Allen & Heath ICE-16 Multitrack recorder 16 chan.

Connect

Multiple units can be daisy-chained over the FireWire bus, or kept in sync using the DIN connectors when recording on multiple USB devices, making iCE-16 the perfect companion for both small and large analogue consoles such as our acclaimed ZED, MixWizard and GL mixers. Plug into your desk Direct Outs or use a mix of Groups and Aux sends to save on channels.

Record

The USB DRIVE is automatically detected and checked by the system. Starting the recording is as simple as pushing a button. Remove and plug the key into a computer to access or transfer the WAV files to any DAW.

Interface

Removing the USB stick or powering up the unit without one enables the USB / FireWire interface. Signals present at the inputs will be sent to the Mac or PC on channels 1-16. WDM/ASIO drivers and USB2.0 class compliance ensure full compatibility with most DAWs, including Logic, Sonar, Cubase and Pro Tools.
Play

Fancy a ʽvirtual soundcheckʼ or just need to play cues during a live gig? Tracks can be played back directly from the USB drive and full multichannel audio can be sent from the computer to the ICE-16 analogue Outputs.

The ultimate record-anywhere multitrack.
Capture inspiration whenever and wherever you are.
The new MR-8 Mk II is the easiest to use digital multitrack ever. If you can operate a tape recorder, you'll be recording and multitracking within minutes of opening the box.

By putting all the major controls and functions right there on the top panel instead of buried in a confusing menu system, the MR-8 Mk II, unlike some other recorders, actually aids you in capturing your musical ideas. In addition there's great sounding built-in digital effects, guitar amp and mic simulators, handy mix-down effects, plus the ability to hook up to a PC for data editing, and backing up your songs.
You create. Fostex records.

New for the Mk II is the USB host feature which allows for the easy connection of an 'off-the-shelf' CD-R burner via USB. Making CD masters has never been more simple.

Recording time
Recording time in normal mode (16bit/44.1kHz) is approx. 25 track-minutes on the supplied 128MB CF card and 50 track-minutes on a 256MB card. Extended mode (16bit/22.05kHz) doubles the recording time. Note that recording time varies depending on recorded source, punch in/out, undo/redo status, etc.

Features
8 tracks of recording and playback using CompactFlash cards

2 track simultaneous recording

Superb in-built digital effects inc Mic and Amp simulations

USB Host function for CD burning with 'off-the-shelf' CD burner

2 mic inputs with +48V Phantom Power

Details
8-track recording onto CompactFlash Card.

High quality sound recording and playback with uncompressed linear 16-bit/44.1 kHz digital audio (normal mode) with 2 track simultaneous recording and 8 track playback.

LP Mode (16-bit/22.05 kHz) doubles the recording time.

Physical knobs and buttons for intuitive operations. A new dial knob for menu selection.

Newly added +48V Phantom Power on all two Mic Inputs for wider choice of microphones.

USB Host function ready for CD burning on an off-the-shelf external CD-R drive.

Improved 132 x 64 dot-matrix LCD and self illuminating keys visually show the current status.

Improved built-in digital effects including Reverb, Delay as well as Guitar Amp and Microphone simulations

Black colored top panel design

Analog guitar distortion with the dedicated knob on Input A.

Full-track (8-track) bouncing to a "New Song (track 7/8) for PC transfer and CD burning.

Mastering effects for stereo buss.

USB port for stereo WAV file transfer to and from PC

AC and Battery (6 x AA alkaline cells) operation. Approx. 4 hours maximum operation time with batteries. Includes AC adapter.

Built-in microphone for handy song memo.

Two headphones outputs.

Free "WAV Manager" software available for multiple mono files transfer to and from PCTechnical InfoRecording / Playback
Recording medium CompactFlash

Recording time approx. 6 minutes (8-track on 256MB CF) normal mode

Recording format FAT16

Sampling frequency 44.1 kHz (Normal Mode), 22.05 kHz (LP Mode)

Quantization 16-bit linear (non-compression)

A/D converter 24-bit Delta-Sigma

D/A converter 24-bit Delta-Sigma

No. of recording track 8 tracks maximum

No. of simultaneous rec. 2 tracks

Recording/reproduction frequency 20 Hz - 20 kHz (Normal Mode)

Dynamic range 87dB or more (typical) (Normal Mode)

T.H.D. 0.05% or less (typical) (Normal Mode)

Inputs / Outputs
Analog in (input A/B)

Connector XLR-3-31 type (Pin2:hot) and 6mm TRS phone

Input level -48dBV (MIC) - +4dBV (LINE)

Input impedance 1.5k ohm or more 400k ohm or more (GUITAR on INPUT A)

Phantom power P48V (on/off selectable)

Stereo out (L, R)

Connector 6mm stereo phone

Output level -10dBV (unbalance)

Load impedance 10k ohm or more

Headphones (phone 1, 2)

Connector 2 x 6mm stereo phone

Max. output 30mW or more (at 32 ohm)

Load impedance 16 ohm or more

MIDI out

Connector DIN 5 pin

Format MIDI standard

Foot switch

Connector 6mm phone

Level TTL level

USB 2.0 HI-SPEED

Connector B type

USB 1.1

Connector A type

General
Dimensions 286(W) x 220(D) x 65(H) mm

Weight approx. approx. 1.6kgs

Power requirement DC12V, 400mA

Features at a glance

• Supports Sennheiser wireless system mics and transmitters (DR-10CS)
• Supports Shure wireless system mics and transmitters (DR-10CH, DR-10CS with optional AK-DR10CH panel)
• Supports Sony/RAMSA wireless system mics and transmitters (DR-10CS/DR-10CH with optional AK-DR10CR panel)
  Note: The Sony/RAMSA panel has a sliding switch to allow proper wiring configuration
• 48kHz/24-bit linear PCM mono recording
• WAV files (compatible with BWF format)
• Media: microSD/SDHC cards (supports 32GB capacities)
• Sliding record switch and hold function to prevent misoperation during recording
• Dual recording function
• automatic file closing function to prevent the loss of already recorded data
• High/Mid/Low recording level settings
• Low-cut filter
• Limiter
• Automatic level function
• With a built-in clock function, supports BWF files that can have time information added - convenient for editing and searching
• Time track incrementing function can create new files at regular intervals (every 15 minutes) during recording
• Playback function allows recorded data to be checked immediately
• Headphone output
• Easy-to-read organic EL display
• micro USB B port enables easy data exchange with computers
• Records at least 10 hours on a single AAA battery * using alkaline batteries (EVOLTA)
• Unit settings can be created and transferred as a computer text file
• Settings can be transferred between DR-10C units using the infrared transmission function
• Firmware can be updated using a microSD card
• Belt clip included
• Silicon band that can be used to attach the unit to a transmitter included
• Custom case for storing the unit and accessories included
• RoHS-compliant product

The Tascam iM2X turns an Apple iPhone 4, iPad or iPod Touch 4G into a powerful PCM audio recorder for CD-quality recordings. It consists of a pair of condenser microphones and a high-quality preamp and plugs into the dock connector of the iOS device. The microphone elements are XY oriented for clear stereo definition and minimal phase differences. Moreover, they are adjustable over 180 degrees for the best sound placement.

Unlike mics that use the iOS deviceʼs built-in preamp, the iM2X with its internal A/D converter ensures low noise and better linearity in frequency response. The microphone elements also used in Tascam DR series recorders can handle sound pressure levels up to 125 dB to capture the loudest concerts and instruments without distortion. Thanks to an input level control and a two-colour level meter, level adjustment is very simple. A switchable limiter also contributes to this by reducing sudden peaks and protecting against unforeseen overload.

The iM2X powered through the dock connector, so no battery is required. A USB input is provided to charge the iOS device for long recordings, either through a computer or a USB charger.

An appropriate 2-track recording application (Tascam PCM Recorder) for iOS devices can be downloaded from AppStore at no charge.

Main Features

Turns your Apple iPhone 4, iPad or iPod Touch 4G into a high-grade PCM audio recorder
Stereo condenser microphone in XY orientation for clear stereo definition and minimal phase differences
Accepts sound pressure level up to 125 dB SPL
Microphone can be swivelled by 180 degrees to capture sound sources in front or behind the unit
Allows recordings in CD quality (44.1kHz/16-bit)
Input level rotary control
Input level indicator (green/red)
Switchable limiter to avoid distorted recordings
Power supply via dock connector, no battery required
USB connector available for recharging the iOS device
Easy setup (attaches to the deviceʼs dock connector)
Tascam 2-track recording app can be downloaded from the Apple AppStore at no charge
Specifications

General
Microphone type        Cardioid condenser (stereo)
Maximum input level        125 dB SPL
Input level adjustment range        0–40 dB
Frequency range        10 Hz – 20 kHz
Sampling frequency        44.1 kHz
Bit rate        16 bit
iOS device recharging port        USB Mini-B connector
iOS device connector        30-pin dock connector
Device support        iPhone 4S, iPhone 4, iPad (3rd generation), iPad 2, iPad or iPod touch (4th generation)
Power supply and other specifications
Power supply        Provided through the iOS device connector
Power consumption        90 mW
Dimensions (W x H x D)        56 mm x 57 mm x 22 mm (including connector)
Weight        30 g
Operating temperature range        5–35 °C
Design and specifications subject to change without notice.

The TASCAM SS-200 Solid State Recorder - designed for the Broadcast and Contractor markets - record in WAV & MP3 to Compact Flash, SD/SHC, and USB memory. The SS-R200 features parallel and RS-232C serial control balanced & unbalanced I/O, and coaxial digital I/O.  It supports the RC-20 direct play remote for up to 20 tracks of flash start.

• Solid state recoding to any available Media (CF, SD/SDHC, USB Memory)
• One-rack-space compact design
• Up to 20 tracks of flash start with RC-20 and RC-SS20 remote control devices
• PS/2 or USB keyboard connection for file name edit, transport control, edit and flash start
• RS-232C and Parallel Control I/O
• Multiple playback modes for situations requiring continuous, single, programmed and random playback
• Playback speed control without pitch change
• XLR balanced I/O, RCA unbalanced I/O, coaxial S/PDIF, or AES/EBU digital I/O
• Dimensions (W x H x D): 19 x 1.8 x 11.9 (in)  482.6 x 44.5 x 301 (mm)
• Weight:  7.50 (lbs)  3.4(kg)

• Record to SD/SDHC card (Up to 32GB)
• Simultaneously record up to 4 tracks
• Record Mode：MONO, STEREO, DUAL MONO, DUAL STEREO, 4-CHANNEL
• Recording format：44.1/48/96kHz 16/24bit (WAV/BWF)
• TASCAM original HDDA microphone preamps
• Recording levels can be adjusted independently for the 1/L, 2/R and 3-4 inputs
• Two XLR/TRS inputs support +4dBu line level input and phantom power (24 or 48VDC on XLRF)
• Plug-in power and high-output mic input supported on inputs 3-4
• CAMERA OUT connector for output from the DR-60D's mixer (adjustable gain)
• CAMERA IN connector for sound monitoring from the camera
• Independent adjustable LINE OUT and HEADPHONE jacks for high-quality sound output
• 50mW/ch headphone output
• Tripod mounting socket (bottom) and DSLR mounting screw attachment (top)
• Handles protect the screen and can be used to attach a shoulder strap
• Soft-Touch Rubber Keys for silent operation
• HOLD switch to prevent accidental operation
• QUICK button feature for easy access to various functions
• 128x64 pixel LCD with backlight
• USB 2.0 connection for high-speed transferring of files
• Mini USB cable included
• Operates on 4-AA batteries, an AC adapter (sold separately) or USB bus power
• Can extend battery life with BP-6AA battery pack (sold separately)
• Dedicated remote control jack for the wired RC-10 remote control or RC-3F footswitch (both sold separately)
• Internal mixer: PAN and LEVEL controls
• Low cut filter(40/80/120Hz)
• Limiter (1/L and 2/R can be selected for link-operation)
• Delay function for microphone distance adjustment (up to 150ms)
• M-S decode function
• Slate tone generator (AUTO/MANUAL)
• Selectable duration of slate tone from four positions (0.5/1/2/3 sec, when auto-generated)
• Selectable slate tone generation. 3 positions: OFF/HEAD/HEAD+TAIL, when auto-generated
• File name format can be set to use a user-defined word or date
• Dual-recording function allows two files to be recorded simultaneously at different levels
• Auto-record function can automatically start and stop recording at set level
• Pre-recording function allows the unit to record a 2 second sound buffer before recording is activated
• Self-timer function for solo recording
• New file starts recording automatically without interruption when maximum file size is reached
• Track incrementing function allows a recording to be split by creating a new file when desired
• Jump back and play function
• Equalizer function for playback, and level alignment function to enhance the perceived overall sound pressure
• Resume function to memorize the playback position before the unit is turned off
• MARK function up to 99 points per audio track
• DIVIDE function

• The recording times shown above are estimates. They might differ depending on the SD/SDHC card in use.
• The recording times shown above are not continuous recording times, but rather they are the total possible recording times for the SD/SDHC card.
• If recorded in mono in WAV files, the maximum recording time will be double the figures above.
• For dual and 4-channel recording in WAV/BWF format, the recording times are about half those shown above.