | W |
PHISICAL SPECIFICATION |
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Width: | 438 / 17.24 | mm/inch | Height: | 44 / 1.73 | mm/inch | Depth: | 253 / 9.96 | mm/inch | Net Weight: | 3.66 / 8.06 | Kg/Lbs |
SHIPPING INFORMATION |
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Package height: | 75 / 2.95 | mm/inch | Package width: | 520 / 20.47 | mm/inch | Package depth: | 280 / 11.02 | mm/inch | Shipping Weight: | 4.18 / 9.21 | Kg/Lbs |
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Product Features:
16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality
8 analog, servo-balanced XLR outputs
AES50 network ports featuring KLARK TEKNIKʼs SuperMAC networking capability for ultra-low jitter and latency
Up to 100 m networking capability via CAT-5e cable (not included)
Dual AES50 ports for cascading S16 units—no merger or router required
Precise LED metering plus 7-segment displays for signal control on stage
Phones output assignable to any of the inputs/outputs for on-stage monitoring
Connectivity for BEHRINGER's P-16 Personal Monitoring System for In-Ear applications (not included)
Dual ADAT outputs for use in splitter mode and stand-alone digital multicore applications
MIDI In/Out for bi-directional communication between FOH console and on-stage MIDI devices
USB connector for system updates via PC
"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
"Built like a tank" yet compact, all-steel 2U rack-mount chassis
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
KLARK TEKNIK AES50
KLARK TEKNIK SuperMAC (AES50-Compliant) technology gives the S16 its high-capacity digital interconnectivity with ultra-low latency operation, as well as superbly simple deployment and ease of use. KLARK TEKNIK engineers worked hand-in-hand with BEHRINGER product developers to ensure the S16 meets, or exceeds, the requirements of live performance entertainers and their professional audio engineers. Some of the outstanding features are:
48 bidirectional audio channels over CAT5 cable (48 kHz)
24 bidirectional audio channels over CAT5 cable (96 kHz)
Single cable duplex interconnection for audio and sample clocks
Ethernet physical layer audio data transmission
High channel count and ultra-low deterministic latency
Accurate phase-aligned clock distribution.
Comprehensive error detection
and management
Provision for redundant networking
Minimal configuration ñ total ease of deployment and use
Ethernet TCP/IP protocol-compatible auxiliary data channel
Royalty-free implementations available as Xilinx FPGA cores
OEM modules available from developer partners
User's Manual
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The dbx 530 Parametric EQ offers a unique degree of equalization flexibility in the popular 500 Series format. Based upon the classic dbx 905, the dbx 530 is an uncompromising equalizer offering true, fully parametric operation of all three filter bands! dbx has a much-heralded history with modular processors dating back to our 900 Series, and the dbx 530 continues that tradition.
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The dbx 510 answers the call of audio professionals everywhere delivering Subharmonic Synthesis in the convenient design of a 500 Series module. The 510’s two separate bands of subharmonic synthesis provide the best combination of smoothness and control, while the independent Low Frequency Boost circuit is designed to get the most out of high-performance, low frequency speaker systems. Unlike other attempts at bass synthesis, the dbx process produces musical low frequencies that don’t interfere with mid and high-band information, even when the maximum synthesis and boost are applied. The result is a low-end punch that people really feel!
Put some boom in your room with the dbx 510! |
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